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Majtenyi, David. ""Mirek" z Reportáže psané na oprátce - Jaroslav Klecan (1914-1943)". Časopis Národního muzea. Řada historická 188, nr 1-2 (2020): 3–58. http://dx.doi.org/10.37520/cnm.2019.001.
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This paper focuses on the fate of Jaroslav Klecan, a native from southern Bohemia, a pre-war member of the Communist Party who had left as a volunteer for the Spanish Civil War in late 1937. He fought in the battalion T. G. Masaryk of the 129th interbrigade. After the fall of the Spanish Republic, he was interned in the French camp in Gurs. When the Second World War begun he enrolled to the Czechoslovak Army, albeit he was probably never committed at the front. After the French capitulation, he stayed in the free zone and joined the French resistance movement in the FTP-MOI group led by Ladislav Holdoš. However, the Comintern soon ordered him and few other Czechoslovak Resistance fighters to return to the occupied homeland. Klecan arrived to the Protectorate in 1941 and affiliated the Communist resistance movement in Bohemia immediately. He was arrested by the Nazi secret police on 24 April 1942, together with Julius Fučík and others. After a series of interrogations, the German People’s Court sentenced him to death and he was executed in Berlin-Plötzensee on 8 September 1943. He is known as “Mirek” from Fučík’s Notes from the Gallows.
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Melichar, Bohumil. "From the land where tomorrow already means yesterday / Fučík's articles as a tribute to the Soviet experiment". Soudobé dějiny 28, nr 1 (30.04.2021): 161–82. http://dx.doi.org/10.51134/sod.2021.022.
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Pelc, Martin. "Rozhlasové Reportáže Josefa Laufera z Mistrovství Světa Ve Fotbale 1934 a Jejich Ohlas v Československu". Acta Musei Nationalis Pragae – Historia 71, nr 1-2 (2017): 21–31. http://dx.doi.org/10.2478/amnh-2017-0004.
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The present paper focuses on how the Czechoslovak society received and reacted to the live radio broadcasting of FIFA World Cup in 1934. The public listening to the running commentaries raised the interest in sports among new social strata and in new geographic areas of the then Czechoslovakia. Radio broadcastings undoubtedly provoked a higher sensibility of listeners, as the example examined in this paper of the spread of rumours concerning the death of several Czechoslovak players, proved. The last part of the present paper looks at how the broadcasting of FIFA World Cup became a Czechoslovakian site of memory.
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Maharani, Dwi. "PENGGUNAAN ETIKA JURNALISTIK PADA PROGRAM ACARA DI TELEVISI (STUDI EVALUATIF PADA PROGRAM REPORTASE INVESTIGASI TRANSTV EPISODE “AYAM KAMPUS”)". Jurnal Inovasi 13, nr 2 (21.10.2019): 87–100. http://dx.doi.org/10.33557/jurnalinovasi.v13i2.613.
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Research entitled Implementation of Journalistic Ethics in Television Program Evaluative (Journalistic Evaluative Study On Impression Reporting Episode Investigation "Ayam Kampus") The problem formulation is how to depict the application of journalistic ethics in the program of Reportage Investigation in TRANS TV episode "Ayam kampus". used in this study is a qualitative method by using visual materials and interviews to analyze the data Analysis of data used by researchers based on journalistic ethics and in addition also through communication ethics Based on the results of research conducted it can be concluded that there are many parts based on journalistic ethics judging from the journalistic code of ethics on TRansTV Investigation Reports. Penelitian berjudul Penerapan Etika Jurnalistik Dalam Program Acara Televisi (Studi Evaluatif Jurnalistik Pada Tayangan Reportase Investigasi Episode “Ayam Kampus”). Rumusan masalahnya aadalah; Bagaimana gambaran penerapan etika jurnalistik dalam program acara Reportase Investigasi di TRANS TV episode “Ayam Kampus”. Metode yang digunakan dalam penelitian ini adalah metode Kualitatif dengan menggunakan bahan visual dan wawancara untuk menganalisis data. Analisis data yang digunakan peneliti berpedoman pada etika jurnalistik dan sebagai tambahan juga melalui etika komunikasi. Berdasarkan hasil penelitian yang dilakukan dapat disimpulkan bahwa sudah banyak bagian yang berpedoman pada etika jurnalistik dilihat dari kode etik jurnalistik pada tayangan Reportase Investigasi TRansTV.
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Osório Vargas, Raúl. "Reportage: Methodology Of Literary Journalism". Brazilian Journalism Research 14, nr 3 (28.12.2018): 720–39. http://dx.doi.org/10.25200/bjr.v14n3.2018.1124.
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I sustain in my book El reportaje como metodologia del periodismo: una polifonia de saberes (Reportage as the methodology of journalism: polyphony of knowledge), (Osorio, 2017), that journalism leads, guides, interprets, explains, teaches and above all deeply tries to understand the world and its running; thus its essence is freedom of thought, expression and social dialogue or conversation to set in place and to enhance consensus and democratic participation. In this process, journalism shows and enlightens ways (methods) through reportage, which has been very much so studied as a journalist genre around the world; countless books and articles have been published about it and several universities have granted PhD titles for theses written about it. The North American and European bibliography on it is abundant - which has been taken in consideration at this research - and widely known; but little is known of what has been done in our South American continent. Therefore, in this book I put in perspective two major examples: Brazil and Colombia. Nevertheless, I must emphasize that when this subject is addressed, it is done so through the lens of journalistic genres, but not under the dimension of the methodology of journalism, which has been away from the eyes of theoreticians, scholars and researchers. In this sense, my book is an epistemological turn, as it is innovative and pioneer for contributing with another vision, which studies, analyses and proposes reportage as the methodology of journalism, by presenting some findings and by opening new theoretical perspectives in literary journalism.No meu livro A reportagem como como metodologia do jornalismo. Uma polifonia de saberes (Osorio, 2017), sustento que o jornalismo orienta, guia, interpreta, explica, ensina e acima de tudo tenta compreender em profundidade o mundo e suas ações; por isso sua essência é a liberdade de pensamento, de expressão e de diálogo social ou conversação para pôr em comum e fortalecer o consenso e a participação democrática. Nesse processo, o jornalismo mostra e ilumina caminhos (métodos) através da reportagem, que em todo o mundo tem sido amplamente estudada como gênero jornalístico; e em torno dela tem-se publicado numerosos livros e artigos, e em diversas universidades foram concedidos títulos de doutorado por teses feitas sobre o tema. A bibliografia europeia e americana que tratam o assunto é abundante – e que tive em conta para esta pesquisa –, é de conhecimento geral; mas o que é produzido em nosso próprio continente é desconhecido. Por isso, nesse livro, concentrei-me em dois exemplos importantes: o que foi feito no Brasil e na Colômbia. No entanto, devo reiterar que, quando o tema proposto é abordado, se faz desde a ótica dos gêneros jornalísticos, mas não sob a dimensão da metodologia do jornalismo, que tem estado oculta as miradas dos estudiosos, teóricos e acadêmicos. Neste sentido, o meu livro constitui um giro epistemológico, pois é inovador e pioneiro ao contribuir com outra visão, que estuda, analisa e propõe a reportagem como metodologia do jornalismo, ao mostrar algumas descobertas e abrir novas perspectivas sobre as teorias do jornalismo literário.En mi libro El reportaje como metodología del periodismo. Una polifonía de saberes (Osorio, 2017), sostengo que el periodismo orienta, guía, interpreta, explica, enseña y sobre todo intenta comprender en profundidad el mundo y su accionar; por eso su esencia es la libertad de pensamiento, de expresión y de diálogo social o conversación para poner en común y fortalecer el consenso y la participación democrática. En ese proceso, el periodismo muestra e ilumina caminos (métodos) a través del reportaje, que en todo el mundo ha sido muy estudiado como género periodístico; en torno a él se han publicado numerosos libros y artículos, y en diversas universidades se han otorgado títulos de doctorado por tesis realizadas sobre el tema. La bibliografía europea y estadounidense al respecto, que es abundante – y que he tenido en cuenta para esta investigación –, es de conocimiento general; pero se desconoce lo producido en nuestro propio continente. Por eso en ese libro me centré en dos ejemplos importantes: lo hecho en Brasil y en Colombia. Sin embargo, debo reiterar que cuando se aborda el tema propuesto, se hace desde la óptica de los géneros periodísticos, pero no bajo la dimensión de la metodología del periodismo, que ha estado oculta a las miradas de estudiosos, teóricos y académicos. En este sentido, mi libro constituye un giro epistemológico, pues es novedoso y pionero al contribuir con otra visión, que estudia, analiza y propone el reportaje como metodología del periodismo, al mostrar algunos hallazgos y al abrir nuevas perspectivas sobre las teorías del periodismo literario.
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Hammer, Matthias. "Reportage". Biologie in unserer Zeit 23, nr 6 (grudzień 1993): 347. http://dx.doi.org/10.1002/biuz.19930230603.
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Zeiß, Bernd. "reportage". Biologie in unserer Zeit 22, nr 4 (sierpień 1992): 189–90. http://dx.doi.org/10.1002/biuz.19920220408.
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Hammer, Matthias. "Reportage". Biologie in unserer Zeit 23, nr 1 (luty 1993): 22–23. http://dx.doi.org/10.1002/biuz.19930230106.
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Norten, Ellen. "Reportage". Biologie in unserer Zeit 24, nr 2 (kwiecień 1994): 79–80. http://dx.doi.org/10.1002/biuz.19940240206.
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Serraller Calvo, Amelia. "Ryszard Kapuściński and the Fierce Debate on “Magical Journalism”". Polska szkoła reportażu w świecie 18, nr 3 (31.12.2021): 395–406. http://dx.doi.org/10.4467/23531991kk.21.030.14317.
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As a journalistic genre, reportage is determined by the context in which it is produced. It transports the reader to a specific time and place, but, unlike the news, it does not depend on current events. Therefore, a reporter is not constrained by brevity and, like any other author, aims to develop their own style. This was the case of Ryszard Kapuściński, who was the Polish Press Agency’s only correspondent in Latin America from 1967 to 1972. After this experience, Kapuściński returned several times to the continent from 2001 to 2005 and gave lectures for the Fundacion Nuevo Periodismo Iberomericano, founded by Gabriel Garcia Marquez. His reportages about the continent are considered highly political (in fact Artur Domosławski describes him as a naive “true believer” in communism during his stay as a correspondent). This article, however, views the significance of his time on the new continent from a different perspective. Was the most important Latin American influence on Kapuściński actually the style and genre that he developed as he explored a new kind of reportage: ‘‘magical journalism”? Reportaż jako gatunek dziennikarski jest zdeterminowany przez kontekst, w którym powstaje. Przenosi czytelnika w określony czas i konkretne miejsce, ale w przeciwieństwie do newsów nie jest zależny od bieżących wydarzeń. Dlatego reporter nie jest skrępowany wymogiem zwięzłości i jak każdy inny autor dąży do wypracowania własnego stylu. Tak było w wypadku Ryszarda Kapuścińskiego, który w latach 1967–1972 był jedynym korespondentem Polskiej Agencji Prasowej w Ameryce Łacińskiej. Po tym doświadczeniu Kapuściński kilkakrotnie wracał na ten kontynent w latach 2001–2005 i prowadził wykłady dla Fundacion Nuevo Periodismo Iberomericano, założonej przez Gabriela Garcię Marqueza. Jego reportaże o Ameryce Łacińskiej są uważane za wysoce polityczne (Artur Domosławski opisuje Kapuścińskiego korespondenta w tamtym regionie jako naiwnego „prawdziwego wyznawcę” komunizmu). W niniejszym artykule spojrzymy jednak na znaczenie jego pobytu na nowym kontynencie z innej perspektywy. Czy własny styl, który rozwinął, zgłębiając nowy rodzaj reportażu: „dziennikarstwo magiczne”, nie okazał się najważniejszym owocem jego zagłębiania się w świat latynoamerykańskiej kultury?
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Sarmiento, Revista. "Reportaxe fotobiográfica". Sarmiento. Revista Galego-Portuguesa de Historia da Educación 20 (31.07.2019): 69–71. http://dx.doi.org/10.17979/srgphe.2016.20.0.5677.
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Simon, Catherine. "Enquête, reportage". Migrations Société N° 111-112, nr 3 (2007): 165. http://dx.doi.org/10.3917/migra.111.0165.
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Teeraparbwong, Komson. "Reportaje fotográfico". Cuaderno Urbano 3, nr 3 (24.11.2002): 1. http://dx.doi.org/10.30972/crn.331605.
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<p>Modernidad, globalización y un pasado espacial religioso se entremezclan en Chiang Mai, segunda ciudad de Tailandia. La preocupación por la degradación y transformación de los espacios sagrados de la ciudad original, es lo central en esta búsqueda de comprensión de tensiones entre las viejas y nuevas fuerzas que motorizan su dinámica urbana.</p><p> </p>
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Zappadu, Antonello. "Photo reportage". Freedom from Fear 2016, nr 10 (29.04.2016): 66–69. http://dx.doi.org/10.18356/93334b93-en.
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Cuttica, Fabio. "Photo reportage". Freedom from Fear 2014, nr 9 (11.03.2011): 52–57. http://dx.doi.org/10.18356/ee8920a3-en.
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Cribier, B. "Reportage JDP". Annales de Dermatologie et de Vénéréologie - FMC 1, nr 2 (marzec 2021): 1/2S1–1/2S2. http://dx.doi.org/10.1016/s2667-0623(21)00093-3.
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Retzlaff, Stefanie. "Reportage 4.0". Internationales Archiv für Sozialgeschichte der deutschen Literatur 46, nr 1 (1.06.2021): 24–39. http://dx.doi.org/10.1515/iasl-2021-0003.
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Abstract The article illuminates Heike Geißler’s book Saisonarbeit’s relation to the tradition of the reportage genre since the 19th century, and shows why this genre is of current relevance, especially in view of the latest restructuring of work. Although talk of the widespread digitalization of labor implies a fundamental transformation of its conditions, the mail-order business represented in Saisonarbeit tends to evoke reminiscences of past phases of capitalist production. It is precisely here that the reportage has a special function as a report of vivid experiences.
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Białek, Monika. "The Tradition of Polish Radio Reportage". Perspektywy Kultury 33, nr 2 (6.08.2021): 79–90. http://dx.doi.org/10.35765/pk.2021.3302.07.
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This article is an attempt to present the history of Polish radio reportage in a synthetic way, pointing out the most important features of the genre as well as the specificity of the Polish School of Reportage. The qualities developed there (including the “purity of form” and authenticity of sound) became distinguishing elements of the Polish reportage in the international arena. The artistic value of the audio creations makes today’s radio art researchers situate both radio play and sound reportage in the category of audio literature. This paper presents the development of radio reportage, taking into account the historical context as well as the communication perspective. Pointing to the aesthetic function of the message, the reportage is defined as a work of radio art, considered in terms of artistic impact.
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Ali, Sadia, i Wasima Shehzad. "LINGUISTIC VARIATION AMONG SOUTH ASIAN ENGLISHES: A CORPUS-BASED MULTIDIMENSIONAL ANALYSIS". Journal of Nusantara Studies (JONUS) 4, nr 1 (29.06.2019): 69. http://dx.doi.org/10.24200/jonus.vol4iss1pp69-92.
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Pakistani English is considered to be a distinct variety of English on the basis of its comparison with British English and American English. However, this claim is partial as its distinction from other varieties of English particularly used in South Asia has not yet been established. Thus, there is a need to investigate the similarities and differences between Pakistani and South Asian Englishes, and to analyse how far Pakistani English is distinct from other South Asian Englishes. Therefore, the present study aims at analyzing the linguistic features of Pakistani English as a separate variety from other varieties of English used in India and Bangladesh. For this purpose, a corpus of Pakistani, Indian and Bangladeshi English newspaper reportage was developed and analyzed using Biber’s (1988) multivariate/ multidimensional approach. The findings indicated that Pakistani press reportage is different from Indian and Bangladeshi press reportage on all the five dimensions, especially on Dimension 2, in which Pakistani press reportage is narrative, while Bangladeshi press reportage is non-narrative in nature. On Dimension 3, the press reportage of Pakistan is highly explicit as compared to Indian and Bangladeshi press reportage. Further, the sub-categories of Pakistani press reportage also exhibit variation when compared to the sub-categories of Indian and Bangladeshi press reportage. The possible causes of linguistic variation among these countries are their culture and geographical origin. It is further suggested that South Asian Englishes are evolving rapidly and linguistic variation among them certainly be a worth researchable area. Keywords: Multidimensional analysis, Pakistani English, press reportage, South Asian Englishes, world Englishes. Cite as: Ali, S. & Shehzad, W. (2019). Linguistic variation among South Asian Englishes: A corpus-based multidimensional analysis. Journal of Nusantara Studies, 4(1), 69-92. http://dx.doi.org/10.24200/jonus.vol4iss1pp69-92
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Sultana, Irem, Rao Shahid Mahmood i Hamid Yaseen Ahmed. "Pakistani Print Media as Political Propaganda Tool: A Study of Panama Issue". Global Political Review VI, nr II (30.06.2021): 92–98. http://dx.doi.org/10.31703/gpr.2021(vi-ii).10.
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This research study examined the scenario of media as propaganda tool keeping in view the news reportage of the Panama issue as well as editorial coverage in Urdu print media. The study investigated the situation of whether the Urdu print media remained unbiased during reportage and editorial coverage of the big corruption scandal or it was used as a propaganda tool for the psychological warfare of the political arena. The paper assessed the position of factual and non-factual reportage and framed news reportage on the country's game-changer phenomenon. The study might be helpful to understand the scenario of news reportage on big corruption issues in the Urdu Print world of Pakistan. The results presented the outlines behind the framed news coverage, the picture of alteration into non-factual news, ignoring the facts and figures, and just focusing on the statements. The study also presented the view of meandering policies between reportage and editorials. It also indicated the changing policy regarding news reportage in terms of editorials and exposed the view of smearing position regarding ethical lees of news coverage. The study was the outcome of content analysis of Pakistani Urdu Dailies (three newspapers, Daily Jang, Daily Express, and Daily Dunya, were chosen as sample) to study the phenomenon, and in-depth interviews of senior communication experts were done to understand the scenario deeply.
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Hinson, Robert. "Corporate social responsibility (CSR) reportage on websites and in annual reports: The case of CAL bank in Ghana". Corporate Ownership and Control 8, nr 2 (2011): 190–202. http://dx.doi.org/10.22495/cocv8i2c1p4.
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Purpose – The management literature in recent years have been paying attention to the concept of corporate social responsibility. This could be attributed to stakeholder concerns of ethical practices of companies globally. This study focuses on how an indigenous Ghanaian bank reports its CSR activities online and in the annual reports. Design/methodology/approach – A conceptual framework was adopted from the extant literature and used as the basis of comparative content analysis of social responsibility data on CAL Bank’s website, www.calbank.net and the annual reports. We compared the social responsibility reportage on the website with the social responsibility reportage from the annual reports of the Bank from 2003-2009. We also conducted in-depth interviews with senior management of the bank to develop a deeper understanding of CAL Bank’s online CSR reportage. Findings: There seems to be a consistency between the annual reports and the corporate website CSR reportage of the bank. There however seems to be under-reportage of CAL Bank’s CSR activity online as their CSR online reportage focuses mainly on external disclosures. It also came to light that the bank’s CSR reportage is fragmented and is not integrated into a marketing communication plan. These findings demonstrate the challenges the bank faces in coordinating and integrating its marketing communication activities. Originality/value – Studies on online CSR communications within developing countries context is limited. This study does not only help bridge the gap but contributes to improving bank marketing practices in Ghana as well.
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Sultana, Irem, Hamid Yaseen Ahmed i Rao Shahid Mahmood Khan. "Political Arena in Pakistan and Objectivity of Urdu Print Media: A Study of Panama Issue". Global Political Review V, nr IV (30.12.2020): 21–29. http://dx.doi.org/10.31703/gpr.2020(v-iv).03.
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This research paper examined the scenario of objectivity in Pakistani print media keeping in view the reportage of Panama issue in leading Urdu Dailies. The study investigated the situation whether the Urdu print media remained objective, unbiased, and non-judgmental during reportage of the big corruption scandal of the history of the political arena in Pakistan. The paper assessed the position of factual and non-factual reportage rate in three big Urdu Dailies. The study might be help full to understand the scenario of reportage on big venality issues in Urdu Print World. The results presented the outlines behind the picture of alteration in facts and framed news coverage. The study is concluded with the indications of policy change on news reportage. The applying position of ethical grounds of news coverage of Panama Issue also remained questionable. The study is the outcome of content analysis and in-depth interviews of senior communication experts.
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Kovaleva, V. S., O. E. Pokhalenkov i E. I. Shevarshinova. "COMMUNICATIVE AND SPEECH STRATEGIES OF MODERN EVENT REPORTAGE". Voprosy Kognitivnoy Lingvistiki, nr 4 (2021): 99–108. http://dx.doi.org/10.20916/1812-3228-2021-4-99-108.
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The article considers event reportage as one of the journalistic genres, which is the most important component of the mass communication discourse. The authors focus on the features of the communicative strategies of modern event reportage. The proposed comparative analysis is carried out by considering English and Russian reports. Two main communicative strategies of modern event reportages are identified as objective transmission of the news and the impact on the recipient with the help of the author's commentary on the described event. The communicative strategies of English event reportage have a deliberately emphasized focus on objective coverage of events and maximum restraint of the assessments included in it, while the communicative strategies of Russian reportage are aimed not only at covering the event, but also to a greater extent at its emotional and evaluative perception. The research of communicative strategies and their speech specifics of modern event reportage created in different languages shows the national linguistic and extra linguistic features of this popular journalistic genre.
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Benešová, Michala. "Kilka uwag na temat czeskiej recepcji polskiej tradycji reportażowej". Polska szkoła reportażu w świecie 18, nr 3 (31.12.2021): 345–57. http://dx.doi.org/10.4467/23531991kk.21.027.14314.
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Artykuł podejmuje refleksję nad wybranymi aspektami czeskiej recepcji tak zwanej polskiej szkoły reportażu. Na kilku konkretnych przykładach analizuje, jakie polskie teksty reportażowe ukazują się w czeskich przekładach, jak są one odbierane i jaki obraz polskiego reportażu wyłania się z takiej refleksji. Do analizy wybrane zostały przede wszystkim te materiały, które w jakiś sposób uwzględniają specyfikę gatunkową polskiego reportażu lub kulturowe różnice w odbiorze polskich tekstów reportażowych przez polskich i czeskich czytelników. Few Remarks on the Topic of Czech Reception of the Polish Reportage Tradition The article reflects on the chosen aspects of the Czech reception of the so called Polish school of reportage. Using a few specific examples, it analyses which Polish reportage texts appear in Czech translation, how are they received and which picture of Polish reportage emerges from such reflection. For analysis purposes chosen were first and foremost these texts, which in some way present the genre characteristics of the Polish reportage or the cultural differences in its reception by Polish and Czech readers.
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Mauger, Gérard, i Louis Weber. "Reportage en précarité". Savoir/Agir 12, nr 2 (2010): 61. http://dx.doi.org/10.3917/sava.012.0061.
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Christoffel, David. "Le Reportage interminable". Chimères 66-67, nr 1 (2008): 403. http://dx.doi.org/10.3917/chime.066.0403.
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Lanzmann, Claude. "Le reportage enseveli". Les Temps Modernes 649, nr 3 (2008): 1. http://dx.doi.org/10.3917/ltm.649.0001.
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Burdeau, Emmanuel. "Éternité et reportage". Critique 857, nr 10 (2018): 848. http://dx.doi.org/10.3917/criti.857.0848.
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Calvesi, Maurizio, i Madeline Robinson. "Recognition and Reportage". Art in Translation 12, nr 3 (2.07.2020): 302–8. http://dx.doi.org/10.1080/17561310.2021.1876793.
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Cúneo, Claudio. "Reportaje a Ánfora". Barquitos Pintados. Experiencia Rosario. 4, nr 4 (9.02.2022): 293–98. http://dx.doi.org/10.35305/barquitos.v4i4.82.
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Al-Ameedi, Riyadh T. K., i Sadiq M. K. Al Shamiri. "Biblical Evaluative Discourse of Speech and Thought Presentation". International Journal of English Linguistics 8, nr 3 (10.02.2018): 223. http://dx.doi.org/10.5539/ijel.v8n3p223.
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The study aims to highlight the evaluative strategies associated with the Biblical modes of speech and thought presentation. An eclectic pragma-stylistic model of analysis is developed to test the validity of the hypotheses that the targeted modes of discourse are almost always internally and/or externally evaluated by the narrator, and that the reportive modes of speech and thought are evaluative in respect to the quotative modes. The study arrived to the conclusion that different modes of speech and thought are exploited in building narrative genres. These modes form two interrelated types of discourse: quotative and reportive. Four modes contribute to the occurrence of the quotative discourse which are direct speech, free direct speech, direct thought, and free direct thought. The reportive discourse occurs when using one of the reportive modes which include indirect speech, free indirect speech, narrative report of speech act, narrator’s representation of voice, indirect thought, free indirect thought, narrative report of thought act, and internal narration. When employed in the targeted Biblical discourse, the quotative and reportive modes are often evaluated by the Biblical narrator. Evaluations of this kind implicate additional meanings and affect reader’s interpretation of the represented speeches or thoughts. The Biblical reportive modes are often evaluative in respect to the quotative ones. The Biblical narrator’s internal, external, and interactional evaluative strategies contribute to the occurrence of the Biblical evaluative discourse of speech and thought presentation.
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Tan, Xiyuan. "Speed, subjectivity and visual conventions in ethnographic reportage drawings". Drawing: Research, Theory, Practice 6, nr 1 (1.04.2021): 153–70. http://dx.doi.org/10.1386/drtp_00057_1.
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Reportage drawing is a way of visual journalism and records opinions as well as observation. In ethnographic fieldwork, reportage drawing has been used as a method of visually documenting ethnographic discoveries. The question is: what are the most significant skills that a reportage drawing artist need to effectively document visual materials? This paper proposes three important skills: speed-drawing, understanding of subjectivity, and appropriate use of conventions. Speed-drawing is essential for on-location settings to help quickly capture important aspects of moving subjects. Understanding the influence of subjectivity is important in an ethnographic setting, as it helps the artist to realize what cultural characteristics are valuable from their point of view so they can quickly decide what to record and what to omit in a fast-paced reportage setting. Applying conventions makes it easier to translate three-dimensional scenes into two-dimensional drawings and can also be used to add more information, but needs to be used wisely to avoid loss of crucial visual data. With practice-based research as core methodology, this project justifies the proposed argument with the analysis of my own reportage drawing practice, including both the process and the outcome.
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BUCZEK, Paulina. "WPŁYW NOWYCH MEDIÓW NA EWOLUCJĘ LITERATURY FAKTU. ANALIZA REPORTAŻU MULTIMEDIALNEGO JACKA HUGO-BADERA BOSKIE ŚWIATŁO". Civitas et Lex 7, nr 3 (30.09.2015): 7–16. http://dx.doi.org/10.31648/cetl.2122.
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New media becomes more and more popular. Its existence and constant development donot stay indifferent to traditional forms of non-fiction literature. The distinct example of thisphenomenon is creation of a multimedia reportage. It is a combination of the classic journalistictext and elements such as: pictures, sounds, films, animations and visualizations. A typical qualityof multimedia reportage is interactivity. This paper contains analysis of one of the first Polishexamples of the new kind of reportage – Boskie Światło by Jacek Hugo-Bader. In the presentedpaper all new media tools used by the reporter and effect of this usage are described. Followingthis – the influence of new media on non-fiction literature evolution is depicted. The multimediareportage is a completely new creation, so no specific literature about this genre has been writtenyet. To prove its otherness, it is compared with a classic form of the reportage.
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Augustyn, Kamila. "Warsztaty z Apokalipsy. Zagrożenia atomową zagładą w reportażach Swietłany Aleksijewicz, Katarzyny Boni oraz Johna Herseya". Przegląd Humanistyczny, nr 1 (26.04.2017): 109–17. http://dx.doi.org/10.5604/01.3001.0009.9231.
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The article analyses the reportage of John Hersey, Svetlana Alexievich and Katarzyna Boni devoted to the victims of the atomic bomb explosion in Hiroshima, as well as the nuclear reactor accidents in Chernobyl and Fukushima. Presenting the consequences of disasters, not only in material, but above all in human terms, the author makes an attempt to find out how societies, including the heroes of reportage, process the trauma of contamination through culture, and what is the role in this process of the fictionalized type of this genre of the non-fiction prose. To answer the question whether the contemporary reportage can serve as a culture-creating factor, the author analyses the linguistic and stylistic features, which carry cultural meanings, as well as the composition of reportage texts revealing the way the authors build the world presented of their authentic stories.
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Kępa, Sylwia. "Dlaczego wojna nie ma w sobie nic z kobiety? Żołnierki II wojny światowej w reportażach Swietłany Aleksijewicz. Mapa mentalna". Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 15 (13.12.2017): 157–64. http://dx.doi.org/10.24917/3931.
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Why does war have nothing from a woman? World War II protagonists in the reportage of Swietłana Aleksijewicz. Mental map The aim of this project is to outline the creativity of Swietlana Aleksijewicz. Her reportage depicts women who participated in World War II in the ranks of the Red Army. Moreover, a picture of the war from the perspective of women's experience will be presented. It will allow forming the mental map. The conclusion will be an attempt to answer the question included in the title.Key words: war woman; mental map; World War II; reportage;
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Simard-Houde, Mélodie. "Les avatars du « Je ». Roman et reportage dans l’entre-deux-guerres". Études françaises 52, nr 2 (4.07.2016): 161–80. http://dx.doi.org/10.7202/1036930ar.
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Le reportage constitue, dans la France de l’entre-deux-guerres, une matrice poétique qui connaît diverses déclinaisons, au gré d’une diffusion très large supportée tant par la presse quotidienne et hebdomadaire que par l’édition en volume. Il est investi par les écrivains et constitue un lieu d’expérimentations formelles à la croisée du journalisme et de la littérature. Dès lors, il apparaît pertinent d’examiner quelques interactions du reportage et du roman à la première personne, deux types de récits contemporains, distincts par leur visée et leur contexte de production, mais marqués tous deux par la mise en avant d’une subjectivité. Dans un premier temps, une lecture du reportage sous l’angle peu emprunté de l’écriture de soi permet de mettre en évidence une forme d’autofiction journalistique qui fait écho aux romans du « réalisme subjectif » (Jacques Dubois) et à certains enjeux de l’entreprise proustienne. Chez les reporters Georges Le Fèvre et Maryse Choisy, un sujet en crise questionne ainsi la notion d’identité à partir d’une expérience vécue dans le cadre du reportage d’identification. Dans un second temps, le Voyage au bout de la nuit de Louis-Ferdinand Céline est analysé comme subversion de la forme narrative et des motifs récurrents du grand reportage, en prolongeant une hypothèse formulée par Paul Aron. Le personnage de Bardamu dessine en creux la silhouette d’un « mauvais » reporter, refusant la geste héroïque de son double, comme le discours patriotique, pro-colonial ou la mise en scène pittoresque de l’exotisme géographique et social que le reportage propose au lectorat de la presse d’information.
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Sacco, Vittoria, i Diana Bossio. "Using social media in the news reportage of War & Conflict: Opportunities and Challenges". Journal of Media Innovations 2, nr 1 (9.03.2015): 59–76. http://dx.doi.org/10.5617/jmi.v2i1.898.
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Based on interviews with Swiss journalists who specialise in war and international reportage, this article investigates the extent to which social media impacts on reportage of war and conflict. The interviews examine journalists’ perceptions of the threats and opportunities posed by use of social media in reporting conflict, by investigating how journalists position themselves and their practices within this new media ecosystem. In particular, the interviews explore whether challenges to professional journalism encountered in previous studies of reportage of war and conflict are overcome by the use of social media. It explores if social media can mitigate the effects of military and government restriction of information, changing newsroom dynamics and issues of audience engagement in reportage of conflict. The findings highlight that in the context of war and conflict the dynamism creates opportunities for fast, news dissemination, pluralised voices in reportage and extended audience reach. However, reporters must also negotiate the complexities that fast, multi-medium and multi-sourced information create for reporting practices, especially in terms of verification of information and contextualisation. Thus this article argues that although social media adds dynamism to journalistic environments, this dynamism also brings new levels of complexity to journalistic practice that professional media workers must negotiate.
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Buryanova, Anastasia A. "Deixis as a category of journalist’s mental space in reportage message". Current Issues in Philology and Pedagogical Linguistics, nr 2(2021) (25.06.2021): 186–98. http://dx.doi.org/10.29025/2079-6021-2021-2-186-198.
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This article systematically analyzes the cognitive structure of discursive deixis. The category of deixis is interpreted in terms of structuring actual events in reportage messages and texts, an impartial representation of objective reality as an epistemological entity reproduced and changed by the journalist. Deixis is interpreted as a pragmatic category that is structured around the corresponding ideal cognitive model, measured on the prototypical scale, since it is implemented based on nuclear and peripheral means of expression. It is argued that deictic means reproduce specific mental spaces in reportage texts, while the metaphorical generating basis for discursive deixis is spatial deixis. The functioning of discursive deixis is based on the metaphorical awareness of the reportage text as an epistemological entity unfolding in space and time. In the reportage narration, the journalist shifts the deictic center from the situation in objective reality to the textual embodiment of the image of himself / herself. In this case, the category of locativity is represented as a cognitive structure that captures the spatio-temporal characteristics of an actual event through the prism of journalistic perception. Based on these characteristics, the reader localizes this event, interprets it in terms of the general event canvas unfolding in objective reality. In the reportage text, the deictic center is not static: the detail of the actual event is carried out, among other things, by means of shifts in this center. Current events are reproduced by the journalist taking into account specific spatial and temporal parameters. These events are often considered against the background of previous or subsequent (hypothetical) eventfulness, and therefore shifts in the original deictic center of the reportage text are a natural phenomenon.
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Frukacz, Katarzyna. "Polski reportaż literacki w perspektywie międzykulturowej. Z zagadnień recepcji gatunku". Studia Europaea Gnesnensia, nr 14 (15.12.2016): 101–19. http://dx.doi.org/10.14746/seg.2016.14.6.
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The article aims to determine how the genre of literary reportage is perceived in various target cultures. The analysis takes into account the findings of a survey conducted in Russia, Germany and the Czech Republic. The paper also outlines the standing of reportage writing in the literary tradition of those countries.
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Navarrete Oyarce, José, i José Luis Gallizo. "Gobierno corporativo y su revelación a través del Reporte Integrado: Caso MASISA". CAPIC REVIEW 17 (3.07.2020): 1–11. http://dx.doi.org/10.35928/cr.vol17.2019.55.
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Este artículo tiene por objetivo analizar las revelaciones sobre aspectos de Gobiernos Corporativos a través del Reporte Integrado, en base de los requerimientos del Marco Internacional del Reporte Integrado. El Reporte Integrado se ha convertido en una fuerte tendencia mundial dentro del ámbito del Reporting.Para tales efectos, se realizó un estudio de caso, en el informe emitido por la empresa MASISA, dado que esta organización fue la primera empresa chilena en emitir el reporte y una de las primeras a nivel mundial. Se realizó un análisis cualitativo, análisis de contenido, para el Reporte emitido el año 2018.El análisis demostró un mediano cumplimiento de los requisitos de revelación, dado que se evidenció información de cinco de ocho aspectos revisados. También se determinó la existencia de interconexión entre las revelaciones, en línea con investigaciones previas.Llama la atención que existan tres aspectos sobre los que no se hace mención alguna. Los resultados también sugieren la utilización del Reporte como mecanismo para mostrar solo aspectos positivos de la organización. Esto abre variadas opciones de investigaciones futuras, tales como, ampliar a otras empresas o revisar el impacto interno de la emisión del Reporte.
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Roth, Joseph, i Michael Hofmann. "Reportage from Weimar Berlin". Grand Street, nr 69 (1999): 49. http://dx.doi.org/10.2307/25008530.
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Dabitch, Christophe. "Reportage et bande dessinée". Hermès 54, nr 2 (2009): 91. http://dx.doi.org/10.4267/2042/31562.
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Ellmers, Steve. "Noted: Exposing celebrity reportage". Pacific Journalism Review 20, nr 2 (31.12.2014): 260. http://dx.doi.org/10.24135/pjr.v20i2.182.
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Review of: Conflict Coverage Promotion: High Quality or High Concept? By Chris Veits. Hamburg: Anchor Academic Publishing, 2014, 95pp. ISBN 978-3-95489-200-6.Due to his background in entertainment television Chris Veits would seem uniquely qualified to conduct a semiotic analysis of the conflict coverage promotional spots on CNN International and Al Jazeera English. However, admirers of Al Jazeera English might be surprised to learn how both networks routinely employed high concept material in the segments lauding their reporting of the multinational intervention in Libya and the broader Arab Awakening. Although at times semiotic approaches can seem like the scrutiny of minutiae, the unusual choice of promotional clips provides an opportunity to demonstrate how image centric these channels’ claims about their professional integrity and morality really are.
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Jarchum, Irene. "Reportage from the gut". Nature Biotechnology 36, nr 7 (6.07.2018): 596. http://dx.doi.org/10.1038/nbt.4177.
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Snævarr, Stefán. "Poems as Reportive Avowals". Philosophy and Literature 41, nr 2 (2017): 375–91. http://dx.doi.org/10.1353/phl.2017.0046.
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Bech-Karlsen, Jo. "Når reportere flytter trær". Samtiden 119, nr 04 (18.04.2011): 50–63. http://dx.doi.org/10.18261/issn1890-0690-2010-04-06.
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Maudy Rizkiana i Kiki Zakiah. "Imparsialitas pada Reportase Investigasi". Bandung Conference Series: Journalism 1, nr 1 (7.12.2021): 5–9. http://dx.doi.org/10.29313/bcsj.v1i1.22.
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Abstract. This study is conducted through the quantitative content analysis by understanding the application of nine journalistic elements in the elements proportional, and comprehensive, based on objectivity model of McQuail and Westershahl. This research is performed in Tempo Media for a specific case of “Ada Apa dengan Pizza?” and “Siasat di Balik Suap Reklamasi”. Based on this method, the problem in this research is formulated as follow, (1) how application of the nine of element of journalist in impartialityaspect.. This study used a coding sheet with three coder, use IRC and interview to developed the result. The result shows that Tempo Media has implement elemen proportional, and comprehensive on category (1) even handed evalution proven that journalist in writing result of investigate should examined by another three editor (Tempo.co, Tempo Newspaper, and Tempo magazine), (2) equal access proven that they insert two witness to comply proporsional element, (3) Non sensational proven by Tempo media put forward magnitude value, not sensational and novelty, (4) and non evalution proven that Tempo probihited any journalist to write investigate reporting by their opinion.
Abstrak. Penelitian ini menggunakan metode analisis isi kuantitatif dengan menggunakan teori Sembilan elemen jurnalistik, focus pada elemen proporsional dan komprehensif, berdasarkan model McQuail dan Westerstahl. Penelitian ini meneliti media Tempo dengan kasus yang yang spesifik yaitu “Ada Apa dengan Pizza?” dan “Siasat di Balik Suap Reklamasi”, berdasarkan metode, pertanyaan penelitian ini dibuat sebagai berikut: (1) Bagaimana penerapan Sembilan elemen jurnalistik dari aspek impartialitas. penerapan dengan menggunakan lembar koding, menggunakan IRC dan wawancara . Hasil penelitian ini menunjukan bahwa media Tempo telah mengimplementasi elemen proporsional dan komprehensif dalam kategori (1) even handed evalution dibuktikan dengan wartawan dalam menuliskan laporan investigasi harus diuji kembali oleh tiga redaksi (Tempo.co, majalah Tempo, dan majalah Tempo ), (2) equal access dibuktikan wartawan selalu menuliskan dua saksi untuk memenuhi nilai proporsional, (3) non sensational dibuktikan dengan media Tempo dalam melakukan investigasu mengedepankan nilai magnitude bukan sensational atau pun kebaharuan, dan (4) non evaluative dibuktikan Tempo melarang semua jurnalis yang menuliskan investigasi untuk memasukan opini mereka.
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Domergue, Manuel. "Reportage : hôtels sans étoiles". Alternatives Économiques 290, nr 4 (1.04.2010): 46. http://dx.doi.org/10.3917/ae.290.0046.
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Boyd Maunsell, Jerome. "The Writer as Reporter: Portraiture in Literary Reportage and Documentary Writing". European Journal of Life Writing 9 (12.06.2020): 43–69. http://dx.doi.org/10.21827/ejlw.9.36305.
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This article explores how several novelists in the first half of the twentieth century, including James Agee, Jack London, George Orwell, and John Steinbeck, portrayed other, often marginal, real lives in works of reportage and documentary writing—terms variously defined and utilised by critics and practitioners, but seen here as hybrid, intersecting forms of life writing. It argues that such work has an extremely artful element of verbal portraiture of real-life people, often in dialogue with photography. The process of writing and witnessing reportage work differs substantially from that of fiction. Focusing on certain factors key to the portraiture in reportage—including unfamiliarity, representativeness, standpoint, and objectivity—the article analyses these writers’ treatment of them. The extent to which these writers revealed their documentary or reportorial role to their subjects, or disguised it, is also considered. Moving between international, cultural, political and social contexts, and deeply informed by chance and accident, early twentieth century reportage emerges as a highly interactive, volatile, and intersubjective space in its portraiture of others, nonetheless defined finally by the writer’s point of view.
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Żyrek-Horodyska, Edyta. "Wszystko za Everest Jona Krakauera w kontekście głównych założeń Nowego Nowego Dziennikarstwa". Media Biznes Kultura, nr 1 (10) (2021): 51–65. http://dx.doi.org/10.4467/25442554.mbk.21.003.13969.
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Into Thin Air by Jon Krakauer in the Context of the Main Features of New New Journalism The aim of this article is to present Jon Krakauer’s reportage Into Thin Air in the context of the main features of New New Journalism. The author critically discusses the most important elements of this paradigm, which refers on the one hand to the legacy of muckrakers from the beginning of 20th-century, and on the other hand – to the tradition of American reporters from the 1960s and 1970s. Detailed research was devoted to the Krakauer’s book Into Thin Air, which has been described as a journalistic syncretic form, combining elements of auto-reportage, immersive reportage and paraliterature.