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Artykuły w czasopismach na temat „Productive melancholia”

Autor: Grafiati

Data publikacji: 18 lipca 2023

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1

Muliaee, Maryam. "Crossing a Productive Melancholia in Artistic Work Based on Xerography." Ekphrasis. Images, Cinema, Theory, Media 21, no. 1 (2019): 82–92. http://dx.doi.org/10.24193/ekphrasis.21.7.

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Liss, Barry. "Hot media, technological transformation and the plague of the dark emotions: Erich Fromm, Viktor Frankl and the recovery of meaning1." Explorations in Media Ecology 17, no. 4 (2018): 379–92. http://dx.doi.org/10.1386/eme.17.4.379_1.

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This article takes the position that our contemporary overheated media environment lends itself to comfortable passivity, resulting in mental breakdown in the guise of the dark emotions: anxiety, melancholia and boredom. This is especially the case with the inevitable synergy of the upcoming technological transformations from genetic modification, virtual reality simulacra and artificial intelligence/robotics. After discussing the data from the World Health Organization regarding the stark increase of people across the globe suffering from depression and anxiety, this article weds the concepts

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Yeager, Stephen. "Empire, Shame, and Medieval Text Editing: The Case of Beowulf Line 1382a." Journal of Medieval and Early Modern Studies 53, no. 2 (2023): 201–24. http://dx.doi.org/10.1215/10829636-10416571.

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This essay applies the concept of postimperial melancholia, taken from the work of Paul Gilroy, to describe the affective undercurrents of medieval text editing in the latter half of the twentieth century and the first decades of the twenty-first through an example from Beowulf. The discussion is focalized through the emendations to line 1382a, where an ambiguous series of minims leads to different editorial choices in Klaeber's first three editions of the poem, in his second supplement to the third edition, in the fourth edition produced by R. D. Fulk, Robert D. Bjork, and John D. Niles, and

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Dular, Sonja. "Gazing into Beauty, Gazing into Death." Maska 33, no. 189 (2018): 30–34. http://dx.doi.org/10.1386/maska.33.189-190.30_1.

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A Melancholic Croquis is based on the motifs of Thomas Mann’s Death in Venice and its eponymous film adaptation by Luchino Visconti. The director Matej Filipčič conceived the project as a unique synthesis of a theatre performance, a scientific experiment and a social event. The article focuses on this triple connection, the specifics of the project’s content, form and production. It first explains the thematic deviation from the original: the performance does not foreground the artist and his being torn between the Apollonian and the Dionysian, but centres on melancholy, which Filipčič recogni

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Wolf-Meyer, Matthew. "Our Master’s Voice, the Practice of Melancholy, and Minor Sciences." Cultural Anthropology 30, no. 4 (2015): 670–91. http://dx.doi.org/10.14506/ca30.4.10.

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How do scientists and experts in marginal scientific fields think about themselves, their knowledge production, and their practices in relation to dominant sciences? In this article, drawing on fieldwork with a group of Lacanian psychoanalysts, I argue that what motivates much of the training, practice, and thought of some contemporary psychoanalysts is their place as practicing a minor science in relation to dominant forms of psychiatry and neuroscience in the United States. They are exemplary marginalized experts who articulate themselves and their work against mainstream forms of neuroscien

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GRINAGE, JUSTIN. "Endless Mourning: Racial Melancholia, Black Grief, and the Transformative Possibilities for Racial Justice in Education." Harvard Educational Review 89, no. 2 (2019): 227–50. http://dx.doi.org/10.17763/1943-5045-89.2.227.

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In this article, Justin Grinage investigates how black youth experience and contest racial trauma using racial melancholia, a psychoanalytic conception of grief, as a framework for understanding the nonpathologized endurance of black resistance to racism. Examining data from a yearlong ethnographic study, Grinage engages the notion that melancholia is needed for mourning to take place, a crucial distinction that engenders agency in relation to the constant (re)production of racial oppression in the lives of five black twelfth-grade students at a multiracial suburban US high school. Grinage ill

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Jeong, Boram. "The Production of Indebted Subjects: Capitalism and Melancholia." Deleuze Studies 10, no. 3 (2016): 336–51. http://dx.doi.org/10.3366/dls.2016.0230.

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In the essay ‘Postscript on the Societies of Control’, Deleuze discusses the differences between nineteenth-century capitalism and contemporary capitalism, characterising the former as the spaces of enclosure and the latter as the open circuits of the bank. In contemporary capitalism, ‘[m]an is no longer man enclosed, but man in debt’ ( Deleuze 1992 : 6). Deleuze claims that under financial capitalism, where the primary use of money is self-generation, economic relations are thought in terms of an asymmetrical power relationship between debtor and creditor, rather than an exchange between comm

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Parikh, Crystal. "Blue Hawaii: Asian Hawaiian Cultural Production and Racial Melancholia." Journal of Asian American Studies 5, no. 3 (2002): 199–216. http://dx.doi.org/10.1353/jaas.2003.0020.

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Rosburg, Regan Suzanne. "The Relentless Memorial." International Journal of Civic Engagement and Social Change 4, no. 1 (2017): 23–44. http://dx.doi.org/10.4018/ijcesc.2017010102.

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This manuscript, per the author, will explain “Environmental Melancholia” and “Collective Social Mania,” and describe how they are connected in a hedonic loop of capitalism and buyer's remorse. This manuscript will also explain the role of symbolism and symbolic acts in healing one's grief, and the connection it has to art. The materials used in the artwork, Relentless Memorial, reference the unyielding pollution and mass production of goods created by the petroleum industry, as well as creating a dichotomy between a clean, white, virgin plastic to an ever-increasingly polluted, contaminated w

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Navaro-Yashin, Yael. "Affective spaces, melancholic objects: ruination and the production of anthropological knowledge." Journal of the Royal Anthropological Institute 15, no. 1 (2009): 1–18. http://dx.doi.org/10.1111/j.1467-9655.2008.01527.x.

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Schlatter, Javier, Felipe Ortuño, and Salvador Cervera-Enguix. "Lymphocyte subsets and lymphokine production in patients with melancholic versus nonmelancholic depression." Psychiatry Research 128, no. 3 (2004): 259–65. http://dx.doi.org/10.1016/j.psychres.2004.06.004.

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Gana, Nouri. "Afteraffect." Representations 143, no. 1 (2018): 118–37. http://dx.doi.org/10.1525/rep.2018.143.1.118.

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This essay discusses the politics of affect in post-1967 Arabic literary and cultural production. It argues that melancholia’s underappreciated swerve from normative structures of power and mourning is a threshold moment of critical and cultural enablement in the Arab world, where the nexus between proxy and settler colonialisms continues to produce and reproduce almost all aspects of literature and culture.

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Parrish, Susan Scott. "Jordan Peele’s Get Out and the Mediation of History." Representations 155, no. 1 (2021): 110–38. http://dx.doi.org/10.1525/rep.2021.155.5.110.

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In its attention to the undead state of American slavery, Jordan Peele’s film Get Out (2017) appears to fulfill Stephen Best’s diagnosis of a “melancholy historicism” in recent Black cultural production. But instead, the film draws viewers into a virtual experience—and potential analysis—of the roles of both technological and environmental media (from TV, film, and cellphones to housing, ceramics, and cotton) in perpetuating, or disrupting, Black captive kinship to a state of originary loss.

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Berry, Chris. "No Father-and-Son Reunion: Chinese Sci-Fi in The Wandering Earth and Nova." Film Quarterly 74, no. 1 (2020): 40–44. http://dx.doi.org/10.1525/fq.2020.74.1.40.

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Chinese films in “the Chinese century” are more expansively confident than ever. A new vogue for science fiction, a genre that has taken off in China alongside the country's stratospheric growth, suggests that China is ready to take up the baton of galactic discovery adventure. Chris Berry examines the father-son narratives in The Wandering Earth (Frant Gwo, 2019) and Nova (Cao Fei, 2019), two recent films that link Chinese patriarchy to the triumph and trials of modern science and progress. The Wandering Earth reaffirms those dominant models in action adventure mode, while Nova's melancholic

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15

Parly, Nila. "Lars von Trier’s Lost Ring." Cambridge Opera Journal 30, no. 1 (2018): 1–28. http://dx.doi.org/10.1017/s0954586718000071.

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AbstractIn 2002, film director Lars von Trier agreed to stage Richard Wagner’s Ring cycle in Bayreuth. The project was abandoned, however, after two years of preparation. For this article’s research, I conducted interviews with key persons involved with the project, not least Lars von Trier himself, and I was given access to unseen materials (documents, videotapes and other items) from the archives of Lars von Trier’s film company, Zentropa, which shed light both on the director’s plans for the production and on the process that would eventually spell the end of the project. The materials, how

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16

Biesecker, Barbara. "No Time for Mourning: The Rhetorical Production of the Melancholic Citizen-Subject in the War on Terror." Philosophy & Rhetoric 40, no. 1 (2007): 147–69. http://dx.doi.org/10.2307/25655263.

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Biesecker, Barbara. "No Time for Mourning: The Rhetorical Production of the Melancholic Citizen-Subject in the War on Terror." Philosophy & Rhetoric 40, no. 1 (2007): 147–69. http://dx.doi.org/10.5325/philrhet.40.1.0147.

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Brooks, Lori Lynne. "‘To be black is to be funny’: ‘Coon-shouting’ and the melancholic production of the white comedienne." Women & Performance: a journal of feminist theory 25, no. 1 (2015): 1–22. http://dx.doi.org/10.1080/0740770x.2014.994839.

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Biesecker, Barbara A. "No Time for Mourning: The Rhetorical Production of the Melancholic Citizen-Subject in the War on Terror." Philosophy and Rhetoric 40, no. 1 (2007): 147–69. http://dx.doi.org/10.1353/par.2007.0009.

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Roslan, Aimi Atikah, Nurul Shima Taharuddin, and Nizar Nazrin. "The Psychology of Grey in Painting Backgrounds." Idealogy Journal 7, no. 2 (2022): 1–7. http://dx.doi.org/10.24191/idealogy.v7i2.358.

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This writing is about a study of the psychology of the colour Gray used on the painting backgrounds. The study concerns how the colour Gray affects the behaviour of artists and has an impact on the production of works of art. A descriptive research using qualitative research method through surveys and observations as instrument. The artist uses the colour Gray as his guide in producing works to give a sense of emotional strength, feelings of melancholy, passion and so on. Each colour has a different psychological and emotional effect.

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Markov, Alexander V. "DIASTASIS: AN INTRODUCTION TO DISTANCE THEORY." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 6, no. 4 (2021): 30–41. http://dx.doi.org/10.18522/2415-8852-2021-4-30-41.

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The word “distance” itself is ambiguous: it means both the gap between two things, and the very ability of a thing to be at some distance from another, to stand at a distance. In the first case, we are simply talking about the impossibility of things to interact in the usual mode, while in the second about the thing’s own position, its individuation, which does not allow confusions. The superposition of these two meanings is productive for thought: from Plato’s reasoning about the causes of civil disorder through Nietzsche’s melancholic concept of elitism to 20th century theories proceeding fr

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José Planells, Antonio. "Video games and the crowdfunding ideology: From the gamer-buyer to the prosumer-investor." Journal of Consumer Culture 17, no. 3 (2015): 620–38. http://dx.doi.org/10.1177/1469540515611200.

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Digital convergence and Web 2.0 have led to the emergence of new forms of involvement and participation of consumers in the game industry. Prosumers are now participating in productive and decision-making structures at the highest level using collective financing model or crowdfunding. In this system, the traditional business relations based on hierarchy have undergone a major change repositioning the creative focus on the player. The top-down culture of game business becomes bottom-up participatory culture intervening mainly in game genres, topics, and mechanics. This research frames crowdfun

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23

Gutwirth, Eleazar. "Mourning, Melancholy and Hexis: Towards a Context for Fritz Yshaq Baer." European Journal of Jewish Studies 9, no. 2 (2015): 210–53. http://dx.doi.org/10.1163/1872471x-12341281.

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An examination, annotation and translation of the hitherto unpublished correspondence with Baer in the Baron papers lead to a re-contextualization. Intensified after his demise in 1980, a large stream of publications attempted to contextualize the work of the historian of the Jews of Christian Spain, Fritz Yshaq Baer, against the background of broadly known events of the twentieth century, identifying him with a “School” of Jewish history. Here this notion is traced to the early 1970s and alternative possibilities are explored. First, attention is paid to the role of institutions, networks and

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Lambert, Fátima. "Bernardo Soares: The Never Accomplished Travel(s) – Writing and Seeing." Revista Portuguesa de Humanidades 25, no. 1 (2021): 191–216. http://dx.doi.org/10.17990/rph/2021_25_1_191.

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The Art that emerged in the early years of the Portuguese 20th century, similarly to what occurred in Europe, was invested with expectations and strong beliefs. Nonetheless works and ideas were only accessible to few that were near to the new approaches and paradigms. The unspeakable and the unexpected came up from the intellectual and sensitive verve of bold poets or artists, experimenting daring structures and actions. That was the case of Fernando Pessoa literary production, enriched by his heteronymous’ magnum opus. Let’s take a walk into slow unquietness, in order to recognize singular ae

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Schultz, Matthew. "Revenant modernisms and the recurrence of Literary History." International Journal of English Studies 17, no. 1 (2017): 1. http://dx.doi.org/10.6018/ijes/2017/1/257971.

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<p>This essay suggests that literary production post-postmodernism has not progressed to something new, but rather has returned to quintessentially modernist anxieties and modes of expression––especially renewed faith in grand narratives. The argument draws upon and coalesces two theoretical texts to help identify what I term ‘revenant modernism’ as a “symbolic space” (Flatley, 2008: 32) where a sort of “secular re-enchantment” (Landy &amp; Saler, 2009: 2) remains possible: Jonathan Flatley’s <em>Affective mapping: Melancholia and the politics of modernism</em> (2008) and

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Repinа, A. A., and E. A. Radaeva. "EXISTENTIAL MOTIVES F.M. DOSTOEVSKY IN THE WORK OF H. MURAKAMI." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23, no. 77 (2021): 91–97. http://dx.doi.org/10.37313/2413-9645-2021-23-77-91-97.

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In this article, the authors find it productive to explore the relationship between Russian and foreign literature through the prism of the philosophy of existentialism, which is quite popular today. Research methodology: philological analysis of literary texts (problematic approach), comparative analysis with elements of comparative studies. The authors come to the conclusion that Murakami immerses his heroes in situations where it is possible to change everything, but such a situation requires unambiguous decisions and immediate action, but the heroes, for the most part, are endlessly lonely

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Khanna, Ranjana. "Touching, unbelonging, and the absence of affect." Feminist Theory 13, no. 2 (2012): 213–32. http://dx.doi.org/10.1177/1464700112442649.

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This article argues that psychoanalytic notions of affect – including ideas of anxiety and melancholia, as well as deconstructive concepts of auto-affection – offer a feminist ethico-politics and a notion of affect as interface. Beyond the confines of the experiential and the positivist, both psychoanalysis and deconstruction provide insights into affect as a technology that understands the subject as porous. I consider works by Derek Jarman and Shirin Neshat to demonstrate the importance of the ethico-politics of affect as interface in contemporary cultural production. Both artists, in the pr

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Prušková, Zora. "The Holocaust – the Border of Pragmatic Language." Poznańskie Studia Slawistyczne, no. 12 (September 21, 2017): 259–70. http://dx.doi.org/10.14746/pss.2017.12.17.

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The theme of the paper is observing and revealing non-pragmatic language that, when dealing with deliberately chosen texts about acts of violence, leads to productive aesthetic disturbance. In its substance, this language refers to the gulf between intensity of representation and ideological intention towards a reader declared in a complicated manner. The paper discusses five texts with the theme of the Holocaust. Three of them deal with the Holocaust as with a recent experience, namely Curzio Malaparte’s Caput (1944), Žofia Nalkowska’s Medallions (1945), and Leopold Lahola’s Last Thing (1949–

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Ewugi, M. S., and Illiyasu Yakubu. "Malthusian Population theory and the Nigerian Economy: A Political Economy Approach." International Journal of Human Resource Studies 2, no. 4 (2012): 197. http://dx.doi.org/10.5296/ijhrs.v2i4.2867.

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Malthusian population theory was developed as a result of the rapid population growth rate and diminishing return in agricultural sector. Malthus observed geometric ratio growth in population vis-a-vis arithmetic ratio growth in food production and envisaged world “misery” or “vice” if not checked. Subsequent development in the world however, proved the theory wrong. But this work discovers that the predicted doom of population theory is manifesting in Nigeria - rapid population growth rate, food crises, large scale poverty, ethnic and religious conflict, HIV/AIDS epidemics, etc. Although, the

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Farbman, Herschel. "A Seafloor for the Disaster." Yearbook of Comparative Literature 64 (July 1, 2022): 55–86. http://dx.doi.org/10.3138/ycl-64-030.

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Across discourses and genres, stories of climate change often follow a race-against-time plot, as if confronting environmental disaster meant accepting the terms of the disaster film genre. The objective of this article is to elucidate some of the anxieties these terms manage, in particular, anxiety provoked, paradoxically, by the stability of the earth even in the worst-case scenarios—even, for example, in the case of the total uninhabitability of the earth for human beings. Within the framework of the race-against-time plot, the earth cannot appear as simultaneously stable and uninhabitable;

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Coates, Paul. "Representation and Ruination under a Soviet Shadow: Wajda, History, and Chris Marker’s Re-thinking of Tarkovsky’s ‘Zone’." Baltic Screen Media Review 6, no. 1 (2018): 94–113. http://dx.doi.org/10.2478/bsmr-2018-0006.

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Abstract Following the recent death of Andrzej Wajda, a reconsideration of his work is timely, and all the more so because he provides a reference point for many East Central European cinéastes. Thus this article uses his work as a main switching point between meditations on the issues his films raise. It theorises the status accorded History in them, and in Marxism in general, in relation to Walter Benjamin’s work on allegory and ruin, as well as to questions of characterisation. Also considered is the degree and nature of existentialism’s influence on this cinema, with blockages of choice fo

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Taruskin, Richard. "Liszt’s problems, Bartók’s problems, my problems." Studia Musicologica 58, no. 3-4 (2017): 301–19. http://dx.doi.org/10.1556/6.2017.58.3-4.1.

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In his inaugural lecture to the Hungarian Academy of Sciences, Béla Bartók proposed dividing the works of Liszt into two unequally valued portions: the valuable works that showed Liszt as an artistic innovator, and the undesirable ones that adopted a false “Hungarian” style that pleased unsophisticated listeners but corrupted their taste. In sum, he asserted a radical pseudo-aesthetic dichotomy in the interests of a political agenda. Only a dozen years later, Bartók’s own legacy was dichotomized in a very similar way by musicians and politicians, on both sides of the Cold War divide, who were

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Monteiro, Bruno. "Nostalgia and the social perception of the past: The ethnographic revisit of an industrial community (1980 and 2010)." Time & Society 26, no. 2 (2015): 165–81. http://dx.doi.org/10.1177/0961463x15577272.

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Through the revisit of a previous study, conducted in 1980, the present research inquiries, in 2010, the relationship between economic and social circumstances, territorial rootedness, and temporal experience among the workers of a Portuguese industrial community. Interlocking ethnographic observation, biographic interviews, and extensive survey, the research explores the inflection, occurred between 1980 and 2010, in the interpretation of historical change spread among those workers, especially the transformation of their retrospective vision of the past dictatorial regime of Estado Novo (193

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Khanam, Jobaida Shovna, Khan Shahidul Huque, Nazmul Huda, and Mohammad Khairul Bashar. "Management approach of livestock manure in present farming system of Bangladesh." Asian Journal of Medical and Biological Research 5, no. 1 (2019): 63–70. http://dx.doi.org/10.3329/ajmbr.v5i1.41047.

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Laying aside manure meat, milk and egg is considered as key performance indicator of livestock farm profitability of Bangladesh till yet whereas manure contains minimum 45-55% feed nutrient fed to animals. A survey based research work was conveyed to find out the major channel of using this valuable livestock manure by farmers from twelve selected district of Bangladesh. Results showed that most of the cattle and buffalo farmers prefer solid storage system to manage their manure. From this stored manure, about 35% was used for land fertilization, 47% for burning fuel preparation, 8% for compos

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Jiménez Heffernan, Julián. "Autoridad, poesistocracia y arbitraje: Harold Bloom, lector del "Quijote"." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 19 (May 23, 2013): 296. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.201319643.

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El presente artículo pretende proporcionar un contexto hermenéutico adecuado a la interpretación que Harold Bloom hizo de Don Quijote en un capítulo sobre Cervantes de The Western Canon (1994). La generalizada recepción negativa que este libro ha tenido en ámbito hispano, en gran medida debido a la denunciada (des)atención del crítico norteamericano hacia las literaturas hispanas, ha provocado una paralela (des)atención de la crítica hispana hacia un ensayo que, sin suponer una contribución decisiva al cervantismo filológico, constituye un valioso juicio implícito sobre el sentido de lo litera

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Lisboa, Edimara. "Da navegação à emigração: o império colonial no cinema português de ficção anterior à Revolução dos Cravos / From Navigation to Emigration: The Colonial Empire in Portuguese Fiction Cinema Before the Carnation Revolution." Revista do Centro de Estudos Portugueses 39, no. 62 (2020): 201. http://dx.doi.org/10.17851/2359-0076.39.62.201-232.

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Resumo: Uma nação de navegadores transformada em país de emigrantes. A partir desse diagnóstico, Eduardo Lourenço, no ensaio “A nau de Ícaro ou o fim da emigração”, escrito em 1993, compreende a identidade nacional portuguesa como “um colossal fenômeno de expatriação”. Em observação a dois filmes ficcionais paradigmáticos da tematização do colonialismo pelo cinema português anterior à redemocratização, Chaimite (1953) de Jorge Brum do Canto e Mudar de Vida (1966) de Paulo Rocha, o referido diagnóstico torna-se especialmente sugestivo, uma vez que a imagem gloriosa do herói português desbravado

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Bihorac, Ahmet, and Kemal Dzemic. "THE MOTIVE OF MADNESS IN WORLD LITERATURE." Knowledge International Journal 29, no. 1 (2019): 83–88. http://dx.doi.org/10.35120/kij2901083b.

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The paper is based on the hypothesis that the motive of madness is very common in literary works starting from the literature of the old age to modern and postmodern literary production. Many famous world writers have worked on this motive in various literary epochs, genera and species. In antique comedy, man's insanity was portrayed in a witty, playful and humorous way, and the same poetic, approach to the treatment of this motive is also of later comedical works. In tragedy, madness is often the cause of starvation, but also the ability to get to know essential knowledge, truth and ideas. So

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Spitz, Derek. "In the House of the Hangman One should not Mention the Noose: Jewish Voice for Labour’s Attack on the Equality and Human Rights Commission." Journal of Contemporary Antisemitism 4, no. 2 (2021): 47–92. http://dx.doi.org/10.26613/jca.4.2.85.

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Abstract In May 2021 Jewish Voice for Labour (“JVL”) published a combative document entitled How the EHRC Got It So Wrong-Antisemitism and the Labour Party. The document criticises the Equality and Human Rights Commission’s October 2020 Report of its investigation into antisemitism in the Labour Party. The Commission found the Labour Party responsible for antisemitic conduct giving rise to several unlawful acts in breach of the Equality Act 2010. In addition to its legal findings, it also made critical factual findings, identifying a culture of acceptance of antisemitism in the Labour Party,

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Medić, Milena. "The Sumatraist secret of count Sava Vladislavić's great dreaming: The anamorphosic aim of theatrical doubling, the ex-centred observer, and the regenerative power of collective memory." New Sound, no. 47 (2016): 99–119. http://dx.doi.org/10.5937/newso1647099m.

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In her discussion of Melanholični snovi grofa Save Vladislavića (The Melancholy Dreams of Count Sava Vladislavić), an opera by Serbian composer Svetislav Božić, the author begins by discussing the composer's operatic allusion to anamorphosis, an architecture and painting technique, in both of its application modes (the perspectival and the catoptric). The trans-media and temporal conversion of this visual tool into the aspect of staged drama is notable in the theatrical procedure of reflective doublings of roles/ characters and production of visual syntactic parallelisms, which deepen semantic

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Volkov, Ivan O. "The tradition of Walter Scott in the work of Ivan Turgenev: SaintRonan's Well and Clara Milic." Imagologiya i komparativistika, no. 17 (2022): 37–59. http://dx.doi.org/10.17223/24099554/17/2.

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The article develops the problem of Ivan Turgenev’s perception of Walter Scott’s non-historical novel SaintRonan’s Well (1824) with the focus on the comparative study of Turgenev’s ClaraMilich (1883), whose composition reflects Walter Scott’s motifs and images. Forty years after reading Saint Ronan’s Well in the original, Turgenev turns to it within the framework of his own plan. In Clara Milich, the English novel and its author are brought into focus of deep artistic reflection. Turgenev’s Clara Milich genetically ascends to Walter Scott’s Clara Mowbray, which proves that Turgenev creatively

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Rethmann, Petra. "The Melancholy Monument of the Left." Anthropologica 64, no. 1 (2022). http://dx.doi.org/10.18357/anthropologica64120221024.

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From November 2017 to April 2018, in Mexico City’s MuseoUniversitario Arte Contemporaneo, the Russian artistic-activist collectivechto delat (what should be done?) exhibited a number of monuments inmemory of the Russian revolution. In centring on three monuments, in thisarticle I consider the ability of the collective’s monuments to inspire politicalmediations on historical potential embedded in revolutionary pasts. I arguethat melancholia does not inevitably mark historical fixity or unaccomplishedmourning, but rather a temporal openness to mnemonic productivity andsolidarity. It is in this s

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Gildersleeve, Jessica. "“Weird Melancholy” and the Modern Television Outback: Rage, Shame, and Violence in Wake in Fright and Mystery Road." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1500.

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In the middle of the nineteenth century, Marcus Clarke famously described the Australian outback as displaying a “Weird Melancholy” (qtd. in Gelder 116). The strange sights, sounds, and experiences of Australia’s rural locations made them ripe for the development of the European genre of the Gothic in a new location, a mutation which has continued over the past two centuries. But what does it mean for Australia’s Gothic landscapes to be associated with the affective qualities of the melancholy? And more particularly, how and why does this Gothic effect (and affect) appear in the most accessibl

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Lewkowich, David. "Traumatic loss and productive impasse in comics: visual metaphors of depression and melancholia in Jillian and Mariko Tamaki’s This One Summer." Journal of Graphic Novels and Comics, December 10, 2019, 1–19. http://dx.doi.org/10.1080/21504857.2019.1700145.

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Olszewska, Zuzanna. "The poet’s melancholy." Medicine Anthropology Theory 2, no. 3 (2020). http://dx.doi.org/10.17157/mat.2.3.194.

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This article considers the relationship between depressed affect, a long-term refugee situation, and poetry among Afghan refugees in the Islamic Republic of Iran. Based on ethnographic fieldwork on the changing subjectivities of Afghan refugee poets, it explores the relationship between a perception of collective suffering, individual mental distress, and creativity in this community. Rather than establishing diagnostic criteria for depression among Afghans, the article is mostly concerned with the social and cultural ripples of psychological distress resulting from decades of war, displacemen

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Ouillon, Laura. "Forests of the mind: spectres of deforestation in contemporary English aesthetics." Burlington Contemporary Journal, 2022. http://dx.doi.org/10.31452/bcj6.trees.ouillon.

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This article explores some of the ways in which the natural environment – its management and exploitation – has informed artistic imagination and production in England in recent years. Laura Ouillon outlines of the state of English woodlands today, incorporating the research of art historians and cultural geographers to demonstrate that trees in England have become scarcer and scarcer. As a result, Ouillon reflects, the English relationship to forests is marked by a sense of lack and loss. This informs her analysis of a number of contemporary works of art and the peculiar form of environmental

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Collins, Stephanie. "Misrule and Melancholy: Stamford Shakespeare Company's Gender-Bending Twelfth Night." Scene: Reviews of Early Modern Drama 3, no. 1 (2020). http://dx.doi.org/10.18357/sremd31201919237.

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Actor Stephanie Collins reviews The Stamford Shakespeare Company's 2019 production of Twelfth Night, in which she played Fabia. The production's richly imagined Albanian-style Illyria created a vibrant aura of misrule. Collins's review includes material from her conversations with the director, designer, and other actors.

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"Post-production Report on “Crossroads Melancholy”: An Adaptation of Chris Nwamuo’s the Substitute." Journal of Educational and Social Research, May 1, 2014. http://dx.doi.org/10.5901/jesr.2014.v4n3p437.

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Brideoake, Fiona. "“Extraordinary Female Affection”: The Ladies of Llangollen and the Endurance of Queer Community." Romanticism on the Net, no. 36-37 (July 27, 2005). http://dx.doi.org/10.7202/011141ar.

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AbstractThis essay explores romantic responses to Lady Eleanor Butler and Miss Sarah Ponsonby, known as the Ladies of Llangollen, arguing that Anna Seward and Anne Lister celebrated the Ladies’ relationship in order to melancholically enact the same-sex ties they were themselves unable to maintain. Hailed as both pioneering lesbians and chaste romantic friends, Butler and Ponsonby may appear unlikely candidates for queer recuperation. Their place within romantic literary history is equally contentious, their status as a female couple challenging notions of singular and masculine romantic subje

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Semmelhack, Diana J. "The Mind of Lincoln: Brilliance and Melancholy - A Video Production Capturing the Essential Healing Power of Positive Social Interactions in a Taped Drama." Biomedical Journal of Scientific & Technical Research 20, no. 5 (2019). http://dx.doi.org/10.26717/bjstr.2019.20.003502.

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Simpson, Catherine Marie, and Katherine Wright. "Ecology and Collaboration." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.538.

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Ecology has emerged as one of the most important sites of political struggle today. This issue of M/C invited authors to engage with “ecology” not as a siloised field of scientific enquiry, but rather as a way of contemporary thinking and a conceptual mode that emphasizes connectivity, conviviality, and inter-dependence. Proposing a radical revision of anthropocentrism in When Species Meet, Donna Haraway emphasises the dynamism of ecology as an entangled mesh, observing that, “the world is a knot in motion.” The “infolding” of human bodies with what we call “the environment” has never been cle

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