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Artykuły w czasopismach na temat „Publishers and publishing”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 31 lipca 2024

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1

Poliakova, Liz. "Looking in from the outside: The case of the excluded self-publisher." Stream: Interdisciplinary Journal of Communication 13, no. 1 (November 5, 2021): 96–110. http://dx.doi.org/10.21810/strm.v13i1.275.

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A significant portion of books on Amazon are self-published using Kindle Direct Publishing. Self-publishers are given an opportunity to share their work with the world with a few clicks of their mouse. However, traditional publishing infrastructures are not as welcoming to the self-publisher. This paper undertakes to perform a policy analysis of government funding frameworks available to workers of the Canadian publishing industry. Through performing a discourse analysis, the study finds that the self-publisher is ineligible to apply for funds and grants from the government both on the provinc

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Chander, Harish, and KP Singh. "Frontline Publishers of Punjabi Language Books." DESIDOC Journal of Library & Information Technology 40, no. 04 (July 29, 2020): 230–37. http://dx.doi.org/10.14429/djlit.40.04.15811.

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Publishing industry plays a vital role to spread knowledge. In modern days many local publishers are making knowledge available to the society through their native languages. Punjabi is one of the most popular languages of North Indian states. Many publishers from Punjab, Chandigarh, and Delhi are publishing books in Punjabi. The present study is attempted to provide the overview and analyse the growth and contribution of publishing books in Punjabi by various types of publishers for the decade 2004-2013. The study presents different categories of publishers with the number of books, major pub

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3

Beall, Jeffrey. "Behind the Spam: A “Spectral Analysis” of Predatory Publishers." Proceedings of the International Astronomical Union 11, A29A (August 2015): 166–71. http://dx.doi.org/10.1017/s1743921316002684.

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AbstractMost researchers today are bombarded with spam email solicitations from questionable scholarly publishers. These emails solicit article manuscripts, editorial board service, and even ad hoc peer reviews. These “predatory” publishers exploit the scholarly publishing process, patterning themselves after legitimate scholarly publishers yet performing little or no peer review and quickly accepting submitted manuscripts and collecting fees from submitting authors. These counterfeit publishers and journals have published much junk science? especially in the field of cosmology? threatening th

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Jay, Mary. "Co-publishing with Africa North–South–North." Logos 31, no. 2 (September 4, 2020): 19–27. http://dx.doi.org/10.1163/18784712-03102003.

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The decolonization of African studies extends beyond content to ethical partnerships between the North and the African continent. One key component of realizing partnership is through publishing. African studies research published by Northern publishers is not often even minimally available in Africa; and this is despite scholars on the continent often being partners or facilitators in research undertaken by Northern scholars. Northern publishers have perceived no commercial gain, given small African markets, lack of purchasing power, and lack of distribution systems. Conversely, African publi

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5

Keyhani, Andrea. "Electronic publishing: US publishers’ initiatives." Learned Publishing 8, no. 1 (January 1995): 25–32. http://dx.doi.org/10.1002/leap/80005.

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Kim, Sang-Jun, and Kay Sook Park. "Changes in article share and growth by publisher and access type in Journal Citation Reports 2016, 2018, and 2020." Science Editing 9, no. 1 (February 20, 2022): 30–36. http://dx.doi.org/10.6087/kcse.260.

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Purpose: This study explored changes in the journal publishing market by publisher and access type using the major journals that publish about 95% of Journal Citation Reports (JCR) articles.Methods: From JCR 2016, 2018, and 2020, a unique journal list by publisher was created in Excel and used to analyze the compound annual growth rate by pivot tables. In total, 10,953 major JCR journals were analyzed, focusing on publisher type, open access (OA) status, and mega journals (publishing over 1,000 articles per year).Results: Among the 19 publishers that published over 10,000 articles per year, in

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7

Brienza, Casey. "What Do Publishers Know?" tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 11, no. 2 (November 14, 2013): 515–20. http://dx.doi.org/10.31269/triplec.v11i2.520.

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In this short contribution to the open access debate, I will draw upon my expertise as a sociologist who has studied the publishing industry to argue that publishers do in fact have knowledge that is absolutely critical to an informed understanding of open access and how it may be successfully implemented. After providing an overview of who publishers are and what motivates them, along with some of often little-understood complexities of the academic publishing industry, I focus upon the one important thing that publishers understand very well—and far better than most academics—how publishing

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Brienza, Casey. "What Do Publishers Know?" tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 11, no. 2 (November 14, 2013): 515–20. http://dx.doi.org/10.31269/vol11iss2pp515-520.

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In this short contribution to the open access debate, I will draw upon my expertise as a sociologist who has studied the publishing industry to argue that publishers do in fact have knowledge that is absolutely critical to an informed understanding of open access and how it may be successfully implemented. After providing an overview of who publishers are and what motivates them, along with some of often little-understood complexities of the academic publishing industry, I focus upon the one important thing that publishers understand very well—and far better than most academics—how publishing

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9

Tatarinova, Larуsa. "Self-published." Вісник Книжкової палати, no. 2 (February 26, 2020): 5–11. http://dx.doi.org/10.36273/2076-9555.2020.2(283).5-11.

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Continuing to consider the trends of the world book publishing, it is impossible not to dwell on the self-publishing, which has been gaining momentum in the world since the beginning of the century. Back in 2008, samizdat was equal to the number of titles published with books published by traditional publishers. In 2018, 1 million book titles were self-published in the US. China has crossed the million mark long ago. Statistics from China and Japan coming to the International Publishers Association also include self-published books, so the number of titles published in China is a staggering 65

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10

VALANTO, VERA, MIIA KOSONEN, and HANNA-KAISA ELLONEN. "ARE PUBLISHERS READY FOR TOMORROW? PUBLISHERS' CAPABILITIES AND ONLINE INNOVATIONS." International Journal of Innovation Management 16, no. 01 (February 2012): 1250001. http://dx.doi.org/10.1142/s1363919611003362.

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In order to cope with technological change, publishing companies need to effectively combine their capabilities and use them to support the development of new and existing products. In this paper, we explore the relationship between the market and technology capabilities of publishing companies and their online innovations. Our comparative case study focuses on four cases representing newspaper and magazine publishers. The case companies seem stronger in market than in technology capabilities. We also note an apparent tendency to build on the strongest capability area and to focus on leveragin

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11

Hartiningtyas, Widjati. "Self-Publishing, Vanity Publishing and Indie Publishing: A Shortcut to Fame or A Dangerous Game?" Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya 13, no. 1 (June 29, 2023): 135. http://dx.doi.org/10.26714/lensa.13.1.2023.135-150.

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In November 2022, a Twitter account reported fraud committed by an owner of a well-known vanity publisher. The post that was retweeted thousand times revealed that many authors experience the same thing. Based on that case, this study analyzed reasons that drive authors to self-publish or use vanity and indie publishing service. To answer the research question, the researcher conducted semi-structured interviews with five authors acting as informants. The researcher presents the interview's results in three categories: the romanticism of publishing printed books, idealism in writing, and the p

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Oktavia, Riska. "POLITIK PENERBITAN DAN PERBEDAAN KONTEN WEBSITE RESMI PENERBIT MAYOR DAN DI RANAH CYBER." Vol 12 No 1 (2022): Literasi: Jurnal Ilmiah Pendidikan Bahasa, Sastra Indonesia dan Daerah 12, no. 1 (January 31, 2022): 83–90. http://dx.doi.org/10.23969/literasi.v12i1.4763.

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The phenomenon of cyber literature, especially in Indonesia, is currently booming, causing many popular literary works to be born in the cyber realm. Since the rise of the phenomenon of cyber literature in Indonesia, the politics of major and indie publishers is a phenomenon that is quite interesting and widely discussed, especially by writers who want their writings to be published. Using qualitative methods, this article aims, firstly, to find out what the politics of major and indie publishing is like in the cyber realm, and secondly, to find out the difference in content like what is displ

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13

McCready, Kate, and Emma Molls. "Developing a Business Plan for a Library Publishing Program." Publications 6, no. 4 (October 23, 2018): 42. http://dx.doi.org/10.3390/publications6040042.

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Over the last twenty years, library publishing has emerged in higher education as a new class of publisher. Conceived as a response to commercial publishing practices that have strained library budgets and prevented scholars from openly licensing and sharing their works, library publishing is both a local service program and a broader movement to disrupt the current scholarly publishing arena. It is growing both in numbers of publishers and numbers of works produced. The commercial publishing framework which determines the viability of monetizing a product is not necessarily applicable for lib

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14

Valenzuela, Andrea, and Jakob Blomer. "CernVM-FS ephemeral publishers on Kubernetes." Journal of Physics: Conference Series 2438, no. 1 (February 1, 2023): 012014. http://dx.doi.org/10.1088/1742-6596/2438/1/012014.

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Abstract The CernVM File System (CernVM-FS) is a global read-only POSIX file system that provides scalable and reliable software distribution to numerous scientific collaborations. It gives access to more than a billion binary files of experiment application software stacks and operating system containers to end user devices, grids, clouds, and supercomputers. CernVM-FS is asymmetric by construction. Writing into the repository is a centralized operation called publishing, while reading is allowed for many clients from many locations. The classic publishing process needs a dedicated “release m

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15

Siler, Kyle, and Koen Frenken. "The pricing of open access journals: Diverse niches and sources of value in academic publishing." Quantitative Science Studies 1, no. 1 (February 2020): 28–59. http://dx.doi.org/10.1162/qss_a_00016.

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Open access (OA) publishing has created new academic and economic niches in contemporary science. OA journals offer numerous publication outlets with varying editorial philosophies and business models. This article analyzes the Directory of Open Access Journals (DOAJ) ( n = 12,127) to identify characteristics of OA academic journals related to the adoption of article processing charge (APC)-based business models, as well as the price points of journals that charge APCs. Journal impact factor (JIF), language, publisher mission, DOAJ Seal, economic and geographic regions of publishers, peer revi

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16

Kotlyarevskyi, Yaroslav, Oleksandr Melnikov, and Andrii Shtangret. "ACCOUNTING OF COSTS AT PUBLISHERS AND PRINTING COMPANIES." Actual Problems of Economics 1, no. 258 (2022): 44–54. http://dx.doi.org/10.32752/1993-6788-2022-1-258-44-54.

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The national economy in Ukraine over the past thirty years has been characterized by quite significant transformational changes provoked by privatization processes, increased foreign economic activity and the negative impact of political and social tensions with the existing fact of a protracted military conflict. The difference of the publishing and printing industry, which in today's conditions combines the activities of publishing structures and printing enterprises, lies in the change of consumer priorities regarding the use of publishing products as a means of learning about the surroundi

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17

Florczak, Kristine L. "Prevent Betrayal by Predatory Publishers: Trust But Verify." Nursing Science Quarterly 31, no. 1 (December 13, 2017): 11–14. http://dx.doi.org/10.1177/0894318417741100.

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In this column, the concept of betrayal is considered as it relates to publishing. The definition of betrayal is discussed, followed by information regarding the cost of publishing and why this led to the formation of open access publishing as a remedy. The Gold and Green Open Access models are examined along with why they may have inadvertently set the stage for predatory publishing practices. Finally, information will be provided on how to spot and avoid betrayal on the part of predatory publishers.

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18

Morris, Sally. "Open Publishing: How publishers are reacting." Information Services & Use 23, no. 2-3 (April 1, 2003): 99–101. http://dx.doi.org/10.3233/isu-2003-232-309.

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Yoshida, Kimihiko. "Publishers and publishing education in Japan." Logos 6, no. 1 (1995): 48–52. http://dx.doi.org/10.2959/logo.1995.6.1.48.

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Picot, Nicole. "L’edition d’art en France." Art Libraries Journal 17, no. 3 (1992): 45–46. http://dx.doi.org/10.1017/s0307472200007975.

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Public interest in art is encouraging the publishing of art books and exhibition catalogues, although many of these publications focus on the same subjects. Some 1,200 art books are published in France each year, selling on average some 6,500 copies. Two large publishers dominate French art publishing, but many others are also involved in producing quality art books including titles which help to fill the gaps left by the big general publishers. Because production costs are all but prohibitive, and because the size of the home market is limited, some of these publishers have published books wi

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Bgoya, Walter, and Mary Jay. "Publishing in Africa from Independence to the Present Day." LOGOS 26, no. 3 (November 14, 2015): 9–22. http://dx.doi.org/10.1163/1878-4712-11112079.

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Indigenous publishing is integral to national identity and development: cultural, social, and economic. Such publishing reflects a people’s history and experience, belief systems, and their concomitant expressions through language, writing, and art. In turn, a people’s interaction with other cultures is informed by their published work. Publishing preserves, enhances, and develops a society’s culture and its interaction with others. In Africa, indigenous publishers continue to seek autonomy to pursue these aims: free from the constraints of the colonial past, the strictures of economic structu

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Wishaupt, Maggy. "Art book publishing in the Netherlands." Art Libraries Journal 17, no. 3 (1992): 49–50. http://dx.doi.org/10.1017/s0307472200007999.

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Probably only about 5% of books published in the Netherlands are art books. There is a very limited demand for art books in the Dutch language; in order to sell in greater numbers, books have to be produced in English or in several languages, and/or as co-editions, while the domestic market is flooded by foreign imports including cheap remainders. In these circumstances the publication of art books depends on grants or on the income which some publishers earn from bookselling, printing, or other activities. Nonetheless a few, small, specialist publishers are producing art books of high quality

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Picot, Nicole. "L’edition D’art francaise." Art Libraries Journal 16, no. 4 (1991): 16–19. http://dx.doi.org/10.1017/s0307472200007380.

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The publication of art books in France is increasing in response to the growth of public interest in art; approximately 1,200 titles are now being published each year. Most French art books are published by commercial publishers; while French publishing in general is concentrated in the hands of a relatively few publishing houses, art publishing is undertaken by a wider range of bodies including, in many cases, smaller establishments dedicated to quality and having particular interests and strengths. Publications from these smaller concerns tend to be printed in editions of around 6,500; sales

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Panferova, Olga Yu, and Elena L. Mzhelskaya. "Graphic Novels in the Repertoire of Modern Russian Publishers." Tekst. Kniga. Knigoizdanie, no. 24 (2020): 156–72. http://dx.doi.org/10.17223/23062061/24/8.

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The article summarizes the practice of Russian publishers in the formation of the repertoire of graphic novels. In the modern world, visual perception of information is becoming an increasingly common way of obtaining and processing information. Graphic novels are forming an important part of contemporary culture in general and literature in particular, occupying a larger niche in the contemporary literary market. Publishers are trying to meet the needs of readers and include more and more series with graphic novels in their repertoire. The most successful projects in the publishing houses Bub

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Banks, Michael. "Major physics publishers join forces in ‘purpose-led’ initiative." Physics World 37, no. 3 (March 1, 2024): 13ii. http://dx.doi.org/10.1088/2058-7058/37/03/17.

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Ionescu, Sanda. "Overcrowded Market or a Chance to Be Different? Micro Independent Presses in the UK." Culture. Society. Economy. Politics 3, no. 2 (December 1, 2023): 10–25. http://dx.doi.org/10.2478/csep-2023-0007.

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Abstract This article looks at small independent publishers in the UK and explores whether there is room for them in the overcrowded UK publishing scene. The literature review considers contradictory press reports about the health of the UK publishing industry during and after the COVID-19 pandemic. A questionnaire allowing in-depth responses was sent to six micro-publishers and four independent bookshops. The responses were analyzed and supplemented with publicly available interviews with the publishers and personal conversations with the booksellers. A case study of the recently founded publ

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Gerčar, Jaka. "The Obliteration of Publisher Identity." Logos 34, no. 2 (October 13, 2023): 7–15. http://dx.doi.org/10.1163/18784712-03104062.

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Abstract The title of this paper is taken from a chapter in Roberto Calasso’s The Art of the Publisher, in which the Italian publisher and writer notes a historical shift in contemporary publishing away from publishing as ‘form’, supposedly a publishing innovation of the first decade of the 20th century. Since Calasso never elaborated on his notion of publishing as form, this paper attempts to sketch the most important facets of this notion, embed it in the context of publishing theory, and suggest that it bears considerable similarities to auteur theory in cinema. After identifying three laye

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Lizunova, I. V., and A. S. Metel'kov. "New pages of the history of national librarianship." Bibliosphere, no. 1 (March 30, 2018): 79–88. http://dx.doi.org/10.20913/1815-3186-2018-1-79-88.

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The paper includes speeches of the participants of discussion platform «Independent book publishing: realities, prospects for the future»: theorists and practitioners of books-publishers - writers, poets, editors, kulturträgers, bibliologists. This article describes different points of view on the problems and prospects of developing the independent book publishing in various Russian regions and in the world. It emphasis on the history of the independent book publishing in Russia and Germany, new opportunities emergence for independent authors’ expressions: online publications, electronic publ

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Navickienė, Aušra. "Professional publishing and Lithuanian books in the first two-thirds of the 19th century in Lithuania: The case of the Zawadzki firm." Roczniki Biblioteczne 65 (December 27, 2021): 79–95. http://dx.doi.org/10.19195/0080-3626.65.5.

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Successfully profiting from textbook publishing as the typographer at Vilnius University, Józef Zawadzki (1781‒1838) established one of the most important and most successful book publishing, production, and distribution companies of the 19th and the first half of the 20th century in the territories of former Polish-Lithuanian Commonwealt. The Zawadzki firm represented the new category of professional publishers. Over the first seventy years of the firm’s existence at the firm’s expense were published 122 Lithuanian books, as well as printed about 50 Lithuanian publications at their authors fi

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Savitskaya, T. E. "Research libraries as digital publishers: The foreign experience." Scientific and Technical Libraries, no. 4 (June 28, 2021): 149–66. http://dx.doi.org/10.33186/1027-3689-2021-4-149-166.

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The author discusses the current experience of building the service of digital science publishing obtained by the libraries in the Western countries. She emphasizes that this process is incorporated into further informatization of libraries and their increasing role in managing science data. The digital publications integrate a number of interrelated programs comprising the whole cycle of scientific data management accomplished within the wider context of innovations. Digital publishing is a new type of library activities; it requires integrating competences of modern librarians (i.e. content

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Whisler, Sandra M. "Electronic publishing and the indispensability of publishers." Logos 7, no. 1 (1996): 120–26. http://dx.doi.org/10.2959/logo.1996.7.1.120.

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Rønning, Helge, and Tore Slaatta. "Marketers, publishers, editors: Trends in international publishing." Media, Culture & Society 33, no. 7 (October 2011): 1109–20. http://dx.doi.org/10.1177/0163443711416068.

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Bide, Mark. "Publishers and publishing in the information age." Publishing Research Quarterly 15, no. 3 (September 1999): 6–11. http://dx.doi.org/10.1007/s12109-999-0007-1.

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Gold, Jon D. "An electronic publishing model for academic publishers." Journal of the American Society for Information Science 45, no. 10 (December 1994): 760–64. http://dx.doi.org/10.1002/(sici)1097-4571(199412)45:10<760::aid-asi7>3.0.co;2-h.

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Shrestha, Jiban, Subash Subedi, Krishna P. Timsina, and Mahendra P. Tripathi. "Risk of publication in worthless journals." Journal of Agriculture and Natural Resources 1, no. 1 (December 9, 2018): 1–5. http://dx.doi.org/10.3126/janr.v1i1.22217.

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Implementing research and publishing results is a crucial for a professional development, scientific communication and collaboration of any academicians, scholars, and researchers in science around the world. The timely dissemination of knowledge and scientific information in the global scientific community helps the development of science and worldwide recognition. The researchers working on scientific community cannot appreciate the value of evidence generated without publishing their work in right and quality journals. Therefore, authors should be careful about predatory or fake journals/pu

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Suhendra, Muhammad Fadly, Martinus Helmiawan, and Noviastuti Putri Indrasari. "The Challenges of the Publishers in the Industrial Era 4.0: A Review." MEDIASI 1, no. 1 (October 26, 2021): 1–18. http://dx.doi.org/10.46961/mediasi.v1i1.397.

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The era of industry 4.0 is a digital revolution characterized by the fusion or collaboration between cyber and automation technology. Not only in production processes, but also in almost all parts of economic value chains thus new business model based on digital technology to achieve high efficiency and better quality is created. As a part of creative industry, publishing faces the development and demand to change brought by industry 4.0, from business model, product and services innovation, to marketing and target users. This paper explains the development, challenge, opportunity, and effort

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Fernández-Moya, María. "Creating Knowledge Networks: Spanish Multinational Publishers in Mexico." Business History Review 86, no. 1 (2012): 69–98. http://dx.doi.org/10.1017/s0007680512000049.

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Unlike the majority of Spanish multinationals, which have developed only recently, firms in the publishing industry became international in the early twentieth century and have managed to hold on to much of their business, despite the instability of their own institutional systems and those of their principal host economies. Today, the Spanish publishing industry ranks fourth in the world, and its foreign markets continue to grow in North America, Europe, Latin America, and, most critically, in Mexico. The internationalization of Spanish publishing firms was fueled initially by a search for ne

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Stangos, Nikos. "Art book publishing: minority interest, popular entertainment, or kudos?" Art Libraries Journal 17, no. 3 (1992): 31–33. http://dx.doi.org/10.1017/s0307472200007938.

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Due to a number of factors, including lower educational standards and the pressures on publishers and booksellers to maximise profits by exploiting the mass market, the climate for publishing serious art books has become less favourable in recent years especially so far as commercial publishers are concerned. Art books are being published in greater numbers than ever before; many are of a popular and/or general nature; many too are produced specifically for the remainder market; yet these include some worthwhile books which are reaching a wide audience. The revolution in printing technology si

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Tatarinova, Larуsa. "Publishing in the UK." Вісник Книжкової палати, no. 3 (March 17, 2021): 7–14. http://dx.doi.org/10.36273/2076-9555.2021.3(296).7-14.

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The UK publishing industry is one of the most powerful in the world. Our intelligence has shown that the global status of the industry is determined by the leadership of the English language in the world stage, heritage, historical ties and the force of copyright law. The article proves that the United Kingdom is a leader in many areas of publishing, such as the publication in English of works from other cultures: African, Caribbean and Indian literature. British publishers are also competitive in areas such as textbooks, various reference books, English Language Guides (ELTs) and textbo

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Kwiek, Marek. "Non-Publishers in European Universities." International Higher Education, no. 82 (September 1, 2015): 10–11. http://dx.doi.org/10.6017/ihe.2015.82.8866.

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Most academics do not publish much, if anything. Yet, there is great emphasis on publishing in order to be promoted and respects in academe. This article provides analysis of the publication patterns of European academics, and shows that productivity is in fact quite low.

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Barbaro, Annarita. ""Predatory" publishers: to recognize them is to avoid them." Journal of EAHIL 18, no. 1 (March 31, 2022): 7–10. http://dx.doi.org/10.32384/jeahil18506.

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Predatory publishers, characterised by unscholarly publishing practices, affect all authors and librarians around the globe. These publishers try to exploit the Open Access movement for their own economic interests, soliciting a fee to publish without meeting scholarly publishing standards. Even though this phenomenon has been widespread for several years, there are still many authors who are not sufficiently familiar with this problem. In this article, we discuss the recent initiatives related to the most important tools to help them to recognize and avoid predatory publishers.

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Barbaro, Annarita. ""Predatory" publishers: to recognize them is to avoid them." Journal of EAHIL 18, no. 1 (March 31, 2022): 7–10. http://dx.doi.org/10.32384/jeahil18506.

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Predatory publishers, characterised by unscholarly publishing practices, affect all authors and librarians around the globe. These publishers try to exploit the Open Access movement for their own economic interests, soliciting a fee to publish without meeting scholarly publishing standards. Even though this phenomenon has been widespread for several years, there are still many authors who are not sufficiently familiar with this problem. In this article, we discuss the recent initiatives related to the most important tools to help them to recognize and avoid predatory publishers.

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Mokros, Emily. "Reading the Guides, Directories, Manuals, and Anthologies of Liulichang." East Asian Publishing and Society 7, no. 2 (October 25, 2017): 127–66. http://dx.doi.org/10.1163/22106286-12341309.

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AbstractDuring the Qing dynasty, Liulichang became a prominent bookselling and publishing district in the imperial capital. Yet, most historical and scholarly writing on Liulichang has addressed only the antiquarian and rare book trade, and has neglected the prominence of commercial publishing of informational texts in Beijing. Commercial bookseller-printers formed a significant presence in Liulichang, and their research, publishing, and marketing practices were attuned to the changing dynamics of life in the capital. For clerks, merchants, and aspirant officials, Liulichang publishers offered

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Illuminati, Valeria. "Une maison d’édition pour la jeunesse indépendante et militante. Engagement, traduction et questions de genre chez Lo Stampatello." LCM - La Collana / The Series 9788879169974 (December 2022): 131–48. http://dx.doi.org/10.7359/997-2022-vill.

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This paper analyses the editorial policies of an Italian independent publishing house, Lo Stampatello. Drawing on the theoretical and methodological tools of Translation Studies and Gender Studies as well as on discourse analysis, the study examines the ethos projected by the publisher. The analysis relies on a corpus of interviews (written and oral) and it also considers the catalogue of the publishing house. The analysis shows that Lo Stampatello defines itself, by its very nature and from the very outset, as a militant publishing house. In the words of the publishers and in the chosen edito

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Shafer, Aaron B. A. "Are we paying-to-play? A quantitative assessment of Canadian open access research in ecology and evolution." FACETS 6, no. 1 (January 1, 2021): 537–44. http://dx.doi.org/10.1139/facets-2020-0040.

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Open access (OA) allows for peer-reviewed research to be freely accessed and there has been a collective shift from both researchers and publishers towards more OA publishing. OA typically occurs either through article-processing charges (the gold road) or via self-archiving (the green road); the former can be expensive, while the latter has seen minimal uptake. The gold road of OA has led to predatory publishers and, to some, questionable publications. Here, I used publicly available grant information in Canada and combined this with individual publishing statistics to test a variety of facto

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Barashov, Mikhail A. "Little Known Pages of Publishers Sabashnikov Life." Bibliotekovedenie [Russian Journal of Library Science], no. 4 (August 3, 2009): 70–73. http://dx.doi.org/10.25281/0869-608x-2009-0-4-70-73.

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The idea of engaging in publishing activities came to the brothers Sabashnikov in spring 1889 at the meeting with their teacher of natural science P. Mayevsky. In summer Peter Maevsky arrived in the estate Kostino of Vladimirskaya province to prepare his work “Zlaki sredney Rossii” for the publication. From that time and till 1917 Kostino became a place of work and rest for many who cooperated with the publishing house of the brothers Sabashnikov. This article is devoted to little known pages of living and social activities of Mikhail and Sergei Sabashnikov in the estate Kostino of Vladimirska

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Jabłońska-Stefanowicz, Ewa. "Autor w roli wydawcy. Konieczność czy wybór?" Roczniki Biblioteczne 62 (June 10, 2019): 105–15. http://dx.doi.org/10.19195/0080-3626.62.7.

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THE AUTHOR AS A PUBLISHER. A NECESSITY OR A CHOICE? The article is devoted to the possibilities authors have today to publish their works. They give up the traditional path, inevitably associated with judgement and selection carried out by a commercial publishers and opt for an alternative route: a vanity press vanity publishing or a self-publishing platform. Not so long ago it became possible to self-publish e-books alongside or instead of paper books. The growing significance of this phenomenon is unequivocally evidenced by the tendencies observed in recent years on the Polish book market: a

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Ramdarshan Bold, Melanie. "The return of the social author." Convergence: The International Journal of Research into New Media Technologies 24, no. 2 (June 16, 2016): 117–36. http://dx.doi.org/10.1177/1354856516654459.

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The rise in self-publishing, digital folk culture and social media participation, have revolutionized reading and writing practices. Readers can directly contact their favourite authors, and publishers, through social media and become authors, and publishers, themselves. One of the outcomes of digital reading and writing is that writing is now becoming more democratic: traditional publishers are no longer the sole gatekeepers of culture. The popularity of social writing platform Wattpad is a recent example of how a new generation of influential and innovative writers is entering the publishing

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Zoidze, Ella Amiranovna. "Promotion of a book in the publishing Internet discourse." Филология: научные исследования, no. 1 (January 2022): 1–16. http://dx.doi.org/10.7256/2454-0749.2022.1.37279.

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The relevance of this research is substantiated by sustained interest in the study of discourse applicable to various social institutions. Publishing discourse appeared in the limelight of the linguists not that long ago. The activity of publishers as a discursive practice intersects with the activity of commercial organizations and libraries. The communication of publishers with other actors in the process of book distribution is also carried via Internet. The goal of this research lies in examination of the means of book promotion in the online publishing discourse. The study leans on the ma

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Ntalianis, Klimis, Badea Lepadatescu, Dmitry A. Tarasov, Imre J. Rudas, Vincenzo Niola, Valeri Mladenov, Nikos Mastorakis, John Kechagias, and Vladimir Vasek. "Why the WSEAS is Not a Predatory Publisher. Is WSEAS a Predatory Publisher? No! Of Course, No!" International Journal of Systems Applications, Engineering & Development 16 (September 20, 2022): 84–90. http://dx.doi.org/10.46300/91015.2022.16.15.

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We will try to prove in this study that WSEAS does not have any relation with fake and predatory publishers. In this article we use the criteria of Megan O'Donnell in the web site https://instr.iastate.libguides.com/predatory/id for Predatory Publishers, [1] .Mihiretu Kebede, Anna E. Schmaus-Klughammer and Brook Tesfaye Tekle in their recent article [2] examined what the so-called predatory journals are and how they do operate. Kyle Siler in his blog [3] writes the following: “The nature and extent of predatory publishing is highly contested. Whilst debates have often focused defining journals

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