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Rozprawy doktorskie na temat „Politics and literature – caribbean area”

Autor: Grafiati
Data publikacji: 29 lipca 2024
Data aktualizacji: 31 lipca 2025

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1

Downes, Sarah. "Reading Jean Rhys : empire, modernism and the politics of the visual." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/206736.

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This thesis considers the relationship between literary modernism and visual culture in the work of Caribbean modernist Jean Rhys. Through analysis of a range of visual modes—theatre, fashion, visual art, cinema and exhibition culture—it examines the racialised sexual politics of Rhys’s modernist aesthetics, as represented in her texts of the 1920s—30s. I read Rhys’s four interwar novels—Quartet (1928), After Leaving Mr Mackenzie (1930), Voyage in the Dark (1934) and Good Morning, Midnight (1939)—in the context of contemporary visual practices and the politics of empire. Rhys’s descriptions o
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Taylor, Meyers Emily. "Transnational romance : the politics of desire in Caribbean novels by women /." Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2009. http://hdl.handle.net/1794/10232.

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L'Hostis, Aurelie Marie. "Literature and historical consciousness in the French Caribbean." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609280.

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Fonkoue, Ramon Abelin. "Esthétique et éthique de l'agentivité dans le roman antillais /." Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2009. http://hdl.handle.net/1794/10204.

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Typescript. Includes vita and abstract. "The major argument of this work is that French Caribbean novels pursue a political agenda"--P. iv. Includes bibliographical references (leaves 179-185). Also available online in Scholars' Bank; and in ProQuest, free to University of Oregon users.
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Boodhoo, Niala. "The United States and the politics of trade: the banana war with Europe and the Caribbean." FIU Digital Commons, 2000. http://digitalcommons.fiu.edu/etd/1729.

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This thesis examines the involvement of the United States in the decade-long trade dispute before the World Trade Organization (WTO) over the European Union's preferential banana regime. Washington's justification for bringing this case to the WTO comes from Section 301 of the U.S. trade act, which allows for disputes to be undertaken if U.S. "interests" are violated; however, this is the first case ever undertaken by the United States that does not directly threaten any American banana industry, nor affect any American jobs. Why, then, would the United States involve itself in this European-C
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Meyers, Emily Taylor 1979. "Transnational romance: The politics of desire in Caribbean novels by women." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10232.

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xi, 236 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>Writers in the Caribbean, like writers throughout the postcolonial world, return to colonial texts to rewrite the myths that justified and maintained colonial control. Exemplary of a widespread, regional phenomenon that begins at mid-century, writers such as Aimé Césaire and George Lamming take up certain texts such as Shakespeare's The Tempest and recast them in their own image. Postcolonial literary theory reads this act of rewriting the canon as a p
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7

Staten, Clifford Lee. "A Multivariate Analysis of Regional Political Integration the Case of the Caribbean Free Trade Area and the Caribbean Community and Common Market, 1965-1983." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc330853/.

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The purpose of this study is three-fold. The first is to provide the reader with a review of the literature concerning the topic of regional political integration. The second purpose is to provide an operational definition of regional political integration which can be useful in the testing of hypotheses. Regional political integration is defined in terms of the regional decision-making process. Various levels of regional political integration are defined, operationalized, and identified. The levels from lowest to highest are as follows: regional promotion, regional information exchange, regio
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8

Reyes-Santos, Irmary. "Racial geopolitics interrogating Caribbean cultural discourse in the era pf globalization /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3274592.

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Thesis (Ph. D.)--University of California, San Diego, 2007.<br>Title from first page of PDF file (viewed October 4, 2007). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 234-245).
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9

Morris, Keidra. "Troubled migrations an analysis of Caribbean-American women's (im)migration literature /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1610027871&sid=23&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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10

Remse, Christian. "Vodou and the U.S. Counterculture." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1368710585.

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Harris, Treviene A. "Bleaching To Reach: Skin Bleaching as a Performance of Embodied Resistance in Jamaican Dancehall Culture." FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1129.

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This thesis examines how skin bleaching can be understood within the cultural context of Jamaican dancehall. I argue that as a cultural practice, skin bleaching can be viewed as a critique of the concomitant structural inequalities precipitated by colorism, which is a by-product of racism. In proposing skin bleaching as a queer performance of color, I attempt to illustrate the manner in which the lightening of the skin exposes the instability of racism and colorism as socially constructed, discursive regimes. If race and skin color are biological and embodied facts dictated by social reality,
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12

Tressler, Gretchen E. "Dance and Identity Politics in Caribbean Literature: Culture, Community, and Commemoration." Thesis, 2011. http://hdl.handle.net/1805/2592.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>Dance appears often in Anglophone Caribbean literature, usually when a character chooses to celebrate and emphasize her/his freedom from the physical, emotional, and societal constraints that normally keep the body in check. This study examines how a character's political consciousness often emerges in chorus with aesthetic bodily movement and analyzes the symbolic force and political significance of Caribbean dance--both celebratory (as in Carnival) and defensive (as in warrior dances). Furthermore, this study observes how the weigh
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13

Akbari, Shahmirzadi Atefeh. "Disorderly Political Imaginations: Comparative Readings of Iranian and Caribbean Fiction and Poetry, 1960s-1980s." Thesis, 2019. https://doi.org/10.7916/d8-wqbh-te04.

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The advent of Area Studies and Comparative Literature in US academia developed in response to (or, more aptly, as a result of) the Cold War in the 1960s, with locations such as the Middle East relegated to Area Studies due to the strategic importance that knowledge of its histories, cultures, and languages had for global (read: US) geopolitics. On the other hand, the discipline of Comparative Literature constituted the expansion of US literary studies due to the influx of European intellectual refugees, with scholars and practitioners formulating the field around texts in, primarily, German an
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14

Block, Kristen. "Faith and fortune religious identity and the politics of profit in the seventeenth-century Caribbean." 2007. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.15789.

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"La identidad fronteriza a travâes de las experiencias generacionales en Sirena Selena vestida de pena." Thesis, Florida Atlantic University, 2009. http://purl.flvc.org/FAU/369190.

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Afro-Puerto Rican Mayra Santos-Febres's novel Sirena Selena vestida de pena (2000) demonstrates the intrinsic social relationship that exists between generations in Puerto Rico and Dominican Republic. The historical similarity between these regions permits a comparison in life stories of marginalized peoples. Puerto Rican godmothers and transvestites Martha Divine and Valentina Frenesâi prepare goddaughter, quinceänera and bolerista Sirena Selena in her performance in order to launch a career and conquer the strategies of survival. Meanwhile, Dominican millionaire Hugo Graubel manages his life
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Perisic, Alexandra. "Contesting Globalization: Ethics, Politics, and Aesthetics in the Atlantic World Economy." Thesis, 2014. https://doi.org/10.7916/D8JD4TXP.

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This dissertation examines how contemporary narrative fiction in French and Spanish represents experiences of migration and the circulation of capital and goods in the globalized Atlantic. I argue that the attempt to imagine an increasingly globalized world has been accompanied by a waning interest in character development and an increased interest in what could be characterized as the spatial dimension of literature. Many recent `global fictions' present readers with impenetrable characters whose interiority is inaccessible. The lack of depth is, however, replaced by geographical bre
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17

Duvivier, Sandra Caona. "Mapping intersections: Black women's identities and the politics of home in transnational black American women's fiction." 2006. https://scholarworks.umass.edu/dissertations/AAI3215912.

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Transnational black American women writers' literary renderings of "home" evidence an intersectional relationship among black American literature and cultures. This dissertation analyzes, through the trope of home, these authors' portrayals of the multiplicity of experiences informing black American women's lives and identities both domestically and transnationally. Embracing the transnationalism of black American female subjects, as well as a paradigm of intersectionality, this dissertation creates a framework that challenges not only canon formation with regards to black women's literature i
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18

Labelle, Amanda. "Mapping the Self: The Sense of Space, Place, Home, and Belonging In Contemporary Caribbean Canadian Poetry." 2012. http://hdl.handle.net/10222/15355.

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This thesis investigates the dual concepts of place as home and place within the canon for diasporic communities, immigrants, and minorities within Canada. This thesis argues that a new understanding of “home” is necessary as the immigrant, forced within an in-between place of “there” (the birth-country) and “here” (the host-country), does not experience “home” as a singular, rooted location. “Home” for the immigrant is a feeling of belonging that spans multiple places simultaneously. This investigation of politics through poetics is grounded in the belief that national literature reflects nat
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19

Azank, Natasha. "The Guerilla Tongue": The Politics of Resistance in Puerto Rican Poetry." 2012. https://scholarworks.umass.edu/dissertations/AAI3498327.

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This dissertation examines how the work of four Puerto Rican poets – Julia de Burgos, Clemente Soto Vélez, Martín Espada, and Naomi Ayala – demonstrates a poetics of resistance. While resistance takes a variety of forms in their poetic discourse, this project asserts that these poets have and continue to play an integral role in the cultural decolonization of Puerto Rico, which has been generally unacknowledged in both the critical scholarship on their work and the narrative of Puerto Rico’s anti-colonial struggle. Chapter One discuses the theoretical concepts used in defining a poetics of res
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Celis, Nadia. "La rebelión de las niñas cuerpos, poder y subjetividad en la representación de niñas y adolescentes por escritoras del Caribe hispano." 2007. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17046.

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21

"Blacks, the white elite, and the politics of nation building: Inter and intraracial relationships in "Cecilia Valdes" and "O Mulato"." Tulane University, 2007.

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This project is an examination of the novels O Mulato (Aluisio Azevedo, 1889) and Cecilia Valdes (Cirilo Villaverde, 1882) and their call for social reform and a re-examination of the place of blacks in the emerging republics of Brazil and Cuba. Both novels question and criticize social constructs of race while pressing for an improved treatment of both free and enslaved blacks This project provides an intellectual history of eighteenth and nineteenth century rac(ial)ist theories that exerted a pronounced influence on Azevedo and Villaverde. Specifically, this section examines physiognomy, phr
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Morguson, Alisun. "All the Pieces Matter: Fragmentation-as-Agency in the Novels of Edwidge Danticat, Michelle Cliff, and Shani Mootoo." Thesis, 2013. http://hdl.handle.net/1805/3218.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>The fragmented bodies and lives of postcolonial Caribbean women examined in Caribbean literature beget struggle and psychological ruin. The characters portrayed in novels by postcolonial Caribbean writers Edwidge Danticat, Michelle Cliff, and Shani Mootoo are marginalized as “Other” by a Western patriarchal discourse that works to silence them because of their gender, color, class, and sexuality. Marginalization participates in the act of fragmentation of these characters because it challenges their sense of identity. Fragmentatio
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