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Rozprawy doktorskie na temat „Psalm”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

Seong, Chong Hyon. "Psalm 24." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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2

Drude, Matthias. "Dresdner Psalm." Matthias Drude, 2005. https://slub.qucosa.de/id/qucosa%3A7875.

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Der Dresdner Psalm für sechsstimmigen Chor und sechs Blechbläser entstand als letzte gemeinsame Arbeit mit dem 2006 verstorbenen Dresdner Theologen und Schriftsteller Dietrich Mendt aus Anlass des Dresdner Stadtjubiläums 2006. Der Text des Werkes reflektiert Geschichte und Gegenwart der Stadt Dresden im Stil eines Psalmgebets. Werkdauer ca. 17 Minuten

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3

Man, Stanlas Ping Kwan. "Psalm 23." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc500804/.

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Psalm 23 is a sacred work in four movements, written for women's chorus (SSAA), a tenor solo and a chamber ensemble consisting of flute, oboe, trumpet, percussion, timpani, and string quartet. It is designed to be performed as a portion of a church service or in concert. The text, Psalm 23 from the Bible is sung in Chinese, and the verses of the Psalm are arranged as follows: Movement 1, Verse 1, General musical characteristics: pastoral; Movement 2, Verses 2-3, General musical characteristics: peaceful; Movement 3, Verses 4-5, General musical characteristics: agitated; Movement 4, Verse 6, Ge

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4

Mobley, Aaron. "Sonnets and psalm." Thesis, The University of Arizona, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3605915.

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<p> Sonnets and Psalm investigates the relationships between the sacred nature of Psalm 91 and the secular nature of two sonnets, William Shakespeare's Sonnet 73 and Henry Howard, Earl of Surrey's Sonnet 8. <i> Sonnets and Psalm</i> exploits a dynamic that arises from the juxtaposition of disparate musical universes, choral and instrumental, and the unique and, at times, ineffable aesthetic qualities that emerge as a result of the intentional ordering of musical language and block structures. In a five movement form the listener is guided from vocal events painted on orchestral palettes, to s

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5

Mobley, Aaron Darnell. "Sonnets and Psalm." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/311586.

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Sonnets and Psalm investigates the relationships between the sacred nature of Psalm 91 and the secular nature of two sonnets, William Shakespeare's Sonnet 73 and Henry Howard, Earl of Surrey's Sonnet 8. Sonnets and Psalm exploits a dynamic that arises from the juxtaposition of disparate musical universes, choral and instrumental, and the unique and, at times, ineffable aesthetic qualities that emerge as a result of the intentional ordering of musical language and block structures. In a five movement form the listener is guided from vocal events painted on orchestral palettes, to solely instru

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6

Cameron, Bruce A. Luther Martin. "Luther's Summaries of the Psalms (1531) a model for contemporary Psalm interpretation /." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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Thesis (S.T.M.)--Concordia Seminary, 1991.<br>Appendix is an English translation of: Summarien über die Psalmen / Martin Luther ; [tr. by Bruce A. Cameron]; published in 1531. The original text is that of the Weimar edition, v. 38. Includes bibliographical references (leaves 141-143).

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7

Smith, Kenneth William. "From Psalm to sermon preaching from the Psalms in a genre-sensitive manner /." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.

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8

Jones, Christine Danette Brown Bellinger W. H. "The Psalms of Asaph a study of the function of a psalm collection /." Waco, Tex. : Baylor University, 2009. http://hdl.handle.net/2104/5346.

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9

Drude, Matthias. "Der 23. Psalm: (1986)." Matthias Drude, 2020. https://slub.qucosa.de/id/qucosa%3A72062.

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Auf Anregung von Prof. Renate Altmann und Prof. Julius Severin komponierte Matthias Drude 1986 und 1987 drei Vertonungen von Psalmen für vierstimmig gemischten Chor und Orgel. Die drei Vertonungen sind in ihrer überwiegend homophonen Setzweise der musikalischen Romantik verpflichtet und für leistungsfähige Laienchöre geeignet. (überarbeitet und Computer-Notensatz (SIBELIUS): Mai-Juni 2020), Siehe auch: Der 91. Psalm (1987) und Der 121. Psalm (1986)

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10

Drude, Matthias. "Der 121. Psalm: (1986)." Matthias Drude, 2020. https://slub.qucosa.de/id/qucosa%3A72064.

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Auf Anregung von Prof. Renate Altmann und Prof. Julius Severin komponierte Matthias Drude 1986 und 1987 drei Vertonungen von Psalmen für vierstimmig gemischten Chor und Orgel. Die drei Vertonungen sind in ihrer überwiegend homophonen Setzweise der musikalischen Romantik verpflichtet und für leistungsfähige Laienchöre geeignet. (überarbeitet und Computer-Notensatz (SIBELIUS): Juni 2020), siehe auch: 'Der 23. Psalm' (1986) und 'Der 91. Psalm' (1987)

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11

Maurer, Bernard. "Psalm 95 and intertextuality." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.

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12

Raison, Stephen J. "An exegesis of Psalm 45." Theological Research Exchange Network (TREN), 2005. http://www.tren.com.

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McIver, Ian. "An interpretation of Psalm 132." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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14

Botha, Carine. "Psalm 139 - a redactional perspective." Diss., University of Pretoria, 2018. http://hdl.handle.net/2263/64293.

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In spite of the beauty of Psalm 139, it is notorious for its extreme exegetical divide. Research to date has put exceptional focus on Psalm 139 and its unity and/or division. This study, attempts to come to a clearer insight into Psalm 139. To accomplish this, a twofold approach is taken. First, we let the text speak for itself by exploring the textual and poetic features. These results will then be put in the wider context of the Psalter, specifically Book V of the Psalter. The placement of Psalm 139 within the context of the theology of Book V of the Psalter is seriously considered and atten

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15

Deal, Brooke Lemmons. "Divine queenship and Psalm 45." Fort Worth, TX : [Texas Christian University], 2009. http://etd.tcu.edu/etdfiles/available/etd-04232009-145435/unrestricted/deal.pdf.

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Thesis (Ph.D.)--Brite Divinity School, Texas Christian University, 2009.<br>Title from dissertation title page (viewed June 15, 2009). Includes abstract. "Dissertation presented to the Faculty of the Brite Divinity School in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Biblical Interpretation." Includes bibliographical references.

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16

Christensen, Ashley Mae. "First Psalm: Poems and Paintings." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/3062.

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This collection of poems and paintings seeks to find the places where visual and written communication intersects, and the places where those two media diverge. The collection consists of poems and paintings juxtaposed, as if in conversation with one another throughout the pages. The collection treats each painting and poem as a separate attempt at prayer. As a reader turns the pages, similar questions are asked again and again, but in different settings and with different outcomes. This collection focuses on finding reconciliation between the oral culture of storytelling and the written cultu

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17

Nerkko-Runtti, A. (Arja). "Lågorna är många:studier i språket i den svenska psalmen 1819–1986." Doctoral thesis, University of Oulu, 2007. http://urn.fi/urn:isbn:9789514286605.

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Abstract The aim of the present dissertation is to study what linguistic conditions contribute to the accessibility of the psalm to the user of the psalm. The study is to shed light upon the role of adjectives, interjections, the syntax of the text, nouns with religious semantic content, and nouns pertaining to nature, in the Swedish psalm. Futhermore, the use of adjectives by a group of psalm authors is studied by way of comparing their use of adjectives in psalms with that in the rest of their poetry, in order to find out if psalms act as a special genre of poetry for them. The material cons

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18

Johns, James L. "The early Jewish transmission of Psalm 16 : from psalm to messianic proof text in Luke-Acts." Thesis, University of Edinburgh, 2004. http://hdl.handle.net/1842/30323.

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This thesis seeks to address one question: What may be known about the early Jewish transmission of Psalm 16 and how may the early Jewish transmission of Psalm 16 help us understand its messianic usage in Acts 2:14-36 and 13:16-41? Chapter 1 provides an overview of Psalm 16’s journey from Hebrew poetry to messianic proof text. By examining the transmission of psalmody in Second Temple Judaism, the two-day relationship between prophecy and psalmody is seen as influencing the appropriation of Psalm 16. The Hebrew Bible shows the Psalms becoming part of the post-exilic practice of inner-biblical

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19

Kynes, William Joseph. "My psalm has turned into weeping : the dialogical intertextuality of allusions to the Psalms in Job." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609884.

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20

Park, Sang Hoon. "An exegetical study of Psalm 33." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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21

Drude, Matthias. "Der 91. Psalm: (8-9/1987)." Matthias Drude, 2020. https://slub.qucosa.de/id/qucosa%3A72063.

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Auf Anregung von Prof. Renate Altmann und Prof. Julius Severin komponierte Matthias Drude 1986 und 1987 drei Vertonungen von Psalmen für vierstimmig gemischten Chor und Orgel. Die drei Vertonungen sind in ihrer überwiegend homophonen Setzweise der musikalischen Romantik verpflichtet und für leistungsfähige Laienchöre geeignet. (überarbeitet und Computer-Notensatz (SIBELIUS): Mai 2020), siehe auch: 'Der 23. Psalm' (1986) und 'Der 121. Psalm' (1986)

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22

Burnett, Jason. "Revisioning a Masterpiece: Jon Magnussen’s “Psalm”." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc500109/.

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In 2001, composer Jon Magnussen met the unusual challenge of unifying his new score for Psalm, an already-existing dance work from 1967, with the original artistic conceit of the choreographer, José Limón, who died in 1972. Limón was inspired directly by his reading of André Schwartz-Bart’s Holocaust novel, The Last of the Just, and had initially desired to use Stravinsky’s Symphony of Psalms as the score for the dance. Faced with cost-preclusive licensing fees for the Stravinksy, Limón engaged Eugene Lester to compose a score for Psalm. The Lester score, now lost, served the work for only

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23

Santos, Carluci Ferreira dos. "An exegetical study of Psalm One." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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24

Lane, William Lacy. "An exegetical study of Psalm 78." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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25

Dryden, Jeffrey de Waal. "Psalm 110 in New Testament Christology." Online full text .pdf document, available to Fuller patrons only, 1999. http://www.tren.com.

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26

au, david cohen@vose wa edu, and David John Cohen. "An Examination of the Psychodynamic Effects on Individuals Using Psalms of Lament Intentionally, in the Form of Ritual Prayer, as a Way of Engaging With Experiences of Personal Distress." Murdoch University, 2008. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20081118.153252.

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The Psalter has formed the basis of Judeo-Christian worship since ancient times. It has served, and continues to serve, individuals and communities of faith as a foundation for communal and personal devotion. As a devotional tool it is unique in that it provides prayers which address God directly concerning the whole gamut of life experience. While the Psalms can be examined and analysed as a literary text, they must be used and experienced by people to more fully discover and recognize their power in providing a pathway for expressing life experience. The lament psalms are of particula

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27

Duguid, Timothy Charles. "Sing a new song : English and Scottish metrical psalmody from 1549-1640." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5966.

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The Book of Psalms has occupied a privileged place in Christianity from its earliest years, but it was not until the sixteenth century that metrical versifications of the Psalms became popular. Because of the notable influence of Martin Luther and John Calvin, the musical phenomenon of metrical psalm singing spread throughout Protestant circles on the European mainland and in Britain. These versifications knew no boundaries among Protestants: reformers and parishioners, kings and laypeople, men and women, young and old memorised and sang the metrical psalms. In England and Scotland, the versif

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28

Temme, Diane. "Orlando di Lasso's psalm settings : an examination of genre in late sixteenth-century psalm motets and German Leider." Thesis, Bangor University, 2019. https://research.bangor.ac.uk/portal/en/theses/orlando-di-lassos-psalm-settings(734d892f-f377-4279-bda2-2b6315cbb6a1).html.

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Lasso was considered the greatest composer of his generation with undisputable mastery of all sixteenth-century genres. The dynamism of the late sixteenth century saw the most sophisticated compositions in the continuation of the psalm motet tradition. However, more flexible applications for the psalms in the form of meditations, vernacular translations, and paraphrases opened the door for new and diverse interpretations. This dissertation is a study of Lasso's engagement with established musical traditions and new trends in psalmody. This study unfolds in two parts. First in the discussion of

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29

Ehorn, Seth. "Citation of Psalm 68(67).19 in Ephesians 4.8 within the context of early Christian uses of the Psalms." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/17946.

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This thesis examines the citation of Ps 68(67).19 in Eph 4.8. Following an introduction that introduces the problem of the altered wording in the citation in Eph 4.8, chapter 2 comprises a History of Research that is organised around the possible sources for the author’s citation in Eph 4.8. One of several conclusions made is that the proclivity of NT scholars to attribute the source text to particular Jewish traditions has contributed to overlooking the import of Ps 68(67).19 within a normal pattern of christological reading of the Psalms in early Christianity. Following these opening chapter

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30

Lowe, C. Jane. "The psalm settings of Marc-Antoine Charpentier." Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239094.

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Celliers, Ben. "The splendour of forgiveness in Psalm 32." Diss., University of Pretoria, 2019. http://hdl.handle.net/2263/75284.

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I have fallen in love with Psalm 32 when journaling through the psalms as a teenager. The aim was to rewrite each psalm and to make notes. Psalm 32 stood out among other psalms. Aspects of Psalm 32 that came to the fore were its personal tone. The author is sincere and honest in his account of his circumstances, and the YHWH addressed him directly, by promising proximity and guidance. I do hope that the reading of this in-depth study of Psalm 32 will yield similar results in modern-day readers.<br>Dissertation (MTheology)--University of Pretoria, 2019.<br>Old Testament Studies<br>MTheology<br>

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32

Lee, Byeong Gu. "The use of Psalm 16 in Acts." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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33

Snider, Gordon L. "Cleansing in Psalm 51 cultic or ethical? /." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.

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Burkett, Ken. "Psalm 119 a thematic and literary analysis /." Theological Research Exchange Network (TREN), 1994. http://www.tren.com.

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35

Groenewald, Alphonso. "Psalm 69 : its structure, redaction and composition /." Münster : Lit, 2003. http://catalogue.bnf.fr/ark:/12148/cb392315962.

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Lebaka, M. E. K. (Morakeng Edward Kenneth). "Psalm-like texts in African culture : a Pedi perspective." Thesis, University of Pretoria, 2009. http://hdl.handle.net/2263/25129.

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Up to now there has been no attempt by Biblical scholars to compare the book of Psalms in the Old Testament with Pedi psalm-like songs. This study aims to fill that gap in the research and so contribute to the development of the African cultural heritage – especially that of the Pedi culture, by using indigenous knowledge systems. The research commences with a descriptive analysis of the various genres within the Book of Psalms. A variety of psalms types are discussed, including: Hymns of praise; Thanksgiving songs (communal and individual); Laments (communal and individual); Royal psalms; Hym

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37

De, Bruyn Joseph Jacobus. "Die christologie van die Eerste Testament met spesifieke verwysing na die Psalms 'n praktiese toespitsing op Psalm 110 /." Pretoria : [S.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-05262008-143608/.

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38

Owen, Jonathan Clark. "Psalm 104 Yahweh's polemic against the Ugaritic pantheon /." Theological Research Exchange Network (TREN), 1985. http://www.tren.com.

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39

Lett, Raymond Lee. "An Exegetical and theological study of Psalm 90." Theological Research Exchange Network (TREN), 1985. http://www.tren.com.

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Van, Straaten Jacobus Petrus Lodewicus. "Raakpunte tussen Psalm 82 en die Ugaritiese Kirtuverhaal." Diss., Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-06192007-115025/.

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41

Ortlund, Raymond C. "Psalm 68 in ancient, medieval and modern interpretation." Thesis, University of Aberdeen, 1985. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU354525.

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We base our interpretative study of Psalm 68 on the persuasion that the most objective point of departure for Old Testament exegesis is the body of traditional meanings handed down to us through the Hebrew-based ancient versions and through Judaica. Comparative Semitics may, and at times does, serve to supplement and to correct traditional interpretations; but the specific relationship of tradition with the psalm as opposed to the casual relationship of, say, Ugaritic or Arabic meanings with this particular piece of literature give tradition the fundamental role in establishing the meaning of

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42

Fitch, Philip A. "An exegetical and theological study of Psalm 16." Online full text .pdf document, available to Fuller patrons only, 1992. http://www.tren.com.

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43

Schlicht, Matthias. "Luthers Vorlesung über Psalm 90 : Überlieferung und Theologie /." Göttingen : Vandenhoeck & Ruprecht, 1994. http://catalogue.bnf.fr/ark:/12148/cb38991414x.

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44

Nichols, E. Byron. "The kingship of Yahweh in Psalm 74:12-17." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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45

Seiver, Randall O. "The use of Psalm 69 in the Fourth Gospel." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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46

Nel, Pieter. "Die rol van Psalm 110 in Hebreërs / Pieter Nel." Thesis, North-West University, 2004. http://hdl.handle.net/10394/701.

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The book of Hebrews presents fascinating material for the study of Scripture on many dimensions. This is especially true when it comes to Hebrew's use of the Old Testament. Hebrews is not only the book that quotes from the Old Testament more than any other book in the New Testament, it also implements and organizes these quotations in a remarkable fashion. These quotations, references and reminiscences are also not made at random but are implemented in an organized structure. Not only does the Hebrew writer use the message of the Old Testament, but he also gives a message in the way that he or

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47

Figaro, Jenny. "Jona psalm : dess teologi och funktion i Jona bok." Thesis, Enskilda Högskolan Stockholm, Teologiska högskolan Stockholm, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:ths:diva-105.

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Jona bok är inte bara en av Bibelns mest välkända berättelser utan är också en del avvärldslitteraturen. I den bibliska uppdelningen tillhör boken de så kallade skriftprofeterna ochtolkas således som en profetisk text. Trots detta skiljer sig boken från Gamla testamentetsövriga skriftprofeter då Jona bok snarare är en berättelse om en profet än en samling avprofetens ord (Andersson et al. 2003:163; Childs 1979:422). Dessutom kallas Jona aldrigprofet i boken och hans uppdrag är inte att predika för Israel utan för invånarna i denMesopotamiska staden Nineve. Detta är något som Jona motsätter sig

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48

Buys, Sannette. "The great Atonhymn and Psalm 104 : a comparative approach." Diss., University of Pretoria, 2019. http://hdl.handle.net/2263/75275.

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It is not known who the authors of either of these two poems are. In this dissertation the credit for writing the great Atonhymn is given to Pharaoh Amenhotep IV (Akhenaton). Although Psalm 104 is untitled in the Hebrew Bible, there are three sources that credit David as the author. These are a manuscript from Qumran, the Septuagint, and Wilson’s argument (see page 37). The Atonhymn worships the sun, while Psalm 104 worships the creator of the sun. Apart from this fundamental difference there are also many other important differences that have been identified. These include Deity’s origin, Dei

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49

Coleman, Roche. "The debilitating duo : shame and guilt in Psalm 32." Thesis, University of Pretoria, 2019. http://hdl.handle.net/2263/75285.

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50

Bartley, Kathryn Ruth. "A study of the Hebrew text of Psalm 132." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1399554969.

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