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Artykuły w czasopismach na temat "Picturesque"

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Heimlich, Timothy. "Romantic Wales and the Imperial Picturesque." Modern Language Quarterly 81, no. 2 (2020): 169–92. http://dx.doi.org/10.1215/00267929-8151559.

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Abstract This essay argues that the aesthetic category named the picturesque was first systematized in a Welsh colonial context and that picturesque looking always reflects, to some degree, its initially imperialist function. While the picturesque rapidly acceded to a preeminent place in British travel and landscape writing, its rise was contested by Welsh and working-class writers like the antiquarian poet Richard Llwyd (1752–1835). By conspicuously failing to impose picturesque features on a carefully historicized landscape, Llwyd’s poem Beaumaris Bay (1800) lays bare the picturesque’s antih
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McIntosh, Monique. "Picturesque." Wasafiri 33, no. 2 (2018): 80–85. http://dx.doi.org/10.1080/02690055.2018.1431187.

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Townsend, Dabney. "The Picturesque." Journal of Aesthetics and Art Criticism 55, no. 4 (1997): 365. http://dx.doi.org/10.2307/430924.

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Ljungquist, Kent P. "AMERICAN PICTURESQUE." Resources for American Literary Study 28, no. 1 (2002): 171–73. http://dx.doi.org/10.2307/26366941.

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Ljungquist, Kent P. "AMERICAN PICTURESQUE." Resources for American Literary Study 28, no. 1 (2002): 171–73. http://dx.doi.org/10.2307/resoamerlitestud.28.2002.0171.

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Osborne, John. "Urban Picturesque." Journal of the Society for the Study of Architecture in Canada 46, no. 1 (2021): 4. http://dx.doi.org/10.7202/1082357ar.

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Bainbridge, William. "Picturesque Lost." Performance Research 24, no. 2 (2019): 100–108. http://dx.doi.org/10.1080/13528165.2019.1624045.

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TOWNSEND, DABNEY. "The Picturesque." Journal of Aesthetics and Art Criticism 55, no. 4 (1997): 365–76. http://dx.doi.org/10.1111/1540_6245.jaac55.4.0365.

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Blackmar, Elizabeth, and John Conron. "American Picturesque." Journal of the Early Republic 22, no. 3 (2002): 546. http://dx.doi.org/10.2307/3124825.

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Bramen, Carrie Tirado, and John Conron. "American Picturesque." New England Quarterly 74, no. 2 (2001): 320. http://dx.doi.org/10.2307/3185482.

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Rozprawy doktorskie na temat "Picturesque"

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Nottingham, Amy Lou. "Hilltown architecture : beyond the picturesque." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/23389.

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Ramsier, Allen Lewis. "Picturesque America: Packaging America for Popular Consumption." W&M ScholarWorks, 1985. https://scholarworks.wm.edu/etd/1539625288.

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Swingle, Tyler R. "Picturesque prairies : productive preservation on a petroleum planet." Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/115624.

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Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, 2018.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Cataloged from student-submitted PDF version of thesis. "Permit Proposal 2018.01.18." Seal of the Department of Terra Firma, United States of America printed on title page. "Permit Proposal: Maah Daah Prairie; Plains to Ports Partnership. This document was produced, edited and printed by the U.S. Department of Terra Firma under the Plains to Ports Partne
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Hicks, James. "David Roberts' Egypt & Nubia as imperial picturesque landscape." Thesis, University of Hertfordshire, 2010. http://hdl.handle.net/2299/4595.

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This thesis examines and contextualises historically significant aspects of the ways in which David Roberts’ lucrative lithographic publication Egypt and Nubia (1846-49) represented the “Orient”. The analysis demonstrates that Roberts used tropes, particularly ruins and dispossessed figures, largely derived from a revised version of British picturesque landscape art, in order to depict Egypt as a developmentally poor state. By establishing how this imagery was interpreted in the context of the early Victorian British Empire, the thesis offers an elucidation of the connection between British im
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Jones, Christopher. "Picturesque urban planning : Tunbridge Wells and the suburban ideal : the development of the Calverley Estate, 1825-1855." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:c0a18799-673c-4a29-b4f4-d3f525deea00.

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This study addresses the development of the English suburb in the second quarter of the nineteenth century. Its proposition is that suburbs were where people wanted to live, and not just to avoid the dirt and disease of the city. They had an appeal beyond the practical. Whether it was a feeling of security, independence, oneness with nature, or of living in 'a place apart', there was an emotional, culturally-conditioned attraction. The specific focus is on the development of the Calverley estate in Tunbridge Wells. The point is not that Calverley was typical, but that it represented a suburban
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Ballantine, Jessica Louise. "Reframing the picturesque in contemporary Australian and Canadian nature writing." Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/17071/.

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This thesis explores aesthetic representation in Australian and Canadian nature writing from the turn of the twenty-first century to the present day. I analyse nine representative texts to explore the relationship between aesthetic representation of the so-called natural environment and the texts’ central themes, which I identify as (i) belonging (in place) (ii) digging (uncovering colonial history), (iii) walking (pilgrimage), and (iv) working (ecological rehabilitation). In connection with each theme, I examine how the environment is perceived, how notions of aesthetic value are constructed
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Scales, Cosima. "Interrupted Landscape: A Picturesque Approach to Contemporary Paintings of Nature." Thesis, Griffith University, 2018. http://hdl.handle.net/10072/380533.

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This research project is concerned with the way in which nature is idealised through images, and questions how painting might be able to address this using visual strategies borrowed from the 18th Century aesthetic traditions of the Picturesque. Contemporary popular landscape images, often photographs, present an ideal of nature that is vast, nurturing and self-sustaining. To submit to this ideal, though enjoyable, is to overlook the lived reality of nature in all its extremes as well as the cultural and environmental problems linked to idealised views of nature. By drawing on historical and c
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Waddington, Keith. "Pictures and poetry : debunking the bunk : an examination of picturesque influence." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0005/MQ39928.pdf.

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Dyck, Dorothy. "The development of the picturesque and the Knight-Price-Repton controversy." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22460.

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In recent years the history of the garden has enjoyed increased attention within scholarly circles. Of particular interest is the history of the formation of the Picturesque garden. The ideas of three men, Richard Payne Knight, Uvedale Price, and Humphry Repton, are central to the evolution of Picturesque theory as related to the garden. The conflict among them has become known as the Picturesque Controversy. Due to misguided interpretations by modern scholars, however, the essence of the dispute has been obscured. Through a discussion of the development of Picturesque theory and a comparison
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Kanatsu, Kazumi. "Picturesque tours in Scotland : forming an idea of the British nation." Thesis, University of York, 2000. http://etheses.whiterose.ac.uk/14179/.

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The aim of this thesis is to elucidate the relationship between the picturesque and the emergence of British national identity. It explores Scottish travel writings from the 1770s to the early nineteenth century, in order to examine the ways in which tourists employ the discourse of the picturesque to imagine the British nation. The introduction sets out the questions this thesis attempts to address and defines the scope of discussion. It also outlines the general arguments surrounding the picturesque and specifies the way in which picturesque descriptions of Scotland during the period will be
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Książki na temat "Picturesque"

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Kempenaers, Jan. Picturesque. Edited by Meyerdirk D. E, Manders Mark 1968-, and Willems Roger. Roma Publications, 2012.

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Hammond, Reginald J. W. Picturesque Cornwall. 2nd ed. J. Salmon, 2000.

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Malcolm, Andrews, ed. The picturesque. Helm Information, 1994.

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Fitchat, Sandra. Picturesque Swakopmund. Struik Travel & Heritage, 2010.

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Gönczi, Ambrus. Picturesque Ferencváros. Ráday Könyvesház, 2006.

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Hammond, Reginald J. W. Picturesque Cornwall. J. Salmon, 1995.

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Jackson, Sarah C. The picturesque view. [Sarah C. Jackson, 1991.

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1967-, Jacobs Steven, Maes Frank, and Stedelijk Museum voor Actuele Kunst (Ghent, Belgium), eds. Beyond the picturesque. Stedelijk Museum voor Actuele Kunst, 2009.

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Louis, Stevenson Robert. Edinburgh: Picturesque notes. Barnes & Noble Books, 1993.

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Coward, T. A. Picturesque Wirral (Picturesque Cheshire). Mara Books, 1998.

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Części książek na temat "Picturesque"

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Halimi, Suzy. "The Picturesque." In A Handbook to English Romanticism. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22288-9_63.

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Notodikromo, Adam. "Picturesque Storage." In Learn Rails 6. Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-6026-5_7.

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Halimi, Suzy. "The Picturesque." In A Handbook to English Romanticism. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-13375-8_63.

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Herrington, Susan, and Dominic McIver Lopes. "Neo-picturesque." In Philosophical Perspectives on Ruins, Monuments, and Memorials. Routledge, 2019. http://dx.doi.org/10.4324/9781315146133-12.

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Livesey, Graham, and Mohammad Moezzi. "Picturesque and Sublime." In Modern Architecture. Routledge, 2024. http://dx.doi.org/10.4324/9781003403975-3.

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Yamaguchi, Arisa. "Making it ‘Picturesque’." In Sartorial Japonisme and the Experience of Kimonos in Britain, 1865-1914. Routledge, 2023. http://dx.doi.org/10.4324/9781003334255-4.

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Groves, Stephen. "The picturesque oratorio." In The Sound of the English Picturesque. Routledge, 2023. http://dx.doi.org/10.4324/9781003293378-9.

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Lefaivre, Liane, and Alexander Tzonis. "The Picturesque Revolt." In Architecture of Regionalism in the Age of Globalization. Routledge, 2020. http://dx.doi.org/10.4324/9780367281182-4.

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Charlesworth, Michael. "Theories of the Picturesque." In A Companion to British Art. Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118313756.ch15.

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Modiano, Raimonda. "Coleridge and the Picturesque." In Coleridge and the Concept of Nature. Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07135-7_2.

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Streszczenia konferencji na temat "Picturesque"

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Mantziaras, Panos. "The contemporary picturesque." In International Conference Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2007. http://dx.doi.org/10.5821/ctv.7469.

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Гринина, Е. Н. "«PICTURESQUE HAIKU» BY ELENA BRANOVITSKAYA." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.19.

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Японская поэзия и живопись всегда привлекали российских литераторов и художников. Национальная форма стихосложения хайку и в наши дни находит не просто отклик в душах, а становится для некоторых из них формой самореализации. Одним из таких примеров является творчество петербургской художницы Елены Брановицкой. Обращаясь в своей художественной и педагогической практике к технике энергетической живописи, она развивает собственное творческое направление, выражающееся в соединении живописи и слова Japanese poetry and painting have always attracted Russian writers and artists. Even today, the natio
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Safley, Nick. "The Post-Digital Picturesque: Sinister Dishevelment?" In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.21.

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Sidney K. Robinson’s 1988 essay, The Picturesque: Sinister Dishevelment, critically reframes the English Picturesque through the social and political implications of compositional strategies and mechanisms used for landscape design. Most critically, Robinson identifies sinister qualities of the Picturesque in the hidden power, or power in reserve, that gentlemanly landscape designers used to create scenes in the landscape that only they could discern as having been either labored upon or the result of natural decay. Today some post-digital practices have continued the digital project in a pict
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Bettadapura, Vinay, Daniel Castro, and Irfan Essa. "Discovering picturesque highlights from egocentric vacation videos." In 2016 IEEE Winter Conference on Applications of Computer Vision (WACV). IEEE, 2016. http://dx.doi.org/10.1109/wacv.2016.7477707.

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Nekrasova-karateeva, O. L., and E. P. Stalinskaya. "YALTA LANDSCAPE AS AN AUTHORIAL PICTURESQUE SOUVENIR." In ОБРАЗ, ЗНАК И СИМВОЛ СУВЕНИРА. Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604936320_104.

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Mironov, V. S. "THE GENRE OF LANDSCAPE AND ITS PICTURESQUE FEATURES." In ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868850_255.

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Li, Fengyi, and Xiong Li. "Picturesque Garden Design in Early 18th Century: The Stourhead." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.109.

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Kambesis, Patricia, Ira Sasowsky, and Brittiny Moore. "Sinkholes and karst in Puerto Rico: Picturesque and problematic." In National Cave and Karst Research Institute Symposium 8. National Cave and Karst Research Institute, 2020. http://dx.doi.org/10.5038/9781733375313.1055.

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Macken, Jared. "Architectural Feud! The Link Between Adhocism, Collage City, and the Radical Picturesque." In 110th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.am.110.91.

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This paper explores a disciplinary feud between theoretical figures of 20th century architectural discourse, and discovers an overlooked and forgotten architectural discourse on the city. The participants of the feud included Nathan Silver and Charles Jencks (authors of Adhocism) on one side of the fight, Colin Rowe and Fred Koetter (authors of “Collage City”) on the other, and Reyner Banham who entered the fray in the middle as a mediator. While the feud was quite stinging—it consisted of an accusation of plagiarism from Nathan Silver—it was completely forgotten. This was because the fight oc
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Garcia-Gasco Lominchar, Sergio. "INFLUENCIAS PINTORESCAS DE LE CORBUSIER EN EL PABELLÓN BRASILEÑO DE OSAKA´70." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.992.

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Resumen: Iñaki Ábalos, en su libro “Atlas pintoresco” traza una línea de investigación sobre el Movimiento Moderno y su relación con la naturaleza y el paisaje. El autor establece un análisis en el que desenmascara los elementos pintorescos en la obra de Le Corbusier de manera que, aun apareciendo muchos de ellos en estado “latente” desde sus primeros postulados teóricos, paulatinamente y “casi de forma secreta” se irán adueñando de su modo de proyectar hasta conquistar todas las escalas de la arquitectura en su etapa final. Algunas de las características arquitectónicas de la llamada Escuela
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Raporty organizacyjne na temat "Picturesque"

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Suksawang, Wilasinee. Public response to the appearance of ecological landscape design : A case study of Chulalongkorn University Centenary Park. Chulalongkorn University, 2020. https://doi.org/10.58837/chula.res.2020.25.

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The appearance of ecological landscape design often causes public dissatisfaction. Precedent texts and studies, especially in the landscape perception and design fields, reiterated the affection for the ‘picturesque’ and the ‘park-like’ landscape of most Americans, resulting in their resistance to the ‘messiness’ of ecological landscapes. This research, therefore, studied how Thais perceive and respond to the look of the landscape, investigating if the ‘picturesque’ and the ‘messiness’ play a role in their perception and appreciation of ecological urban park design in the country. The question
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