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Artykuły w czasopismach na temat „Postcolonial world”

Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Dawson Varughese, Emma. "New departures, new worlds: World Englishes literature." English Today 28, no. 1 (2012): 15–19. http://dx.doi.org/10.1017/s0266078411000630.

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This article focuses on Anglophone writing of a British postcolonial legacy as opposed to writing of a Lusophone, Francophone, Belgian, Dutch, or German legacy. Moreover, this specific phrase of ‘Anglophone writing of a British postcolonial legacy’ is employed in recognition of a move away from the label ‘postcolonial writing’. The article will suggest that recently published texts are engaged in new departures which seemingly appear to be taking us away from the classic ‘postcolonial’ text. Thus, in recognition of these new departures, the terminology used in this article will attempt to bett

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Mukherjee, Reshmi. "The Postcolonial World." South Asian Review 40, no. 1-2 (2019): 129–31. http://dx.doi.org/10.1080/02759527.2019.1575044.

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RAMACHANDRAN, AYESHA. "New World, No World: Seeking Utopia in Padmanabhan's Harvest." Theatre Research International 30, no. 2 (2005): 161–74. http://dx.doi.org/10.1017/s0307883305001161.

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This essay examines the theoretical and practical implications of performance as a utopian gesture, particularly with regard to postcolonial drama. Analyzing Manjula Padmanabhan's futuristic play, Harvest, as a case study, I argue that ‘utopia’ is a crucial critical concept for postcolonial dramatic practice because it stands for the collision and convergence of aesthetic and political interests, using the body itself as a site for representation and resistance. The play explores the extreme outcome of the international trade in human organs as a metaphor for neocolonialism and the constraints

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Jerome Winter. "Postcolonial SF vs. the World." Science Fiction Studies 41, no. 3 (2014): 676. http://dx.doi.org/10.5621/sciefictstud.41.3.0676.

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Graham, James, Michael Niblett, and Sharae Deckard. "Postcolonial studies and world literature." Journal of Postcolonial Writing 48, no. 5 (2012): 465–71. http://dx.doi.org/10.1080/17449855.2012.720803.

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Boehmer, Elleke. "The World and the Postcolonial." European Review 22, no. 2 (2014): 299–308. http://dx.doi.org/10.1017/s106279871400012x.

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This article examines the increasing competition in the academic market between conventional terms such aspostcolonialandanglophone literatureand their cognates, and the newly current termworld literature. Even in postcolonial studies circles, world literature is increasingly taken to refer not only to ‘the best ever written’, as before, but to literature produced within and in response to a globalizing world. The paper explores the different valences of this shift, and the tensions and contradictions it has generated within the wider anglophone literary field.

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Wilmsen, David. "Globalization and the Postcolonial World." American Journal of Islam and Society 19, no. 3 (2002): 132–35. http://dx.doi.org/10.35632/ajis.v19i3.1931.

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According to Ankie Hoogvelt, this book is intended to "introduce students todebates regarding the development prospects of the Third World." This sheaccomplishes in very compact and richly documented detail. Indeed, thereare so many citations that the lack of a bibliography is sorely felt.The book is divided into three parts, each addressing a broad themeaffecting development and the Third World. The first considers the historicalroute of capitalist expansion into a world economic system by means of,among other things, the core countries' depredations of their peripheralcolonies. The second tr

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Tiwari, Bhavya, and David Damrosch. "World Literature and Postcolonial Studies." Journal of World Literature 4, no. 3 (2019): 301–4. http://dx.doi.org/10.1163/24056480-00403001.

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Wiemann, Dirk, Shaswati Mazumdar, and Ira Raja. "Postcolonial world literature: Narration, translation, imagination." Thesis Eleven 162, no. 1 (2021): 3–17. http://dx.doi.org/10.1177/0725513621994707.

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Postcolonial criticism has repeatedly debunked the ostensible neutrality of the ‘world’ of world literature by pointing out that and how the contemporary world – whether conceived in terms of cosmopolitan conviviality or neoliberal globalization – cannot be understood without recourse to the worldly event of Europe’s colonial expansion. While we deem this critical perspective indispensable, we simultaneously maintain that to reduce ‘the world’ to the world-making impact of capital, colonialism, and patriarchy paints an overly deterministic picture that runs the risk of unwittingly reproducing

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Pradhan, Jajati K., and Seema Singh. "The future of postcolonial studies/What is a world: on postcolonial literature as world literature." Journal of Postcolonial Writing 54, no. 1 (2016): 131–33. http://dx.doi.org/10.1080/17449855.2016.1184786.

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Daiya, Kavita. "The World after Empire; or, Whither Postcoloniality?" PMLA/Publications of the Modern Language Association of America 132, no. 1 (2017): 149–55. http://dx.doi.org/10.1632/pmla.2017.132.1.149.

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At the MLA'S annual convention in 2015, a roundtable i had organized, remembering The Location of Culture: circulations, Interventions, and Futurity, gathered scholars from across literary periods and fields to reflect on the legacies of Homi Bhabha's seminal work. As new disciplinary shifts in literary studies witness the reinvention of postcolonial literatures as global anglophone literatures, one of the questions that roundtable asked was, Whither postcoloniality? Returning to The Location of Culture—one of the most influential texts in the fields of postcolonial studies and critical theory

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12

Behar, Daniel. "“Standing before You, World”." Journal of World Literature 5, no. 3 (2020): 325–53. http://dx.doi.org/10.1163/24056480-00503002.

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Abstract This article examines translation activity in modern Syria and its intersections with original works as a middle ground between world literature and postcolonial studies. It argues for a return to the multiplicity residing within a postcolonial national setting as a way of understanding poetic production in interaction with foreign poetries. Syrian translating as practiced in the state-endorsed literary periodical Al-Adab Al-Ajanbiyya (Foreign Literatures) is studied as a site of tension between a political rhetoric maintained by a growingly invasive state and the narrowing field of i

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13

Salem, Sara. "‘Stretching’ Marxism in the Postcolonial World." Historical Materialism 27, no. 4 (2019): 3–28. http://dx.doi.org/10.1163/1569206x-00001840.

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Abstract This article focuses on Egypt’s moment of decolonisation in order to explore some of the productive tensions between Marxism, Frantz Fanon’s work, and postcolonial contexts. Through a reading of Egypt’s attempts at independent industrialisation and decolonising ‘the international’, the article uses Frantz Fanon’s invitation to ‘stretch Marxism’ as a way of understanding the particularities of capitalism in the colonial and postcolonial world. It is posited that events such as decolonisation across the postcolonial world have been central to the evolution of global capitalism, and shou

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14

Ahuja, Neel. "Postcolonial Critique in a Multispecies World." PMLA/Publications of the Modern Language Association of America 124, no. 2 (2009): 556–63. http://dx.doi.org/10.1632/pmla.2009.124.2.556.

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Histories of race and empire have shaped the field imaginary of species studies from its inception. Politically, the field's animal-activist heritage models its critique on movements for racial justice. Historically, this move links to Enlightenment conceptions of animals that relied on the same objectifying methods used to represent slaves and the poor: sentimentality, representations of cruelty, humane manifestos. Epistemologically, the taxonomic tools that name the objects of analysis have been deployed to define non-Europeans as subspecies or independent species. Geographically, the field'

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15

de Schweinitz, Richard, and Walter Block. "PROPERTY RIGHTS IN THE POSTCOLONIAL WORLD." MEST Journal 9, no. 2 (2021): 68–74. http://dx.doi.org/10.12709/mest.09.09.02.10.

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Mulvaney, Dustin. "Environmental Ethics for a Postcolonial World." Environmental Ethics 28, no. 3 (2006): 327–30. http://dx.doi.org/10.5840/enviroethics200628322.

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Basu, Biman. "Postcolonial World Literature: Forster-Roy-Morrison." Comparatist 38, no. 1 (2014): 158–87. http://dx.doi.org/10.1353/com.2014.0017.

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Coslett, Daniel E. "Colonial Heritage in a Postcolonial World." International Journal of Islamic Architecture 14, no. 1 (2025): 17–35. https://doi.org/10.1386/ijia_00157_7.

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IJIA’s annual Dialogues series brings together scholars and practitioners from across varied disciplines for a discussion of critical contemporary issues that interrogate the boundaries between architecture, art, anthropology, heritage, and history. This session, its fourth instalment, was held as a webinar in February 2024 and was convened by Associate Editor Daniel Coslett. It featured three heritage specialists – Leila Ben-Gacem, Alaa El-Habashi, and Lahbib El Moumni – from across North Africa. In it, participants addressed the salience of colonial-era built environments, national identitie

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19

Callahan, David. "Beyond the postcolonial: world Englishes literature." Journal of Postcolonial Writing 49, no. 2 (2013): 240–41. http://dx.doi.org/10.1080/17449855.2013.774141.

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Chiu, Kuei-fen. "“From Postcolonial Literature to World Literature”." Journal of World Literature 4, no. 4 (2019): 467–87. http://dx.doi.org/10.1163/24056480-00404002.

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Abstract Starting with an analysis of the award-winning literary documentary Le Moulin, this paper argues that the film’s reconstruction of Le Moulin Poetry Society in colonial Taiwan suggests world literature as an alternative framework for studying Taiwan literature within cross-cultural contexts. Taiwan literature has been predominantly studied as “postcolonial literature” vis-à-vis Japanese literature and, more recently, “Sinophone literature” in relation to mainland Chinese literature. Instead of deliberating on the subjugated position of Taiwan literature in relation to dominant literatu

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Rassam, Amal. "Unveiling Traditions: Postcolonial Islam in a Polycentric World.:Unveiling Traditions: Postcolonial Islam in a Polycentric World." American Anthropologist 105, no. 2 (2003): 442–43. http://dx.doi.org/10.1525/aa.2003.105.2.442.

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Saha, Aroop. "Discrimination of Hybridity: Challenges of Postcolonial Writers to Go Beyond the Limits." Creative Launcher 10, no. 1 (2025): 81–93. https://doi.org/10.53032/tcl.2025.10.1.09.

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This article will examine the development of the hybridity’s discrimination in British literature and the transformation of the neo-hybridity in postcolonial literature. It will also investigate how the postcolonial writers should encounter neo-hybridity with the purpose to explore and include the voice/narrative of the otherness/indigenous in the postcolonial literature. As British Empire made hybridity into a weapon to prolong its colonial rule with psychological slavery, the consequence is still evident in the postcolonial period. English educated, colonized non-White subjects who were Brit

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23

Valentine, Sarah. "“Monsieur Toundi—the Man”: The Soviet Life of Ferdinand Oyono's Une vie de boy in Russian Translation." PMLA/Publications of the Modern Language Association of America 128, no. 1 (2013): 170–77. http://dx.doi.org/10.1632/pmla.2013.128.1.170.

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Most literary scholars based in the united states think of the postcolonial as a largely first and third world affair, neglecting the vast Second World and the socialist dynamics that shaped the postcolonial world in the decades after World War II. The Soviet Russian translation of Ferdinand Oyono's 1956 literary classic Une vie de boy highlights the sustained and complex interactions between the Soviet world and colonial and postcolonial Africa that have played an important role in the development of postcoloniality.

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ALBERTAZZI, SILVIA. "An equal music, an alien world: postcolonial literature and the representation of European culture." European Review 13, no. 1 (2005): 103–13. http://dx.doi.org/10.1017/s1062798705000104.

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The Postcolonial representation of European culture can alter our (European) perspectives on Western arts. The case of the novel An Equal Music by the Indian writer Vikram Seth is particularly interesting. Although set in Europe (between London, Vienna and Venice) and dealing with European characters, situations, landscapes, and cultural myths, the book offers a peculiarly Postcolonial reading of our classical music. Therefore, by applying Said's contrapuntal analysis to Postcolonial writing, I deal with ‘What the Postcolonial means for us’, taking into account, besides European Literature and

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Ahondoukpe, Mireille. "L’Annonce faite à Marie: de l’héritage africain à une lecture postcoloniale." Tydskrif vir Letterkunde 56, no. 2 (2019): 76–82. http://dx.doi.org/10.17159/2309-9070/tvl.v.56i2.6540.

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In this article, a postcolonial reading is undertaken of L’annonce faite à Marie (The annunciation of Mary), a 1912 play by Paul Claudel. Several celebrated authors from Africa and the Caribbean, belonging to the black postcolonial world, willingly acknowledge their debt to Paul Claudel, including Aimé Césaire, Léopold Sédar Senghor, Édouard Glissant and Saint-John Perse. Nevertheless, postcolonial theories generally exclude the study of Western and medieval works from the purview of postcolonial studies. It may thus appear paradoxical to propose a postcolonial reading of Claudel’s play, writt

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Lumbley, Coral. "“Venerable Relics of Ancient Lore”." Journal of World Literature 5, no. 3 (2020): 372–92. http://dx.doi.org/10.1163/24056480-00503004.

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Abstract As England’s first colony, home to a rich literary tradition and a still-thriving minority language community, Wales stands as a valuable example of how premodern traditions can and should inflect modern studies of postcolonial and world literatures. This study maps how medieval, postcolonial, and world literary studies have intersected thus far and presents a reading of the medieval Welsh Mabinogion as postcolonial world literature. Specifically, I read the postcolonial refrain as a deeply-entrenched characteristic of traditional Welsh literature, manifesting in the Mabinogion tale o

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Yousaf, Farkhanda, and Humaira Ahmad. "Introduction to Muslim Postcolonialism: A Distinct Discipline on the Significant Level of General Postcolonialism." Al Basirah 11, no. 01 (2022): 35–46. http://dx.doi.org/10.52015/albasirah.v11i01.122.

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Universally, Postcolonial literature initiates certain disciplines and numerous subject matters which were dared to speak before. In recent times observe the change in behaviors and approaches towards multiplicity, spiritual beliefs, and literature. Postcolonial literature also experiences the same fate in the form of its Postcolonial waves. In Postcolonial works, Muslim literati show their presence in every form of literature that the world has ever been observed. The reason behind such intelligentsia’s existence is that Muslims exist all around the world as Islam is the fastest-growing relig

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Bassnett, Susan. "Postcolonial Worlds and Translation." Anglia 135, no. 1 (2017): 21–34. http://dx.doi.org/10.1515/ang-2017-0002.

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AbstractThis essay looks at the vital role played by translation in the global circulation of texts. It traces the uneasiness about both interlingual and intralingual translation that has prevailed in English literary studies and in Anglophone postcolonial studies, arguing that critiques of a Eurocentric canon have merely resulted in the inclusion of more writers who use only varieties of English. The essay goes on to suggest that as translations are increasingly seen as creative rewritings rather than as copies of a superior original, the notion of translation can be broadened to encompass a

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BARKAWI, TARAK, and MARK LAFFEY. "The postcolonial moment in security studies." Review of International Studies 32, no. 2 (2006): 329–52. http://dx.doi.org/10.1017/s0260210506007054.

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In this article, we critique the Eurocentric character of security studies as it has developed since World War II. The taken-for-granted historical geographies that underpin security studies systematically misrepresent the role of the global South in security relations and lead to a distorted view of Europe and the West in world politics. Understanding security relations, past and present, requires acknowledging the mutual constitution of European and non-European worlds and their joint role in making history. The politics of Eurocentric security studies, those of the powerful, prevent adequat

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Suknović, Mina S. "Myths and Archetypes in Rushdie’s Postcolonial World." Анали Филолошког факултета 32, no. 1 (2020): 189–205. http://dx.doi.org/10.18485/analiff.2020.32.1.11.

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Cooke, Miriam. "Women, Religion, and the Postcolonial Arab World." Cultural Critique, no. 45 (2000): 150. http://dx.doi.org/10.2307/1354370.

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Casas, Maria de la Caridad. "Orality and literacy in a postcolonial world." Social Semiotics 8, no. 1 (1998): 5–24. http://dx.doi.org/10.1080/10350339809360394.

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Hobbs, Christinna. "Involuntary associations: postcolonial studies and world Englishes." Journal of Postcolonial Writing 51, no. 3 (2015): 365–67. http://dx.doi.org/10.1080/17449855.2015.1027036.

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Cooke, Miriam. "Feminist transgressions in the postcolonial Arab world." Critique: Critical Middle Eastern Studies 8, no. 14 (1999): 93–105. http://dx.doi.org/10.1080/10669929908720142.

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Nazareth, Peter, Feroza Jussawalla, and Reed Way Dasenbrock. "Interviews with Writers of the Postcolonial World." World Literature Today 68, no. 4 (1994): 897. http://dx.doi.org/10.2307/40150837.

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Munro, M. "Postcolonial Thought in the French-Speaking World." French Studies 64, no. 2 (2010): 234–35. http://dx.doi.org/10.1093/fs/knq025.

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James, E. "Postcolonial Green: Environmental Politics and World Narratives." Interdisciplinary Studies in Literature and Environment 18, no. 4 (2011): 891–93. http://dx.doi.org/10.1093/isle/isr092.

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Tiwari, Bhavya, and David Damrosch. "World Literature and Postcolonial Studies, Part II." Journal of World Literature 5, no. 3 (2020): 321–23. http://dx.doi.org/10.1163/24056480-00503001.

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Kanojia, Atul Kumar. "Postcolonial Literature in World Cinema: A Review of Themes, Representation, and Cultural Translation." Integrated Journal for Research in Arts and Humanities 5, no. 2 (2025): 311–14. https://doi.org/10.55544/ijrah.5.2.42.

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Postcolonial literature has emerged as a significant mode of expression for nations and communities recovering from colonial domination. When such literature is adapted into world cinema, the narratives are not only transformed into visual media but also undergo cultural translation, reframing local struggles for global audiences. This literature review analyzes how themes from postcolonial texts—such as identity, hybridity, resistance, marginality, and cultural displacement—are portrayed in world cinema. By reviewing critical literature and case studies, this paper examines how filmmakers bal

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Kelli, Deonna. "The Postcolonial Crescent." American Journal of Islam and Society 15, no. 4 (1998): 145–50. http://dx.doi.org/10.35632/ajis.v15i4.2150.

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Identity politics has become the catch phrase of the postmodern age. Withconcepts such as "exile," "migrancy," and "hybridity" acquiring unprecedentedcultural significance in the late twentieth century, the postcolonial age givesway to new identities, fractured modes of living, and new conditions of humanity.Literature is a powerful tool to explore such issues in an era where a greatdeal of the world is displaced, and the idea of a homeland becomes a disrupted,remote possibility. The Postcolonial Crescent: Islam's Impact onContemporary Literature, is an attempt to discuss how Muslims negotiate

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Lagji, Amanda Ruth Waugh. "A Postcolonial Perspective: Law and the Literary World." Law, Culture and the Humanities 15, no. 2 (2016): 305–18. http://dx.doi.org/10.1177/1743872116630698.

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This commentary shows the advantages of a postcolonial approach to law and literature, using Nuruddin Farah’s novel Maps as a suggestive case study to examine Somalia’s laws and literature and the colonial context embedded in both. Whereas Western and European juridical systems are often silent referents in law and literature scholarship, my reading of Maps also places it in dialogue with Somali customary laws and culture. I conclude my commentary by bringing together the history of Somali customary law and my reading of Maps to offer methodological suggestions for law and literature given thi

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Hönke, Jana, and Markus-Michael Müller. "Governing (in)security in a postcolonial world: Transnational entanglements and the worldliness of ‘local’ practice." Security Dialogue 43, no. 5 (2012): 383–401. http://dx.doi.org/10.1177/0967010612458337.

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While analysis of transnationalized forms of security governance in the contemporary postcolonial world features prominently in current debates within the field of security studies, most efforts to analyse and understand the relevant processes proceed from an unquestioned ‘Western’ perspective, thereby failing to consider the methodological and theoretical implications of governing (in)security under postcolonial conditions. This article seeks to address that lacuna by highlighting the entangled histories of (in)security governance in the (post)colonial world and by providing fresh theoretical

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Hendrickson, Burleigh. "Postcolonial Studies Meets Global History." Historical Reflections/Réflexions Historiques 50, no. 1 (2024): 88–107. http://dx.doi.org/10.3167/hrrh.2024.500105.

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Abstract In the aftermath of the French Revolution, Georg W. F. Hegel labeled it a “world-historical” event. Just a few decades later, Karl Marx was equally fascinated by this Revolution, contributing to the notion that it served as a global turning point that would bend European society toward a post-feudal, modern world. Though scholars of postcolonial studies have long scrutinized these nineteenth-century thinkers’ narratives of progress, they played a large part in cementing the French Revolution's place in world history. Scholars of French studies have recently challenged long-held notion

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Kalampung, Yan Okhtavianus. "The Theory of Postcolonial Trauma and its Impact on the Religious Studies." Potret Pemikiran 25, no. 2 (2021): 207. http://dx.doi.org/10.30984/pp.v25i2.1669.

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This article argues that postcolonial trauma theory is beneficial not only for recognizing postcolonial people’s trauma but also for the development of religious studies. The western trauma theory ignored the trauma of colonialism which still has many influences in the contemporary world. Here to respond to that condition, the postcolonial trauma theory shall probe how colonialism left trauma in the society of postcolonial people. Not only that topic, but this article also investigates how the adaptation of postcolonial trauma theory on religious studies. Because religion, as a fact of contemp

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Babana-Hampton, Safoi. "The Postcolonial Arabic Novel." American Journal of Islam and Society 21, no. 1 (2004): 107–10. http://dx.doi.org/10.35632/ajis.v21i1.1818.

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Muhsin Jassim Al-Musawi’s book offers a fresh contribution not only tostudies in Arabic literature but also to postcolonial critique, cultural criticism,comparative literature, and cross-cultural studies. Its interest lies inthe fact that it introduces a relatively less explored territory in postcolonialthought and cultural criticism: namely, Arabic literature. Theattention of many western and non-western scholars in the field has long been directed toward Anglophone literature from South Asia, Japan,Africa, and Canada, and then to Francophone literature from North Africaand the Antilles.In th

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Ahmad, Muntazir, and Saima Batool. "Probing Into Identity Crisis In “Dark They Were And Golden-Eyed” Short Story." Ascarya: Journal of Islamic Science, Culture, and Social Studies 2, no. 2 (2022): 181–89. http://dx.doi.org/10.53754/iscs.v2i2.457.

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The present research is about the Postcolonial study of Ray Bradbury's short story "Dark They Were, and Golden-Eyed." Further, this research explores the issue of identity in the short story presented by the author. In the modern world, with the increase in immigrant numbers and the constitution of countries with different cultural diversities, identity issues arise. The researchers discuss the issue of identity in the postcolonial world and how the theorists viewed and presented their ideas about constructing identity in immigrants from these countries who suffered from facing the Diasporas a

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Dieng, Modu. "Transgression: African Contemporary Art and a Postcolonial World." Critical Interventions 1, no. 1 (2007): 45–49. http://dx.doi.org/10.1080/19301944.2007.10781316.

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Srinivasan, Ragini Tharoor. "Introduction: South Asia from Postcolonial to World Anglophone." Interventions 20, no. 3 (2018): 309–16. http://dx.doi.org/10.1080/1369801x.2018.1446840.

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El Habbouch, Jaouad. "Decentering Globalization: World-Literature, Terror, and The Postcolonial." Interventions 21, no. 1 (2018): 1–34. http://dx.doi.org/10.1080/1369801x.2018.1487314.

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