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Gotowa bibliografia na temat „Psalter player”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Psalter player"

1

Yarmola, Victoria. "Itinerant Musicians of Western Polissia: Mykola Muravets." Problems of music ethnology 17 (November 17, 2022): 33–39. http://dx.doi.org/10.31318/2522-4212.2022.17.270904.

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The person and career of the outstanding traveling musician Mykola Muravets from Western Polissia were characterized in general terms on the basis of the newly acquired expedition materials. This notorious hurdy-gurdy player was born in 1906 on the Murava farm near the village of Shtun of the Volodymyr-Volyn District, Volyn Gubernia. At the age of 11, because of burns from a fired gas shell, he completely lost his sight. The boy was distinguished by his beautiful voice and had an excellent memory and musical ear, so the fellow villagers advised his parents to send him to study with an experien

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Geerdink, Nina. "Printing Privileges for Psalters in the Seventeenth-Century Dutch Republic." Early Modern Low Countries 8, no. 2 (2024): 186–205. https://doi.org/10.51750/emlc20857.

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Starting from the assumption that printing privileges were an important way of enhancing a publication’s reputation, this article focuses on psalters, which played an important role in Protestant religious life in the Dutch Republic. Psalters were among the earliest books granted privileges by the States of Holland and the States-General, and were published with a privilege more often than other works. Furthermore, while privileges were generally applied for by publishers, in the case of psalters it was often the psalmists themselves who were the applicant. This article argues that this remark

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Goswell, Gregory. "Finding Jesus in the Psalter." Evangelical Quarterly 94, no. 2 (2023): 97–112. http://dx.doi.org/10.1163/27725472-09402001.

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Abstract A Christological reading of the Psalter in which individual psalms are viewed as primarily the prayers of Jesus is evaluated. This recent evangelical tradition of interpretation goes as far as to assert that the Psalms are only secondarily our prayers. However, while the portrait of David the chief psalmist anticipates Jesus Christ as the ideal Davidic king, this does not require that everything in every psalm be applied to Jesus. When David confesses his sins and failings, these words cannot be placed on the lips of Jesus. It remains nonetheless legitimate for believers to make use o

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Geerdink, Nina. "Printing Privileges for Psalters in the Seventeenth-Century Dutch Republic." Early Modern Low Countries 8, no. 2 (2024): 186–205. https://doi.org/10.51750/emlc20857.

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Starting from the assumption that printing privileges were an important way of enhancing a publication’s reputation, this article focuses on psalters, which played an important role in Protestant religious life in the Dutch Republic. Psalters were among the earliest books granted privileges by the States of Holland and the States-General, and were published with a privilege more often than other works. Furthermore, while privileges were generally applied for by publishers, in the case of psalters it was often the psalmists themselves who were the applicant. This article argues that this

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Карачорова [Karachorova], Ивона [Ivona]. "Неизвестен славянски текст на катена към Псалтира в два ръкописа от Хилендар". Slavia Meridionalis 16 (21 жовтня 2016): 82–102. http://dx.doi.org/10.11649/sm.2016.007.

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An unknown Slavic text of a catena to the Psalter, in two manuscripts from the Hilandar monasteryThis article presents a hitherto unknown catena to the Psalter. It is divided in two parts, placed in two manuscripts: in Manuscript No. 116 (psalms 1 through 76), and in Manuscript No. 117 (the remaining psalms). The catena contains commentaries of more than 15 Byzantine authors. The article then goes on to compare the Psalter text accompanying the catena with texts of other editions. It becomes clear that the text of the Hilandar manuscripts is very close to the texts of the Mount Athos edition

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Péter, Éva. "Jenő Ádám’s Church Music Compositions." Studia Universitatis Babeş-Bolyai Musica 66, no. 2 (2021): 265–76. http://dx.doi.org/10.24193/subbmusica.2021.2.19.

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"In the present study I intend to present the church music compositions of Jenő Ádám. I will analyze the choral works of the composer that were based on the melodies of Protestant church hymns. The composer was also active as a conductor, but his name is primarily known in the field of music pedagogy. He played an important role in the elaboration and implementation of the Kodály method. In his works pertaining to church music, he adapted the melodies of the most representative church hymns of different ages. He uses both homophonic and polyphonic approaches with his works that have strophic s

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Damgaard, Andreas Riis. "Hvem er ærens konge, der?" Dansk Teologisk Tidsskrift 80, no. 4 (2017): 258–81. http://dx.doi.org/10.7146/dtt.v80i4.106360.

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Sigmund Mowinckel created a highly influential interpretation of the Psalter. In this interpretation, Ps 24 played a particularly important role due to its antiphonic style. The antiphonic style of the psalm is widely represented in the reception history of the psalm – especially in classical music. For example, Handel's chorus piece Lift up ye Heads in his oratorio Messiah is structured in an antiphonic manner. Mowinckel’s exegesis and the music composed by Handel have similar structures in their representations of Ps 24 – in spite of the different aims of their interpretations. However, both

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Иванова, Татьяна Григорьевна. "The image of the gusli player in Russian fine art of the 19th - 20th centuries." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 2 (November 11, 2019): 22–31. http://dx.doi.org/10.26158/tk.2019.20.3.002.

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В статье выдвигается тезис, согласно которому процесс формирования образа гуслей/гусляра в русском культурном коде начался с литературы; затем гусли вошли в изобразительное искусство; и лишь в начале XX в. благодаря деятельности Н. И. Привалова образованное общество услышало гусли. Анализируются процессы формирования образа гусляра в русском изобразительном искусстве XIX-XX вв. Рассматриваются образы певца-трибуна (Бояна у В. М. Васнецова), призывающего воинов к защите родной земли, и образ удалого молодца, певца веселых песен (Садко у И. Я. Билибина). Специально указывается на появление социа

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Zinkiv, Iryna Ya. "Academization of the Ukrainian Bandura by the Proficient Bandura-Craftsmens of the XX – Early XXI Centuries." Revista Gestão Inovação e Tecnologias 11, no. 4 (2021): 2459–80. http://dx.doi.org/10.47059/revistageintec.v11i4.2295.

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Among the main signs of Ukrainian culture, its instrumental artifact, the bandura, which is the nation-building component of Ukraine, holds a significant place. The proposed paper attempts to characterize the bandura development from the diatonic instrument at the beginning of XX century, developed by the prominent Ukrainian bandura craftsmen in their creative activity – O. Korniievskyi, I. Skliar, V. Herasymenko, – to the modern “chromatic” instrument with dual-diatonic scale, wide sound range and technical characteristics. Only two from among several play methods that existed in the traditio

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Penkova, Pirinka. "The allegorical exegesis (the theology of parables) in the Slavonic translation of the letter to Marcellinus on the interpretation of the psalms." Papers of the Institute for Bulgarian Language “Prof. Lyubomir Andreychin”, no. XXXVI (August 2023): 233–60. http://dx.doi.org/10.47810/pibl.xxxvi.23.08.

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The Church Slavonic translation of The Letter to Marcellinus on the Interpretation of the Psalms (Еἰς τὴν ἑρμενείαν τῶν ѱαλμῶν) is published in the Russian Bible of 1663, placed before the Psalter just as in the famous 5th centuries Greek Codex Alexandrinos. Athanasius of Alexandria’s allegorical exegesis of interpreting the Scripture in the text macrostructures called Приточное богословие (The theology of parables) is investigated in this article based on some selected dogmatic and pastoral writings. The criterion for the correctness of the interpretation is formulated in the polemical Oratio

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Książki na temat "Psalter player"

1

Backfish, Elizabeth H. P. Hebrew Wordplay and Septuagint Translation Technique in the Fourth Book of the Psalter. Bloomsbury Publishing Plc, 2021.

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Hebrew Wordplay and Septuagint Translation Technique in the Fourth Book of the Psalter. Bloomsbury Publishing Plc, 2019.

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Davage, David, and Lena-Sofia Tiemeyer, eds. Song, Prayer, Scripture. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9780567711854.

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Experts from the field of biblical studies shed light on the many ways in which the Psalter psalms have been used through the ages. The focus across the volume is on the role that these psalms play in scribal, liturgical, didactic, iconographic, and literary contexts. The book is structured in four parts, covering different styles/uses of the Psalms. In part I (song) the focus in on psalms as songs, and how their uses in different performative settings have generated new interpretations. In part II (prayer) the focus is on the liturgical uses of psalms, not only how they can be used as prayers

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Larson, Katherine R. The Matter of Song in Early Modern England. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198843788.001.0001.

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Given the variety and richness of the sixteenth- and seventeenth-century English “songscape,” it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. The Matter of Song in Early Modern England: Texts in and of the Air opens up the notion of song from a performance-based perspective and considers the implications of reading early modern song not simply as lyric text but as embodie

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Beobachtungen Zu Der Plagenerzahlung in Exodus (Studia Biblica 4). Brill Academic Pub, 1997.

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Anonyma. Whole Book of Psalmes: With Their Wonted Tunes, As They Are Sung in Churches, Composed into Foure Parts; Being So Placed That Foure May Sing Each One a Seuerall Part in This Booke ... Creative Media Partners, LLC, 2021.

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Whole Book of Psalmes: With Their Wonted Tunes, As They Are Sung in Churches, Composed into Foure Parts; Being So Placed That Foure May Sing Each One a Seuerall Part in This Booke ... Creative Media Partners, LLC, 2021.

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Części książek na temat "Psalter player"

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Stankovska, Petra, and Marinka Šimić. "Psalter of the Croatian Glagolitic Miscellany Slave 73 from 1375." In Slavic and Balkan Linguistics. Institute of Slavic Studies, Russian Academy of Sciences, 2022. http://dx.doi.org/10.31168/2658-3372.2022.22.4.

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The Miscellany Slave73 (Parisien Miscellany) from the French National Library, has a special place among Croatian Glagolitic manuscripts, mainly because it is the oldest surviving Church Slavonic miscellany of Western type, and the only Croatian Glagolitic codex which is undoubtedly connected with town Šibenik, and the only known manuscript written for the nuns at the Curch of St. Julian in Šibenik. During the preparation of the transliterated edition of this manuscript, a detailed examination of the Psalter, which is part of the miscellany, is underway. This Psalter has a special position amo

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Ritchey, Sara. "Caring by the Hours." In Gender, Health, and Healing, 1250-1550. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463724517_ch01.

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This essay explores a psalter, Liège, Bibliothèque de l’Université MS 431, as a tool for the construction and transmission of women’s therapeutic knowledge. It places the psalter in its institutional context at the beguinage of St. Christopher’s, which maintained relationships with hospitals and a leprosarium in Liège. Given its context in feminine circuits of care, the essay argues that several features of this psalter, supported by comparative evidence from other contemporaneous psalters from the region, indicate the ways that beguines incorporated prayer and liturgical performance into thei

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Hannay, Margaret P. "“This Moses and this Miriam”." In Philip’s Phoenix. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780195057799.003.0005.

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Abstract When Simon van de Passe portrayed the Countess of Pembroke holding a volume clearly labeled “Davids Psalmes,” the iconography reflected the value placed on this unpublished work by her contemporaries.1 Her brother had ranked “the holy David’s Psalms” as “a heavenly poesy, wherein almost he showeth himself a passionate lover of that unspeakable and everlasting beauty to be seen by the eyes of the mind, only cleared by faith”: the greatest poems were “they that did imitate the unconceivable excellencies ofGod.”2 With such a valuation of the Psalms themselves, it is not surprising that S

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"Index of Places." In The Utrecht Psalter in Medieval Art, edited by Koert van der Horst, William Noel, and Wilhelmina C. M. Wüstefeld. BRILL, 1996. http://dx.doi.org/10.1163/9789004613416_021.

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Gameson, Richard. "Pictorial Narrative." In The Role of Art in the Late Anglo-Saxon Church. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198205418.003.0006.

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Abstract A seminal work published in the early 1960s focused attention on the twelfth century as a formative period in the development of pictorial narrative in England. The author, Otto Pacht raised the profile of narrative depiction {according to his definition) and offered numerous insights into the field as a whole, while in particular he explored and placed in perspective the work of the Master of the St Albans Psalter. This emphasis shed invaluable light on English manuscript art of the twelfth century and on the work of an outstanding individual. However, its side-effect was to minimize

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"Harilaos Papapostolou (1932–1998)." In Greek Music in America, edited by Tina Bucuvalas. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819703.003.0034.

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In Agrinion, Greece, HarilaosPapapostolou apprenticed with a traditional psaltis, or chanter, at age five, and mastered the enormous repertoire that composed the liturgical cycle. He became the head chanter of the cathedral, founded and directed a musical conservatory, and directed performances of sacred and secular music on radio and in public concerts. In the mid-1960s, he became head chanter at St. Sophia Cathedral in Washington, D.C., where he remained for 32 years. In the U.S., Papapostolou played a large part in the revival of Byzantine chant, which is rooted in the music of medieval Byz

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Needham, Paul. "The Latin Bible in the Renaissance and Early Print Culture." In The Oxford Handbook of the Latin Bible. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780190886097.013.14.

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Abstract Abstract: Four stages may be identified in the transmission of the Vulgate text in the first century of its printing. First is the Gutenberg Bible, probably completed in 1455, closely related to the tradition of Paris Bibles. Next come the partial corrections in a 1462 Mainz edition, followed by additional adjustments in Franz Renner’s 1475 Venice Bible. Finally, there are the emendations of Robert Estienne’s Paris editions of 1528, 1532, and 1540, leading to the Sixto-Clementine Vulgate. Other humanist printers and scholars made major contributions in this period, most notably Deside

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Story, Joanna. "Aachen and the Art of the Court." In Charlemagne and Rome. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780199206346.003.0008.

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Abstract This chapter draws together comparative evidence deriving from people and places associated with Charlemagne’s court that provide parallels to the script, verse, design, and materials of Hadrian’s epitaph. Charlemagne’s chapel was being constructed in Aachen at the same time as the epitaph was made, and this chapter argues that the epitaph is part of the same aesthetic impulse and cultural energy. Three court poems, composed by Alcuin, Theodulf, and Angilbert in the period between late 794 and late 796 are analysed, alongside manuscripts from the ‘Court School’, especially Godesscalc’

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Nicholson, Helen J. "After the Crusade." In Women and the Crusades. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198806721.003.0005.

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Abstract After a crusade, crusaders and their families would remember their own part in the crusade and the impact that the crusade had had on their lives; and wanted to ensure that future generations would be aware of these events, either to glorify their deeds or as a warning for the future. Women certainly played a role in this memorializing, although in most cases we do not know who initiated an event or monument in memorial of the crusades. Noble women created memorials for deceased crusaders which referenced their and their family’s dedication to the crusade, and they commissioned sculpt

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Feldman, Walter. "The Position of Music Within the Mevleviye." In From Rumi to the Whirling Dervishes. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474491853.003.0007.

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The Mevlevi musicians had been among the principal pracitioners and theorists of music within Anatolia during the 15th century. They continued these skills in Ottoman Istanbul from the early 17th to the 20th centuries. Mevlevis wrote books of musical theory dealing with what they termed ‘the science of music,’ roughly equivalent to the Western term ‘ars musicae’ or ‘art of music.’ In the pre-Ottoman period they had practiced a musical art linked to Greater Iran. As court patronage for art music declined by the later 16th century in both Iran and Turkey, Mevlevis played a leading role in Istanb

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Streszczenia konferencji na temat "Psalter player"

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Athale, Ravindra A., Carl B. Friedlander, and Charles W. Stirk. "Memory capacity and error-tolerance characteristics of attentive associative memories." In OSA Annual Meeting. Optica Publishing Group, 1986. http://dx.doi.org/10.1364/oam.1986.mdd7.

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A conventional associative memory employs correlation as a similarity measure in storage and retrieval operations. We had previously described a variant of this linear associative memory that contains a controllable, adaptive nonlinearity in the correlation domain to suppress cross-correlation noise and increase the memory capacity.1 Work by Maxwell et al.2 and Psaltis and Park3 utilized higher-order correlations to achieve the same effect. A comparative study between the use of isolated higher-order correlation terms and an adaptive nonlinearity will be carried out via computer simulations. P

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