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Rozprawy doktorskie na temat „Pictorial works”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 31 lipca 2024

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1

Stewart, Heather, and heather stewart@deakin edu au. "Beyond the analogon; the 'transfer of the referent' :bthe relationship between the external world experienced through culturally generated perceptual models constructed in the human mind, and the transfer of these images, via visual language, onto referents." Deakin University, 1994. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20071120.120343.

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Within 20th. Century art, the concept of the normative image, as an attribute of things, has been challenged. As a consequence, paintings must now picture the real world in other ways, incorporating knowledge and meaning beyond the analogon. Such descriptive representations were revealed as paradigmatic, rather than incontrovertible fact. Dependent on pre-conceived notions of stereotypicality, these descriptive images relied on surface illumination. My thesis explores images of things in the world as culturally inspired and information based. I examine paintings and sculptures of other cu

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Reynolds, D. A. "Imagination and the aesthetic function of signification in the works of Rimbaud, Mallarme, Kandinsky and Mondrian." Thesis, University of East Anglia, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.376063.

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Stretch, Eleanor Eunice, and mikewood@deakin edu au. "Using site as the medium of image-making at Tower Hill." Deakin University. School of Contemporary Arts, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.144857.

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Williamson, Rebecca Boatwright. "Diagonal vision." Thesis, Virginia Polytechnic Institute and State University, 1985. http://hdl.handle.net/10919/52238.

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Tolonen, Juha. "Waste*lands : landscape photography modernity." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2007. https://ro.ecu.edu.au/theses/268.

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This is a thesis with two distinct but connected halves. Text and image are applied to the subject of wastelands; the former works to raise the status of wastelands while the latter gathers visual fragments of wastelands to harness a picture of contemporary modernity. The two combine to create a practical and poetic, a social and flaneurial picture of wastelands. I identify wastelands as the material manifestation of industrial modernity. Although wasteland is an overarching term used to describe general decline in many social, cultural and natural spheres. I adopt it specifically to describe

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Altschuler, Jenny. "Between forever and never : the photograph as a bridge between past and present; memory and it's fiction, 1981-2009." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/7802.

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Includes bibliographical references (p. 62-64).<br>In Camera Lucida Roland Barthes (1980: 64-66), describes the process of looking through his mother's photographs after her death. He weighs up how much of her he recognises in the images he comes across. He evaluates the versions of her that are portrayed and deduces that "none seem to be really 'right':" neither as photographic performances nor as existing recurrences of "the beloved face" that he carries in his psyche. He talks about trying to find her, and achieves only part satisfaction in pinpointing fragments in each image that seem to d

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Vallie, Zubeida. "Social dynamics of a resistance photographer in the 1980s in Cape Town." Thesis, Cape Peninsula University of Technology, 2014. http://hdl.handle.net/20.500.11838/1327.

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Thesis submitted in fulfilment of the requirements for the degree Master of Technology: Design in the Faculty of Informatics and Design at the Cape Peninsula University of Technology 2014<br>This study seeks to contribute to the field of documentary photography by looking at a resistance photographer who documented events during the liberation struggle against Apartheid in the 1980s in Cape Town, South Africa. The research explores the richness, depth and complexity of the reflective knowledge of the phenomenon and develops a sense of understanding of the meanings of the circumstances and

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Blake, Amanda Beth. "Images of women shopping in the art of Kenneth Hayes Miller and Reginald Marsh, ca 1920-1930." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5327/.

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This thesis examines images of women shopping in the art of Kenneth Hayes Miller and Reginald Marsh during the 1920s and 1930s. New York City's Fourteenth Street served Kenneth Hayes Miller and Reginald Marsh, respectively, as a location generating the inspiration to study and visually represent its contemporaneity. Of particular interest to this thesis are relationships between developments in shopping and the images of women shopping in and around Fourteenth Street that populate the paintings of Miller and Marsh. Although, as Ellen Todd Wiley has shown, the emerging notion of the New Woman h

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Mundy, Robyn C. "A novel, The nature of ice and exegesis, Writing with light : truth and meaning in visual representations of Antarctica." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2006. https://ro.ecu.edu.au/theses/356.

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The Nature of Ice' comprises a dual narrative with two Antarctic stories set one century apart. The contemporary strand concerns three central characters: Freyr Jorgensen, a photographer working for a summer at Davis Station who is inspired by Frank Hurley's early Antarctic photography; Davis Station chippie Chad McGonigal, assigned as Freyr's field assistant; and Freyr's husband Marcus, who is at home in Perth researching the 1911-14 Australasian Antarctic Expedition (AAE) in preparation for Freyr's Antarctic photographic exhibition.

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Kilian, Julie. "Traditional and Christian elements in contemporary pictorial African art in South Africa with special reference to the works of John Muafangejo, Azariah Mbatha and Dan Rakgoathe." Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1012635.

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Art is the outward, visual manifestation of the undying soul of a people. The genius displayed in the day to day articles produced in traditional tribal society is equally present in the art produced by the Contemporary African Artist. The Contemporary African Artist finds himself in an interesting position, in that he is, at one time, a part of two different worlds, two different cultures, has taken place, the and his art provides evidence of the acculturation that coming together of indigenous, traditional African culture and 'European' or 'Western' culture. It follows that the contemporary

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Ashley, Daniel. "Civil War Photographs Considered." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/AshleyD2004.pdf.

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Spargo, Natascha. "The forensic aesthetic in art." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1004624.

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From Introduction: The 'forensic aesthetic' presents the viewer with traces and debris - the residue that haunts sites of transgression, violence and death. In his book Scene of the Crime, art critic and curator Ralph Rugoff (1997:62) defines the forensic aesthetic as follows: "Inextricably linked to an unseen history, this type of art embodies a fractured relationship to time. Like a piece of evidence, its present appearance is haunted by an indeterminate past, which we confront in the alienated form of fossilized and fragmented remnants." Through its play on seemingly insignificant detail&,

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Strydom, Richardt. "A comparative reading of the depiction of Afrikaner ancestry in two works by C.D. Bell / Richardt Strydom." Thesis, North-West University, 2009. http://hdl.handle.net/10394/4987.

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This dissertation investigates the contradictions and similarities regarding the depictions of Afrikaner ancestry in two works by Charles Davidson Bell: The landing of Van Riebeeck, 1652 (1850) and Cattle boers' outspan (s.a.). The works were discussed and compared from a conventional perspective in order to establish the artworks' formal qualities, subject matter and thematic content This reading was extended by employing postcolonial theoretical principles in order to contextualise these two artworks within their Victorian ideological frameworks, social realities and authoring strategies. Th

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Kilpatrick, Helen Claire. "Ideologies in contemporary picture book representations of tales by Miyazawa Kenji." Australia : Macquarie University, 2004. http://hdl.handle.net/1959.14/62731.

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"May 2003".<br>Thesis (PhD)--Macquarie University, Division of Humanities, Department of English, 2004.<br>Bibliography: p. 301-332.<br>Introduction -- The significance of Miyazawa Kenji's ideals in (post) modern Japanese children's literature -- Re-presenting Miyazawa Kenji's tales: cultural coding and discourse analysis -- Tale of "Wildcat and the acorns" (Donguri to Yamaneko): self and subjectivity in the characters and haecceitas in the organic world -- Beyond dualism in "Snow crossing" (Yukiwatan) -- Kenji's "Dekunobõ ideal in "Gõshu the cellist" (Serohiki no Gõshu) and "Kenjũ's park"

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Lutz, Cullen Clark. ""Documenting" East Texas: Spirit of Place in the Photography of Keith Carter." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2625/.

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This thesis examines similarities in photographs made by the contemporary photographer Keith Carter and photographers active with the Farm Security Administration during the 1930s. Stylistically and in function, works by Carter and these photographers comment on social and cultural values of a region. This thesis demonstrates that many of Carter's black and white photographs continue, contribute to, and expand traditions in American documentary photography established in the 1930s. These traditions include the representation of a specific geographic place that evokes the spirit of a time and p

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Askam, Richard. "Memory, truth and justice: A contextualisation of the uses of photographs of the victims of state terrorism in Argentina, 1972-2012: Communicating an intersection of art, politics and history." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2014. https://ro.ecu.edu.au/theses/1339.

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Photographs of the victims of Argentine state terrorism from 1972 to 1983, and most prominently those of the detained-disappeared victims of the Proceso de Reorganización Nacional dictatorship (1976-1983), have had a significant role in elucidating the demands of human rights activists since the aftermath of the Trelew Massacre in 1972. In this thesis I examine the role of photographs of victims of state terrorism in the construction of unofficial, or counter, narratives critical of those produced by two dictatorships and by elected democratic administrations in the demand for truth and justic

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Millan, Roberto. "Illustrating autobiography : rearticulating representations of self in Bitterkomix and the visual journal." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20268.

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Thesis (MPhil)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: This thesis explores an analysis of autobiographical illustration, as it relates directly to autobiographical devices employed in Bitterkomix and my own visual journals. The result is a practitioner-specific approach that frames my own work within a discourse of comics and consequently within the larger discourse of visual narrative. These devices are analysed in the works of artists in Bitterkomix who employ autobiography, not only as a means of effecting more intimate interactions between the reader and the narrative,

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Yip, Andrew. "A portrait of the nation as a young man : the genesis of Gallipoli : mythologies in Australian and Turkish art." Phd thesis, Department of Art History and Film Studies, 2010. http://hdl.handle.net/2123/7779.

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Rogers, Y. "Pictorial representations of abstract concepts in relation to human-computer interaction." Thesis, Swansea University, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380052.

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Maimone, Giovana Deliberali. "Estudo do tratamento informacional de imagens art?sticopict?ricas: cen?rio paulista - an?lises e propostas." Pontif?cia Universidade Cat?lica de Campinas, 2007. http://tede.bibliotecadigital.puc-campinas.edu.br:8080/jspui/handle/tede/808.

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Made available in DSpace on 2016-04-04T18:36:34Z (GMT). No. of bitstreams: 1 GIOVANA DELIBERALI MAIMONE.pdf: 1319303 bytes, checksum: a735e1cbf0f8760a46bedbc74dcede0e (MD5) Previous issue date: 2007-12-12<br>The activities that include the informational treatment are broadly studied and applied by Information Science, concerning printed documents, conventionally found in libraries and information centers. However, in relation to imagetic material, specifically the artistic-pictorial works (paintings) situated in different places, there is little literature about the theme, in spite of comm

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Dowdell, Emma-Kate. "Picturing irony: Making a visual case-study from the work of Camus." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2015. https://ro.ecu.edu.au/theses/1595.

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This research examines irony in photography from creative and theoretical perspectives. This body of work uses an interdisciplinary theoretical framework, drawing from literary and photographic irony, in conjunction with a practice-led research methodology. The creative project, Clint’s Last Road Trip (2014), traces the 1000 kilometre journey that my brother’s body made from his death until his cremation. It depicts the behind-the-scenes of the Western Australian regional death industry with an ironic autobiographical narrative voice inspired by that of Meursault in Albert Camus’ The Outsider

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Exenberger, Margareta. "An image says more than words : a qualitative essay about the pictorial language of children and youth in Westafrica." Thesis, Växjö University, School of Education, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-1198.

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<p>The pictorial language of the Swedish children is characterized by the idea that a “good” drawing should be in the right perspective and as photographically realistic as possible. This is a study about the pictorial language of the children in the Gambia and Senegal. Is the pictorial language different with the children living in a culture that has a stronger tradition of spoken word and visual communication than the children living in the western civilisation?</p><p>With the help of different theories concerning children’s creating of art, this study is trying to sort out the differences.

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Pockley, Simon Charles Nepean. "The flight of ducks research report." [Melbourne] : S. Pockley, 1998. http://purl.nla.gov.au/nla/pandora/FOD.

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"Submitted by Simon Charles Nepean Pockley ... as a partial requirement for Degree of Doctor of Philosophy by Project 18th July, 1998". "WARNING culturally sensitive material". Available [on line] http://www.cinemedia.net/FOD/FOD0043.html Archived at ANL http://purl.nla.gov.au/nla/pandora/FOD http Text, graphics, sound and animation The Flight of ducks is a multi-purpose on-line work built around a collection of archival material from a camel expedition into the central Australian frontier in 1933. This journey was revisited in 1976 and retraced in 1996."- leaf 1.

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Matejka, Anna. "Are pictures worth a thousand words? Testing two versions of the Pictoral Infant Communication Scale." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=86601.

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In an attempt to improve the information parents provide on screening measures for autism spectrum disorders (ASD), Delgado, Venezia, and Mundy (2004) incorporated pictures next to each item depicting the behaviours parents were asked to rate on a new tool called the Pictorial Infant Communication Scale (PICS). The psychometric properties of the PICS appear promising, yet a question only version of the PICS without pictures has not yet been examined against the PICS with pictures. Understanding the role pictures play to clarify constructs for parents on screening tools may result in a more ti

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Janlert, Lars-Erik. "Studies in knowledge representation : modeling change - the frame problem : pictures and words." Doctoral thesis, Umeå universitet, Institutionen för datavetenskap, 1985. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-65865.

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In two studies, the author attempts to develop a general symbol theoretical approach to knowledge representation. The first study, Modeling change - the frame problem, critically examines the - so far unsuccessful - attempts to solve the notorious frame problem. By discussing and analyzing a number of related problems - the prediction problem, the revision problem, the qualification problem, and the book-keeping problem - the frame problem is distinguished as the problem of finding a representational form permitting a changing, complex world to be efficiently and adequately represented. This f

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Shannon, Elizabeth J. "Paul Strand and Cesare Zavattini's 'Un paese' (1955) : the art, synergy and politics of a photobook." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3331.

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"Paul Strand and Cesare Zavattini's 'Un paese' (1955): the art, synergy and politics of a photobook" is a study of the genesis, production and reception of the photobook 'Un paese', created in a collaboration between the American photographer Paul Strand and the Italian neorealist screenwriter Cesare Zavattini. Set in Luzzara, a small town in northern Italy, Strand portrayed the community in a series of images of the landscape, the townsfolk and still lives. The thesis reconstructs the reasoning behind Strand's decision to abandon documentary filmmaking for the creation of photobooks. Strand a

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Laoureux, Denis. "Contribution à l'étude des interactions entre les arts plastiques et les lettres belges de langue française: analyse de cas :Maurice Maeterlinck et l'image." Doctoral thesis, Universite Libre de Bruxelles, 2005. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211051.

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Cette thèse de nature interdisciplinaire a pour objet d’identifier, de décrire et d’analyser la diversité des interactions entre la littérature et les arts plastiques à travers l’œuvre et la figure de l’auteur belge francophone Maurice Maeterlinck (1862-1949).<p><p>Le propos présente une structure symétrique. Celle-ci va de l’impact de l’image sur l’écriture à l’impact des textes sur la création plastique. La référence littéraire à l’image constitue la première phase de l’enquête. Celle-ci aboutit à la référence plastique à la littérature en passant préalablement par les collaborations effecti

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Lamquin, Thomas. "Psychanalyse appliquée aux représentations picturales des camps de concentration nazis." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100023/document.

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Ce travail de thèse porte sur la question de l’existence de représentations, sous forme picturale (dessins, peintures…), exécutées par certains sujets pendant leur internement dans les camps de concentration nazis, dans un contexte de traumatisme extrême, considéré comme de l’ordre de l’irreprésentable. A partir d’une étude de cas de trois sujets dessinateurs/trices, et de leur production picturale, abordée selon la méthode de la psychanalyse appliquée au sens d’André Green, une réflexion peut s’amorcer autour de l’hypothèse d’une autoconservation, différenciée, physique et psychique. Afin de

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CHEN, HSUEH-CHING, and 陳雪卿. "Symbiotic Prosperity between Images and Words──Creative Works of Pictorial Thoughts and Poetic Emotions as An Example." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/2275xd.

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碩士<br>吳鳳科技大學<br>應用數位媒體研究所<br>104<br>Dong-Po Su（in Sung Dynasty）once praised Wei Wang's（in Tang Dynasty） works of poetry and painting：“ there is painting in poetry just as there is poetry in painting.＂He also said：“ Both poems and paintings are originally the same. They are natural, neat and clean.＂Such a concept, is also in our cultural inheritance. Words & images coexist in Chinese Literati Painting. Describing the external environment and internal thoughts, feelings through words are also normal in writing. Today, in many of the artist's creations, combining Visual art and writing is also a

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Arbuckle, Katherine Elizabeth. "A study of pictorial interpretation of health education illustrations by adults with low literacy levels." Thesis, 2014. http://hdl.handle.net/10413/10808.

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Print materials for audiences with low levels of literacy usually include illustrations. This is particularly true of health education materials designed to raise awareness of serious diseases like the Human Immuno-deficiency Virus/Acquired Immune Deficiency Syndrome (HIV/AIDS) and Tuberculosis (TB). When people cannot read well, it is often assumed illustrations will communicate information more clearly than written text. Theories of visual communication, however, suggest that visuals are ambiguous and more likely to be misinterpreted than written text, especially by under-educated viewers in

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Cleaver, Rosalind. "Colonial, tourist and alternative views of commodified South African wilderness." Thesis, 2012. http://hdl.handle.net/10210/4496.

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M.Tech.<br>The landscape of South Africa has changed dramatically since early colonisation. Even so, it appears that the conventions employed in portraying landscapes have not; colonial landscape imagery that helped promote European immigration to this country during the Nineteenth Century remains remarkably similar to conventions employed in contemporary landscape representation used to market game reserves. In this dissertation, it is argued that colonial landscape imagery facilitates and supports a view of nature as an „authentic‟ wilderness available for expropriation. It is proposed that

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Mlauzi, Linje Manyozo. "Reading modern ethnographic photography : a semiotic analysis of Kalahari Bushmen photographs by Paul Weinberg and Sian Dunn." Thesis, 2002. http://hdl.handle.net/10413/4609.

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Indigenous communities, like the Bushmen of the Southern Kalahari, always attract visitors who 'go there' to experience the 'life out there'. Travelling in their 4x4s, these visitors also bring cameras and take pictures of their interactions with subject communities as evidence of 'having been there'. For academics and journalists, these pictures are meant to illustrate their presentations of 'what is actually there'. Both types of photographs are known as ethnographic photography. This study. asks and attempts to answer the question: how do we study ethnographic photography? As much as photog

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Wilkie, Tanis Eleanor. "Images of the Native Canadian in National Film Board documentary film, 1944-1994." Thesis, 1996. http://hdl.handle.net/2429/4472.

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For fifty-seven years the National Film Board of Canada (NFB) has been interpreting Canada to Canadians through documentary films which have simultaneously reflected and shaped the identity of this country and its peoples. This study is concerned with the NFB's documentary film portrayal of Native Canadians. Over the half century that the NFB has been making films about Canada's indigenous peoples their portrayal has undergone much change. Comparisons are made in this study between three of the earliest examples and three of the most recent examples of such films, with regard

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Arnold, Grant. "The terminal city and the rhetoric of utopia: John Vanderpant’s photographs of terminal grain elevators." Thesis, 1996. http://hdl.handle.net/2429/4342.

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This thesis examines the photographs of terminal grain elevators produced by John Vanderpant, a successful Vancouver commercial photographer who also produced images that were consciously positioned within a high art discourse. Vanderpant turned to the grain elevator as subject matter in response to the remarks of an unidentified English critic who, while praising the images in a 1925 London exhibition of Vanderpant's work, noted they lacked an identifiably Canadian character. In taking up the grain elevator, Vanderpant positioned his work within the national visual culture constructed

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Houston, Natalie. "Coloured lens : a study of the socio-cultural context of Wentworth in Durban, KwaZulu-Natal, South Africa, towards a photographic documentary." Thesis, 2012. http://hdl.handle.net/10321/761.

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Dissertation submitted in partial fulfilment of the requirements for M.Tech.: Graphic Design, Durban University of Technology, 2011.<br>Social issues are a very real problem in South Africa. Violent protests in poorer communities around South Africa indicate a need to better understand negative social realities impacting on communities. This research examined the sociocultural context of Wentworth in Durban, KwaZulu-Natal, South Africa, as shown on the map on page x. The focus of this study was the social and community realities; and the significance of photography in the context of exam

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Desnoyers, Rosika. "A Genealogy of Pictorial Berlin Work: A History of Errors." Thesis, 2012. http://spectrum.library.concordia.ca/975116/1/Desnoyers_PhD_S2013.pdf.

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This thesis is the outcome of an interdisciplinary process. It was approached and developed within an art practice that is premised on the use and understanding of pictorial embroidery. The investigation into the emergence of Berlin work that is presented here cannot be distinguished from my artwork. The thesis is therefore an exercise in practice- led research and research-based art practice that operates as a genealogy. The method of genealogy allows me to advance knowledge through the investigation of a specific cultural practice that is located in the interplay of various historical forces

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Cheng, mei hsuan, and 鄭美萱. "The Study of the Relationship Between Pictorial Media and Words Media and Infant’s Concentration." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/89389109708494922173.

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碩士<br>國立臺灣藝術大學<br>應用媒體藝術研究所<br>98<br>It seems essential for a contemporary society to explore the relationship between word and image. The choice of learning methods will deeply influence the children’s ability of concentration, even of reading, even if the types of learning are merely a learning medium for children. The early childhood education has been stressed under the circumstance of lower and lower birth rate; therefore, cram schools have begun to present many classes of creative writing and memory enhancement. These classes make use of way of teaching nothing else but the content of wo

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Zhang, Shu-Juan, and 張淑娟. "Exploration GSM Method and ISM Method of Assessment on Aesthetics - Campus Tree Pictorial Work Case -." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/r854w5.

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碩士<br>國立臺中教育大學<br>教育資訊與測驗統計研究所<br>103<br>As the world increasingly frequent exchanges, art and culture of the countries, but also with the spread of the humanistic quality around the world, a national goal has always been to develop various advanced countries efforts. Although Taiwan is a national scientific and technological progress, but in this regard the spiritual life is a little behind other advanced countries, regardless of cultural events organized by the government or private, although there are people actively participate, but how to appreciate or judge, but like smoke and mirrors ge

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Yu-Shan, Hsu, and 許玉珊. "A Study of the Semiotic Possibility to Pictorial Art Use Pablo Picasso’s Work as Example." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/81513917330500255152.

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碩士<br>大葉大學<br>造形藝術學系碩士班<br>93<br>Since the nineteenth century, people have created and perceived information in a logical and concentrated manner. This thesis focuses on creating a series of artistic symbols to represent the famous paintings of Pablo Picasso in a compressed way. There are two important procedures, based on Johannes Itten’s theory “Analyses of Form”, to symbolize Picasso’s works. The first, is to catalog Picasso’s works and analyze the forms of his paintings by applying the three natures of paintings：impressive, constructive, and expressive. The second, is to imitate the origin

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Chen, Yu-Chien, and 陳于倩. "Using Pictorial Story Based English to Improve Fifth Grade English Words Underachievers Learning in Remedial Teaching." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/96708674488718022025.

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碩士<br>朝陽科技大學<br>資訊管理系碩士班<br>101<br>This study aimed to explore whether or not the “Pictorial Story Based English” applied in remedial English teaching improve the learning effectiveness of underachievers’ word learning and explore the attitude of remedial teaching students towards English teaching. The research participants include underachievers of fifth grade English classes in four elementary schools in Chunghwa County, a total of 39 students. During the 14-week remedial teaching period, the students attended the word teaching class through the “Pictorial Story Based English” once a week, a

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Wu, Chien-Wei, and 吳芊葳. "The theory of pictorial work in Mikel Dufrenne''s phenomenological aesthetics : the interpretation of the paintings of Li Mei Shu." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/68249993097680840900.

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碩士<br>淡江大學<br>法國語文學系碩士班<br>100<br>According the Phénoménologie de l’expérience esthétique, Mikel Dufrenne attempts to describe aesthetic experience from a phenomenological point of view. This kind of experience allows us to feel the world as the most thorough and most endearing. And more so, this experience is as that of perception that leads to questions about the nature of art and to connect with the artist. So I choose Li Mei Shu, a contemporary artist of my country Taiwan, as a model to interpret this aesthetic experience. The encounter between theory of Dufrenne and paintings of Li would

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Keen, Rusti Leigh. ""Look West," Says the Post: The Promotion of the American Far West in the 1920s Saturday Evening Post." Thesis, 2012. http://hdl.handle.net/1805/3087.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>This thesis will look at the various images of the American Far West presented by the Saturday Evening Post during the 1920s under the editorship of George Horace Lorimer, and will examine his editorial strategy that promoted the Far West as a last land of opportunity while also recognizing and weighing in on the challenges of that region.

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"Логофест-2021". ФОП Цьома, 2021. http://repository.sspu.edu.ua/handle/123456789/11403.

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До збірника увійшли матеріали логопепдичного фестивалю "Логофест - 2021". Матеріали збірника будуть корисними для педагогів, логопедів, дослідників, науковців, викладачів, студентів.<br>The collection includes materials of the speech therapy festival "Logofest - 2021". The materials of the collection will be useful for teachers, speech therapists, researchers, scientists, teachers, students.

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