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Artykuły w czasopismach na temat „Realistic short stories”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Ximmatova, Guzal. "KOCHKOR NORQABIL'S WORKS ARE REALISTIC." MODERN SCIENCE AND RESEARCH 3, no. 4 (2024): 168–71. https://doi.org/10.5281/zenodo.10938715.

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<em>The article talks about the wounds of memory in Q. Norqabil's short stories, stories, and diaries that reflect the war, and about how these memory pains are reflected in the stories "Crying Beyond the River", "Laughing, My Dear", "There's Me Who Didn't Enter Eighteen".</em>

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I, Nyoman Astawan, Nyoman Sadwika I, and Putu Juwana Dewa. "ASPEK MORALITAS DALAM KUMPULAN CERPEN SEMPRONG PUUN KARYA NI WAYAN ANTARI DKK DAN IMPLIKASINYA DALAM PEMBELAJARAN SASTRA DI SMA." Widyadari 23, no. 1 (2022): 1–12. https://doi.org/10.5281/zenodo.6390816.

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<em>This study reveals the aspect of morality in the collection of short stories Semprong Puun by Ni Wayan Antari et al and its implications in learning literature. This study aims to obtain an overview of the aspects of morality contained and its implication in learning literature at Senior High School in the collection of short stories Semprong Puun by Ni Wayan Antari et al. This research uses qualitative research type. The method used in obtaining the data is the method of documentation or literature study. The results of data analysis show that some of the short stories in the collection o

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A, Immanuvel. "Humanism in Suryakanthan's Short Stories." International Research Journal of Tamil 4, S-6 (2022): 242–48. http://dx.doi.org/10.34256/irjt22s634.

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foreigners. When this literary form entered Tamil Nadu, the creators retained only the form by taking it into their creations. They followed the old tradition without making any changes to the subject matter or the method of telling the story. The basic reason for this is that literature is based on the old literary ideals of taste, which are uncritical and instructive. This is what they defined in the theory of "art for art's sake". In the literature that arose on the basis of this theory, only certain communities were made the subject of the poem. The men who emerged from it appeared to be e

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Kakharova, Mohigul Yusufovna. "SPECIFIC FEATURES OF PROTAGONISTS IN STORIES." Multidisciplinary Journal of Science and Technology 5, no. 5 (2025): 631–35. https://doi.org/10.5281/zenodo.15416595.

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<em>This article explores the complexity of character creation in literary works through a comparative analysis of Jack London’s “The Grit of Women” and Abdulla Qahhor’s “Horror”. The main characters in "Grit of Women" and “Terror” both exhibit the feminine qualities of patience and endurance, as well as an appreciation for every moment in life – reflecting a shared cultural trait between American and Uzbek societies. Both stories end tragically. Passuk sacrifices her life for her husband, symbolizing the loyalty of Native American women, w

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Tasnimah, Tatik Maryatut. "KEPELOPORAN MAHMŪD TAYMŪR DALAM CERPEN ARAB MODERN." Adabiyyāt: Jurnal Bahasa dan Sastra 7, no. 1 (2008): 175. http://dx.doi.org/10.14421/ajbs.2008.07110.

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Mahmud Taymur was one of the founders of the Egyptian realistic short story, also known as Syaikh al-Qisasah alQashīrah. Remaining productive over a long life Taymur wrote extensive literary criticism and was the author of short stories, novellas, and plays totaling a score of volumes. Most notable for his skill in characterization, he achieved a literary eminence shared by few other Arabs of his generation in Cairo in 1947, and individual stories by him gave and appeared widely in English and European Anthologies. Taymur’s early works were influenced by Chekhov and Maupassant. His short stori

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Dr., A. Anto Nishanthi. "சுந்தரராமசாமியின் சிறுகதைகளில் பெண்களின் வாழ்வியல் பிரச்சனைகள் / Problems of Women in the Short Stories of Sunthara Ramasamy". Pandian Journal of Women's Studies 5, SPL 1 (1) (2025): 36–44. https://doi.org/10.5281/zenodo.14744509.

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<em>A short story is a prose piece of literature that tells a short story. It is born in the thoughts of the author and completed in the thoughts of the readers. Short stories are created with the flaws and problems found in the society as the plot.  In this way, Sundararamasamy is a famous Tamil poet and has identified the problems of women's life and made them into realistic stories. The setting of Sundararamaswamy's short stories is the villages around Kanyakumari district. All the short stories written by him have been delineating the problems of the society and the situations faced b

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சு. லாவண்யா та Dr. R. Ilangovan. "ஜி. நாகராஜன் சிறுகதைகளில் உணர்வுகளால் சிறக்கும் கதைகள் – ஓர் ஆய்வு". Tamilmanam International Research Journal of Tamil Studies 1, № 08 (2025): 428–39. https://doi.org/10.63300/tm0108202506.

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The emergence of fiction in Tamil literary history significantly expanded the readership of literature. Among the two major divisions of fiction, short stories played a crucial role in transforming the literary landscape. The length, style, narrative techniques, and adaptability of short stories to the fast-paced modern world have contributed to keeping this literary form vibrant. G. Nagarajan is a distinctive writer in modern Tamil literature. From the late 1950s to the 1970s, he wrote novels and short stories. His uniqueness lies in portraying the lives of marginalized individuals—those ofte

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Zubanova, Anna A., and Marina Ch Larionova. "“Mermaids” Theme in A. P. Chekhov’s Short Stories «Trouble» and “Nervous Breakdown”." Proceedings of Southern Federal University. Philology 2020, no. 2 (2020): 12–17. http://dx.doi.org/10.18522/1995-0640-2020-2-12-17.

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Short stories «Trouble» and «Nervous Breakdown» have social and psychological issues. However, as it often happens in A.P. Chekhov’s works, it is realized with the involvement of a folk culture language with which it creates the basis for its national identity. A folklore image of a mermaid and concepts related to it have an important role in these realistic short stories. The image, being constructive in both cases, appears in different forms and performs different functions. In the first case, the mermaid creates an associated field of indifference, devastation. In the second – temptation, f

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D’hoker, Elke. "Humbling the human: Posthuman explorations in contemporary short fiction." Short Fiction in Theory & Practice 10, no. 2 (2020): 135–48. http://dx.doi.org/10.1386/fict_00023_1.

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In a context of manmade global warming, ecological destruction and species extinction, posthumanist scholars have advocated moving beyond the anthropocentrism that determines western thinking in favour of an embedded and embodied interspecies relationality. If these remain fairly abstract notions in the work of critics such as Donna Haraway and Rosi Braidotti, contemporary short fiction provides many interesting examples of these alternative forms of being and becoming. The short story seems especially suited to exploring this decentring of the human subject, given its own status as a liminal,

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V, Kalavathi. "S. Tamilselvan’s Short Story 'Subbuttai' from a Sociological Point of View." International Research Journal of Tamil 4, S-4 (2022): 87–91. http://dx.doi.org/10.34256/irjt22s415.

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Among Tamil writers in the Karisal region, S. Tamilselvan's story, Subhuthai, is said to point to the plight of child labor. The Subhuthai story points to the psychological tendency of a child to express her emotional state in a realistic way while carrying the burden of the family at the age of going to school, and thinking of her mother and the baby in her arms, without talking about education at all. No matter how many short stories have been written about child labor in the history of Tamil short stories, this story highlights the plight of child labor, which is considered a disgrace to so

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ஏ., சந்தானலட்சுமி /. E. Sandhanalaksmi. "அ. முத்துலிங்கம் சிறுகதைகளின் படைப்பாக்கத்திறன் / Creative Ability in the Short Stories of A. Muthulingam". IJTLLS 7, SPL 2 (2025): 284–98. https://doi.org/10.5281/zenodo.15550557.

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<em>Migration has been a social phenomenon throughout human history. Due to the ethnic conflict in Sri Lanka, many Tamil people migrated before and after the year 1983 and settled in various countries. The migrant writers created literary works such as poems, short stories, novels, and plays that reflect their experiences in the new places they had settled. Among these diasporic literary writings, short stories play a significant role in portraying the stories of their life. As a result of his literary efforts, hundreds of short story writers in the literary circle became known abroad. In this

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Gayratova Gulzoda. "LINGUPOETICS AND IMAGES IN FREE WORKS ERKIN A'ZAM." International Journal on Integrated Education 3, no. 11 (2020): 56–58. http://dx.doi.org/10.31149/ijie.v3i11.832.

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Erkin Azam is one of the artists who considers creativity as destiny. The author has won the hearts of readers mainly with his stories and short stories. But in recent years, the author's novel "Noise" was published. Several articles have been published about the work. The author's novel is based on symbolism and is one of the most unusual works. The novel seeks to portray a particular aspect of life in terms of its own style. Changes in the development of different genres can be seen in the genre of short stories in the works of the writer. Umarali Normatov, a literary critic who has written

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Uralova, Dilnoza. "“YOLG‘IZLIK” MODERN QISSASIDA RUHIYAT VA VOQEA DIALEKTIKASI." TAMADDUN NURI JURNALI 12, no. 63 (2024): 47–49. https://doi.org/10.69691/yv4hdq11.

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In the short story “Loneliness” by U. Hamdam, a diverse image of the human psyche is expressed from different angles. In our literature, the relationship between the spirit and the event is one of the primary features of the artistic work. The achievements of prose works, especially short stories, are being evaluated by the level of mental imagery, and it seems that attention to the role of the epic narrative is waning. In particular, in realistic stories, the epic narrative is primary, while in non-traditional stories, psychological analysis takes the main place. Although these two components

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Cadegan, Una M. "How Realistic Can a Catholic Writer Be? Richard Sullivan and American Catholic Literature." Religion and American Culture: A Journal of Interpretation 6, no. 1 (1996): 35–61. http://dx.doi.org/10.1525/rac.1996.6.1.03a00030.

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In 1933, a twenty-five-year-old writer named Richard Sullivan articulated for himself the qualities a novel should have. In a “Record of Work Begun and Ideas for Stories,” 1932-1933, he wrote:Let all be adoration. 9-14-33a novel must be—?American—constantly; of course, naturally.Scope—heights to depths; and length also: a lifeReligious—naturally; how else?Bitter—like life; intermittently.When he wrote these words, Sullivan had not yet published a novel; the publication of his first short story in a national magazine was still three years away. He eventually published six of his novels and doze

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Kumari, Dr Kajal. "Studying Human Relationships in the Short Stories of Bhabani Bhattacharya." SMART MOVES JOURNAL IJELLH 8, no. 9 (2020): 136–44. http://dx.doi.org/10.24113/ijellh.v8i9.10773.

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Bhabani Bhattacharya is a kind of author who writes mostly on human relationships. In Steel Hawk and other Stories which were published in 1968 there are various such kind of stories. His themes are traditional but new because he has a different and innovative way of writing. His characters are also very interesting and they are influenced from real human societies. This realistic and idealistic approach is very uncommon. In A moment of Eternity we can see a fine blend of realism and idealism. This shows that how he uses the traditional human values as a raw material for his short stories. His

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U, Mahendran. "The Biographical Portrayal of the Underprivileged People in Puthumaippithan’s Short Stories." International Research Journal of Tamil 4, no. 4 (2022): 223–29. http://dx.doi.org/10.34256/irjt22429.

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This article deals with history and literature in a straight line. By maintaining a balance between the two, it pays utmost attention to the inevitable reality of the life of the poor. It has to be demonstrated in terms of widely known historical aspects. This article will explain how such aspects apply to literature as well. Here, since literature and history travel hand in hand here, the nature of history that emerges from the structure of literature is going to assume significance. The elite, which does not care much about the underlying individuals, seeks to constrain the historical error

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Guarneri, Cristina. "Realistic Fiction and Literature: The Influence of Believable Characters on Readers." Journal of English Language and Literature 10, no. 2 (2018): 1008–13. http://dx.doi.org/10.17722/jell.v10i2.389.

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What we think and what we read has more influence on our political attitudes as adults. Much of our political information comes from literature. The amount of time the average person spends watching television becomes a dominant force to how we view the world. We see books such as Harry Potter and the Wizard of Oz tell a story that is brings a message on the political landscape of a nation, as Dorothy’s party returns after killing the Witch of the West, the Wizard keeps them waiting, then puts them off. Short stories and novels that make the reader feel that they are getting to know real peopl

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Bošnjak, Blanka. "Pisatelj Milan Pugelj kot pomemben člen v kratkoprozni ustvarjalnosti iz začetka 20. stoletja na Slovenskem (1. del)." Jezik in slovstvo 48, no. 6 (2024): 61–74. http://dx.doi.org/10.4312/jis.48.6.61-74.

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Milan Pugelj (Kandija near Novo mesto, 3 January 1883 – Ljubljana, 3 February 1929) gained recognition and friendship of many Slovene, Croatian and Serbian writers, even though he is as a novelist linked to a wider European area. In the first decade of his literary engagement Milan Pugelj published mainly poems dealing with love, loneliness and yearning, which were created partly under the influence of the new romanticism in Slovenia. His short-story writing began around 1905, when he wrote lyrical novellas and romantic short stories. From simple motifs from the Dolenjska region, Pugelj gradua

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पौड्याल Poudyal, शालिकराम Shalikram. "कपिल लामिछानेको लघुकथाकारिता {Short Stories of Kapil Lamichhane}". Pragyan 6, № 1 (2023): 31–42. http://dx.doi.org/10.3126/pragyan.v6i1.54693.

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प्रस्तुत लेखमा कपिल लामिछानेको लघुकथाकारिताका बारेमा अध्ययन गरिएको छ । २०४४ सालमा लघुकथा प्रकाशित गरी लघुकथा लेखनमा प्रवेश गरेका लामिछानेका अन्यथा, जलमानव र बोन्साइ लघुकथासङ्ग्रहमा सङ्कलित कथाहरूका आधारमा उनका लघुकथागत प्रवृत्तिहरू निरुपण गरिएको छ । कौतूहलपूर्ण लेखन, प्रतीकको यथेष्ट प्रयोग, बिम्बात्मक प्रस्तुति, विषयगत विविधता, प्रस्तुतिगत नवीनता, छोटो आयाम, सरल, सहज र सम्प्रेष्य भाषा, व्यङ्ग्यात्मकता, यथार्थ चित्रण, मानवीय र मानवेतर पात्रको प्रयोग, सामाजिक परिवेश, संवेदना र पीडाको स्वरको अभिव्यक्ति, सामाजिक जीवनको सघन, सरल र सटिक चित्रको प्रस्तुति, प्रतीकात्मक शैली, समाज चेतना र जागरणको सन्दे

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Nazeen, Zahra, Qurratulain Najeeb Jamal, and Shamshad Rasool. "Voicing Discursive Binaries: A Postcolonial Study of Gordimer’s Short Stories." Qlantic Journal of Social Sciences 5, no. 2 (2024): 316–24. http://dx.doi.org/10.55737/qjss.933575446.

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Massive decolonization occurred in the 21st century. The natives and the diaspora attempted to portray the other side of the image structured by the colonial hegemonic discourse. Gordimer has written against apartheid and raised her voice to articulate the realistic picture of the marginalization faced by the suppressed South Africans in the form of racial and social inequality. She incorporates discourse to challenge the existing colonial discourse and the explicit binaries. This study attempts to investigate the challenges she has put against the existing discursive binaries in her short sto

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KIROVA, Milena. "NEW WAYS OF SOCIAL WRITING. BULGARIAN SHORT STORIES OF THE 2010’s." Ezikov Svyat volume 22 issue 2, ezs.swu.v22i2 (May 30, 2024): 136–42. http://dx.doi.org/10.37708/ezs.swu.bg.v22i2.14.

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When the second decade of the 21st century began, there was an upheaval in the writing of short stories in Bulgarian literature, comparable to the upheaval of the novel in the beginning of the same century. Many different approaches existed simultaneously, among which the traditionally realistic, the postmodern, and the fantastic approach could be observed. The focus of the article is on short stories dealing with some ongoing problems of Bulgarian society, thus considering approaches relevant to them. Especially popular in the first years of the second decade was the urban theme, most often a

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Čeh Steger:, Jožica. "Kratka proza Milene Mohorič od ekspresionistične vizije do realistične podobe življenja." Jezik in slovstvo 59, no. 2-3 (2024): 171–78. http://dx.doi.org/10.4312/jis.59.2-3.171-178.

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The article treats thematic-stylistic features of the short prose by Milena Mohorič from the interwar period, also revealing her as an author of prose poems. Mohorič was one of the most prominent authors of short prose focusing mainly on the world of bourgeoisie, but also on the rural-peasant environment of Eastern Slovenia. In addition, she wrote several short prose stories for young readers. Five years ago, Mohorič was rescued from more than half a century of oblivion by Lado Kralj and Peter Scherber, who made a selection of her short prose (Short Stories From the 1930s, 2010) and presented

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Haramija, Dragica. "Mladinska dela Aksinje Kermauner." Jezik in slovstvo 53, no. 5 (2024): 69–83. http://dx.doi.org/10.4312/jis.53.5.69-83.

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To date, Aksinja Kermauner has published ten literary works in book form dedicated to children and young adults. Her works are classified in the following literary genres: most of her texts fall into the category of prose, namely realistic short stories, imaginary stories, social-psychological young-adult novel, classic fairy tale and realistic narrative; the author has also published the text for a play (a puppet show) and an informative picture book on blindness and impaired vision. The theme she is primarily concerned with is the relationships between people with unimpaired senses and those

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Zhienbaev, E. B., and Z. B. Abişova. "Analysis Novels of Orkhan Kemal in the Context of Socialist Realism." Iasaýı ýnıversıtetіnіń habarshysy 4, no. 118 (2020): 246–58. http://dx.doi.org/10.47526/2020/2664-0686.051.

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The genre of the short story appeared in modern Turkish literature at the end of the XIX century. Orhan Kemal is one of the realist writers of Turkish literature, known for his short stories during the Republican period. You can see that the socialist-realistic approach prevails in his stories. In his stories, along with his past, he realistically described the lives of people from the lower and middle classes who lived around him and managed to convey to his readers real situations in society. His position was not to create art or make a profit, but to convey facts. The stories discussed in t

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Zhienbaev, E. B., and Z. B. Abişova. "Analysis Novels of Orkhan Kemal in the Context of Socialist Realism." Iasaýı ýnıversıtetіnіń habarshysy 4, no. 118 (2020): 246–58. http://dx.doi.org/10.47526/2020/2664-0686.051.

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The genre of the short story appeared in modern Turkish literature at the end of the XIX century. Orhan Kemal is one of the realist writers of Turkish literature, known for his short stories during the Republican period. You can see that the socialist-realistic approach prevails in his stories. In his stories, along with his past, he realistically described the lives of people from the lower and middle classes who lived around him and managed to convey to his readers real situations in society. His position was not to create art or make a profit, but to convey facts. The stories discussed in t

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R, Kumaraguruparan. "Morality of Ordinary Tamil People in the Real Tamil Stories of Twentieth Century." International Research Journal of Tamil 4, S-18 (2022): 76–82. http://dx.doi.org/10.34256/irjt224s1811.

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Real stories always contain humanistic elements and it is appealing to ordinary people. Realism and short stories are the gift of nineteenth century. Realism is written in ordinary dialects and is based on ordinary human action, truth, degeneration and contradiction. Realistic stories are based on the life of ordinary people who is facing numerous problems. These stories are about the people who lost their unity, isolated away from family and caste. Contradictions among these people appears when they oppose the superstitious beliefs, norms and social sentiments. They act according to their nat

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Kayyal, Mahmoud. "Damascene Shahrazād: The Images of Women in Zakariyyā Tāmir's Short Stories." Hawwa 4, no. 1 (2006): 93–113. http://dx.doi.org/10.1163/156920806777504571.

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AbstractTāmir describes the other/the woman as a realistic character who reflects the maladies of Arab society, and as an ideal image that fulfills his vision of an egalitarian and liberal society. In both instances, he emerges as an author who is highly critical of the status of women and attitudes toward them in traditional and conservative Arab society. In his early collections, the author's descriptions of the submissive and obedient woman, who suffers the violence and tyranny of men in a patriarchal society, are grotesque and ironic. To escape this harsh reality, he feels the need for fan

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Maqbool, Tabassum, Ummi Farwa, and Saira Akhter. "INSTRUMENTAL RATIONALITY AND SOCIAL STRUCTURE WITH REFERENCE TO FEMALE SUBJUGATION IN MANTO'S SHORT STORIES: A HABERMASIAN LENS." Pakistan Journal of Social Research 04, no. 04 (2022): 302–12. http://dx.doi.org/10.52567/pjsr.v4i04.813.

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In this research work, Saadat Hasan Manto's short stories are textually analyzed using a Habermasian lens. Manto's ideas on female subordination, societal supremacy, and freedom are stressed in this paper. The main goal of this qualitative study is to demonstrate the applicability of Manto's discovery in the modern day within the context of Habermas' critical social theory. This study illustrates unequivocally how social institutions' instrumental rationality colonizes and rationalizes the lifeworld. According to Habermas, societal structures like political and economic systems are encroaching

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Saidova, Nargiza M. "ELEMENTS OF CRITICAL REALISM IN THE WORKS OF CONTEMPORARY SAUDI WRITER AHMAD ABDUL MALIK." Oriental Journal of Philology 05, no. 03 (2025): 249–58. https://doi.org/10.37547/supsci-ojp-05-03-28.

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This article is dedicated to the works of the renowned Saudi writer Ahmad Abdul-Malik and the analysis of his short stories, such as "Son of the Tribe" and "Young Wife." Initially, Saudi literature experienced a strong influence from the Syro-American school, followed by Egyptian literature. Full-fledged artistic prose in Saudi Arabia emerged only in the early 1950s, developing within three literary movements: romantic, realistic, and existentialist.

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Lin, Guanqiong. "Multiculturality as a Subject of the Image in the Collection of Short Stories “The Stars of Manchuria” by A. P. Hejdok." Litera, no. 1 (January 2024): 65–72. http://dx.doi.org/10.25136/2409-8698.2024.1.69682.

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The article is devoted to the study of the multicultural phenomenon of the short stories by the popular writer of the Harbin diaspora A. P. Hejdok, who published the collection “The Stars of Manchuria” in 1934. The author of the article analyzes in detail the events in the works, the behavioral priorities and mindset of the characters, which organically reflect the cultural elements of China, Russia, Mongolia, Egypt, Manchurian ethnic groups, as well as biblical plots. The emphasis is on analyzing the mysterious world of China through Buddhism and Taoism. During the research, the following sho

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Senchylo-Tatlilioglu, Nadiia. "FEMALE CHARACTERS İN LESYA UKRAINKA’S AND SUAD DERVIŞ’S STORIES." Scientific Journal of Polonia University 53, no. 4 (2022): 119–28. http://dx.doi.org/10.23856/5314.

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In this work is studied the image of a female as a literary character in the stories of the Ukrainian writer Lesya Ukrainka’s (1871-1913) and Turkish writer Suad Derviş’s (1905–1972). For this purpose, for female images are analyzed in to the focus called works of Lesya Ukrainka's “What a Pity” (“Жаль”), “The City of Sorrow” (“Місто смутку”), “Loud Strings” (“Голосні струни”) and works of Suad Derviş “A Thief”, “The City I Passed Through”, “The Funeral”. The aim of the study is to analyze the dominant female images in the stories of Ukrainian and Turkish authors of the late XIX – first half of

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C, Murugasaraswathi. "Social Ideas Found in a Collection of Short Stories, A Green Bird with a Red Nec." International Research Journal of Tamil 4, S-7 (2022): 200–203. http://dx.doi.org/10.34256/irjt22s731.

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Sivappu Kazhuthudan Oru Pachai Paravai is a collection of short stories by author Ambai. This book covers 11 topics. The first story is Tontai putaitta kakam onru through this story he has told the actions of people. The synopsis of the story is that people are weighed based on the actions of a crow. In the second story 'Sampal melelum nakaram', the author has beautifully described the condition of the people living in the city. The author has beautifully captured the suffering of a city in a hectic situation. In the story vilttal, an average mother writes about the son's behavior is not atten

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Zupan, Simon, and Jason Blake. "Thresholds and What Seems to Be: Munro’s First Sentences." ELOPE: English Language Overseas Perspectives and Enquiries 19, no. 1 (2022): 107–19. http://dx.doi.org/10.4312/elope.19.1.107-119.

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This paper provides an overview of Alice Munro’s first sentences from her 149 stories published in her 14 collections. Despite the epithet “Munroesque,” there is a remarkable variety to the typical Munro story and Munro’s style. Many of her stories begin with short, mundanely declarative sentences of a few words; many other first sentences stretch over several lines; many foreground time or, more accurately, time past. The variety of these first sentences might lead the cataloguer to despair or to proclaim fatuously that the Munroesque quality of her fiction lies in how different it all is ….

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Hochbruck, Wolfgang. "Rudy Wiebe’s Reconstruction(s) of the Indian Voice." Recherches anglaises et nord-américaines 22, no. 1 (1989): 141–42. http://dx.doi.org/10.3406/ranam.1989.1213.

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Rudy Wiebe's treatment of the Indian voice in three of his short stories ("Along the Red Deer and the South Saskatchewan" ; "Where is the Voice Coming From ?" ; "Games for Queen Victoria") mirrors three different approaches he experimented and played with. They are exemplarily classified as "Remake", "Reflection" and "Rerun". The fact that the Indian voice in literature is always a metaphor is seen as a link between the (colonial) Victorian mode and the postmodern, at the same time questioning the existence of any "realistic" representation of Indian speech and languages in fictional texts.

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Meshalkin, Aleksandr N. "THE PEASANT WORLD IN THE PRE-REVOLUTIONARY SHORT STORIES BY IVAN KASATKIN." Vestnik of Kostroma State University, no. 2 (2020): 151–55. http://dx.doi.org/10.34216/1998-0817-2020-26-2-151-155.

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The article examines the pre-revolutionary small prose of Ivan Kasatkin. It explores the social and moral dimensions of his stories, the individual features of his depiction of the life of Kostroma peasants in the turbulent years before the Russian Revolution of 1917. Ivan Kasatkin, a peasant born himself, offers an unprejudiced, realistic view of Kostroma fellas at the time, of their complex and contradictory world in all its entirety. In his opinion, the inertness and cruelty of male peasants has social roots, as this is the period when a fella is forced to live the life of a destitute, depr

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Pańkowska, Ewa. "МИХАИЛ ЕЛИЗАРОВ: МЕЖДУ ПОСТМОДЕРНИЗМОМ И «МАГИЧЕСКИМ РЕАЛИЗМОМ» (НОГТИ, БИБЛИОТЕКАРЬ, МУЛЬТИКИ)". Acta Neophilologica 1, № XX (2018): 199–213. http://dx.doi.org/10.31648/an.2696.

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Mikhail Elizarov (b. 1973 in Ukraine) undoubtedly belongs to the most “bizarre”, controversial and uncompromising contemporary Russian writers, the most radicalof Russian Booker winners – his novel The Librarian was awarded the 2008 Russian Booker Prize. Elizarov is also a musician, working in a style he calls “bard-punk-chanson”. His literary works “balance” on the verge of postmodernist and realistic practice, between reality and phantasmagoria. The aim of this article is to present a creative personalityof the author: to reveal distinguishing features of Elizarov’s prose, to identify centra

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Josipović, Jovana. "THE CONFLICT OF TRADITION AND PROGRESS – ACTIVE FAITHFUL LOVE AND ROMANTIC PASSION (Passion beyond the framework of marriage in a Serbian realistic story)." Serbian Studies Research XIV, no. 1 (2023): 83–98. http://dx.doi.org/10.46793/ssrxiv1.083j.

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Based on the stories of Serbian realism, the work deals with systematizing the root differences between marital and romantic passionate love. Appearances and social phenomena analogous to marriage and its procreative function (cooperative organization, rural idyll, active faithful love) are examined, and on the other hand, circumstances corre- sponding to romantic passion (individualism, urban environment, ideas of progress). Using the examples of short stories by Janko Veselinović, Ilija Vukićević, Svetolik Ranković and Simo Matavulj, there were analyzed the following topics: male and female

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Zvinyatskovsky, V. Ya. "TWO POSSIBILITIES FOR READING ONE NOVEL: "PERFECTION" BY V. NABOKOV IN ASPECTS OF RUSSIAN REALISTIC AND WESTERN ROMANTIC TRADITIONS." Memoirs of NovSU, no. 3 (2024): 468–75. http://dx.doi.org/10.34680/2411-7951.2024.3(54).468-475.

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The article explores a way of co-existence of two traditions which imfluenced Vladimir Nabokov as a short stories writer was in his Russian period. The first is the Russian pre-revolution tradition of newspaper novella. The second is the Western Romantic and Neo-Romantic (A. Bierce etc.) tradition. Nabokov’s short story “Perfection” (1932) principally allows two alternative interpretations in context of two alternative traditions. Even death or survival of the protagonist in the final of the story absolutely depends on the way (the chosen tradition) of the interpretation. It is connected not o

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Kharrasova, E. A. "Features of subtext in E. Hemingway and R. Carver’s dialogues (based on the analysis of their short stories)." Philology and Culture, no. 1 (April 6, 2024): 106–12. http://dx.doi.org/10.26907/2782-4756-2024-75-1-106-112.

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The article provides a comparative analysis of the implication features used in the dialogues of the stories by Ernest Hemingway and Raymond Carver, his follower of the second half of the 20th century. Our analysis is based on their texts written in different years. Employing specific examples, we analyzed the authors’ work on the use of the main subtext elements: A pause or silence, incompleteness and repetitions. The highlighted elements of the implication allow us to make conclusions about the direct influence of Hemingway on the poetics of Raymond Carver’s stories. The comparison of the pr

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Huang, Zhongju, and Xiaoxuan Feng. "Analysis of the Narrative Perspective of Katherine Mansfield’s “The Garden Party”." Studies in English Language Teaching 8, no. 3 (2020): p71. http://dx.doi.org/10.22158/selt.v8n3p71.

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Katharine Mansfield is a successful female writer in the literary history of the 20th century, who marks a new period of English short stories. She uses tremendous modernistic techniques and digs deep beneath the surface of life to show the causes of human happiness and despair in her works. “The Garden Party” is one of her most famous and representative short stories. Previous studies have mostly focused on its artistic methods, themes and characters, as well as the combination of all, but there are only few studies choosing its narrative perspectives as their study topic. This paper analyzed

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Osmukhina, Olga Yurievna, and Nikita Mikhailovich Mironov. "The image of the vampire in Russian short stories of the early 20th century (“The Red-Headed Guest” by F. Sologub and “The Vampire” by S. Solomin)." Philology. Theory & Practice 18, no. 6 (2025): 2331–36. https://doi.org/10.30853/phil20250327.

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The article is devoted to the analysis of the specifics of the representation of the vampire image in Russian short stories of the early 20th century. The scientific novelty is determined by the research material itself and consists in the fact that for the first time the image of the vampire in the comparative aspect is conceptualized in the stories of Russian novelists belonging to different aesthetic systems (symbolist manner – F. Sologub and realistic manner – S. Solomin). The aim of the work is to reveal the artistic originality of the vampire image in the stories of the early twentieth c

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Pelevin, Mikhail. "The Beginnings of Pashto Narrative Prose." Iran and the Caucasus 21, no. 2 (2017): 132–49. http://dx.doi.org/10.1163/1573384x-20170203.

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The article argues that the first specimens of Pashto original narratives in free prose are to be found in the historiographical compilation Tārīkh-i muraṣṣaʿ (1724) among the texts of the chronicles, diaries, and memoirs written by the Khaṯak tribal rulers Khūshḥāl Khān (d. 1689) and Afżal Khān (d. circa 1740/41). Over thirty fragments from these texts may be qualified as short stories for, being focused on particular events and episodes, they are distinguished by strikingly realistic manner of narration and well developed elements of detailing, descriptiveness and emotiveness. Richly illustr

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POPOVIĆ, Nikola. "BETWEEN VUK’S POETICS AND NIKOLA’S SALOON – LJUBIŠA’S LITERARY SCHOOL." Lingua Montenegrina 22, no. 2 (2018): 59–93. https://doi.org/10.46584/lm.v22i2.650.

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Motivated by inadequate literary periodisation (pre-Njegoš era) and the fact that Montenegrin realistic authors have not received sufficient attention in domestic literary historiography, the author of this paper utilises the scientific results of literary historian Milorad Nikčević to classify a group of talented authors under the term Ljubiša’s literary school. However, the prerequisite for that classification is a reflection on the work of Marko Miljanov Popović as well. It was Ljubiša’s and Marko’s prose that founded the Montenegrin novel and short stories. The authors included in Ljubiša’

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Hamdan, Yousef Hussein, and Sami Mohammed Ababneh. "Defamiliarization / Estrangement in Nabil Abd-Alkarim's Short Story Collection Beautiful Pictures (Al-Suwar Al-Jamilah)." Journal of Social Sciences (COES&RJ-JSS) 9, no. 4 (2020): 1590–608. http://dx.doi.org/10.25255/jss.2020.9.4.1590.1608.

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This paper highlights artistic techniques in Nabil Abd-Alkarim's short story collection Beautiful Pictures which represents common and familiar issues at the level of reality and in literary studies. The paper relies on Shklovsky's concept of "defamiliarization" to examine the role techniques play in estranging familiar and recurring topics that have already become automatic and ineffective. Artistic techniques aim to reintroduce these topics to the human understanding in a unique and unusual way, so they look new, as if the person gets to know them again. The paper highlights a number of arti

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Ђурђевић, Ђорђе. "АПОКАЛИПТИКА РЕАЛНОГ: ХРИШЋАНСКО- АПОКАЛИПТИЧНИ ОКВИРИ ПРИПОВЕТКЕ ПОШЉЕДЊИ ВИТЕЗОВИ СИМЕ МАТАВУЉА". PHILOLOGIA MEDIANA 14, № 1 (2022): 45–56. http://dx.doi.org/10.46630/phm.14.2022.03.

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The paper analyzes the apocalyptic discourse of Matavulj’s short story The Last Knights (1903), as well as the ways of narrative shaping of the apocalypse, the relation of the realistic narrative to apocalyptic images and performances, and those segments in the short story that open the realistic narrative to the apocalyptic. Apocalyptic passages in the story are described and interpreted, shaped as implicit quotations to the Revelation of John the Theologian (Babylonian harlot and greenery, strongly present figure of the beast, desire for a new world and the downfall of the former one, feelin

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Daugirdaitė, Solveiga. "Žemaitė XX a. II pusės lietuvių poezijoje ir prozoje." Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums 27 (March 10, 2022): 105–19. http://dx.doi.org/10.37384/aplkp.2022.27.105.

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The article dedicated to the works of the Lithuanian literature written in the second half of the 20th century depicting the writer Žemaitė (pen name of Julija Beniuševičiūtė-Žymantienė, 1845–1921). This writer was not rejected by the Soviet authorities because of her realistic outline and her democratic political views, the social criticism expressed in her work towards greed, selfishness and clericalism. Lithuanian writers dedicated to her their poetry, fiction, and drama works. However, Soviet writers were also impressed by Žemaitė’s personality traits, which mentioned less frequently in pu

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Dr. Gaurav Agrawal. "Social Politics Behind the Faces: A Realistic Study of Shashi Tharoor’s The Five Dollar Smile." Creative Launcher 8, no. 6 (2023): 86–92. http://dx.doi.org/10.53032/tcl.2023.8.6.10.

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Although life has always been running around almost in the same way, to see it closely, literature takes the initiative and becomes helpful to interpret it. The stories of modern authors are inclined to unmask the smallness of society through a realistic approach that aims at brevity. This inclination is a result of progressivism in literature and proves itself very useful to society as it raises the finger where it needs to reform. Postmodern authors accept that seeing and hearing are not the work only of eyes and ears, for they are useless without the cooperation of the mind, so they write w

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Žujo-Marić, Lejla. "Herzegovina`s Literary Portrait in Alija Nametak`s and Almin Kaplan`s Prose Work." Društvene i humanističke studije (Online) 7, no. 2(19) (2022): 63–80. http://dx.doi.org/10.51558/2490-3647.2022.7.2.63.

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Alija Nametak and Almin Kaplan are two writers of Bosnian-Herzegovinian literature. Their prose work is defined by two separate historical periods. Alija Nametak`s prose originated in the 1930s, retaining a realistic poetic framework of storytelling and thematically entering into historical strife, folklore, and social relations amalgamated into the patriarchal way of life of Bosniak rural communities in Herzegovina. On the other hand, Almin Kaplan creates in the cultural climate of the first decades of the 21st century, combining poetic and prose expression in his literary work. Kaplan's lite

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Wu, Yi. "Transformation of Diseased Women in Ding Ling’s Novels—Based on the Metaphor of Disease." International Journal of Languages, Literature and Linguistics 7, no. 3 (2021): 106–10. http://dx.doi.org/10.18178/ijlll.2021.7.3.295.

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In Ding Ling’s novels, she repeatedly adopted the diseased woman as the protagonist in order to present her own thinking of gender and social issues. By establishing a chronological reading of three protagonists, this paper will not only discuss the transformation of the metaphoric usage, but also explore socio-historical implications and gender issues in depth. To better understand both the features of Ding Ling’s artistic innovation and the transition of her identity, and more importantly, to reconfiguring the position of gender issues, this paper adopts the method of analysis and have close

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Yousef, Hussein Hamdan, and Mohammed Ababneh Sami. "Defamiliarization / Estrangement in Nabil Abd-Alkarim's Short Story Collection Beautiful Pictures (Al-Suwar Al-Jamilah)." Journal of Social Sciences (COES&RJ-JSS) 9, no. 4 (2020): 1590.1608. https://doi.org/10.25255/jss.2020.9.4.1590.1608.

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This paper highlights artistic techniques in Nabil Abd-Alkarim's short story collection <em>Beautiful Pictures</em> which represents common and familiar issues at the level of reality and in literary studies. The paper relies on Shklovsky's concept of "defamiliarization" to examine the role techniques play in estranging familiar and recurring topics that have already become automatic and ineffective. Artistic techniques aim to reintroduce these topics to the human understanding in a unique and unusual way, so they look new, as if the person gets to know them again.

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