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Rozprawy doktorskie na temat „Pictures in the theater”

Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Gunckel, Colin. ""A theater worthy of our race" the exhibition and reception of Spanish language film in Los Angeles, 1911-1942 /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1997008061&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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2

Chiu, Chun-Kai. "Movie theater ticket order system: (MTTOS)." CSUSB ScholarWorks, 2004. https://scholarworks.lib.csusb.edu/etd-project/2541.

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This project is a movie theater order system. This system allows people to get movie information and purchase tickets on the Internet. This project is based on a Model-View-Controller (MVC) architecture, which introduces a controller servlet to provide a single point of entry to the web system and encourages more reuse and extensibility of the code.

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3

Luce, Micah. "The cinema and the church experiential [koinonia] in audience and congregation /." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p051-0115.

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4

Khazaal, Natalie Michaylova. "Sectarianism, language, and language education in Lebanese theater, television, and film." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467886891&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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5

Overpeck, Deron. "Out of the dark American film exhibition : political action and industrial change, 1966-1986 /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1459904671&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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6

Odenwald, Florian. "Der nazistische Kampf gegen das "Undeutsche" in Theater und Film 1920-1945." München : Utz, 2006. http://books.google.com/books?id=cOtkAAAAMAAJ.

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7

Perugini, Sas̆a. "The aesthetics of Fellini's art seen through its ties with popular entertainment /." Thesis, Connect to Dissertations & Theses @ Tufts University, 2001.

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Thesis (Ph.D.)--Tufts University, 2001.<br>Submitted to the Dept. of Drama. Advisers: Laurence Senelick; Jeanne Dillon. Includes bibliographical references (leaves 228-243). Access restricted to members of the Tufts University community. Also available via the World Wide Web;

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8

Sava, Laura. "Intermedial encounters : the representation of theatre in film." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/49180/.

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This thesis closely examines the representation of theatre in film, using insights derived from an ever-growing literature dedicated to the notion of intermediality, in order to understand film’s temporary disguise as another medium. With the realization that theatre is not just another object of representation in film, it becomes increasingly apparent that an analysis of theatre-in-film has the potential of serving as a catalyst for a complex reflection on the nature of mediation. The present dissertation studies the conditions under which this potential is realized. Throughout the thesis, I

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9

Slaughter, Stephany Lynn. "Performing the Mexican revolution in neoliberal times reinventing iconographies, nation, and gender /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1164735049.

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10

Urquijo-Ruiz, Rita E. "Las figuras de la peladita/el peladito y la pachuca/el pachuco en la producción cultural chicana y mexicana de 1920 a 1990 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2004. http://wwwlib.umi.com/cr/ucsd/fullcit?p3138840.

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Thesis (Ph. D.)--University of California, San Diego, 2004.<br>Accompanied by compact disc sound recording of 11 Pachuco trio songs by Lalo Guerrero with Trio Imperial. Vita. Includes bibliographical references (leaves 200-209).

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11

Kung, Sze-chung Charles. "Cinema park." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956206.

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12

Pedlingham, Graeme G. "The (un)scene of memory : energetic theory and representation in theatre and film." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/6939/.

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The wager of this thesis is that, firstly, there exists an intrinsic relationship between memory and representation in visual performative media and, secondly, that a referential, Aristotelian conception of memory is made problematic by these same visual media. There are aspects within the ontology of both theatre and film, the specific media examined, which resist the model of representation that this memory constitutes. It is my contention that there is an alternative conception of memory, more appropriate to the difficulties that theatre and film present, which enables another way of unders

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13

Hemingway, Simon Peter. "Hierophanies and heterotopias : magic, moving picture theaters and churches, 1907-1922 /." Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008349.

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14

Christoffersen, Joshua Michael. "Telling stories with pictures : exploring theatrical design." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1568.

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This document will chronicle the theatrical design work of Josh Christoffersen at the University of Iowa from August of 2012 through the spring of 2015. The bulk of the images included will be production photos of realized productions--both large-scale mainstage and smaller independent productions--as well as draftings, paint elevations, and sketches to illuminate the process of the artist. The intent is that this document will stand as a record of the various techniques and tactics used throughout my graduate career to tell a story through design

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15

Hoffman, Warren D. "Gay-valt : queer performance and identity in twentieth-century Jewish American literature, theater, and film /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2004. http://wwwlib.umi.com/dissertations/fullcit/3135065.

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16

Ndounou, Monica White. "The color of Hollywood the cultural politics controlling the production of African American original screenplays, stage plays and novels adapted into films from 1980 to 2000 /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1180535612.

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17

Koutsourakis, Angelos. "'A film should be like a stone in your shoe' : a Brechtian reading of Lars von Trier." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/7458/.

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This central premise of this thesis is that Lars von Trier is a political director. Through a detailed formal analysis of five films I proceed to discuss the political implications of form, something that has not been acknowledged by scholarship so far. In this thesis, I employ Brecht as a methodological tool so as to discuss the shift from a dialectical cinema devoted to the production of knowledge effects, to a post-Brechtian one that brings together points of tension that remain unresolved. Chapter 1 proceeds to a historical evaluation of Brecht's reception in film theory and considers the

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18

Da, Silva Gregório Paulo Henrique. "Intersections between Shakespeare and Beckett on stage, screen and page." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7453/.

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This thesis comparatively and critically examines the connections between Shakespeare and the drama of Samuel Beckett that have been established in British adaptations of Shakespeare’s plays for the stage, screen and page. Beckett’s distinct dramatic style has become an alternative method for the interpretation of such Shakespeare plays as King Lear and Timon of Athens for stage and screen. The first part of this thesis focuses on the assimilation of dramatic elements characteristic of Beckett’s theatre into four productions of King Lear and Timon by the Royal Shakespeare Company. The affiniti

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19

Hartwig, David W. "The place of Shakespeare : performing King Lear and The tempest in an endangered world." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/3909/.

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This thesis brings ecocriticism to Shakespearean performance through an examination of adapted performance worlds. Studying cinematic and theatrical productions of Shakespeare’s King Lear and The Tempest, it develops a strategy of ecopoetic analysis: a critical approach to the creation of worlds in the process of adapting a play for performance. This work developed out of my own environmentalism and experience in performing Shakespeare’s works. My goal is to develop a critical strategy for examining performance that utilises the tools of ecological criticism and furthers the fields of performa

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20

Clò, Clarissa. "Italy in the world and the world in Italy : tracing alternative cultural trajectories /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2003. http://wwwlib.umi.com/cr/ucsd/fullcit?p3100380.

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21

Guo, Kuo. "For Profit or for What?A Comparative Case Study on Film Programming Strategies in Nonprofit and For-profit Movie Theaters." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1534506758595266.

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22

Hidaka, Maho. "An exploration of doubleness through Kieslowski's films and my theatre practice." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/1017.

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This thesis explores the theme of doubleness in the fields of film and theatre. I would like to use the word, “doubleness,” to refer to the wide range of states which contain any dual or overlapping aspects, beyond the normal association of the word, “double,” as meaning, “a person who looks exactly like another.” I also use the word, “doubling,” when I would like to emphasise the act of repeating or overlapping states. I will examine the doubleness not only within or in between characters but also within relationships between the created film world and the real world in which the creators hav

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23

Cork, Kevin James. "Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales /." View thesis, 1994. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.125146/index.html.

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24

Pierce, Kelley J. "Dance-10 : a historical investigation of musical theatre dance styles in film." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/491454.

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A broad survey of musical theatre dance styles in film from 1935 to 1985 is used as background information for this creative project. Attention is paid to developments within the art form. The contributions of choreographers Busby Berkeley, Fred Astaire, Agnes de Mille, Gene Kelly, Michael Kidd, Bob Fosse, Jerome Robbins, and Michael Peters are discussed. A detailed description is included of the process involved in translating the film choreography to a stage performance. The film choreography was presented in a lecture demonstration format designed to give the audience a short synopsis of

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25

Labosier, James Bruce. "Motion Picture Exhibition and the Development of a Middle-class Clientele: Portland, Oregon, 1894-1915." PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4952.

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For about the first fifteen years after its commercial introduction motion picture entertainment throughout the United States was supported almost entirely by the mass of urban industrial workers, immigrants and their families. Beginning a few years before 1910 motion pictures began acquiring regular support from a limited element of the more affluent citizens until by the end of 1916 they constituted motion pictures' primary audience. This paper examines the audience development and conversion as it occurred in the downtown theaters of Portland, Oregon. Motion pictures were shown to two diver

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26

Rogers, Jami. "Shakespeare and the thirties : representations of the past in contemporary performance." Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/2855/.

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This thesis examines the performance history of Shakespeare focusing on those productions performed as a period analogue of the nineteen-thirties. It engages with the material in two ways. It first attempts to locate influences that have led to the development of this style of performance, finding correlations with both theatrical and televisual drama. It then examines the productions as performed, focusing on the construction of scenography and actor performances. Throughout the analysis, this thesis engages with shifts in the representation of the historical past on both stage and screen.

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27

Brown, Anna Marie. "Cinerati." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/808.

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From the polluted canals of turn-of-the-century Birmingham, England, William Moxley is an ineffectual captain of industry burning for a Music Hall life. With his unlikely bride Elvina in tow, he journeys to the west coast of the United States, only to shipwreck against his lifelong dream--a vaudeville hall called "The Sunshine." In "Dear Clara," a depression-era love story, Warren Wilkerson has been a Sunshine fixture since the age of six; suddenly forced out by the theatre's back-stabbing, bootlegging "owner," Warren must resort to desperate measures in order to pay for his dying wife's insul

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28

Edwards, Kurt Alexander. "Billy Graham, Elmer Gantry, and the Performance of a New American Revivalism." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1212785421.

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29

Henrique, Marina Gomes 1974. "Marias." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285288.

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Orientador: Antonio Fernando da Conceição Passos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-24T21:34:19Z (GMT). No. of bitstreams: 1 Henrique_MarinaGomes_M.pdf: 1393898 bytes, checksum: c3b6192a2da03a56185d3e6db5020ee0 (MD5) Previous issue date: 2010<br>Resumo: Este trabalho é fruto do processo de transcriação do poema de Bertold Brecht "A infanticida Marie Farrar" em uma peça de teatro e um roteiro de curta metragem. Para isso outras fontes literárias e o filme documentário "Camelos também choram" foram fundamenta

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30

Guillen, Marissa E. "The Performance of Tango: Gender, Power and Role Playing." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1213208506.

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31

Hurlstone, Lise Danielle. "Performing Marginal Identities: Understanding the Cultural Significance of Tawa'if and Rudali Through the Language of the Body in South Asian Cinema." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/154.

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This thesis examines the representation of the lives and performances of tawa'if and rudali in South Asian cinema to understand their marginalization as performers, and their significance in the collective consciousness of the producers and consumers of Indian cultural artifacts. The critical textual analysis of six South Asian films reveals these women as caste-amorphous within the system of social stratification in India, and therefore captivating in the potential they present to achieve a complex and multi-faceted definition of culture. Qualitative interviews with 4 Indian classical dance i

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32

Moreland, Kathleen A. "Of Thee We Sing: Roots of the American Songbook." University of Akron / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=akron1428148686.

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33

Burger, Alissa Dian. "From 'The Wizard of Oz' to 'Wicked': Trajectory of American Myth." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1236369185.

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34

Jackson, Indya J. "There Will Be No Pictures of Pigs Shooting Down Brothers in the Instant Replay: Surveillance and Death in the Black Arts Movement." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1588601272757038.

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35

Huggett, Nancy. "A cultural history of cinema-going in the Illawarra (1900-1950)." Communication and Cultural Studies - Faculty of Creative Arts, 2002. http://ro.uow.edu.au/theses/246.

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This thesis explores a cultural history of cinema-going in the Illawarra region of New South Wales over the first half of the twentieth century through oral history interviews with cinema-goers of the period. The research was originally intended to explore the Australian cinema industry from a regional perspective. However, while the interviews contained fascinating details and stories of cinema-going in this period, they did not fit seamlessly into existing academic discussions about cinema which often focus on film texts and national cinema industries. Therefore, as well as considering how t

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36

Humphrey, Gregory MacKenzie. "The Evolution of the Robotic Other in Science Fiction Film and Literature: from the Age of the Human to the Era of the Post-human." Cleveland State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=csu1296245075.

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37

Rossholm, Anna Sofia. "Reproducing Languages, Translating Bodies : Approaches to Speech, Translation and Cultural Identity in Early European Sound Film." Doctoral thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2006. http://www.diva-portal.org/su/theses/abstract.xsql?dbid=1333.

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38

Wassersug, Yolana. ""My picture I enjoin thee to keep" : the function of portraits in English drama, 1558-1642." Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/5935/.

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This thesis considers how visual art is expressed within English drama during the Elizabethan, Jacobean, and Caroline periods, through studying how portraits are used in performance and narrative. The first part of the thesis, consisting of Chapters One and Two, is concerned with the stage. It explores the range of different functions that a portrait could have in a play, and considers the challenges of bringing these objects onto the stage. The following three chapters make up the second part of the thesis; which shifts focus from the way portraits were used on stage as signifiers, to a consi

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39

Kung, Sze-chung Charles, and 龔詩宗. "Cinema park." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983388.

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40

Ng, Siu-hong Ryan. "Film Complex : Resuscitation of film in commercial society /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946821.

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41

Rosewell, Susan Tilden. "Examination of Narrative Point of View Through Production by Two Media." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500621/.

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Narrative point of view should be the initial place of focus in the study of prose fiction, but it is often difficult to understand or teach. This study proposes that stage or screen production of narrative fiction may be purposefully structured to enhance the understanding of narrative perspective. The study details grammatical analysis of narrative language and describes implications drawn from that language which influence production decisions. The thesis examines the techniques and technology of stage and screen production which may be manipulated to underscore narrative point of view, sug

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42

Main, Sarah. ""Enacting the Story of Her Life": The Written Legacies and Enduring Mis/Perceptions of Zelda Fitzgerald." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1564749555581709.

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43

Nassimbeni, Francesco. "Picture-making through performance - experiments in visual dramaturgy." Master's thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/25424.

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This dissertation attempts to draw parallels between my process as a graphic artist and my process as a theatre-maker. The study has been prompted by my discovery of theatre-practitioners whose graphic art practices preceded and suffused their subsequent performance works and my desire to trace the antecedents of this phenomenon. The dissertation charts the movement from art to performance as exemplified by the Futurist and Bauhaus schools who devised a poetics of abstraction for the theatrical stage. Drawing on the theoretical frameworks and modes of practice developed by artists associated w

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44

Thomas, Quincy D. "Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1521852471021414.

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45

O'Skea, Sean. "Indiana encore : history and preservation of eastern Indiana's historic theaters." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1133729.

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46

Batchelder, Daniel Lev. "American Magic: Song, Animation, and Drama in Disney's Golden Age Musicals (1928-1942)." Case Western Reserve University School of Graduate Studies / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case1523442817785887.

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47

Davenport, Jeremiah Ryan PhD. "From the Love Ball to RuPaul: The Mainstreaming of Drag in the 1990s." Case Western Reserve University School of Graduate Studies / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=case1499363704491381.

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48

McClary, William Michael. "Pictures of pictures and marks /." Online version of thesis, 1991. http://hdl.handle.net/1850/11637.

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49

Swami, Sanjeev. "Dynamic marketing decisions in the presence of perishable demand." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ34631.pdf.

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50

Yan, Kwan-shing. "Management science : quenes in cinemas /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18024646.

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