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Gotowe bibliografie tematyczne / Psalm

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Gotowa bibliografia na temat „Psalm”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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Artykuły w czasopismach na temat "Psalm"

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Posta, Anna. "Psalm Paraphrases in Latin in Sixteenth Century Hungary." Central European Cultures 3, no. 2 (2023): 3–23. http://dx.doi.org/10.47075/cec.2023-2.01.

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The most popular trend in sacra poesis (sacred poetry) in the sixteenth and seventeenth centuries was the paraphrase of psalms into Latin. In parallel with numerous European examples, there are a good number of paraphrases of psalms from this period in Hungarian Neolatin poetry. Psalm transcriptions in Latin are associated with Georgius Purkircher (Psalm 72, 79), Christianus Schesaeus (Psalm 79, 90), Caspar Piltz (Psalms 3, 4, 23, 31, 51, 79, 80, 91, 110, 127), Johannes Sylvester (Psalm 79), Georgius Ostermaier (Psalms 1, 42, 122–126, 133), Laurentius Szegedinus (Psalms 51, 128), Valentinus Cr

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Van Rooy, H. F. "Die verhouding van die Siriese Psalm 151 tot die Griekse en Hebreeuse weergawes." Verbum et Ecclesia 18, no. 1 (1997): 176–97. http://dx.doi.org/10.4102/ve.v18i1.1132.

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The relation between the Syriac Psalm 151 and the Greek and Hebrew versions This article studies the apocryphal Psalm 151, with special reference to the Syriac version in its relation to the versions of this psalm in the Septuagint and at Qumran. Four different sources of this psalm in Syriac can be distinguished, namely, a commentary on the psalms by Athanasius, a number of inanuscripts of the Peshitta and the Syrohexaplar, the manuscript 12t4 (containing the five Syriac apocryphal psalms as an addendum to the canonical psalms) and a number of other manuscripts with these apocryphal psalms. T

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Naud, E. "Psalm 40: Één of Twee Psalms?" Verbum et Ecclesia 21, no. 1 (2000): 115–34. http://dx.doi.org/10.4102/ve.v21i1.1186.

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Psalm 40: One or two Psalms? Interpretation problems imbedded in Psalm 40 are often prioritized above the function of the psalm. The unity of Psalm 40 is to be investigated in this article. Verses 14 to 18 are in lexemic congruence with Psalm 70. Psalm 40 is frequently discussed in the light of Psalm 70. This research follows a synchronic-diachronic investigation of the text, to formulate the theological function of Psalm 40.

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Strawn, Brent A. "The Black Hole at the Center of the Psalms." Interpretation: A Journal of Bible and Theology 78, no. 2 (2024): 106–19. http://dx.doi.org/10.1177/00209643231222618.

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This essay explores the motif of "the Pit" as a third, thematic focus for the Psalter (alongside "refuge" and "pathway"). Especially as it comes to fullest expression in Psalm 88, the Pit can be seen as the "black hole" at the center of the Psalms. Yet, while powerful, Psalm 88, and the presence of the Pit therein, does not have the final word. The sequence of the following psalms (Psalms 89, 90, and 91) slowly but surely draws the poet of Psalm 88 out of what has been called the saddest of all psalms. In this way, Psalm 88 retains its witness within the Psalter, but it is also not alone withi

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Hudgins, Andrew. "Psalm Against Psalms." Missouri Review 10, no. 2 (1987): 65–68. http://dx.doi.org/10.1353/mis.1987.0080.

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Otto, Eckart. "Politische Theologie in den Königspsalmen zwischen Ägypten und Assyrien Die Herrscherlegitimation in den Psalmen 2 und 18 in ihren altorientalischen Kontexten." Verbum et Ecclesia 25, no. 2 (2004): 619–52. http://dx.doi.org/10.4102/ve.v25i2.291.

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This article deals especially with Psalm 2* and Psalm 18* and they are understood against a neo-Assyrian context. During the latter part of the eight and the first half of the seventh century the neo-Assyrian power was especially felt in Judah and the influence of its royal ideology can clearly be detected in these two psalms. Psalm 89* and Psalm 72* were also influenced by the Assyrian royal theology but these motifs were used in a subversive way. In Psalm 2* and Psalm 18* the neo-Assyrian motifs were employed to elaborate the Jerusalem royal ideology.

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Witt, Andrew. "Hearing Psalm 102 within the Context of the Hebrew Psalter." Vetus Testamentum 62, no. 4 (2012): 582–606. http://dx.doi.org/10.1163/15685330-12341000.

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Abstract Along with recent scholarship which is concerned with reading the book of Psalms as a whole, this article analyzes Psalm 102 within its canonical, literary context. It focuses on two main areas. First, the superscription. It identifies the speaker as the “afflicted,” who is a suffering royal Davidic figure associated with Psalms 88-89 and 101, 103. Second, the paper moves throughout the rest of the psalm, making observations concerning thematic and lexical relationships between the psalm and its immediate context. It concludes that Psalm 102, alongside 101, functions as a meditative r

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Spangenberg, I. J. I. "Psalm 49 and the book of Qohelet." Verbum et Ecclesia 18, no. 2 (1997): 328–44. http://dx.doi.org/10.4102/ve.v18i2.567.

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Psalm 49 and the Book of Qohelet. Although a number of scholars have criticised Casetti's analysis of Psalm 49. Zenger and Bossfeld employed his ideas in their recent commentary on the Psalms. According to these scholars the psalm consists of two distinct layers: a basic pessimistic psalm to which a second author later added two further strophes and an introduction. The basic psalm reflects the tone of the Book of Qohelet, but probably originated prior to that book as it does not reflect a hellenistic background. This article argues that the psalm should be read with the aid of Albertz' descri

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Walser, Andreas Victor. "„Mein Gott, mein Gott, zu dir erhebe ich mich in der Früh‟ – Zwei Psalmpassagen in Inschriften aus Tyros und in der patristischen Tradition." Vigiliae Christianae 69, no. 3 (2015): 229–55. http://dx.doi.org/10.1163/15700720-12341203.

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A revision of several painted inscriptions discovered in a late antique chamber tomb in Tyre shows that they recorded verses from two Psalms (3, 6 and 62, 2-3), both not otherwise attested epigraphically. The article subsequently examines how these verses were received and interpreted in early Christian literature and by the Greek Fathers of the Church: The popular verse 6 of Psalm 3, with its reference to sleep and awakening, was understood by most—but not all—commentators as a reference to the death and resurrection of Jesus Christ. The less famous first verses of Psalm 62 were usually just

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Prinsloo, W. S. "Psalm 47: Partikularisme en universalisme. Jahwe is ons ons koning én koning oor die hele aarde." Verbum et Ecclesia 17, no. 2 (1996): 388–404. http://dx.doi.org/10.4102/ve.v17i2.526.

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Psalm 47: Particularism and universalism. Jahwe is our king and king of all the earth In this article, Psalm 47 is considered from a text immanent perspective and particular attention is given to the morphological, syntactical, stylistic and semantic facets of the psalm. Although problems of interpretation experienced in respect of Psalm 47 are the same as those for the so-called enthronement psalms, this article concentrates mainly on those research problems that are peculiar to this psalm. Psalm 47 is a hymn comprising of two parallel strophes (w. 2-6 and 7-10). The reason for the exhortatio

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Rozprawy doktorskie na temat "Psalm"

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Seong, Chong Hyon. "Psalm 24." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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Drude, Matthias. "Dresdner Psalm." Matthias Drude, 2005. https://slub.qucosa.de/id/qucosa%3A7875.

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Der Dresdner Psalm für sechsstimmigen Chor und sechs Blechbläser entstand als letzte gemeinsame Arbeit mit dem 2006 verstorbenen Dresdner Theologen und Schriftsteller Dietrich Mendt aus Anlass des Dresdner Stadtjubiläums 2006. Der Text des Werkes reflektiert Geschichte und Gegenwart der Stadt Dresden im Stil eines Psalmgebets. Werkdauer ca. 17 Minuten

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Man, Stanlas Ping Kwan. "Psalm 23." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc500804/.

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Psalm 23 is a sacred work in four movements, written for women's chorus (SSAA), a tenor solo and a chamber ensemble consisting of flute, oboe, trumpet, percussion, timpani, and string quartet. It is designed to be performed as a portion of a church service or in concert. The text, Psalm 23 from the Bible is sung in Chinese, and the verses of the Psalm are arranged as follows: Movement 1, Verse 1, General musical characteristics: pastoral; Movement 2, Verses 2-3, General musical characteristics: peaceful; Movement 3, Verses 4-5, General musical characteristics: agitated; Movement 4, Verse 6, Ge

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Mobley, Aaron. "Sonnets and psalm." Thesis, The University of Arizona, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3605915.

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<p> Sonnets and Psalm investigates the relationships between the sacred nature of Psalm 91 and the secular nature of two sonnets, William Shakespeare's Sonnet 73 and Henry Howard, Earl of Surrey's Sonnet 8. <i> Sonnets and Psalm</i> exploits a dynamic that arises from the juxtaposition of disparate musical universes, choral and instrumental, and the unique and, at times, ineffable aesthetic qualities that emerge as a result of the intentional ordering of musical language and block structures. In a five movement form the listener is guided from vocal events painted on orchestral palettes, to s

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Mobley, Aaron Darnell. "Sonnets and Psalm." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/311586.

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Sonnets and Psalm investigates the relationships between the sacred nature of Psalm 91 and the secular nature of two sonnets, William Shakespeare's Sonnet 73 and Henry Howard, Earl of Surrey's Sonnet 8. Sonnets and Psalm exploits a dynamic that arises from the juxtaposition of disparate musical universes, choral and instrumental, and the unique and, at times, ineffable aesthetic qualities that emerge as a result of the intentional ordering of musical language and block structures. In a five movement form the listener is guided from vocal events painted on orchestral palettes, to solely instru

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Cameron, Bruce A. Luther Martin. "Luther's Summaries of the Psalms (1531) a model for contemporary Psalm interpretation /." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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Thesis (S.T.M.)--Concordia Seminary, 1991.<br>Appendix is an English translation of: Summarien über die Psalmen / Martin Luther ; [tr. by Bruce A. Cameron]; published in 1531. The original text is that of the Weimar edition, v. 38. Includes bibliographical references (leaves 141-143).

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Smith, Kenneth William. "From Psalm to sermon preaching from the Psalms in a genre-sensitive manner /." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.

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Jones, Christine Danette Brown Bellinger W. H. "The Psalms of Asaph a study of the function of a psalm collection /." Waco, Tex. : Baylor University, 2009. http://hdl.handle.net/2104/5346.

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Drude, Matthias. "Der 23. Psalm: (1986)." Matthias Drude, 2020. https://slub.qucosa.de/id/qucosa%3A72062.

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Auf Anregung von Prof. Renate Altmann und Prof. Julius Severin komponierte Matthias Drude 1986 und 1987 drei Vertonungen von Psalmen für vierstimmig gemischten Chor und Orgel. Die drei Vertonungen sind in ihrer überwiegend homophonen Setzweise der musikalischen Romantik verpflichtet und für leistungsfähige Laienchöre geeignet. (überarbeitet und Computer-Notensatz (SIBELIUS): Mai-Juni 2020), Siehe auch: Der 91. Psalm (1987) und Der 121. Psalm (1986)

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Drude, Matthias. "Der 121. Psalm: (1986)." Matthias Drude, 2020. https://slub.qucosa.de/id/qucosa%3A72064.

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Auf Anregung von Prof. Renate Altmann und Prof. Julius Severin komponierte Matthias Drude 1986 und 1987 drei Vertonungen von Psalmen für vierstimmig gemischten Chor und Orgel. Die drei Vertonungen sind in ihrer überwiegend homophonen Setzweise der musikalischen Romantik verpflichtet und für leistungsfähige Laienchöre geeignet. (überarbeitet und Computer-Notensatz (SIBELIUS): Juni 2020), siehe auch: 'Der 23. Psalm' (1986) und 'Der 91. Psalm' (1987)

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Książki na temat "Psalm"

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Malaty, Tadrous Y. The Psalms: Psalm 1-Psalm 10. St. Mark and St. Peter the Last Martyr, 1991.

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Lasso, Orlando di. The Sibylline prophecies ; The penitential Psalms. Focus, 1985.

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McDowall, Nicolas. Psalm 150: Psalm 23. The Old Stile Press, 2000.

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Rezza, Massimiliano Tommaso. Psalm. Witty Books, 2020.

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Bruckner, Anton. Psalm 112. Musikwissenschaftlicher Verlag, 1996.

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Bruckner, Anton. Psalm 150. Musikwissenschaftlicher Verlag, 1987.

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Bruckner, Anton. Psalm 146. Musikwissenschaftlicher Verlag, 1996.

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Moser, Barry. Psalm 23. Zondervan, 2008.

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Gregor, Wurst, Richter Siegfried, Giversen Søren, Kasser Rodolphe, Krause Martin 1930-, and Chester Beatty Library, eds. Psalm book. Brepols, 1996.

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Mowinckel, Sigmund. Psalm studies. Brill, 2010.

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Części książek na temat "Psalm"

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Kujumdzieva, Svetlana. "Psalm 140." In Studies on Eastern Orthodox Church Chant. Routledge, 2023. http://dx.doi.org/10.4324/9781003377238-2.

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Gillingham, S. E. "The Psalmists as Poets." In The Poems and Psalms of the Hebrew Bible. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780192132420.003.0008.

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Abstract The issue of a ‘setting-in-life’ and a ‘setting-in-literature’ is quite different with respect to the poetry of the psalms. The absence of a narrative context means that each psalm is a self-sufficient unit, and as its meaning is not controlled by an editor’s narrative commentary, a ‘setting-in-life’ has to some extent still been preserved. Clearly there is some interpretative framework-for example, the superscriptions which identify particular psalms with events in the life of King David, and the interrelationship between one psalm and its neighbour within the collection-but this has

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Goff, Matthew. "David Singing at the End of the Psalter." In The Apocrypha: A Guide. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780190060770.003.0014.

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Abstract This short chapter contains a succinct overview of Psalm 151, which is part of the biblical book of Psalms in the Eastern Orthodox tradition but is not in Catholic or Protestant Bibles. Ancient biblical manuscripts present this psalm as the end of the Psalter in various ways. The poem focuses on the figure of David as a young shepherd, singing while tending his sheep. A lengthy Psalms Scroll found among the Dead Sea Scrolls brought to light a lost ancient Hebrew version of the poem, which is substantially different from the better-known Greek version. The psalm’s placement at the end

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"Psalm 1-Psalm 10." In Old English Glossed Psalters, edited by Phillip Pulsiano. University of Toronto Press, 2001. http://dx.doi.org/10.3138/9781442678040-009.

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"Psalm 11 - Psalm 19." In Old English Glossed Psalters, edited by Phillip Pulsiano. University of Toronto Press, 2001. http://dx.doi.org/10.3138/9781442678040-010.

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"Psalm 20 - Psalm 29." In Old English Glossed Psalters, edited by Phillip Pulsiano. University of Toronto Press, 2001. http://dx.doi.org/10.3138/9781442678040-011.

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"Psalm 30 - Psalm 39." In Old English Glossed Psalters, edited by Phillip Pulsiano. University of Toronto Press, 2001. http://dx.doi.org/10.3138/9781442678040-012.

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"Psalm 40 - Psalm 49." In Old English Glossed Psalters, edited by Phillip Pulsiano. University of Toronto Press, 2001. http://dx.doi.org/10.3138/9781442678040-013.

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"Psalm." In Cathedral Of The North. University of Pittsburgh Press, 2001. http://dx.doi.org/10.2307/j.ctvthhbxx.3.

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"PSALM." In Sonnets and Poems of Anthero de Quental. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8501439.9.

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Streszczenia konferencji na temat "Psalm"

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Wen, Chengyi, and Lianghua He. "PSAM: Prompt-based Segment Anything Model Adaption for Medical Image Segmentation." In 2024 IEEE International Conference on Systems, Man, and Cybernetics (SMC). IEEE, 2024. https://doi.org/10.1109/smc54092.2024.10831390.

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KN, Prajwal, Rohithdutta, Hemavathy S, and V. S. Kanchana Bhaaskaran. "PSALW-PUF: Adiabatic Logic for Low to High-Frequency Security in IoT Applications." In 2024 Third International Conference on Electrical, Electronics, Information and Communication Technologies (ICEEICT). IEEE, 2024. http://dx.doi.org/10.1109/iceeict61591.2024.10718571.

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Yan, Yuqian, Zhongyang Yu, Mengmeng Xu, Hengzhou Xu, Hai Zhu, and Chunhua Zhu. "Efficient Frame Optimization Scheme for PSAM Assisted Transmission over Rician Fading Channel." In 2024 4th International Conference on Information Communication and Software Engineering (ICICSE). IEEE, 2024. http://dx.doi.org/10.1109/icicse61805.2024.10625689.

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Mitsui, Kentaro, Koh Mitsuda, Toshiaki Wakatsuki, Yukiya Hono, and Kei Sawada. "PSLM: Parallel Generation of Text and Speech with LLMs for Low-Latency Spoken Dialogue Systems." In Findings of the Association for Computational Linguistics: EMNLP 2024. Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.findings-emnlp.151.

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Kamble, Saurabh P., Pradyumn Chaturvedi, Harish Bhawane, and V. B. Borghate. "PSAM and TM Based Fault Tolerant Scheme for Open Switch Faults in Dual Active Bridge Converters." In 2024 IEEE International Communications Energy Conference (INTELEC). IEEE, 2024. http://dx.doi.org/10.1109/intelec60315.2024.10679024.

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Asundi, Anand K. "Hologram interferometry using PSALM." In San Diego - DL tentative, edited by Ryszard J. Pryputniewicz. SPIE, 1992. http://dx.doi.org/10.1117/12.135316.

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Asundi, Anand K. "Projection moire using PSALM." In Second Intl Conf on Photomechanics and Speckle Metrology: Moire Techniques, Holographic Interferometry, Optical NDT, and Applications to Fluid Mechanics. SPIE, 1991. http://dx.doi.org/10.1117/12.57495.

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Menghi, Claudio, Christos Tsigkanos, Thorsten Berger, and Patrizio Pelliccione. "PsALM: Specification of Dependable Robotic Missions." In 2019 IEEE/ACM 41st International Conference on Software Engineering: Companion Proceedings (ICSE-Companion). IEEE, 2019. http://dx.doi.org/10.1109/icse-companion.2019.00048.

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YuXia, Fan. "On the Aesthetic Value of A Psalm of Life." In 2015 International Conference on Social Science and Technology Education. Atlantis Press, 2015. http://dx.doi.org/10.2991/icsste-15.2015.146.

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Coroiu, Petruta. "PSALM 150 � TEXTUAL CONGRUITY IN THE HISTORY OF MUSIC." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s25.024.

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