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Gotowe bibliografie tematyczne / Popular instrumental music – 2011-2020

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Artykuły w czasopismach

Gotowa bibliografia na temat „Popular instrumental music – 2011-2020”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2024

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Artykuły w czasopismach na temat "Popular instrumental music – 2011-2020"

1

Porta-Navarro, Amparo. "The Musical Offers of Children’s Programming on «Televisión Española» as its Hearing Universe." Comunicar 19, no. 37 (2011): 177–85. http://dx.doi.org/10.3916/c37-2011-03-10.

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The music that children are exposed to in their everyday lives plays an important role in shaping the way they interpret the world around them, and television soundtracks are, together with their direct experience of reality, one of the most significant sources of such input. This work is part of a broader research project that looks at what kind of music children listen to in a sample of Latin American and Spanish TV programmes. More specifically, this study focuses on children’s programmes in Spain, and was addressed using a semiotic theoretical framework with a quantitative and musical appr

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Walter, Maddy, Grace Bengtson, Marcell Maitinsky, Md Jahurul Islam, and Bryan Gick. "Dialect perception in song versus speech." Journal of the Acoustical Society of America 154, no. 4_supplement (2023): A161. http://dx.doi.org/10.1121/10.0023131.

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Investigations into style-shift in singing led to the proposal of genre-specific musical sociolects [Coupland, 2011, J. of Soc. 15]. Gibson [2019, Univ. of Canterbury Dissertation] demonstrated that style-shift in popular music is automatic. Additionally, Mageau et al. [2019, Phonetica 76] found non-native English speakers have a less perceptible foreign accent while singing than speaking. These findings provide possible behavioral analogues to the differential processing of speech and song. Gibson [2019, UofCanterbury Dissertation] accounts for this using Todd et al’s [2019, Cognition 185] ex

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Chunjie, Wang. "Value of musical noise instruments for modern art education." Scientific bulletin of South Ukrainian National Pedagogical University named after K. D. Ushynsky 2020, no. 3 (132) (2020): 190–97. http://dx.doi.org/10.24195/2617-6688-2020-3-22.

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The article raises the issue regarding the possibilities of using musical noise instruments in the process of mass art education. The relevance of the topic is predetermined by these facts: a) insufficient attention of representatives of musical education to the use of musical noise instruments; b) the growing importance of this type of instrument in academic and popular music; c) increasing interest of modern youth in instrumental music making; b) the low degree of development of the theory and methodology of playing musical noise instruments. The goal of the work is to consider the phenomeno

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Ahisheva, Kseniia. "Three Preludes for piano by G. Gershwin in the context of the composer’s instrumental creativity." Aspects of Historical Musicology 19, no. 19 (2020): 449–65. http://dx.doi.org/10.34064/khnum2-19.26.

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Background. George Gershwin is often considered as a composer who wrote mainly songs and musicals, but this is a misconception: beside the pieces of so-called “light” genres, among the composer’ works – two operas, as well as a number of outstanding instrumental compositions (“Cuban Overture” for a symphony orchestra, two Rhapsodies, Variations for piano and orchestra and Piano Concerto etc.). Gershwin had a natural pianistic talent, and there was almost not a single piece of his own that he did not perform on the piano, and most of them were born in improvisation (Ewen, 1989). The basis for t

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Jin, Furong, Soon-Hong Kim, Yoon-Kyung Choi, and Byong-Kook Yoo. "A Study on the Impact of Hallyu (Korean Wave) on Korea’s Consumer Goods Exports to China: Panel Analysis Using Big Data and Provincial-Level Data." Sustainability 16, no. 10 (2024): 4083. http://dx.doi.org/10.3390/su16104083.

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This study empirically analyzes how the Hallyu (Korean Wave) phenomenon affects Korea’s consumer goods exports to China using Chinese provincial-level panel data covering the period from 2011 to 2020. This paper adopts Baidu Index big data with the keywords “Korean drama”, “Korean movie”, “Korean music”, and “Korean entertainment” as proxy variables for Hallyu. The paper investigates the impact of Hallyu on Korean consumer goods exports by subdividing consumer goods into seven processing steps. In addition to the effect of the composite Hallyu index, the effect of each Hallyu content is also e

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Ribeiro, Fabio, and Teresa Costa Alves. "Do I Sound Like a Broken Record?" Medijska istraživanja 27, no. 1 (2021): 75–98. http://dx.doi.org/10.22572/mi.27.1.4.

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Radio is all about intimacy and words (Balsebre, 1994). Since radio’s significant shift from verbal to musical content, songs have been able to create a special bond between broadcasters and audiences across the world. Nevertheless, selecting songs is far from being an innocent choice; it is part of a cultural framework (Ala-Fossi, 2005; Gjerdingen &amp; Perrott 2008). Recently, scholars explained radio’s alliances with the music industry and the adaptation to audiences’ preferences (Kaplan, 2013; Uimonen, 2017), thus arguing that the music in radios’ playlists is far from diverse, especia

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Dovhalyuk, Iryna, and Lina Dobrianska. "Ethnomusicology of Ukraine at the Turn of XX–XXI Centuries (1991–2022): Science, Publications, Conferences." Problems of music ethnology 17 (November 17, 2022): 5–15. http://dx.doi.org/10.31318/2522-4212.2022.17.270892.

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The long-awaited times of Independence opened wide opportunities for Ukrainian ethnomusicologists. In the last issue of Problems of Ethnomusicology”, we began to review the achievements of the latest Ukrainian musical folklore studies during the years of Independence: we identified the main ethnomusicological centers and characterized their activities, considered ethnomusicological pedagogy, achievements in the field of documenting folk music – its collection and archiving. In this issue, we want to focus on such important areas as scientific, publishing and conference activities. The re

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8

Savchenko, Hanna. "«Lacrimosa» by Oleksandr Shchetynskyі: music written in wartime with the faith in triumph of Humanity and Light". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 66, № 66 (2023): 108–25. http://dx.doi.org/10.34064/khnum1-66.07.

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Statement of the problem. Recent research and publications. The piece titled “Lacrimosa” for six instruments by Oleksandr Shchetynsky has been written in the beginning of full-scale war, when the Russian troops were dislocated near Kyiv, when the city was shelled every day. The relevancy of this topic of research is caused by a need for musicological comprehension of a musical piece, written in the times of war as a critical situation. Theoretical basis of the article is founded on the sources from the different spheres of humanitarian knowledge. The usage of the term “crisis” caused appeal to

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9

Dan, Enyi. "The semantics of the names of Luo Maishuo’s Piano Etudes as the transformation of traditional national images." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 69, no. 69 (2023): 104–22. http://dx.doi.org/10.34064/khnum1-69.05.

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Statement of the problem. Recent research and publications. Chinese composers, influenced by European musical norms since the late 19th century, face a critical challenge in navigating their national traditions within academic music. China piano music is a progressive sphere, which allows to identify and analyze the most relevant directions of creative searches of Chinese composers. The work of individual representatives of the piano composer school, including Luo Maishuo, is still incompletely studied. Luo Maishuo’s leadering positions in China piano music is determined by adept fusion of tra

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10

Abbey, Tristan. "In the Shadow of the Palms: The Selected Works of David Eugene Smith." Perspectives on Science and Christian Faith 75, no. 2 (2023): 135–37. http://dx.doi.org/10.56315/pscf9-23abbey.

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IN THE SHADOW OF THE PALMS: The Selected Works of David Eugene Smith by Tristan Abbey, ed. Alexandria, VA: Science Venerable Press, 2022. xii + 155 pages, including a Glossary of Biosketches. Paperback; $22.69. ISBN: 9781959976004. *David Eugene Smith (1860-1944) may not be a household name for readers of this journal, but he deserves to be better known. An early-twentieth-century world traveler and antiquarian, his collaboration with publisher and bibliophile George Arthur Plimpton led to establishing the large Plimpton and Smith collections of rare books, manuscripts, letters, and artefacts

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