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Artykuły w czasopismach na temat „Post-conflict anxieties”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Barski, Kamil. "Skaza wolności, piętno autokreacji. Nieludzki ciężar samostwarzania się podmiotu w antropologii romantycznej." Białostockie Studia Literaturoznawcze, no. 22 (2023): 103–23. http://dx.doi.org/10.15290/bsl.2023.22.06.

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The tragic Romantic anthropology entailed a rebellious conflict with the world, other people and even with the self. Its integral part is a mental wound of Romantics, whose anthropological and philosophical contexts are presented in the article. The author attempts to establish a set of factors which led to the ethical, social, religious and psychological anxieties of the French post-revolution generations. To that end the author uses various approaches that encompass psychological aspects of different kinds of aggression aimed at God, the world and the self, psychoanalysis as well as philosop

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Yi, Lu, and Ashkenazi Shira. "ETHNIC DISTANCE AS A FACTOR HINDERING THE DEVELOPMENT OF CHINESE-JAPANESE RELATIONS (BASED ON THE ACTIVITIES OF UNIT 731)." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 104 (May 21, 2025): 75–76. https://doi.org/10.5281/zenodo.15480600.

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World War II is a global catastrophe for humanity. The consequences of this event left their mark on citizens of different countries. The authors studied the "ethnic distance" of the Chinese and Japanese ethnic groups against the backdrop of World War II. It was determined that the main factor influencing the existing "post-conflict anxieties" of the Chinese is associated with the brutal research programs of the Japanese army, namely the activities of Unit 731 in China. The authors of the article are inclined to believe that Sino-Japanese relations will not be able to have positive dynamics du

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Bhaskar, C. Uday. "China and India in the Indian Ocean Region." China Report 46, no. 3 (2010): 311–18. http://dx.doi.org/10.1177/000944551104600311.

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China and India have divergent political ideologies, characteristics, aspirations, anxieties, and hence their strategic perceptions and orientations differ. Their strategic interaction in southern Asia has for its backdrop the 1962 border conflict. In terms of maritime security, the Pacific–Indian Ocean continuum has become the centre of gravity post-9/11 with both China and India having long-term growth trajectories in terms of naval power, a process skewed in favour of the PLA Navy (PLAN). Cognisance of the maritime dependency index for energy and anxieties about secure sea-lines of communic

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Hoban, Iuliia. "Objects and subjects: Strategic use of childhood in the debate over the Canadian contribution to MINUSMA." Childhood 27, no. 3 (2020): 294–309. http://dx.doi.org/10.1177/0907568220909887.

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The debate over the scope of the Canadian military’s contribution to the United Nations Multidimensional Integrated Stabilization Mission in Mali evolved from the ambitious promise of ground troops to the deployment of narrow support to the mission. This article examines how the strategic use of childhood in political persuasion shaped security discourse and the nature of the Canadian contribution to United Nations Multidimensional Integrated Stabilization Mission in Mali. This article analyzes political and media genres of discourse to examine mechanisms which (re)constructed, legitimized, an

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Italiano, Federico. "Escaping the map: American science fiction and its cartographic imagination." European Journal of American Culture 39, no. 1 (2020): 29–43. http://dx.doi.org/10.1386/ejac_00009_1.

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The beginning of Space Age coincided with the global spread of a subterranean, post-apocalyptic imagination of the bunker. The coexistence of faith in technological progress and fear of a nuclear-caused self-annihilation created a tension between a claustrophilic and a claustrophobic relation to space that deeply shaped American spatial imagination. As I argue in this article, this spatial tension can be profitably illustrated by focusing on the cartographic imagination of science fiction produced in America between the 1950s and the 1980s. Drawing on David Seed and Fredric Jameson among other

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Barnes, Bryant K. "“Are Not Our Interests the Same?”: Black Protest, the Lost Cause, and Coalition Building in Readjuster Virginia." Genealogy 7, no. 1 (2023): 12. http://dx.doi.org/10.3390/genealogy7010012.

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Virginia’s Readjuster Party was the most successful interracial political coalition in the post-Reconstruction South. Initially arising from a conflict over the payment of Virginia’s massive public debt, the new party became a force of liberal reform and democracy in the Old Dominion. It represented an alternative path before Jim Crow segregation and disfranchisement became the norm. While the Readjusters have long interested historians, the significant work performed by Black Readjusters in building and sustaining the always-tenuous coalition has gone understudied. Knowing their white counter

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Woltmann, Suzy. "“She Did Not Notice Me”: Gender, Anxiety, and Desire in The Reluctant Fundamentalist." Humanities 7, no. 4 (2018): 104. http://dx.doi.org/10.3390/h7040104.

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Using the recent trend in literary scholarship that theorizes literature in terms of globalization, cosmopolitanism, and dialectic transnational identities, I examine gender and sexual ideology in Mohsin Hamid’s 2007 novel The Reluctant Fundamentalist, a post-9/11 text that explores the intricacies of community and terror. Specifically, I argue that the novel articulates a particularly gendered vision of spatial, social, and political (im)mobility through the narrator’s desires, especially as demonstrated through his romantic interest, and masculine anxieties expressed through his response to

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Braun, Gretchen. "Anthropocentrism and Inheritance in Our Mutual Friend: Return, Recognition, Reanimation." Victorians Institute Journal 51 (November 1, 2024): 114–42. http://dx.doi.org/10.5325/victinstj.51.2024.0114.

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Abstract In decentering “Man,” a category long rhetorically constructed as the privileged species of a divine creator, Charles Darwin’s theory of natural selection necessitated a reexamination of how human subjectivity should be represented in fiction. This article uses the example of Charles Dickens’s Our Mutual Friend (1864) to track and scientifically contextualize how anthropocentrism is constructed and interrogated in fiction after publication of On the Origin of Species (1859). Competing nineteenth-century theories of species transmutation recognized physiological fluidity and variation

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Mains, Daniel. "Drinking, Rumour, and Ethnicity in Jimma, Ethiopia." Africa 74, no. 3 (2004): 341–60. http://dx.doi.org/10.3366/afr.2004.74.3.341.

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AbstractThis paper is an investigation of the relationship between identity, politics, and rumours in Jimma, Ethiopia. The introduction of ethnic federalism in Ethiopia after the fall of the Marxist Derg regime in 1991 has been the topic of a significant amount of academic discussion, but little attention has been given to the day-to-day experience of this change. Consequently, post-1991 Ethiopian politics have been viewed primarily in terms of ethnic power struggles. An analysis of rumours that are circulated through casual conversation enables a better understanding of popular reactions to e

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10

Baert, Patrick. "The power struggle of French intellectuals at the end of the Second World War: A study in the sociology of ideas." European Journal of Social Theory 14, no. 4 (2011): 415–35. http://dx.doi.org/10.1177/1368431011417928.

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This article is one of the first sociological explorations of power struggles between intellectuals where matters of life and death are literally at stake. It counters the prevailing tendency within sociology to study intellectuals within confined academic institutions where power struggles are limited to matters of symbolic and institutional recognition. This study explores the conflict between collaborationist and Resistance intellectuals at the end of the Second World War in France, and it focuses in particular on the purge of collaborationist intellectuals which culminated in several high

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Qasmi, Noor Ul Qamar, Yumna Shahid, and Asma Farooq. "The Power of 'What Might Have Been': Counterfactual and Alternate Realities in Jeff VanderMeer’s “The Goat Variations” (2015)." Wah Academia Journal of Social Sciences 3, no. 2 (2024): 148–64. https://doi.org/10.63954/wajss.3.2.48.2024.

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Drawing on an integrated theoretical framework based on Schneider-Mayerson (2009), Alkon (1994), and Gallagher’s (2007, 2018) critique of alternative histories, this research paper analyses Jeff VanderMeer’s “The Goat Variations” (2015) to illustrate how alternate histories within speculative fiction challenge deterministic and hegemonic narratives of official histories. Through an analysis of VanderMeer’s use of counterfactuals, the research probes how these alternative realities provoke a critical libertarian skepticism toward the ideological machinery of powerful states, particularly in the

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Dewi, Rahmia. "Efektivitas Konseling Kelompok Pada Ibu-Ibu Yang Mengalami Anxietas Pasca Konflik Di Kecamatan Nisam, Aceh Utara." Jurnal Psikologi Terapan (JPT) 3, no. 1 (2021): 29. http://dx.doi.org/10.29103/jpt.v3i1.3640.

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This study aims to examine more deeply the effectiveness of group counseling in mothers who experience post-conflict anxiety in the district of Nisam, North Aceh. This research approach uses qualitative research with explorative type of research through psychological counseling group analysis. The selection of the subjects of this study uses 4 purposive sampling techniques, namely Nisam residents who experienced the effects of conflict in North Aceh, Aceh-Indonesia Province. Data collection methods used in this study using direct observation methods involved passively, in-depth interviews and

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Spoth, Daniel F. "The Critical Mass of Language: Post-Trinity Representation." FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts, no. 05 (December 12, 2007): 1–17. http://dx.doi.org/10.2218/forum.05.589.

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To its viewers, the first atomic bomb test (codenamed "Trinity") appeared as not merely a dazzling, unprecedented leap forward in the history of science, not merely the swift, fiery eradication of all of their long-held fears and anxieties concerning the success of the project, but also a monumental event in the history of language (Thomas Farrell saw in it "that beauty the great poets dream about but describe most poorly and inadequately"). This article seeks to interrogate not only the poeticizing of the Trinity test by its architects and the subsequent revulsion toward the event felt by art

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Cante, Fabien. "Attuning to Opacity: Interpreting “Post-Crisis” Refusals on Abidjan’s Local Airwaves." Anthropological Quarterly 96, no. 4 (2023): 683–710. http://dx.doi.org/10.1353/anq.2023.a915253.

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ABSTRACT: This article examines how local radio producers in Abidjan, Côte d’Ivoire made sense of audiences’ refusals to speak on the airwaves in the aftermath of armed conflict (1999–2O11). Since the 199Os, local or “proximity” broadcasting has materialized contests over popular expression in Côte d'Ivoire. After 2O11, local stations also crystallized expectations and anxieties over the role of popular voice in peacebuilding. Drawing on scholarship linking public silences, power, and insecurity, and on Édouard Glissant’s notion of opacity, I emphasize the relationality of audience refusals, a

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Annenkova, Olena S. "THE IMAGE OF A MAN OF CATASTROPHE IN JULIAN BARNES’S NOVEL “THE SENSE OF AN ENDING”." Alfred Nobel University Journal of Philology 1, no. 25 (2023): 50–60. http://dx.doi.org/10.32342/2523-4463-2023-1-25-4.

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The article analyzes “The Sense of an Ending” by the English writer J. Barnes by using the novel’s key image of protagonist Tony Webster and the associated philosophical complex of problems of modern man’s existence in the world. This paper offers a working definition of the catastrophic consciousness concept, through the prism of which the characteristic and key features of post-nonclassical catastrophic era person are traced. The concept of a man of catastrophe means a person who is a generator and bearer of the catastrophe of one’s own life and soul. The philosophical basis for this article

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Kočan, Faris, and Rok Zupančič. "Capturing post-conflict anxieties: towards an analytical framework." Peacebuilding, February 28, 2023, 1–19. http://dx.doi.org/10.1080/21647259.2023.2184116.

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Zimmerman, Heidi. "“The Food Babe Blogger Is Full of Sh*t”: Gender, Class and Branding the “Expert” Self." Communication, Culture and Critique, December 12, 2020. http://dx.doi.org/10.1093/ccc/tcaa021.

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Abstract This article examines the ongoing effort to “take down” Vani Hari’s activism-cum-lifestyle brand, the Food Babe, with particular attention to the viral success of Yvette “SciBabe” d’Entremont’s 2015 Gawker post, “The Food Babe Blogger Is Full of Sh*t.” Popular discourse pits the two babes against each other. However, by examining both babes’ multiplatform branded personas as technologies of self-governance under postfeminist, neoliberal brand culture, I show that the Food Babe/SciBabe case is more than a struggle over “science versus pseudoscience.” This case study illuminates a gende

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Kehoe, Thomas J., and E. James Kehoe. "Civilian crime during the British and American occupation of Western Germany, 1945–1946: Analyses of military government court records." European Journal of Criminology, November 15, 2019, 147737081988751. http://dx.doi.org/10.1177/1477370819887516.

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The post-World War II occupation of western Germany remains salient to developing theories of post-war crime, insurgency, and policing during post-conflict reconstruction. Yet there are no quantitative assessments of civilian crime for its first year (1945–6). Different from the Soviet-controlled East, where there is a relatively robust consensus that social and governmental disorder led to prolonged violent criminality, the picture for the western US and British zones is less clear and the literature is disjointed. We address this gap and in so doing help resolve the account of post-war crimi

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Panasiuk, Mariia. "THE NEXUS OF NIHILISM, CULTURAL CONFLICT, AND POST-SOVIET IDENTITY: ANALYZING POP CULTURE THROUGH THE LENS OF TOMMY CASH AND EUROVISION (2025)." February 28, 2025. https://doi.org/10.5281/zenodo.14944748.

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In recent years, pop culture has become an increasingly potent site for socio-political and philosophical debates, particularly within the European context. The Eurovision Song Contest, often framed as a celebration of diversity and inclusion, has paradoxically revealed the deep cultural fissures, ideological tensions, and unresolved post-imperial traumas of its participating nations. One of the most striking examples of this phenomenon is the controversy surrounding Estonian artist Tommy Cash and his Eurovision entry, "Espresso Macchiato." Through a mix of playful cultural appropriation, sati

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Clark, Janine Natalya. "Post-research reflexivity in qualitative research: Through cloaks and cross-threading." Qualitative Research, August 25, 2023. http://dx.doi.org/10.1177/14687941231196386.

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This interdisciplinary Note is a creative form of writing that engages in post-research reflexivity through a process that it terms ‘cross-threading’. Using the trope of a cloak, which it links back to the author’s childhood imaginings of having an invisibility cloak, it cross-threads through the medium of this cloak a series of thoughts and feelings about a recently concluded research project (led by the author) exploring some of the ways that victims-/survivors of conflict-related sexual violence demonstrate resilience. Drawing on empirical data from Bosnia-Herzegovina, it illustrates the ut

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pasha, Mohammad, and Putta . "Reimagining Womanhood in Indian English Fiction: A Comparative Study of Kamala Markandaya and Shashi Deshpande." International Journal For Multidisciplinary Research 7, no. 2 (2025). https://doi.org/10.36948/ijfmr.2025.v07i02.41394.

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Abstract This comparative study explores the literary contributions of Kamala Markandaya and Shashi Deshpande, two influential voices in Indian English literature who have significantly shaped the portrayal of women’s experiences across varied socio-cultural and historical contexts. Despite their differing locations—Markandaya writing from a diasporic perspective and Deshpande from within India—both authors engage deeply with themes of womanhood, identity, and resistance, offering complementary insights into the evolving condition of Indian women. Kamala Markandaya’s novels, including Nectar i

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Levander, Ximena A., Kim A. Hoffman, John W. McIlveen, Dennis McCarty, Javier Ponce Terashima, and P. Todd Korthuis. "Rural opioid treatment program patient perspectives on take-home methadone policy changes during COVID-19: a qualitative thematic analysis." Addiction Science & Clinical Practice 16, no. 1 (2021). http://dx.doi.org/10.1186/s13722-021-00281-3.

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Abstract Background In the United States, methadone for opioid use disorder (OUD) is highly regulated. Federal agencies announced guidelines in March 2020 allowing for relaxation of take-home methadone dispensing at opioid treatment programs (OTPs) to improve treatment access and reduce COVID-19 transmission risk during the public health emergency. We explored patient perspectives at three OTPs serving rural communities on how take-home policy changes were received and implemented and how these changes impacted their addiction treatment and recovery. Methods We completed semi-structured indivi

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Usmar, Patrick. "Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?" M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.856.

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Closer examination of contemporary art forms including music videos in addition to the Gothic’s literature legacy is essential, “as it is virtually impossible to ignore the relationship the Gothic holds to popular culture” (Piatti-Farnell ii). This article critically examines how Gothic themes and modes are used in the music videos of Lana Del Rey; particularly the “ways in which Gothic is dispersed through contemporary non-literary media” (Spooner and McEvoy 2). This work follows the argument laid down by Edwards and Monnet who describe Gothic’s assimilation into popular culture —Pop Gothic—

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Joseph, Kaela. "Gays Burying Ourselves." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3140.

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Introduction Jane Schoenbrun’s I Saw the TV Glow (ISTTVG) is a psychological science fiction/horror film which draws upon audiences’ associations between serialised television and queer identity development to ask a terrifying question: would you bury yourself alive to solve the mystery of a parallel life not yet lived? The film is an allegory for queer experiences of internalised heteronormativity and concealment in which the villain is not the typical monster of the week, but our own selves, suffocating under the mundanity of surroundings we have yet to break free from. Neon noir elements ar

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Levine, Michael, and William Taylor. "The Upside of Down: Disaster and the Imagination 50 Years On." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.586.

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IntroductionIt has been nearly half a century since the appearance of Susan Sontag’s landmark essay “The Imagination of Disaster.” The critic wrote of the public fascination with science fiction disaster films, claiming that, on the one hand “from a psychological point of view, the imagination of disaster does not greatly differ from one period in history to another [but, on the other hand] from a political and moral point of view, it does” (224). Even if Sontag is right about aspects of the imagination of disaster not changing, the types, frequency, and magnitude of disasters and their repres

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Kolff, Louise Moana. "New Nordic Mythologies." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1328.

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IntroductionNordic mythology, also known as Norse mythology, is a term used to describe Medieval creation myths and tales of Gods and otherworldly realms, told and retold by Northern Germanic and Scandinavian tribes of the ninth century AD (see for example Gaiman).I discuss a new type of Nordic mythology that is being created through popular culture, social media, books, and television shows. I am interested in how contemporary portrayals of the Nordic countries has created a kind of mythological place called Scandinavia, where things, people, and ideas are better than in other places.Whereas

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Vella Bonavita, Helen. "“In Everything Illegitimate”: Bastards and the National Family." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.897.

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This paper argues that illegitimacy is a concept that relates to almost all of the fundamental ways in which Western society has traditionally organised itself. Sex, family and marriage, and the power of the church and state, are all implicated in the various ways in which society reproduces itself from generation to generation. All employ the concepts of legitimacy and illegitimacy to define what is and what is not permissible. Further, the creation of the illegitimate can occur in more or less legitimate ways; for example, through acts of consent, on the one hand; and force, on the other. Th

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McDonald, Donna, and Liz Ferrier. "A Deaf Knowingness." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.272.

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Introduction: How Do We Learn What We Know? “Deaf.” How do we learn what we know about being deaf and about deafness? What’s the difference between “being deaf” and “deafness” as a particular kind of (non) hearing? Which would you rather be, deaf or blind: children commonly ask this question as they make their early forays into imagining the lives of people different from them. Hearing people cannot know what it is like to be deaf, just as deaf people cannot know what it is like to hear ... or can they? Finally, how can we tell fresh and authentic stories of “being deaf” and the state of “deaf

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Bruce, Iain. "Fertile Ground in Hostile Lands." M/C Journal 27, no. 5 (2024). http://dx.doi.org/10.5204/mcj.3084.

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In this article, I will examine screenwriter Alex Garland's approach to world-building, with a particular focus on his screenplays Sunshine and Annihilation, exploring how Garland writes thematically for ‘genre’ stories and reflecting on the evolution of his world-building in his writing for film and television. The phrase ‘world-building’ conjures up images of physical settings and tangible places, but in a literary sense compelling world-building requires that a writer master their craft to create a landing for their readers in surprising new emotional and thematic spaces. Richard argues tha

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Mudie, Ella. "Unbuilding the City: Writing Demolition." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1219.

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IntroductionUtopian and forward looking in tenor, official narratives of urban renewal and development implicitly promote normative ideals of progress and necessary civic improvement. Yet an underlying condition of such renewal is frequently the very opposite of building: the demolition of existing urban fabric. Taking as its starting point the large-scale demolition of buildings proposed for the NSW Government’s Sydney Metro rail project, this article interrogates the role of literary treatments of demolition in mediating complex, and often contradictory, responses to transformations of the b

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McRae, Leanne. "Rollins, Representation and Reality." M/C Journal 4, no. 4 (2001). http://dx.doi.org/10.5204/mcj.1925.

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Men in crisis Confused by society's mixed messages about what's expected of them as boys, and later as men, many feel a sadness and disconnection they cannot even name. (Pollack 1) The recent 'crisis in masculinity' has been punctuated by a plethora of material devoted to reclaiming men's 'lost' power within a society. Triggered by the recognition that their roles within our society are changing, this emerging cannon often fails to recognise men as part of a social continuum that subjectifies individuals within discursive frameworks. Rather it mourns this process as the emasculation of male id

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Kincheloe, Pamela. "Do Androids Dream of Electric Speech? The Construction of Cochlear Implant Identity on American Television and the “New Deaf Cyborg”." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.254.

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Cyborgs already walk among us. (“Cures to Come” 76) This essay was begun as a reaction to a Hallmark Hall of Fame television movie called Sweet Nothing in My Ear (2008), which follows the lives of two parents, Dan, who is hearing (played by Jeff Daniels), and Laura, who is deaf (Marlee Matlin), as they struggle to make a decision about whether or not to give their 11-year-old son, Adam (late-deafened), a cochlear implant. Dan and Laura represent different perspectives, hearing and deaf perspectives. The film dramatizes the parents’ conflict and negotiation, exposing audiences to both sides of

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Hill, Wes. "The Automedial Zaniness of Ryan Trecartin." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1382.

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IntroductionThe American artist Ryan Trecartin makes digital videos that centre on the self-presentations common to video-sharing sites such as YouTube. Named by New Yorker critic Peter Schjeldahl as “the most consequential artist to have emerged since the 1980s” (84), Trecartin’s works are like high-octane domestic dramas told in the first-person, blending carnivalesque and horror sensibilities through multi-layered imagery, fast-paced editing, sprawling mise-en-scène installations and heavy-handed digital effects. Featuring narcissistic young-adult characters (many of whom are played by the

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