Gotowe bibliografie tematyczne / Religious images and art

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji
  6. Raporty organizacyjne

Gotowa bibliografia na temat „Religious images and art”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 7 lutego 2022

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Artykuły w czasopismach na temat "Religious images and art"

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Elsner, John. "Image and ritual: reflections on the religious appreciation of classical art." Classical Quarterly 46, no. 2 (December 1996): 515–31. http://dx.doi.org/10.1093/cq/46.2.515.

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It is a cliché that most Greek art (indeed most ancient art) was religious in function. Yet our histories of Classical art, having acknowledged this truism, systematically ignore the religious nuances and associations of images while focusing on diverse arthistorical issues from style and form, or patronage and production, to mimesis and aesthetics. In general, the emphasis on naturalism in classical art and its reception has tended to present it as divorced from what is perceived as the overwhelmingly religious nature of post-Constantinian Christian art. The insulation of Greek and Roman art
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Coates, Andrew T. "What is Protestant Art." Brill Research Perspectives in Religion and the Arts 1, no. 2 (May 30, 2017): 1–141. http://dx.doi.org/10.1163/24688878-12340002.

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AbstractWhat is Protestant Art?offers a brief introduction to the field of Protestant visual culture. It argues that the diversity of images and visual practices throughout Protestant history might better be described by the term ‘visual culture’ than the term ‘art.’ Examining images from the Reformation to the twentieth century, this review essay showcases the breadth of ways Protestants have put images to work in their religious practices. Containing dozens of illustrations,What is Protestant Art?provides the reader with an overview of current research on Protestant visual culture, as well a
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Nosova, Ekaterina S. "Religious views of Cardinal Gabriele Paleotti on sacred art." Izvestiya of Saratov University. New Series. Series: History. International Relations 21, no. 2 (June 23, 2021): 200–205. http://dx.doi.org/10.18500/1819-4907-2021-21-2-200-205.

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Being founded upon the book «Instructions on religious and secular images» (1582), the article examines cardinal Gabriele Paleotti’s views on sacred art. The author explores the issue of perception of painting as a God-pleasing art, exposes the ideological aspect of sacred painting and reveals the cardinal’s complex evidence base on the need for the existence of religious images in churches and their significance in the life of every person. It is concluded that objects of art should be perceived not only as an artistic commentary on the text of Holy Scripture, but also as a prayer image that
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French, Kara M. "Evolving Images of Women Religious in Nineteenth-Century American Art." American Catholic Studies 132, no. 1 (2021): 105–19. http://dx.doi.org/10.1353/acs.2021.0013.

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Kleeblatt, Norman. "Disobedient Images." IMAGES 1, no. 1 (2007): 15–21. http://dx.doi.org/10.1163/187180007782347566.

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AbstractNorman L. Kleeblatt discusses four works of art that present problems of interpretation and reception, each of which touches on visual and textual taboos. Avoidance of works of art with such problematic images is a natural response. However, confrontation of the meanings intended by the artists frequently open new avenues for investigation and interpretation, not to mention new iconographies that often contradict the assumptions of art at the intersection with Jewish culture.
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Birrell, Ross. "The Radical Negativity and Paradoxical Performativity of Postmodern Iconoclasm: Marcel Duchamp and Antonin Artaud." Theatre Research International 25, no. 3 (2000): 276–83. http://dx.doi.org/10.1017/s0307883300019738.

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‘Iconoclasm grew from the destruction of religious images and opposition to the religious use of images to, literally, the destruction of, and opposition to, any images or works of art and, metaphorically, the “attacking or overthrow of venerated institutions and cherished beliefs, regarded as fallacious or superstitious”’. Dario Gamboni.
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Kavun, V. M. "The semantics of religious images in the art of the renaissance." Humanitarian studios: pedagogics, psychology, philosophy 3, no. 152 (December 2020): 106–13. http://dx.doi.org/10.31548/hspedagog2020.03.106.

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Purpose of research is to consider the culture and art of the Renaissance and explore the semantics of religious images of the outlined period. Methodology. The tasks posed in this work led to the use of the following research methods, namely: analysis and synthesis, generalization and systematization of theoretical material, comparison and generalization of the result obtained in the process of studying theoretical material and specialized publications covering this issue. The solution of the tasks was achieved by applying the comparative historical, descriptive, logical and systemic methods.
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Menes, Julia C. "The Language of Images in Roman Art - Tonio Hölscher." Religious Studies Review 32, no. 4 (October 2006): 258. http://dx.doi.org/10.1111/j.1748-0922.2006.00115_4.x.

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Titarenko, S. D. "FUNCTIONS OF THE VISUAL IMAGES IN OF CHRIST AND ANTICHRIST TRILOGY BY D.S. MEREZHKOVSKY." Culture and Text, no. 43 (2020): 126–43. http://dx.doi.org/10.37386/2305-4077-2020-4-126-143.

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The article is devoted to the functions of intermediality in the symbolist novels by D. S. Merezhkovsky (Christ and the Antichrist trilogy). Intermediality is considered as a constructive and structural basis of the novels and the principle of poetics.Visual images of art reflect the writer’s theurgical aesthetics and his conceptual religious-philosophical ideas. They are the basis of the mysteriological-mythological plot and perform functions of the symbolic “crossing” of various religions and cultures borders. The article concludes that intermediality in the structure of the symbolist novel
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Miller, Robert. "Medieval illuminated manuscripts: Online images and resources." College & Research Libraries News 78, no. 6 (June 6, 2017): 334. http://dx.doi.org/10.5860/crln.78.6.334.

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With their rich representation of medieval life and thought, illuminated manuscripts serve as primary sources for scholars in any number of fields: history, literature, art history, women’s studies, religious studies, philosophy, the history of science, and more.
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Rozprawy doktorskie na temat "Religious images and art"

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Rask, Katherine. "Greek Devotional Images: Iconography and Interpretation in the Religious Arts." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338473387.

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Doolan, Lucas. "The sublime ruin enigmatic feminine : Master of Art & Design, 2007." Click here to access this resource online, 2007. http://hdl.handle.net/10292/420.

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This thesis explores through the creation of four artworks, the nature of the sublime ruin. To facilitate this it examines the disintegration of selected religious feminine metaphors. The artworks are rendered through a multiplication of layers bound by translucent/transparent resin. These are produced to examine the potentials between traditional craft and contemporary digital mediums, thus creating sites where eroding fragments may express an excess of meaning through enigmatic construction.
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McGrath, Anthony Charles Ormond. "Books in art : the meaning and significance of images of books in Italian religious painting 1250–1400." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/40255/.

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This thesis uses images of books in Italian art of the duecento and trecento as pictorial evidence for the appearance of books and to establish a chronology for changes in the detail and style of book-bindings during those two centuries. The conclusions from the pictorial evidence is that there were material differences in the appearance of books in the duecento and trecento and that gold tooling was used to decorate books from about 1320, a hundred years earlier than previously thought. The thesis also considers how, and to what extent, medieval viewers related to images of books and whether
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Velimirovic, Nada. "Reflections of the divine| Muslim, Christian and Jewish images on luster glazed ceramics in Late Medieval Iberia." Thesis, Graduate Theological Union, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10240733.

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<p> For eight centuries, from 711 until 1492, a unique combination of political, cultural, and faith traditions coexisted in the mostly southern region of the Iberian Peninsula now called Spain. From the thirteenth century through the fifteenth century, two key production centers of luster glazed ceramics emerged in this region: Islamic-ruled M&aacute;laga and Christian-ruled Valencia. Muslim artisans using Islamic decorative motifs on reflective luster glaze ceramics created objects that patrons, including nobility and Christian royalty, clamored to collect. Initially, traditional Islamic de
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Chiu, Angela Shih Chih. "The social and religious world of northern Thai Buddha images : art, lineage, power and place in Lan Na monastic chronicles (Tamnan)." Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617604.

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Donadieu-Rigaut, Dominique. "Penser en images les ordres religieux, XIIe-XVe siècles /." Paris : Éd. Arguments, 2005. http://catalogue.bnf.fr/ark:/12148/cb40072980c.

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El-Hanany, Efrat. "Beating the devil : images of the Madonna del Soccorso in Italian Renaissance art /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3230546.

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Laurens, Annie-France. "Hébé : images, mythes et cultes." Paris 10, 1985. http://www.theses.fr/1985PA100154.

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Gillgren, Peter. "Gåva och själa : epitafiemåleriet under stormaktstiden /." Uppsala : Univ, 1995. http://catalogue.bnf.fr/ark:/12148/cb37705053b.

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Dawson, Paula Heatley Art College of Fine Arts UNSW. "The Concrete Holographic Image: an Examination of Spatial and Temporal Properties and their Application in a Religious Art Work." Awarded by:University of New South Wales. School of Art, 2000. http://handle.unsw.edu.au/1959.4/18201.

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The premise of this thesis is that the ???concrete holographic image???, a laser transmission hologram which has an object or a hologram of an object as its subject, has unique spatial and temporal properties which can suggest a plurality of tenses to a viewer. There is a lack of comprehensive analysis of the holographic representational system within art related theoretical and critical writing and a tendency to analyse individual works only in terms of generalities which apply to the concepts surrounding the holographic medium. While these form an important background for art image productio
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Książki na temat "Religious images and art"

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Tibetan religious art. New York: Dover Publications, 2002.

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Images du silence: Pensée et art chinois. Paris, France: Harmattan, 1999.

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Michael, Jordan. Buddha: His life in images. London: Carlton Books, 2003.

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The brothers Campi: Images and devotion : religious painting in sixteenth-century Lombardy. Amsterdam: Amsterdam University Press, 1999.

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La licorne: Images d'un couple. Paris: Editions du Cerf, 1985.

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Françoise, Bayle, ed. Les monothéismes en images: Judaïsme, christianisme, islam. Montrouge: Bayard, 2014.

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Jose, Regalado Trota. Images of faith: Religious ivory carvings from the Philippines. Pasadena: Pacific Asia Museum, 1990.

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One nation under God: Religious symbols, quotes, and images in our nation's capital. Huntington, Ind: Our Sunday Visitor, 2001.

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Judith, Ryan, ed. Images of religion in Australian art. Kensington, NSW: Bay Books, 1988.

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Kattan, Naïm. Idoles et images. [Saint-Laurent, Québec]: Bellarmin, 1996.

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Części książek na temat "Religious images and art"

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Philpot, Elizabeth. "Judith and Holofernes: Changing Images in the History of Art." In Translating Religious Texts, 80–97. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22841-6_6.

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Kendrick, Laura. "Making Sense of Marginalized Images in Manuscripts and Religious Architecture." In A Companion to Medieval Art, 383–406. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch16.

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Schildgen, Brenda Deen. "In Defense of Images: Christian Church and Religious “Art”." In Heritage or Heresy, 57–78. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613157_4.

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Kielian, Andrzej. "Education Through Art: The Use of Images in Catholic Religious Education." In Global Perspectives on Catholic Religious Education in Schools, 335–44. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-6127-2_27.

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LóPez, Victor G. Rivas. "Ecce Homo: On the Phenomenological Problematicity of the Religious Image." In Art Inspiring Transmutations of Life, 181–96. Dordrecht: Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-90-481-9160-4_13.

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Pierce, Constance. "Opus Cordis: Reflections of a Contemporary Artist Embracing the Drama of Religious Imagery." In Art Inspiring Transmutations of Life, 171–80. Dordrecht: Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-90-481-9160-4_12.

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Göttler, Christine. "Rubens’s ‘Ecce Homo’ and ‘Derision of Silenus’: Classical Antiquity, Images of Devotion, and the Ostentation of Art." In Image and Imagination of the Religious Self in Late Medieval and Early Modern Europe, 427–83. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.proteus-eb.3.916.

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Wade, Nicholas. "Hidden Images." In Art and Illusionists, 161–82. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-25229-2_9.

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"Images between Religion and Art." In Breaking Resemblance, edited by Alena Alexandrova. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823274475.003.0005.

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This chapter discusses the different ways contemporary artists re-use religious motifs and the effects of such citations. In the majority of cases their artworks function as a context to turn that religion into a topic, and an object of discussion. The critical potential of contemporary artworks that deal with religious themes lies somewhere apart from art’s rejection or mocking of religion, as blasphemy retains its proximity to the specifically religious power of images. When contemporary artists reuse religious motifs they become counter-motifs. The interest in religion, in its various traditions and guises, indicates a desire for self-understanding by re-staging the past. The multifaceted relationship between contemporary art and religion is examined through a detailed discussion of twelve exhibitions organised between 1999 and 2010, which approach religion and religious art from a variety of perspectives. Many of the curators claim that they are emphatically not religious, nor trying to send a religious message. Including religion in the infrastructure of display associated with contemporary art creates a different visibility in the public space and asks questions concerning such visual practices as iconoclasm; the relationship between commercialism, mass media and religion, and the afterlife of religious art, among many others.
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Ramachandran, Tanisha. "Mūrti, Idol, Art, and Commodity." In The Oxford History of Hinduism: Modern Hinduism, 93–109. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198790839.003.0006.

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This chapter investigates the production, deployment, and interpretation of Hindu images, beginning in the nineteenth century, involving the interaction of non-Hindus and Hindus with the image in the Indian context and its eventual travel to the United States and the United Kingdom. Through processes of sacralization, politicization, display, appropriation, commoditization, and protest at various points in history, the Hindu image has been signified and resignified by Hindus and non-Hindus alike. Hindu images serve a multitude of purposes—functioning simultaneously, interdependently, and independently in the religious, social, political, artistic, and commercial realms. While the image of the god/goddess plays numerous roles, this chapter focuses on the image as mūrti, idol (in a pejorative sense), political symbol, art, and commodity.
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Streszczenia konferencji na temat "Religious images and art"

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Narmanlıoğlu, Haldun, and Azime Ayşenur Çelimli. "A Critical Reading on the Visual Production of Infodemic." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.008.

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The problematic relationship between communication technologies and information is among the essential discussion topics of the academy. Concepts such as information bombardment, disinformation, and misinformation refer to incorrect, distorted, and corrupt information disseminated by means of communication. Unhealthy information and knowledge are seen as the biggest obstacle to the formation of a healthy public opinion. In the Covid 19 epidemic, which affects the whole world, the relationship between communication tools and information has come to the fore again. An "infodemic," which can be d
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Yan, Liang, and Zhenzhen Sun. "The Religious Fanaticism and lOdd Coincidencesr of Gothic Architectural Art." In 2018 International Conference on Sports, Arts, Education and Management Engineering (SAEME 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/saeme-18.2018.59.

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Wahyudie, Prasetyo, Antariksa Antariksa, Lisa Wulandari, and Herry Santosa. "Place Attachment Framework In Preservation Religious Built Environment." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294717.

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Nizhnikov, Sergei, and Le Thi Hong Phuong. "Specificity of Mahayana Buddhism in Vietnamese Intracultural Religious Communication." In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.351.

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Eremin, Alexander. "Representation Of Power In The Context Of Religious Images." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.390.

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Shen, Lin. "The Influence of Ancient Rus Religious Art Elements on Russian Modern Paintings." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.153.

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Wang, Ya’nan. "The Religious Consciousness in “Povest vremennykh let” (Tale of Bygone Years)." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.028.

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Chistyakova, Olga. "Relationship of Self and Other in Cultural and Religious Communications." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.161.

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Chen, Jing. "A BriefnAnalysis on the Issue of Religious Belief of Contemporary College Students." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.31.

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"Cover Art." In 2011 24th SIBGRAPI Conference on Graphics, Patterns and Images (Sibgrapi). IEEE, 2011. http://dx.doi.org/10.1109/sibgrapi.2011.60.

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Raporty organizacyjne na temat "Religious images and art"

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Yan, Yujie, and Jerome F. Hajjar. Automated Damage Assessment and Structural Modeling of Bridges with Visual Sensing Technology. Northeastern University, May 2021. http://dx.doi.org/10.17760/d20410114.

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Recent advances in visual sensing technology have gained much attention in the field of bridge inspection and management. Coupled with advanced robotic systems, state-of-the-art visual sensors can be used to obtain accurate documentation of bridges without the need for any special equipment or traffic closure. The captured visual sensor data can be post-processed to gather meaningful information for the bridge structures and hence to support bridge inspection and management. However, state-of-the-practice data postprocessing approaches require substantial manual operations, which can be time-c
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