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Rozprawy doktorskie na temat „Photographed moment”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 1 lutego 2022

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1

Xie, Jiahua. "Moment beyond moment." Click here to access this resource online, 2008. http://hdl.handle.net/10292/452.

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This practice-based project explores the photographic phenomenon of ‘moment beyond moment’, which refers to the combined representations of an existing image in an environment, together with the real-life situation at the moment the photograph is taken. I call this photograph an ‘extended photograph’. Employing practical works of extended photographs and focusing on interactions between the moment in real-life and the moment in an existing image, the research explores the transformation of meanings caused by the interactions of these moments in an extended photograph. The research owes its app

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Schnarr, Christopher E. "Moments between the surface : photography and fiction." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/935913.

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Architecture exists as shelter, separating space into the inside and the outside. This separation is a crucial point in our experience of architecture. This separation is the first moment of physical interaction with the construct in our penetration of the construct. However, architecture is not only a physical language. It is nonphysical, in that architecture is defined as the art and science of building, etc. This separation, internally, both produces the architecture as well as the ideas that are produced from the architecture. Architecture is held in-between, the movement or passage from o

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Castoro, Manila. "The decisive moment and the moment in between : Kairos, Tyche and the play of street photography." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/60420/.

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This dissertation provides a theoretical and historical exploration of two contrasting approaches and attitudes that took hold in street photography during the 1950s, and of their impact on the street photography of the 1960s and 1970s. The two approaches and attitudes are identified as, firstly, that of the "decisive moment," and, secondly, what is referred to as the "moment in between." The former attitude was famously introduced by Henri Cartier-Bresson and exemplified within his work, while the latter is distinctly manifested in the work of William Klein and Robert Frank. Through a compara

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Ebner, Bonnie M. "Many telling moments the essence of fragmented image culture /." Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002116.

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Thallon, Norma-Louise. "The relationship between the visual and the verbal within a comedic moment : after the laughter." Thesis, Royal College of Art, 2011. http://researchonline.rca.ac.uk/396/.

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This research looks at comedy and question what its function is. It identifies the gag as a specific moment that solicits laughter and examines what is expressed within and through a gag and whether a gag can trigger a change in our thinking. What are the structures, functions and outcomes of a gag? The project approaches these questions through an examination of the relationship between the visual and the verbal within the gag. This examination involves two very different types of comedy, silent and stand-up, and considers specific gags from both. The methods used for this examination take th

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Kaufman, Sarah K. "Moments of Absorption." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1133.

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Moments of Absorption explores the conceptual and visual themes that are presented in my MFA thesis exhibition. The research looks into the absorption of the nude subject, the gestures that communicate this absorption, and the domestic space as a stage for the presentation of these gestures. This work investigates a tension between the theatrical and the natural as represented by images.

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Bruce, Janine. "Static Moments Photographic Notions of Time in the Paintings of Degas, Vuillard, Bonnard and Sickert." Thesis, University of Canterbury. Art History and Theory, 2012. http://hdl.handle.net/10092/8192.

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This thesis explores the relationship between photography and painting from the mid-nineteenth-century to the early twentieth-century. Specifically, I focus on the artistic outputs of four painters, Degas, Vuillard, Bonnard and Sickert, and the different manners in which they incorporated photography within their creative practices. In particular, I concentrate on photography’s representation of and relationship with time, discussing this in relation to three concepts, that of the narrative moment, memory and motion; concepts that painters often experimented with and explored during the timefr

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Korver, Ruth M. "In memory of cats : the camera and the ordinary moment : a thesis presented in partial fulfilment of the requirements for the degree of Masters in Fine Arts at Massey University, Wellington, New Zealand." Massey University, 2009. http://hdl.handle.net/10179/956.

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In memory of cats: The camera and the ordinary moment looks at the way in which families use photographs to remember the past. Photography’s offer of memory is limited to a visual trace, so strategies of oral telling are examined to interrogate the way in which memories can be recovered from photographs. Martha Langford’s study of the similarities between structures in oral culture and the photograph album and Annette Kuhn’s strategies for reading family photographs in a broader historical context, are used to examine and recover memories from my own photographic archive. Using moving image to

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Martins, José Francisco Greco. "Despejo da favela Jardim Maria Virgínia: fotografias, práticas e representações sociais nos momentos de perigo (1999 e 2011/12)." Pontifícia Universidade Católica de São Paulo, 2015. http://tede2.pucsp.br/handle/handle/2576.

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Made available in DSpace on 2016-04-25T20:21:31Z (GMT). No. of bitstreams: 1 Jose Francisco Greco Martins.pdf: 3777368 bytes, checksum: 2e84278c0946fce6f6cb13dfbebd31d6 (MD5) Previous issue date: 2015-09-25<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The present research problematizes the social practices and representations within the social space of the favela (slum) Jardim Maria Virgínia (JMV) in the years of 1999 and 2011/12. The area is located in the southern outskirts of the city of São Paulo, in the Campo Limpo district. The research was carried out through a qu

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Revenäs, Björn. "Några aspekter på filmens tid : Ögonblicket och nuet i filmen och fotografiet." Thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62335.

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Abstract Cinematic time is the most complex of all: it is composed of public time (clock), personal time (experienced) and in addition, it can run backwards, be contingent, stored and (re)created. The present study examines some aspects of cinematic time, with special reference to the instant, the moment and the present. The strictly defined instant or moment does not exist. It is a passage between the past and the future and it is impossible to record on film or a photograph. One example is the moment of death, which is an abstraction with zero duration. The present must consequently conta

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Vogelová, Tereza. "Chaos." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2012. http://www.nusl.cz/ntk/nusl-232326.

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The existing world is becoming more disrupted and is falling apart. For its resurrection and restoration, a new way of thinking is necessary. This new type of thinking is needed to be able to open up its mind and to think about the process of thinking itself; it must understand what is happening in other systems, where processes seem to be taking place by themselves without any other visible interference. First Chaos is the title for an intermedia installation which contains 90 black and white photographs, both digital and analogue, all of which were taken between the years 2008 and 2012. Toge

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"Moments in photography." 2002. http://library.cuhk.edu.hk/record=b5891340.

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Lo Ka Yu.<br>"Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2001-2002, design report."<br>Includes bibliographical references (leaves [62]-[63]).<br>Chapter 1.0 --- initiation<br>Chapter 1.1 --- statment of intent<br>Chapter 1.2 --- exploration<br>Chapter 1.3 --- initial thinking<br>Chapter 1.4 --- photography . tools<br>Chapter 1.5 --- my images<br>Chapter 1.6 --- Henri cartier-Bresson<br>Chapter 1.7 --- my moment<br>Chapter 2.0 --- study<br>Chapter 2.1 --- "ex.1, images making process"<br>Chapter 2.2 --- ex.2. ./. photo & arch<br>Chapter 2.3 --- "

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Lin, Yucheng, and 林郁程. "Living In a Flat Moment― Illustration of Personal Photographs." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/a8e8r6.

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碩士<br>國立臺灣藝術大學<br>視覺傳達設計學系碩士班<br>101<br>Abstract Compared with other typical of photographs, we always cherish our personal photographs most, because we memories of something or someone by reading those photographs. The writer tries to read his own personal photographs in different ways. Those images of the photographs are not only have different meanings for different readers metaphysically, but also have been reserved and copied on several different media physically. Therefore, the writer thinks it seems like these images of the photographs have journeys of image dissemination from this med

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Li, Kun-Hsueh, and 李坤學. "Decisive Moment of Toss by Cheerleading in the Sports Photography." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/65695966060912623247.

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碩士<br>國立臺灣師範大學<br>體育學系<br>104<br>The purpose of this study was to find out capturing cheerleading sport photography in the decisive moment essentials. Interviewed four cheerleading senior sports photographer with semi-structured interviews. Summed cheerleading photography shooting guidelines to the future cheerleading sport photographer, that they could understand the shooting process of quickly and select correct equipment. Results: Cheerleading sport photography need to have the camera with a high-speed continuous shooting and excellent focusing performance. And lens characteristics was larg

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Chen, Chan-Huan, and 陳正桓. "" A touching moment " - A study about Documentality in Wedding Documentary Photography." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/c4u85m.

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碩士<br>國立臺中科技大學<br>商業設計系碩士班<br>100<br>"Photographic" has a very important purpose to record the history. Therefore the definition of Documentary becomes a more in-depth discussion. Wedding documentary is a type of documentary photography. Especially after the popularity of photography, everyone anywhere to shoot their photo anytime and anyware. Today, wedding documentary very important element in the modern marriage. Modern men and women are free to love, many of the old concept is not necessary in modern society. The wedding is evolving with the times, photography viewpoint likewise. The weddi

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Hsu, Chia-chi, and 許嘉琪. "Images convey emotion moment the possibility of extending-Chia-chi Hsu photography discussion." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/pszs37.

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碩士<br>台南應用科技大學<br>美術系碩士班<br>104<br>The purpose of the study was to access the emotional expression and conceptual photography on image display. Much to the feelings of many, during the critical time of the events occurred, a picture or an image is worth a thousand words. A designed image can be extended unlimitedly and convey the writer’s emotions. Let the scene dictate the concept but with a theme in your mind , and your viewers will make their own meaning out of it. 1. Introduction : To review the writer’s study purpose、motivation and methods. The writer as well as the photographer and in

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CHEN, CHUN-HE, and 陳俊合. "A Qualitative Study of Presenting the Baseball Pitcher's Throwing Decisive Moment in the Sports Photography." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/03355116085638808908.

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碩士<br>高雄師範大學<br>體育學系<br>98<br>This study provided the outlines and references on the presentation and application of the decisive moments in sport photography for the interested domestic photographers. Research area was focused on the pitchers of baseball games. Through the sports photos taken and personal experience of the researcher, in addition to the interviews of 4 domestic senior sport photographers with over 15 years of field experiences, the conclusion of this study were as follows： 1. In order to have a higher percentage of successful photos of the pitches, sport photographers have to

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Šarkadyová, Lucie. "Okamžik a autorství ve fotografii." Doctoral thesis, 2020. http://www.nusl.cz/ntk/nusl-411489.

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Most of the work on photography is about image and trying to understand photography as an image. Contrary to this approach, this paper deals with the experience of the photographer at the time of taking the picture, and also the influence of photography, understood as a medium, on our perception. The main topic is the photography of movement, where we can best demonstrate how photography changes both our perception and our understanding of (objective) reality. The beginning of the work is devoted to one of the greatest Czech photographers, Josef Sudek, who describes the method of his work. Sud

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Rodriguez-Balanta, Beatriz Eugenia. "Realism, Race and Citizenship: Four Moments in the Making of the Black Body, Colombia and Brazil, 1853 - 1907." Diss., 2010. http://hdl.handle.net/10161/3079.

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<p>Realism, Race and Citizenship: Four Moments in the Making of the Black Body, Colombia and Brazil, 1853 - 1907 investigates the visual and literary mechanisms used to refurbish racial and social hierarchies in Brazil and Colombia in the aftermath of the abolition of slavery. Chorographic paintings, scientific photographs, identification documents, and naturalist literature are taken to together to argue that: on the one hand, the slave is the fleshy object that defines freedom and, in the postcolonial moment, citizenship. In "Realism, Race and Citizenship: Four Moments in the Making of the B

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Raciborski, Monika Julia. "Drawing Lines." Thesis, 2008. http://hdl.handle.net/10012/3738.

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My work uses process as a course of action that marks the death of moments through a continuous stream of consciousness. I metaphorically link disparate pieces of information to the human condition in order to present multiple readings through juxtaposition. I assemble both abstract and figurative subject matter in a collage-like manner through methods of cropping and fragmentation to symbolize the disjuncture I feel is indicative of how we experience the world through short-lived thoughts, feelings, and actions.

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