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Gotowe bibliografie tematyczne / Pinno und Grund

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Gotowa bibliografia na temat „Pinno und Grund”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Pinno und Grund"

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Einbond, Aaron. "Mapping the Klangdom Live: Cartographies for Piano with Two Performers and Electronics." Computer Music Journal 41, no. 1 (2017): 61–75. http://dx.doi.org/10.1162/comj_a_00397.

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The use of high-density loudspeaker arrays (HDLAs) has recently experienced rapid growth in a wide variety of technical and aesthetic approaches. Still less explored, however, are applications to interactive music with live acoustic instruments. How can immersive spatialization accompany an instrument already with its own rich spatial diffusion pattern, like the grand piano, in the context of a score-based concert work? Potential models include treating the spatialized electronic sound in analogy to the diffusion pattern of the instrument, with spatial dimensions parametrized as functions of t

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Walsberg, Glenn E. "Cattle Grazing in a National Forest Greatly Reduces Nesting Success in a Ground-Nesting Sparrow." Condor 107, no. 3 (2005): 714–16. http://dx.doi.org/10.1093/condor/107.3.714.

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Abstract Grazing of domestic livestock on public lands in the western United States is a major source of habitat destruction. I quantified nest success of ground-nesting Dark-eyed Juncos (Junco hyemalis) breeding in ponderosa pine forests and pine savanna in the Kaibab National Forest of northern Arizona. Comparison of results for areas grazed by cattle to results for immediately adjacent areas protected from grazing revealed that cattle grazing was associated with a dramatic (75%) reduction in nest success. Cattle grazing reduced vegetation cover over nests by an average of 41%, exposing the

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Valiente, Pablo Miranda, Giacomo Squicciarini, David Thompson, David O. Norris, and Cesar Hernandez. "Modelling the una-corda effect in pianos." Journal of Physics: Conference Series 2909, no. 1 (2024): 012036. https://doi.org/10.1088/1742-6596/2909/1/012036.

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Abstract Most notes of a piano are fitted with two or three strings that, in normal playing conditions, are simultaneously struck by the hammer. In grand pianos, the una corda pedal offers alternative musical effects, notably a softer and duller tonal quality. This pedal’s operation is linked to a lever system that displaces the action to one side causing the hammer to hit only one-out-of-two or two-out-of-three strings, thereby altering the sound. Meanwhile, the other strings of the same note undergo sympathetic vibration, owing to their structural connection through the bridge. This paper in

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Del Quercio, Nike Francesca. "La rappresentazione di genere nel fotoromanzo italiano del secondo dopoguerra: analisi quanti-qualitativa degli aggettivi qualificativi." Lingue e culture dei media 8, no. 1 (2024): 55–68. http://dx.doi.org/10.54103/2532-1803/24870.

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Il lavoro indaga la rappresentazione di genere nelle tre maggiori riviste di fotoromanzi italiani, «Grand Hotel», «Bolero Film» e «Sogno», pubblicate in epoca post-fascista, in un periodo di tempo compreso tra il 1947 e il 1960. Lo studio è stato realizzato effettuando un’analisi quantitativa e qualitativa degli aggettivi qualificativi riferiti ai personaggi che compaiono nelle storie a fumetti di quasi 400 numeri. Il corpus totale analizzato è di 2.025 aggettivi qualificativi che sono stati prima divisi per genere, maschile e femminile, e poi distinti in aggettivi riferiti all’aspetto fisico

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Marin, Andréia, and Marcos Câmara de Castro. "Vagando na noite: encontros entre filosofia, educação e música, ao “som” de Derrida e Debussy (Roaming in the night: meetings between philosophy, education and music, to the “sound” of Derrida and Debussy)." Revista Eletrônica de Educação 13, no. 2 (2019): 401. http://dx.doi.org/10.14244/198271993352.

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The present writing was elaborated from speculations about possible encounters between philosophy, education and music. On the margins of music, where philosophy seeks some penetration, the theme of a supposed refusal to assimilation is announced, demanding the resumption of questions such as the permanence of a zone of indetermination not reached by the representational effort. This unavoidable opacity of the musical phenomenon moves it to a nocturnal dimension, a common destiny to everything that escapes the totalizing interests of a language committed to the objectifcation and nomination of

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Licastro, Angelo. "Ancora in tema di porto del velo islamico e discriminazione della lavoratrice nelle aziende private." Stato, Chiese e pluralismo confessionale, January 3, 2023. http://dx.doi.org/10.54103/1971-8543/19581.

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Still about wearing the Islamic headscarf and employee discrimination in private undertakings ABSTRACT: This article analyses the development of the jurisprudence of Court of Justice of the European Union on the right to wear an Islamic headscarf at work. In the recent CJEU cases it has been reaffirmed that the employer’s rules do not constitute direct discrimination; however, it has been made clear that a policy of neutrality can justify objectively a difference of treatment indirectly based on religion or belief whether it meets a “genuine need” on the part of the undertaking. This tes

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Ahrens, Christian. "Innovation versus Tradition." Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz, February 23, 2025. https://doi.org/10.71046/simjb.2020-2021.7.

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Bei vielen Musikern, Komponisten und Theoretikern fanden Blechblasinstrumente mit dem 1815 erfundenen Ventilmechanismus lange Zeit keine uneingeschränkte Zustimmung. Insbesondere das Ventilhorn stieß bis weit über die Mitte des 19. Jahrhunderts auf vehemente Ablehnung, seine Einführung in den Orchestern zog sich Jahrzehnte hin. Militär- und Laienmusiker hingegen erkannten rasch die Vorzüge der neuen Modelle und wussten diese in jeder Beziehung ›gewinnbringend‹ einzusetzen. Nicht nur die Musiker, auch die Verwaltungsbeamten der Orchester taten sich schwer mit der Akzeptanz von Ventilinstrumente

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Ciriello, Marina, and Mariaconsiglia Calabrese. "L’intervento fisioterapico nel paziente con piede diabetico." Journal of Advanced Health Care 1, no. 2 (2019). http://dx.doi.org/10.36017/jahc2019126.

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Il diabete mellito è oggi una delle più comuni malattie non trasmissibili in tutto il mondo. In molti paesi in via di sviluppo e di recente industrializzazione il numero di pazienti affetti cresce a ritmi vertiginosi. Tra le complicanze del diabete un ruolo sempre più rilevante assume la complicanza “piede diabetico”. È questa la complicanza che comporta per i diabetici il maggior numero di ricoveri ospedalieri, e per la quale i costi sono ingenti. Le ulcere del piede diabetico spesso si traducono in esiti gravemente avversi, come infezioni gravi, la necessità di ricovero in ospedale e amputaz

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Książki na temat "Pinno und Grund"

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Grechaninov, Aleksandr Tikhonovich. In aller Frühe =: Au grand matin = Early morning : für Querflöte und Klavier = for flute and piano. Schott, 1994.

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Części książek na temat "Pinno und Grund"

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Clinkscale, Martha Novak, and John R. Watson. "Z." In Makers Of The Piano. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198166252.003.0025.

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Abstract Case: Mahogany veneer; open music desk; three octagonal legs carved at top and bottom into acanthus leaves, casters; wrest plank and hitch-pin plate-painted white; four bars; capo tasto bar Inscription: A. Zakrzewski I w Warszawie (brass nameplate); also No 20 (pencilled under music desk) STRINGS: Straight; single-, dOuble-, Triple-Strung; Bass Strings Overspun Action: Viennese Pedals: 2 Att. To Lyre: Una Corda, Damper Present Owners: Poland/Mielec: Private Collection Former Owners: Poland/Mielec: 1974 Purchase By Present Owner References: Vogel (1989) Ep 4133 DATE: 1845 Style: Grand

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Henriques, Antonio Manoel Dias, Júlio Cesar Pesati Resende, Augusto Brignol Alves, et al. "Design of a device for lifting a Grand Piano." In Frontiers of Knowledge: Multidisciplinary Approaches in Academic Research. Seven Editora, 2024. http://dx.doi.org/10.56238/sevened2024.026-025.

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This article describes the process of designing a device to vertically elevate a grand piano together with the pianist. A device for this purpose has already been developed and applied in performances by the Swiss pianist Alain Roche abroad. The idea, with this project, is to do the same in Brazil, particularly in Brasilia, with the possibility, if there is interest, of expanding to other states. As the pianos, in order to be played, are positioned horizontally, it was necessary to adapt the action mechanism so that the piano could be played vertically. The project was developed within the sco

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"Grundlegung I.: Der Schaffensprozess – von der „Ideen-Skizze“ zum vielfach möglichen Werk/Text durch das Prinzip der „prolifération“ (der Wucherung). Notation I pour piano (1945) mit performativer und strukutraler Analyse; Notation VII pour grand orchestre (1998) und Werkbegriff." In Pierre Boulez. Wilhelm Fink Verlag, 2016. http://dx.doi.org/10.30965/9783846759981_005.

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