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Rozprawy doktorskie na temat „Photographic space”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 19 lutego 2022

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1

Stead, Sarah. "PLACE, SPACE, AND FORM CAPTURED THROUGH PHOTOGRAPHIC MEDITATION." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4193.

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Inspired by Buddhist philosophy, the photographic series Architectural Zen attempts to beautify banal and pragmatic architecture through limiting and preexisting artificial light conditions. The selective illumination of artificial light eliminates the non-essential details and enhances the pure forms and saturated color presented by the camera lens. This encourages the photographer and the viewer to enter a state of meditation. The resulting process is similar to a Zen approach to image making. The ancient Zen artist s compositions are strengthened by a meditation on form and subsequent elim
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Schoenwandt, Jeanne Marie. "Toward a feminist 'third space' : photographic 'sites' of cultural transformation." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37725.

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This thesis examines the notion of a 'third space'. 'Third space' is a way to examine the question of culture in a time marked by large epistemic, political and representational shifts. Recent theorization of 'third space' often locates this as a cultural 'in-between' or field of liminality, beginning with the polarities of hierarchical and binary dualisms. The body, as one half of dualistic thought and practice, remains conspicuously absent from concepts of 'third space' and its activities. A series of dynamic modes of engagement, in which embodiment figures centrally, constitutes 'third spac
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Sile, Agnese. "The space of love in photographic essays of illness narratives." Thesis, University of Aberdeen, 2016. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=231012.

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Santamas, Mihalis. "The space between : time, memory and transcendence in audio-photographic art." Thesis, University of Huddersfield, 2015. http://eprints.hud.ac.uk/id/eprint/29144/.

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This portfolio and commentary documents an approach to audiovisual composition that utilises sound and photographic images in an effort to create immersive, affective art which I call audio-photographic art. When presented in an immersive context, I contend that the temporal dissonance between still image and sound opens up a space between the materials. I draw upon Gernot Böhme's writings on the aesthetic of 'atmosphere', as well as the the theoretical writings of Roland Barthes, Paul Ricoeur and Eleni Ikoniadou among others to illustrate how this experience is constituted. This space between
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Naude, Elmarie. "Embodying space : Capture Image Gallery." Diss., University of Pretoria, 2009. http://hdl.handle.net/2263/30248.

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The city of Pretoria has a diverse mix of people moving in and around it. This dynamic, ever-changing movement, combined with the city’s cultural diversity, renders it ideal for an investigation into the relationship (or lack thereof) that exists between the moving body and architectural space. The city and its architectural spaces are viewed as static. The human body and its movement is dynamic. These static spaces cannot always accommodate the dynamic movement taking place within and around them. This leads to a lack of dialogue or interaction between the two, causing a tension which is furt
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Baek, Juyeon. "A Piece of Space : Exploring photographic space as a visualized form of spatial experience and thinking about how a designer can position it in reality." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7274.

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This project recognizes photographic space as a visualized form of spatial experience and tries to read unspecified spatial information in photos shared in social media. By exploring a photograph, I research how photography, which is a framing activity, has affected spatial experience and cognition. I try to re-build a space with photographs and compare the different characters of original space and photographic space by juxtaposition. The combination of original space and photographic space through a mechanism tool makes designers understand people’s experiential space over spatial hierarchy
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Mountain, Michelle Fiona. ""The secret rapport between photography and philosophy" considering the South African photographic apparatus through Veleko, Rose, Goldblatt, Ractliffe and Mofokeng." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002211.

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This thesis is an attempt at understanding South African photography through the lens of Nontsikelelo “Lolo” Veleko, Tracy Rose, David Goldblatt, Jo Ractliffe and Santu Mofokeng. Through the works discussed this thesis intends to unpack photography as a complex medium similar to that of language and text, as well as attempt to understand how exploring South African experiences and spaces through the lens of photography shapes and mediates them. Furthermore it also attempts to understand how these experiences and spaces conversely affect the discourse of photography or at the very least our per
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Mota, João. "Beyond visibility and monumentality : photographic images in the public space : a study for two cases, Terreiro do Paço-Lisbon, Times Square-New York." Doctoral thesis, Universidade de Aveiro, 2001. http://hdl.handle.net/10773/15329.

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Doutoramento em Design<br>This thesis seeks to address the issue of retrieving / adapting the tradition of site-specific large-scale images, (other than images commercially motivated) to contemporary architectural spaces. To achieve this we discussed a conceptual framework to introduce the constitutive and operative concepts of visual public art and spatial politics. Then we made a historical overview of former uses of images in the public arena with special emphasis in the public visual art produced after 1960. Based on those operative concepts, historical framework and on the analy
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Adams, Bradley Jay. "Space Use and Annual Survival of Hybridized Mouflon Sheep in Hawaii and Comparing Estimates of Population Size through Instantaneous Sampling and Photographic Capture-Recapture." BYU ScholarsArchive, 2019. https://scholarsarchive.byu.edu/etd/8260.

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Significant efforts in conservation are devoted to the management and study of ungulates, due to their significant roles in ecosystems as well as their potential economic value. This is especially true for species considered exotic, such as mouflon sheep (Ovis musimon) in Hawaii. Effective management of an exotic species requires an understanding of ecological metrics such as space use, survival, and population size. We provided these metrics for a population of mouflon that have hybridized with feral sheep (Ovis aries) on the island of Hawaii. In Chapter 1, we quantified space use and annual
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Bucksdricker, Luciane Silva. "Sometimes the same sky : construção de uma cartografia." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/135381.

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Sometimes the same sky: construção de uma cartografia trata do processo de realização de três séries fotográficas produzidas desde 2008. Partindo do processo de criação, questões sobre errâncias urbanas, espaço e lugar, ficção e realidade na elaboração da imagem fotográfica são abordadas nesse estudo. O texto carrega a vontade de montar uma cartografia própria que inicia com impressões sobre encontros no espaço público até chegar a exploração de objetos no espaço doméstico. A pesquisa teve início com a série de fotografias Salas de[não] estar, onde concentrei a reflexão nas errâncias urbanas e
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Zacharias, Erica Ashley. "Gordon Matta-Clark's photographic spaces." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/38192.

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Gordon Matta-Clark (1943-1978) is best known for his experimental “building cuts,” in which he reconfigured whole architectural spaces slated for destruction in North and South America, and in Europe. An extensive scholarship theorizes Matta-Clark’s practice as a critique of his architectural education and a recuperation of the social spaces outside its purview. Today, audiences view Matta-Clark’s building cuts through the two-dimensional media of film and photography, further complicating the original works’ play with temporality and performance. Recent scholarship has seen photography as cen
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Paz, Morales Antonio. "Light and Space Through Photography." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/49244.

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Photography now days challenge our perception of space, light, and architecture. Photography has challenge the way we perceive, interact and communicate in the world. In today society photography has find ways to communicate faster through images. Technology has played a big part on how we exchange pictures making it very accessible to all ages and cultures. As photography has become more accessible and it has become more technological advance, new challenges and problems have emerge. I consider that society has lost the ability to be aware of two basic essential elements which are light and s
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Koca, Asli. "Authentication Of Space: The Photograph As A Raw Material For Architectural Production." Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12611454/index.pdf.

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This thesis is a critical reconsideration of the relationship of architectural production with its unique mode of representation: &ldquo<br>photography.&rdquo<br>Photography has been interpreted essentially as a technique and a visual medium to document architecture in general. The &ldquo<br>photograph,&rdquo<br>in this sense, is regarded as a representational form of documentation and an artistic and material expression of architecture. Besides this conventional value, this study argues that photography not only provides a new medium for the reinterpretation of architectural space, but also a
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14

Richardson, Emily. "Articulating space : the translation of modern architectural space into filmic space through artists' film and moving image practice." Thesis, Royal College of Art, 2019. http://researchonline.rca.ac.uk/3844/.

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Using a practice-based method, the outcome of this research is a trilogy of films looking at three post-war modern prototype houses built by British architects. The examples chosen are: H.T. 'Jim' and Betty Cadbury-Brown's 3 Church Walk; Aldeburgh, Suffolk (1962); John Penn's Beach House, Shingle Street, Suffolk (1969) and Richard and Su Rogers' Spender House and Studio, near Maldon, Essex (1968). With each of the films a house is reconstructed on film, reactivating the architectural space as filmic space. The films explore the interaction between architectural space and its filmic translation
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Alves, de Oliveira Andreia. "The politics of the office : space, power, and photography." Thesis, University of Westminster, 2014. https://westminsterresearch.westminster.ac.uk/item/970v3/the-politics-of-the-office-space-power-and-photography.

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This practice-based research examines the relation between power, space, and photography, in relation to the office. It aims to investigate working conditions in service-based society, by addressing its dominant form of work: office work. Based on the hypothesis that office space has an effect on how office workers are made to work and feel, that it has not been sufficiently nor adequately addressed in documentary photography, the research proposes to employ documentary photography to investigate the relation between power and space in the office in relation both to actual offices and to their
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Kalpadaki, Evanthia. "The empty space in abstract photography : a psychoanalytical perspective." Thesis, University of Kent, 2008. http://www.research.ucreative.ac.uk/id/eprint/1062.

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The aim of the research that this thesis is based on is to explore the theoretical problems raised by the concept of photographic abstraction. These consist in the tension between the two aspects of the photographic sign, the indexical and iconic, and are examined in the context of the particular exploration of the empty space in abstract photography which I have pursued through my practice.
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Figliulo, Roberto. "Between public and private spaces: photographic visions in contemporary China." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/398145.

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The aim of this dissertation is to present a particular point of view on the contemporary Chinese photographic production. We will analyze the photographic works that deal directly or indirectly with the representation of concrete spaces. We will give special attention to the representation of public and private spaces and to the problems related to them. We will analyze the period that coincides with the eighties until today, the time of particular development of photographic production in China. The methodology employed will be a multidisciplinary approach that allows to better understand
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18

Leichnig, Kildine. "La patrimonialisation des espaces fluviaux urbains et l'expérience des usagers, visiteurs et habitants. Une approche comparée Pau (France) et Saragosse (Espagne)." Thesis, Pau, 2015. http://www.theses.fr/2015PAUU1007/document.

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Cette thèse de géographie humaine porte sur l’expérience sensible qu’ont les usagers -visiteurs et habitants- d’espaces fluviaux en cours de patrimonialisation, dans deux villes du Sud-ouest de l’Europe : Pau et Saragosse. Soucieuses d’améliorer leur cadre de vie et de poursuivre leur développement économique et urbain, l’agglomération paloise et la ville de Saragosse tentent en effet de mieux intégrer leurs cours d’eau dans leur territoire en se lançant dans un processus de patrimonialisation. Toutefois, la place accordée au tourisme dans ces processus est pour le moins équivoque. L’offre tou
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19

Rawles, Erica M. "The Changing Meanings of Memory, Space, and Time in Photography." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1520.

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What happens to the memories that are left behind in photographs when the person who’s memories they are passes away? After the passing of both my mother and my grandmother, I began to notice the fleeting significance of photographs. I spent time going through boxes of pictures they had saved and every so often I would come across an old photo of someone or something that no one in my family could find a meaning behind or attach a significance to. This paper reveals how the meaning and importance of photographs shift over time from the perspective of the photographer to that of the preserver.
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20

Thoma, Andrea. "Thought dwellings : time and space in painting, photography and video." Thesis, University of Leeds, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658561.

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The practical and theoretical research of this PhD examines the complexities of time-space relations in painting, photography and video. The aim of this study has been to develop a body of work that generates an increased awareness of how the juxtaposition of diverse fine art media can contribute to a differentiated appreciation of the time-space relation. Further objectives were to explore how the dichotomy of absence (of figuration) and presence (of figurative elements) can inform reflections on place relating to Martin Heidegger's 'Dasein' as being-in-the-world and Gilles Deleuze and Felix
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Higgins, Robert Francis. "Hercules attitude processor /." This resource online, 1992. http://scholar.lib.vt.edu/theses/available/etd-06062008-165739/.

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Moore, Peter R. "Photography & rephotography : repetition and places in time." Thesis, University of Aberdeen, 2016. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=230713.

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Little research has been undertaken into the rapidly expanding genre of rephotography, where many developments have taken place in response to advancing technology. This thesis is practice-based and incorporates long-term fieldwork in Scotland. The primary rephotographic projects undertaken by practitioners in North America are reviewed and their innovative presentation of material to interpret changes to space and place through time, are assessed and analysed. This study considers the application of some of these practices in a Scottish context. The research sets out to collate and explore re
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Hatt, Emeline. "Requalifier les stations touristiques contemporaines : une approche des espaces publics – Application à Gourette et Seignosse-Océan –." Phd thesis, Université de Pau et des Pays de l'Adour, 2011. http://tel.archives-ouvertes.fr/tel-00683463.

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Face au constat du vieillissement des stations touristiques fordiennes créées ex nihilo, en France, dans les années 1960-1970, ce travail de doctorat en aménagement et urbanisme pose la question de leur requalification. Dans ce champ disciplinaire et professionnel, l'analyse de l'image urbaine des destinations touristiques n'a guère été traitée. L'échelle d'appréhension microterritoriale est privilégiée ici, afin de décrypter les modalités conjointes de leurs structurations et de leurs représentations. On a observé dans quelle mesure l'aménagement et la gestion des espaces publics participent
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Marwah, Kshitij. "Tensor photography : exploring space of 4D modulations inside traditional camera designs." Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/91833.

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Thesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2013.<br>62<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 95-99).<br>Light field photography has gained a significant research in the last two decades: today, commercial light field cameras are widely available demonstrating capabilities such as post-capture refocus, 3D photography and view point changes. But, most traditional acquisition approaches either multiplex a low resolution light field into a single sensor image or requi
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Hotsko, Jennifer. "Beyond the frame : a liminal space in contemporary South African photography." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/9231.

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Includes bibliographical references.<br>Anthropologists and ethnographers documenting the African subject – as soldiers of the colonial enterprise, dominated early practices of photography in Africa. These endeavors manufactured a visual narrative that was uniform in its approach to Africa's landscape, which largely persists in the popular imagination.In the early 1990s with the fall of apartheid and transition towards democracy, South Africa's landscape witnessed a new current in the medium of photography; photographers who had been documenting the 'struggle' were suddenly deprived of the cen
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Gardner, Lisa. "Organic Space." VCU Scholars Compass, 2007. http://hdl.handle.net/10156/1371.

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Trillo, Derek. "'The flow of life' : photographing architecture as populated spaces." Thesis, Manchester Metropolitan University, 2017. http://e-space.mmu.ac.uk/621298/.

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Many critics have highlighted the gulf between the experience of architecture and its representations via photography, suggesting a more humanistic and temporal portrayal. My research questions whether, in pursuing alternatives to conventional, commercial architectural photography, a more dynamic view can be revealed, one that is closer to the experience of encountering the built environment: episodic, temporal and in flux. I believe temporality and motion are indicative of the life of a building: both habitually omitted from traditional commercial representations. Practical and conceptual cha
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Sotinel, Frédéric. "Itinéraires urbains." Phd thesis, Université Rennes 2, 2013. http://tel.archives-ouvertes.fr/tel-00813183.

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Cette thèse est basée sur une approche empirique des espaces urbains, enrichie de nos réflexions personnelles et de nos recherches. Notre questionnement principal concerne les liens entre forme et usage, par exemple dans quelle mesure la configuration d'une ville, ou d'un quartier, est déterminée par les activités humaines et les modes de vie actuels et à venir de ses habitants. Nous avons retenus plusieurs exemples significatifs dans différentes métropoles, surtout à Berlin, mais aussi à Helsinki, Londres, Montréal et New York. Avec notre position d'architecte--‐photographe, nos itinéraires s
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Vaughters, Amy Lillian. "Delineated Space." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd_retro/58.

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This document is a detailed description of the work produced throughout my graduate study in the Department of Photography and Film at VCU. Topics discussed in relation my photographic process include: stage, memory, character, the forgotten, and nostalgia.
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Martin-Rainaud, Claude. "Dans le regard de la chambre." Thesis, Avignon, 2015. http://www.theses.fr/2015AVIG1143/document.

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Par un trou, l’image renversée de ce qui se trouve à l’extérieur se projette à l’intérieur d’une chambre obscure. Ce phénomène, à l’oeuvre en permanence dans les espaces naturellement sombres, dans les yeux de l’homme et de la plupart des animaux, occasionnellement à l’intérieur de l’habitation, est aussi le principe à la base de la photographie et du cinéma. Ce problème d’optique a été observé et décrit pour la première fois en Europe dans les Problemata d’Aristote. Au cours des siècles, ce principe du «phénomène de la camera obscura» a été étudié et utilisé pour mesurer le temps et l’espace,
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Green, Nigel. "Photography and the representation of modernist architectural space : from the melancholy fragment to the colour of utopia." Thesis, University of Kent, 2007. http://www.research.ucreative.ac.uk/id/eprint/1060.

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The questions that this project poses are centred on an examination of photography's relationship to modernist architectural space. Polarising the melancholic and the utopian, the definition of photography is extended to include its manifestation across a number of diverse sites and processes. What is the connection between the processes and technology of photography and its representation of modernist space? How can these relationships inform and articulate a photographic practice? This thesis comprises five key areas of investigation, with each theoretical chapter being followed by a complem
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Wampler, Carson A. "Ideas of space." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1051.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>Art
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Prieto, Aguaza Alberto. "Imagen fotográfica y textualidad. La obra de Wright Morris, Duane Michals y Sophie Calle." Doctoral thesis, Universitat Pompeu Fabra, 2009. http://hdl.handle.net/10803/7442.

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Aparentment la funció de la imatge és la d'il·lustrar l'acció que es desenvolupa al text i la funció del text és explicar allò que visualitzem a la fotografia. Més enllà d'aquesta complementarietat, les relacions s'amplien a la imatge fotogràfica, davant les imatges sintètiques, pel seu estatus com a index. El diàleg entre ambdós mitjans expressius genera una alteració mútua, d'una banda a les coordenades espai-temps i d'una altra a la noció de referencialitat; és a dir, ni una fotografia és únicament un document real ni un text, és una ficció. S'observen aquestes relacions a les obres de Wrig
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Otte, Gary (Gary James) Carleton University Dissertation Architecture. "Photographing the void: the camera and the representation of Islamic architecture." Ottawa, 1999.

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35

Fein, Zachery E. "The Aesthetic of Decay: Space, Time, and Perception." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305892741.

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Lu, Nadine Chi-mei 1965. "Radiometric sensitivity comparisons of multispectral imaging systems." Thesis, The University of Arizona, 1989. http://hdl.handle.net/10150/277036.

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Multispectral imaging systems provide much of the basic data used by the land and ocean civilian remote sensing community. There are numerous multispectral imaging systems which have been and are being developed. A common way to compare the radiometric performance of these sensors is to examine their noise equivalent change in reflectance, NEDeltarho. The NEDeltarho of a sensor is the reflectance difference that is equal to the noise in the recorded signal. In order to directly compare the sensors, calculations of the parameter being compared need to have a common basis. This thesis compares t
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Estepa, Juan. "An exploratory adaptation of Visitor Employed Photography for determining the open space preferences of seniors." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ47322.pdf.

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Garner, Kelsey. "Why do students take photographs on geology field trips connections between motivations and novelty space /." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1211556530.

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Garner, Kelsey Lynn. "Why Do Students Take Photographs on Geology Field Trips: Connections Between Motivations and Novelty Space." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1211556530.

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Valuskova, Najib Malin. "Fragments of forgotten spaces." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-229860.

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This thesis takes its starting point in four Stockholm locations; a self-service laundromat, a residential townhouse, a pedestrian tunnel and a public bath. They have emerged during different times but are brought together by their habitual and mundane character. They possess qualities that may not be seen at first glance, but becomes visible at a second or third viewing. The aim for this thesis has been to find what lies slightly out of sight – hidden yet visible. Through several steps of translations and fragmentation new scenarios have emerged.
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Padfield, D. "Mask - Mirror - Membrane : the photograph as a mediating space in clinical and creative pain encounters." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1421421/.

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Pain is difficult to communicate and constrict into the verbal or numerical scales commonly used. This thesis explores how photographic images can expand pain dialogue in the consulting room to include aspects of experience frequently omitted using traditional measures. It draws on material generated by the face2 face project, a collaboration with facial pain specialist Professor Joanna Zakrzewska and clinicians and patients from University College London Hospitals. The project has many strands: art workshops for clinicians and patients to attend together; the co-creation of photographs with f
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Benson, Jennifer L. "Properties of water ice clouds over major Martian volcanoes observed by MOC /." Connect toOnline Resource-OhioLINK, 2006. http://www.ohiolink.edu/etd/view.cgi?acc_num=toledo1163799718.

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Sonzogni, Annalisa. "Reconfigurations of interior spaces : an investigation through photography, architecture and site-specific installation." Thesis, Kingston University, 2015. http://eprints.kingston.ac.uk/37869/.

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This thesis examines the mechanisms of site-specific installation in photography, drawing on contemporary architectural debates around relationships between image and space, as well as debates in fine art around participatory practices involving installation. The project has involved a synthesis of practical research, through the production of artwork, throughout the research period. I consider the outcomes of writing, photographing and photographic installation to be at parity with one another, in the spirit of what Jane Rendell calls 'critical spatial practice'. The focus and physical contex
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Peláez, Ana María. "Le toucher du visuel /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2005. http://theses.uqac.ca.

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Esfahani, Najva. "La muse : théâtre et théâtralité dans la photographie de mode." Thesis, Paris 5, 2013. http://www.theses.fr/2013PA05H022.

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L’étude se construit sur deux axes. Dans le premier, elle cherche à expliciter la fonction du lieu dans la séance photographique de mode, la manière dont la rêverie du photographe crée dans sa pensée un mannequin qui correspond à un espace ; ou bien, un endroit qui ressemble au modèle. Par une observation esthético compréhensive et une démarche phénoménologique, la recherche se concentre sur l’imaginaire de l’espace clôt dans l’image de mode, le logis, la maison, la chambre, etc. Tout en nous positionnant sous un angle holistique ; le concret avec le transcendant, le microcosme avec le macroco
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Vale, Sam. "Collecting rooms : objects, identities and domestic spaces." Thesis, University of the Arts London, 2014. http://ualresearchonline.arts.ac.uk/7782/.

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This practice-based enquiry into United Kingdom based collecting rooms reveals five participants’ motivations, frustrations and satisfactions manifested in the creation of their spaces. Through the examination of theorists and commentators in the distinct but related fields of cultural theory, sociology and art, the thesis proposes that a collector’s past can be witnessed through memories generated by and within the space. The thesis also advances the idea that part of the experience of the space takes place in the present but simultaneously imagines the future. I have constructed spatial port
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Pillaudin, Marine. "L'enfance dans l'art : espace transitionnel, transfiguration et transfert dans le dessin, la photographie et la vidéo." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010511.

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S'appuyant sur une pratique personnelle du dessin, du collage et de la photographie, cette thèse de poïétique explore le thème de l'enfance dans l'art. Conçue comme un " work in progress", elle part d'une recherche sur l'intimité du dessin afin de construire un regard singulier sur : l'exposition de photographies et de vidéographies témoignant de traumas d'enfants. Elle vérifie l'hypothèse selon laquelle l'artiste puise dans sa propre enfance et dans celle des autres afin de conquérir des territoires de créations ignorés, là où prend corps l'altérité intime. La première partie analyse notammen
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Law, Amber. "Elsewhere." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3067.

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The photographer discusses the work in Elsewhere, her Master of Fine Arts exhibition held at East Tennessee State University in the Reece Museum, located in Johnson City, Tennessee. The exhibition is displayed from March 1 through March 31, 2016 and consists of 17 color photographs and 3 videos representing a body of work that visually communicates the photographer’s interest in transient lifestyles. The influence and research regarding the concept is communicated by a focus on artists, literature and art historical knowledge that pertain to Law’s work. The artists included are Rineke Dijkstra
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O'Neill, Elena. "Fotografia Performática." Universidade do Estado do Rio de Janeiro, 2008. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1167.

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Este trabalho se propõe pensar a fotografia performática. Embora esta noção não tenha sido ainda definida, é possível identificar em algumas obras de Eugène Atget, László Moholy-Nagy, Marcel Duchamp e Gordon Matta-Clark particularidades que me levaram a nomeá-las dessa forma. A tentativa de definir o conceito de fotografia performática assim como algumas reflexões sobre esses trabalhos a partir dessa definição, me permitiram abordar questões tais como o confronto da continuidade da percepção com a multiplicidade de uma visão não sintética, a impossibilidade da memória de completar mentalmente
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Soukhakian, Fazilat. "The Private Revealed: A Search for a New Modernity Through the Lens of the Shah and Contemporary Photographers in Iran." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522057558134736.

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