Gotowe bibliografie tematyczne / Poietic and aesthetic

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji

Gotowa bibliografia na temat „Poietic and aesthetic”

Autor: Grafiati
Data publikacji: 16 listopada 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Poietic and aesthetic"

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Jacobs, Joela. "Vegetal Delights: The Phytopoetics of Ross Gay." Philosophies 9, no. 6 (2024): 185. https://doi.org/10.3390/philosophies9060185.

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This article explores the poetics at work in Black American poet Ross Gay’s contemporary two-volume Book of Delights (2019 and 2023). I argue that his delights are phytopoetic, which describes moments when plants impact the human imagination and, by extension, shape human culture and aesthetic production, such as literary texts. Such phytopoetic processes are moments of co-creation, involving plants both as engaged in poietic making and in the shaping of the poetics of a given text. By examining patterns of form in Gay’s prose and close reading some of his delights that center on plants, this
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Giarolo, Alice. "Materialismo e geografia della carne." Chiasmi International 26 (2024): 243–60. https://doi.org/10.5840/chiasmi20242621.

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The question of materialism is studied following the solicitations which come from the phenomenological geographies of Dardel and Berque, and from the more-than-representative geographies, in order to take the path of a geo-poietic/poetic materialism. This gesture is justified by the traditional identification between matter and extension that informs “scientific materialism”. The abandonment of an abstract spatiality for a spatiality of situation, engraved in matter, is accompanied by recasting geographical reality and removing it from the fiction of the isolated object, bringing it back to i
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Starzyk, Lawrence J. "THE NON-POIETIC FOUNDATIONS OF VICTORIAN AESTHETICS." British Journal of Aesthetics 26, no. 3 (1986): 218–27. http://dx.doi.org/10.1093/bjaesthetics/26.3.218.

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Ellis Neyra, Ren. "White Mythologies." Small Axe: A Caribbean Journal of Criticism 26, no. 2 (2022): 176–93. http://dx.doi.org/10.1215/07990537-9901752.

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This response essay engages the three book discussion essays by Ronald Mendoza–de Jesús, Petra R. Rivera-Rideau, and Rocío Zambrana on The Cry of the Senses: Listening to Latinx and Caribbean Poetics (2020). Following questions of anti-Blackness in Spanish Caribbean (especially Puerto Rican) aesthetics, culture, and history that are distinctly presented and theorized in each of the scholarly interlocutor’s book-forum essays, this essay thinks about reading itself and other perceptual modes, such as listening, qua Whiteness, “the ontic,” and “slow violence.” In its (re)considerations of the sen
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ZATTRA, LAURA. "Searching for lost data: outlines of aesthesic–poietic analysis." Organised Sound 9, no. 1 (2004): 35–46. http://dx.doi.org/10.1017/s1355771804000068.

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Fifty years down the line, the analysis of computer music is still a very complex issue, highly dependent on the identity of computer music itself: the variety of software, the lack of a common musical notation for scores, the absence or presence of computer data. This has led to the emergence of a multitude of analytical methods, including aesthesical analysis, which approaches music from the point of view of perception, and poietical analysis, which pays attention to the creative process.This study aims to combine these two methods of analysis in order to understand the relationship between
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Parris, Benjamin. "Baroque Humor: The Aesthetics of Darkness in Thomas Nashe's Terrors of the Night." ELH 92, no. 2 (2025): 527–56. https://doi.org/10.1353/elh.2025.a961797.

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Abstract: This essay argues that Thomas Nashe crafts an untimely and innovative literary aesthetic in his pamphlet, Terrors of the Night: Or, a Discourse of Apparitions . This lesser-known work displays an experimental but canny mode of poiesis in prose writing, which looks to the limits of embodiment and thought at nightfall not simply as inspirational but also self-constituting sources of literary creativity. In this way, Terrors of the Night 's animated and perceptive renderings of nocturnal experience constitute an aesthetics of darkness that allows us to view Nashe's work as an early lite
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Westermann, Claudia. "Poiesis, ecology and embodied cognition." Technoetic Arts 18, no. 1 (2020): 19–29. http://dx.doi.org/10.1386/tear_00023_1.

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Since René Descartes famously separated the concepts of body and mind in the seventeenth century, western philosophy and theory have struggled to conceptualize the interconnectedness of minds, bodies, environments and cultures. While environmental psychology and the cognitive sciences have shown that spatial perception is ‘embodied’ and depends on the aforementioned concepts’ interconnectedness, architectural design practice, for example, has rarely incorporated these insights. The article presents research on the epistemological foundations that frame the communication between design theory a
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Bernau, Anke. "Hedgerow Poiesis." Emotions: History, Culture, Society 7, no. 1 (2023): 119–44. http://dx.doi.org/10.1163/2208522x-02010185.

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Abstract This essay considers the iconic English hedgerow in light of its history as material, made object and its ontological status as vital ecology. It argues that both of these aspects are associated with particular ‘aesthetics of care’, which are entwined with one another in inextricable, and often agonistic, ways. Central to this argument are the interrelated aspects of the hedge understood as commodity or property, its role in materialising property relations, and the hedge’s own living ‘properties’. Caring for the hedge; the hedge as expression of care for the property that is demarcat
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Shusterman, Richard. "Ästhetische Erfahrung und die Macht der Besitzergreifung." Deutsche Zeitschrift für Philosophie 68, no. 3 (2020): 327–57. http://dx.doi.org/10.1515/dzph-2020-0023.

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AbstractAfter briefly noting key contemporary critiques of aesthetic experience, this article revisits its original account in Plato’s theory of aesthetic experience as the madness of divine possession and then Aristotle’s response of defending art’s rationality as poiesis, which largely dominates the ensuing aesthetic tradition. I subsequently explore how the mysterious notion of possession continues to surface in important modern accounts of aesthetic experience (e. g. in Theodor W. Adorno, T. S. Eliot, John Dewey) and explain how the supernatural idea of possession could find a naturalistic
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Hayes, Michael Thomas. "The Poetic Generation of Place: Ethnography for a Better World." Ethnographic Edge 2, no. 1 (2018): 119. http://dx.doi.org/10.15663/tee.v2i1.39.

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In this article, I employ the ethnographer poetic as a strategic provocation to rethink the foundation of contemporary ethnography. The root of the word poet or poem is the ancient Greek concept of poiesis. Poiesis is defined as making. While in the Greek tradition poiesis foregrounded an analysis of the arts or aesthetics, contemporary usages highlight the making of a social or political dimension. Drawing from the social and political dimensions of poiesis, I argue that the ethnographer does more than simply represent a social context, and, instead, calls the place into existence. The ethnog
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Rozprawy doktorskie na temat "Poietic and aesthetic"

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Marrakchi, Mohamed. "Couleur et conception lumière dans l'architecture hospitalière en Tunisie : approche esthétique et poïétique." Thesis, Toulouse 2, 2013. http://www.theses.fr/2013TOU20095.

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L’innovation du lieu hospitalier intéresse le domaine de conception et de création dans une lecture et une démarche esthétique et poïétique. Cette recherche vise à alimenter des réflexions en esthétique et en poïétique, par le biais des interrogations sur la couleur et la lumière. La démarche conceptuelle s’achève par un va-et-vient entre pratique et théorie, entre sensibilité et système nerveux, entre complexité et simplicité. Je cherche à travers cette recherche, à trouver une autre identité aux espaces sanitaires en Tunisie, respectant à la fois, les exigences technico médicales et l’identi
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Assayas, Eva. "De l'expressivité du geste à la nécessité du mouvement : la danse créatrice du lieu intérieur." Electronic Thesis or Diss., Université de Lille (2022-....), 2024. http://www.theses.fr/2024ULILH026.

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Cette recherche-création en danse se fonde sur un travail de transmission : celle qui, à partir de l'expérience d'un solo, procède à la création d'un trio. Il s'agit d'analyser la capacité d'un tel geste à expliciter des sensations intérieures, et de définir les moyens d'approfondir cette connaissance sensible en faisant l'économie d'une transmission de mouvements de corps à corps. La recherche est donc guidée par une pratique chorégraphique qui en constitue le champ épistémique. En suivant une approche pragmatique, l'attention se porte sur l'expérience de la pratique de création et sur la réf
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Fritsch, Ryan. "The ethics of imagination: Levinas, Aesthetics and Poiesis in uTOpia." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=95124.

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Before Al Gore's 2005 documentary "An Inconvenient Truth" ignited general public concern for the worsening environmental crisis, artists played a crucial role in both exemplifying ecological concerns and in building alternative living and social arrangements. They did so with a sense of "creative responsibility" that formal political and legal institutions seemed incapable of harnessing or acting upon. This thesis looks at how such activist aesthetic movements occurring simultaneously in Toronto and Windsor, Ontario, unleashed a form of "constituent imagination" at once critical, constructive
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Aldana, Nieto Wilson Julián. "Afaga-me as tripas a feiura da porcaria desses romances : experiência estética e poiética escatológica em Haunted, de Chuck Palahniuk e Acenos e Afagos, de João Gilberto Noll, dois romances contemporâneos." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/104857.

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Esta é uma tese que salienta a qualidade literária desses dois romances sob a proposta de uma leitura baseada em categorias, desenvolvidas por vários teóricos, como o grotesco, o nojo, a abjeção, o estranho e o sublime. Para atingir este objetivo, levo em conta a crise da beleza e reviso tal conceito segundo a perspectiva de filósofos da Antiga Grécia, a Idade Média, o Iluminismo e século XX. Trata-se de uma proposta de estudo poiético que, a partir do nojento, torna visível a importância do sentido fisionômico na percepção corporal que facilita aos espectadores a experimentação de emoções dia
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Rozenberg, Sebastian. "Agamben's Aesthetic Framework and the Published Poetry of the Artist-Poet." Thesis, Södertörns högskola, Estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-40981.

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The main objective of this thesis is to formulate a practical aesthetic framework from Giorgio Agamben’s writings, and to use his concepts as an interpretative tool in relation to certain aspects of poetry in contemporary art. The specific category of printed poetry by artists is studied from a meta perspective, looking primarily at the gesture performed by writing poetry as an artist. A selective history of poetry in art looks at Marcel Broodthaers and the Bernadette Corporation, including the ways in which they can clarify the aesthetics of Agamben, followed by a shorter interpretations of t
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André, Laury Nuria. "Formes et fonctions du paysage dans l'épopée hellénistique et tardive." Thesis, Lyon, École normale supérieure, 2012. http://www.theses.fr/2012ENSL0779.

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Notre travail se propose d'analyser les formes et les fonctions que peut revêtir le paysage dans un corpus de textes épiques posthomériques. Les Argonautiques d'Apollonios de Rhodes et leur réécriture tardive anonyme, les Argonautiques Orphiques, les Posthomériques de Quintus de Smyrne, la Prise d'Ilion de Triphiodore et les Dionysiaques de Nonnos de Panopolis nous offrent un champ d’investigation fructueux pour analyser les représentations littéraires du paysage de manière transhistorique. Nos textes opèrent une première transformation du paysage épique archaïque qui est d'abord l'image du mo
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Simsek, Aslihan. "Tectonic Expression Of Concrete As An Architectural Material." Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613805/index.pdf.

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This thesis is an inquiry into the position of concrete as an architectural material in architectural production and expression. With increasing use of concrete in architecture not only technical properties but also aesthetical ones of the material came to foreground. Reconsidering concrete as a building material, the thesis aims to find out tectonic possibilities of concrete as an architectural expression tool. The purpose to search for concrete&#039<br>s tectonic potentials is to rescue it from its bad connotations and reveal it as an architectural tool instead of being mere constructional m
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Zorzal, Bruno. "Esthétique de l'exploitation photographique de photos déjà existantes." Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080105/document.

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Au moment où les artistes revendiquent la totalité des objets composant la réalité comme source matérielle pour l’art, on se voit dans la nécessité de réfléchir sur les usages et appropriations créatives spécifiques d’images photographiques. En avançant ainsi d’un cadre général vers le particulier, on vise à instaurer une réflexion centrée sur l’utilisation de photos déjà existantes dans les pratiques artistiques visant la fabrication d’une œuvre photographique. Cependant, le fait de créer à partir d’un objet déjà créé qui ici est une photo, n’étant pas sans problèmes, qu’en est-il d’une forme
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Silva, Nayse Ribeiro Ferreira. "Fabricações em Andy Warhol: vida, arte e linhas de fuga." Universidade Federal de Juiz de Fora (UFJF), 2016. https://repositorio.ufjf.br/jspui/handle/ufjf/6587.

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Younes, Elhem. "Poïétique de l’indiscernable : approche esthétique de la perception dans les environnements virtuels et oniriques." Electronic Thesis or Diss., Paris 8, 2017. http://www.theses.fr/2017PA080017.

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Poïétique de l’indiscernable est une approche esthétique des modalités perceptives et imageantes déployées dans la relation aux environnements virtuels et oniriques. Elle désigne dans notre recherche-création, un état de conscience singulier et l’ensemble des qualités esthétiques d’une image. L’analyse détaillée des phénomènes du rêve, de l’hallucination, de l’imagination ainsi que des illusions perceptives, fondée sur une étude transdisciplinaire alliant science et phénoménologie, révèle les différents régimes de mise en jeu d’une conscience immersive et d’un sentiment de présence dans leur r
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Książki na temat "Poietic and aesthetic"

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Bressan, Lisa. Aristotele e il bello: Poiesis, praxis, theoria. Edizioni di storia della tradizione aristotelica, 2012.

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Hofmann, Gert. Dionysos Archemythos: Hölderlins transzendentale Poiesis. Francke, 1996.

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Graeme, Murray, and Fruit Market Gallery, eds. Poiesis: Aspects of contemporary poetic activity : Dante Alighieri ... [et al.]. FruitMarket Gallery, 1993.

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Roscher, Wolfgang. Sinn und Klang: Philosophisch-theologische Streiflichter auf "Aisthesis" und "Poiesis" in Musik, Kultur, Bildung. Müller-Speiser, 1997.

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van Hoorn, Tanja, ed. Avifauna aesthetica. Wallstein Verlag, 2021. http://dx.doi.org/10.5771/9783835345935.

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Vögel in Kunst und Literatur - spannende Begegnungen. Ob es sich beim Gesang der Vögel um eine Form von »Naturmusik« oder gar um eine Sprache handelt, wird aktuell in verschiedenen naturtheoretischen, philosophischen, zoomusikologischen und von den animal studies inspirierten Kontexten diskutiert. Unstrittig ist neben dem reinen Faktum der Stimmenvielfalt die Fülle der Referenzen auf Stimme, Gestalt und Verhalten der Vögel in bildender Kunst, Literatur und Musik. Vögel sind jedoch nicht nur inhaltlich Thema, sondern zugleich immer auch ein Natur-/Kulturgrenzen überschreitender, selbstreflexive
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Die zweihundert Bücher zur Architektur: De re aedificatoria : eine Poietik. WZ, Wasmuth & Zohlen, 2021.

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Blauwet, Lori A. Bodily shapes and movement: The poietic activity of the Eucharistic assembly. 1990.

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Levine, Stephen K. Poiesis, Volume 16, 2015: European Graduate School 20th Anniversary - Aesthetic and Critical Education. EGS Press, 2015.

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Tuckwell, Jason. Creation and the Function of Art: Techné, Poiesis and the Problem of Aesthetics. Bloomsbury Publishing Plc, 2019.

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Creation and the Function of Art: Techné, Poiesis and the Problem of Aesthetics. Bloomsbury Publishing Plc, 2017.

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Części książek na temat "Poietic and aesthetic"

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Messori, Rita. "25 Ways to Hammer a Nail. “Postcrocian” Aesthetics and Everyday Life’s Poetics in Enzo Mari." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_21.

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AbstractThe essay analyzes the poetics of Enzo Mari in the light of postcrocian aesthetics, in particular Umberto Eco and Luciano Anceschi’ contributes.The field of reflection of the essay, conducted on several levels (both meta-artistic and intra-artistic) is polarized around some expressions and some key words, explications of issues perceived as urgent.First, a rethinking of aesthetic experience on the basis of the results of psychology and the phenomenology of perception.Secondly, a rethinking of the status of the work of art, which becomes “open work” or work “with multiple outcomes”; to
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Rimas, Juozas, and Juozas Rimas Jr. "The Search for Abilities and Characteristics Which Produce Expression of Quality." In Etudes on the Philosophy of Music. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63965-4_4.

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AbstractA series of sub-chapters summarising the subjective abilities necessary for expression in music: 3.1. A Musical Ear. “Inner hearing” vs. acoustic hearing; perfect pitch. Hearing and understanding (G. Colombero, B. Asaf’ev; C.P.E. Bach, R. Schumann). 3.2. Sound Creation. The method developed by C. Martienssen. “Wunderkind complex”. The author’s recording of the Andante from the Cassation in B flat major (KV 63a) by the 13-year-old W. A. Mozart. Six elements of sound creation: pitch volition (Tonwille); timbre volition (Klangwille) (cf. A. Losev: “the otherness of tone“); line volition (
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"Chapter Five. From Models to Metaphors; Possibility, Aesthetics, and Literary Theory." In Poiesis and Possible Worlds. University of Toronto Press, 2004. http://dx.doi.org/10.3138/9781442678576-006.

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"Poiesis, Aesthesis, and Catharsis: The Aesthetic Experience of Reading “the Day of the Lord” with the Fathers." In Authoritative Texts and Reception History. BRILL, 2017. http://dx.doi.org/10.1163/9789004334960_014.

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Cheyne, Peter. "The Art of Poetic Life-Writing." In Coleridge's Contemplative Philosophy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198851806.003.0005.

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Chapter 4 argues that Coleridge’s ‘primary imagination’ is based on Kant’s theory of a ‘necessary imagination’ that synthesizes thought and feeling in constructing experience. In this way, it is vital to what the author calls autobiography concrète, or the art of poetic life-writing. Section 4.2 proposes an ontological capacity to augment Coleridge’s philosophy, removing some problems in his concept of a ‘sensorium of the Spirit’. Section 4.3 then develops Coleridge’s primary–secondary imagination distinction into the author’s view of art as a secondary creativity, an ad vita poiesis, whose cr
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Ronda, Margaret. "“A Rescue That Comes Too Late”." In Remainders. Stanford University Press, 2018. http://dx.doi.org/10.11126/stanford/9781503603141.003.0006.

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“A Rescue That Comes Too Late”: Figure and Disfiguration in Contemporary Ecopoetics Chapter abstract: This chapter turns to the contemporary mode of ecopoetics as an exploration of the problems of poiesis in a time of accelerating ecological destruction. Ecopoetics as a distinctive mode emerges in the post-Kyoto Protocol era, when the problem of how to respond to planetary environmental degradation has become increasingly urgent. The ecopoetics texts of the chapter present an extended redescription of human capacities and aesthetic making in light of anthropogenic crisis. Discussing works by B
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Buck, Elisabeth H. "Slacktivism, Supervision, and #Selfies." In Cyber Warfare and Terrorism. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-2466-4.ch043.

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Since its original development for use in literary studies by German scholar Hans Robert Jauss in the late 1960s, reception theory has been successfully applied to fields as diverse as media studies, communications, and art history; its efficacy within rhetoric and composition pedagogy, however, has been less fully explored. I argue in this essay that reception theory can provide a meaningful way to understand and discuss social media composing practices, especially as a lens for thinking about why and how we participate in social media as both readers and writers in the 21st century. This ess
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Deranty, Jean-Philippe. "Aristotelian Objections." In The Case for Work. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192887146.003.0006.

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Abstract This chapter studies objections to the centrality of work that rely on the conceptual distinction between actions that are intrinsically valuable (praxis) and actions whose value is only instrumental (poiesis). Work is a paradigm example of the latter. Section 5.1 outlines the distinction and shows how it has been at the heart of influential diagnoses of modern society (e.g., Marx in some passages, Arendt, Habermas, and MacIntyre). Section 5.2 emphasizes modes of acting and of being that this strand of critique contrasts to work, such as aesthetic activity, play, leisure, religious cu
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Kamp, Michiel. "Introduction." In Four Ways of Hearing Video Game Music. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197651216.003.0001.

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Abstract The introduction to this book starts with a case study of the game Hades to illustrate the idiosyncrasies of hearing video game music. Listening to game music is then contrasted with composition and implementation in terms of Jean-Jacques Nattiez’s ‘poiesis’ and ‘aesthesis’ and Michel de Certeau’s ‘strategies’ and ‘tactics,’ before deriving four categories of hearing from the work of Milena Droumeva and theorists of ubiquitous listening. It presents the idea of significance as the central issue all four ways of hearing deal with. The second half of the introduction presents phenomenol
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Streszczenia konferencji na temat "Poietic and aesthetic"

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Carlsson, Anna-Lena. "The Aesthetic and the Poietic Elements of Information Design." In 2010 14th International Conference Information Visualisation (IV). IEEE, 2010. http://dx.doi.org/10.1109/iv.2010.69.

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