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Gotowe bibliografie tematyczne / Photography (Visual Studies) / Książki

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Książki na temat „Photography (Visual Studies)”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Lidchi, Henrietta. Visual currencies: Reflections on native photography. National Museums Scotland, 2009.

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2

Leslie, Devereaux, and Hillman Roger, eds. Fields of vision: Essays in film studies, visual anthropology, and photography. University of California Press, 1995.

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3

Branch, Alberta Curriculum. Communication technology: Course of studies. --. Alberta Education, Curriculum Branch, 1993.

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4

Tadiar, Neferti Xina M. 1964- and Davis Angela Y. 1944-, eds. Beyond the frame: Women of color and visual representations. Palgrave Macmillan, 2005.

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5

Cuyper, Sheila De. Applying a participatory action research approach to the production of visual documentation: A case study at the Leuwigdjah dumpsite, Bandung, Indonesia. York University, 1992.

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6

Sarah, Pink, Kürti László, and Afonso Ana Isabel 1960-, eds. Working images: Visual research and representation in ethnography. Routledge, 2004.

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7

University of Rochester. Dept. of Art and Art History., International Museum of Photography at George Eastman House., and Seminar on American Photography, Culture and Society (1990 : University of Rochester), eds. American photography in the 1960s: Checklists of several exhibitions held at the International Museum of Photography at George Eastman House, the Hartnett Gallery at the University of Rochester, and the Visual Studies Workshop to complement the Seminar on American Photography, Culture and Society, November 14-November 18, 1990. University Educational Services, 1990.

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8

Centre for Studies in Social Sciences. Documentation Archive. and Seagull Arts and Media Resource Centre, Calcutta., eds. Visual worlds of modern Bengal: Selections from the Documentation Archive of the Centre for Studies in Social Sciences, Calcutta : part I paintings, prints, commercial art (1-16 March 2002), part II photography (19 March-3 April 2002). Seagull Books, 2002.

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9

Wells, Alice. Time after time: The photographs of Alice Wells : a Visual Studies Workshop traveling exhibition. Visual Studies Workshop, 1990.

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10

Saouter, Catherine. Images et sociétés: Le progrès, les médias et la guerre. Presses de l'Université de Montréal, 2003.

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11

Dellmann, Sarah. Images of Dutchness. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462983007.

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Why do early films present the Netherlands as a country full of canals and windmills, where people wear traditional costumes and wooden shoes, while industries and modern urban life are all but absent? Images of Dutchness investigates the roots of this visual repertoire from diverse sources, ranging from magazines to tourist brochures, from anthropological treatises to advertising trade cards, stereoscopic photographs, picture postcards, magic lantern slide sets and films of early cinema. This richly illustrated book provides an in-depth study of the fascinating corpus of popular visual media

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12

Bye, John E. From the northern prairies: Guide to the visual collections of the North Dakota Institute for Regional Studies, North Dakota State University Libraries, Fargo. The Institute, 1991.

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13

Krogman, Bruce D. Four research studies centered on the analysis of visual, acoustic and photographic data collected during the 1984 census of the bowhead whale, Balaena Mysticetus: Final report for the period 22 March 1984 through 30 June 1985 (North Slope Borough Contracts 83-102, 84-106, 84-182) to the Department of Conservation and Environmental Protection, NorthSlope Borough, Barrow, Alaska. North Slope Borough, Department of Conservation and Environmental Protection, 1986.

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14

The Male Nude in Contemporary Photography (Visual Studies). Temple University Press, 1994.

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15

A Pause on the Path (Visual Studies). Temple University Press, 1988.

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16

Cruz, Edgar Gómez, and Asko Lehmuskallio. Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices. Taylor & Francis Group, 2016.

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17

Cruz, Edgar Gómez, and Asko Lehmuskallio. Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices. Taylor & Francis Group, 2016.

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18

Cruz, Edgar Gómez, and Asko Lehmuskallio. Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices. Taylor & Francis Group, 2016.

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19

Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices. Taylor & Francis Group, 2016.

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20

Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices. Taylor & Francis Group, 2016.

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21

Machin, David, and Lydia Polzer. Visual Journalism. Red Globe Press, 2015.

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22

(Editor), Robin Kelsey, and Blake Stimson (Editor), eds. The Meaning of Photography (Clark Studies in the Visual Arts). Clark Art Institute, 2008.

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23

Cruz, Edgar Gómez, and Asko Lehmuskallio. Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices. Taylor & Francis Group, 2016.

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24

(Editor), Leslie Devereaux, and Roger Hillman (Editor), eds. Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. University of California Press, 1995.

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25

(Editor), Leslie Devereaux, and Roger Hillman (Editor), eds. Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. University of California Press, 1995.

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26

Devereaux, Leslie. Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. University of California Press, 2023.

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27

Murray, Derek Conrad. Visual Culture Approaches to the Selfie. Taylor & Francis Group, 2021.

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28

Murray, Derek Conrad. Visual Culture Approaches to the Selfie. Taylor & Francis Group, 2021.

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29

Murray, Derek Conrad. Visual Culture Approaches to the Selfie. Routledge, 2021.

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30

Murray, Derek Conrad. Visual Culture Approaches to the Selfie. Taylor & Francis Group, 2021.

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31

Visual Culture Approaches to the Selfie. Taylor & Francis Group, 2021.

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32

Abedini, Reza. New Visual Culture of Modern Iran: Graphic Design,illustration, Photography. Mark Batty Publisher, 2006.

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33

Beaumont, Sheona. The Bible in Photography. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9780567706553.

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Sheona Beaumont addresses the untold story of biblical subjects in photography. She argues that stories, characters, and symbols from the Bible are found to pervade photographic practices and ideas, across the worlds of advertising and reportage, the book and the gallery, in theoretical discourse and in the words of photographers themselves. Beaumont engages interpretative tools from biblical reception studies, art history, and visual culture criticism in order to present four terms for describing photography’s latent spirituality: the index, the icon, the tableau, and the vision. Throughout h

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34

Visual Currencies: The Native American Photograph in Museums and Galleries. National Museums Of Scotland, 2008.

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35

Klorman-Eraqi, Na'ama. Visual Is Political: Feminist Photography and Countercultural Activity in 1970s Britain. Rutgers University Press, 2019.

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36

The Violence of the Image International Library of Visual Culture. I.B.Tauris & Co Ltd, 2014.

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37

At Face Value and Beyond. transcript Verlag, 2016.

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38

Visual Is Political: Feminist Photography and Counter-Cultural Activity in 1970s Britain. Rutgers University Press, 2019.

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39

Klorman-Eraqi, Na'ama. Visual Is Political: Feminist Photography and Counter-Cultural Activity in 1970s Britain. Rutgers University Press, 2019.

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40

Dvorák, Tomás, and Jussi Parikka, eds. Photography Off the Scale. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474478816.001.0001.

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The book addresses quantity and scale in contemporary visual culture and photography. It takes the problem of quantity as a theoretical issue that changes the premises of visual analysis. It focuses on the logic and rhetoric behind the arguments by numbers, growth, and tipping points, while recognising that photography has been characterized in quantitative terms since its invention and concerns regarding information overload accompanied the discourse around many earlier technological innovations. Investigating historical trajectories and different modes of reasoning provides a critical framew

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41

A Visual Narrative Concerning Curriculum, Girls, Photography Etc. (International Institute for Qualitative Methodology). Left Coast Press, Inc., 1998.

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42

Legal Spectatorship: Slavery and the Visual Culture of Domestic Violence. Duke University Press, 2022.

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43

Moore, Kelli. Legal Spectatorship: Slavery and the Visual Culture of Domestic Violence. Duke University Press, 2022.

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44

Donoso Macaya, Ángeles. The Insubordination of Photography. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401117.001.0001.

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The Insubordination of Photography studies the documentary practices of photography devised by different collectives (relatives of the detained-disappeared, church organizations, visual artists, and photographers), organizations, and independent media, which resisted, defied, and participated in the downfall of the dictatorial regime in Chile. Given a milieu saturated by disinformation and cover-ups of all kinds and restricted by repression and censorship, how does one demand and make visible the truth about the (denied) crime of forced disappearances under Pinochet’s Chilean dictatorship? At

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45

Sim, Lorraine. Ordinary Matters: Modernist Women's Literature and Photography. Bloomsbury Publishing Plc, 2018.

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46

Ordinary Matters: Modernist Women's Literature and Photography. Bloomsbury Publishing Plc, 2016.

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47

Keil, Charlie, Scott Higgins, and Kristen Whissel. Editing and Special/Visual Effects. Rutgers University Press, 2016.

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48

Editing and Special/Visual Effects. Rutgers University Press, 2016.

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49

Keil, Charlie, Scott Higgins, and Kristen Whissel. Editing and Special/Visual Effects. Rutgers University Press, 2016.

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50

In This Dark Wood. J&L Books, Incorporated, 2013.

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