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1

Arnold, Charles. Ritual body art: Drawing the spirit. Phoenix Pub., 1997.

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School of Visual Arts (New York, N.Y.). Visual notebooks of morning rituals. School of Visual Arts, 1985.

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Institute, Lumbini International Research, ed. Buddhist iconography and ritual in paintings and line drawings from Nepal. Lumbini International Research Institute, 2008.

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Bla-ma, Bstan-ʼdzin-ʼgyur-med, ред. Mtshur lugs gtor maʼi dpeʼu ris Bai-dur-yaʼi [i.e. Vaidūryaʼi] me loṅ =: Mirror of lapiz lazuki [i.e. lapis lazuli] : line drawing on the making of Tormas according to the Kamtsang tradition. s.n., 1990.

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1889-1975, Benton Thomas Hart, ed. Tom Benton and his drawings: A biographical essay and a collection of his sketches, studies, and mural cartoons. Unversity of Missouri Press, 1985.

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Bijutsukan, Tōkyō Kokuritsu Kindai. Tōkyō Kokuritsu Kindai Bijutsukan shozōhin mokuroku: Suisai, sobyō, sho, chōkoku (rittai zōkei), shiryō, sensō kirokuga = Catalogue of collections, the National Museum of Modern Art, Tokyo : watercolors and drawings, calligraphy, sculpture, supplementary materials, war record paintings. Tōkyō Kokuritsu Kindai Bijutsukan, 2006.

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Bijutsukan, Tōkyō Kokuritsu Kindai. Tōkyō Kokuritsu Kindai Bijutsukan shozōhin mokuroku: Suisai, sobyō, sho, chōkoku (rittai zōkei), shiryō, sensō kirokuga = Catalogue of collections, the National Museum of Modern Art, Tokyo : watercolors and drawings, calligraphy, sculpture, supplementary materials, war record paintings. Tōkyō Kokuritsu Kindai Bijutsukan, 2006.

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Ritual house, ritual city: Drawing on nature's rhythms for architecture and urban design. Island Press, 2006.

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Arnold, Charles. Drawing the Spirit: Body Painting for Ritual and Magic. Delphi Press, 1993.

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Drawing Down Desires: Women, Ritual, and Art in Southern India. Oxford University Press, 2005.

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Ritual House: Drawing on Nature's Rhythms for Architecture and Urban Design. Island Press, 2006.

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Knowles, Ralph. Ritual House: Drawing on Nature's Rhythms for Architecture and Urban Design. Island Press, 2006.

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Knowles, Ralph L. Ritual House: Drawing on Nature's Rhythms for Architecture and Urban Design. Island Press, 2006.

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Ritual House: Drawing on Nature's Rhythms for Architecture and Urban Design. Island Press, 2010.

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Miriam's cups: Drawing from the source : Miriam, women's creativity and new ritual : an invitational exhibition. Ma'yan, the Jewish Women's Project, 1997.

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16

Lifting the Veil: A Witches' Guide to Trance-Prophesy, Drawing down the Moon and Ecstatic Ritual. The Crowood Press, 2024.

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Lifting the Veil: A Witches' Guide to Trance-Prophesy, Drawing down the Moon, and Ecstatic Ritual. Acorn Guild Press, LLC, 2016.

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Nagarajan, Vijaya. Feeding a Thousand Souls. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780195170825.001.0001.

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Drawing on extensive fieldwork, this book investigates aesthetic, symbolic, metaphorical, literary, mathematical, and philosophical meanings of the kōlam, the popular Tamil women’s daily ephemeral practice, a ritual art tradition performed with rice flour on the thresholds of houses in southern India. They range from concepts such as auspiciousness, inauspiciousness, ritual purity, and ritual pollution. Several divinities, too, play a significant role: Lakshmi, the goddess of wealth, good luck, well-being, and a quickening energy; Mūdevi, the goddess of poverty, bad luck, illness, and laziness
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Blake, Jonathan S. Contentious Rituals. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190915582.001.0001.

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Why do people participate in controversial symbolic events that drive wedges between groups and occasionally spark violence? This book examines this question through an in-depth case study of Northern Ireland. Protestant organizations perform over 2,500 parades across Northern Ireland each year. Protestants tend to see the parades as festive occasions that celebrate Protestant history and culture. Catholics, however, tend to see them as hateful, intimidating, and triumphalist. As a result, parades have been a major source of conflict in the years since the Belfast/Good Friday Agreement. This b
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Sizemore, Michelle. American Civil Mysticism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190627539.003.0002.

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This theoretical chapter introduces a largely overlooked tradition of mysticism in the politics, art, religion, and culture of post-revolutionary U.S. society. Civil mysticism refers to nonsectarian practices of transcendence that engender the people, namely political and social rituals such as maypole ceremonies, presidential inaugurations, and literary pilgrimages. This chapter elaborates on civil mysticism’s specific conditions and techniques, insisting that the sacred interval of ritual is indispensable—its embodied practices (e.g., dancing, chanting, reading), sensuous objects (icons, boo
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Nono, Grace. Babaylan Sing Back. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501760082.001.0001.

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This book depicts the embodied voices of Native Philippine ritual specialists popularly known as babaylan. These ritual specialists are widely believed to have perished during colonial times, or to survive on the margins in the present-day. They are either persecuted as witches and purveyors of superstition or valorized as symbols of gender equality and anticolonial resistance. Drawing on fieldwork in the Philippines and in the Philippine diaspora, the book's deep engagement with the song and speech of a number of living ritual specialists demonstrates Native historical agency in the 500th yea
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Proctor, Travis W. Demonic Bodies and the Dark Ecologies of Early Christian Culture. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197581162.001.0001.

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Drawing insights from gender studies and the environmental humanities, Demonic Bodies analyzes how ancient Christians constructed the Christian body through its relations to demonic adversaries. Case studies on New Testament texts, early Christian church fathers, and “Gnostic” writings trace how early followers of Jesus construed the demonic body in diverse and sometimes contradictory ways, as both embodied and bodiless, “fattened” and ethereal, heavenly and earthbound. Across this diversity of portrayals, however, demons consistently functioned as personifications of “deviant” bodily practice
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Weiser, Brian. The Shamings of Falstaff. Edited by Malcolm Smuts. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199660841.013.29.

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InMerry Wives of WindsorFalstaff tries to clandestinely meet Mistress Ford three separate times and, each time, Mistresses Ford and Page play pranks on their ardent and clueless suitor. This article argues that each incident is an adaptation of a distinct form of shaming ritual usually reserved for unruly women: Mistresses Ford and Page subject Falstaff to a cucking, a Skimmington, and the placing of horns. Drawing on work by social historians, this chapter analyses these three forms of ritual shaming to provide a richer understanding of how Shakespeare’s most English comedy relates to its sur
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Iantaffi, Alex, and Meg-John Barker. Hell Yeah Self-Care! Jessica Kingsley Publishers, 2021. https://doi.org/10.5040/9781805015055.

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Take a moment to pause... Breathe... And ask yourself, what does self-care mean to you? Times are very tough-in a world that pushes us to go faster, be the best, and get ahead of others, we often forget to focus on ourselves, leaving us with anxiety, anger, burnout, stress, and trauma. In this creative workbook and journal leading mental health pioneers, Alex Iantaffi and Meg-John Barker, provide you with the tools to begin your self-care journey and develop sustainable self-care routines and rituals that work for you. Featuring a diverse range of experiential exercises, activities, and opport
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Drawn Swords: My Victory over Childhood Ritual Abuse. Mr. Light & Associates, Inc., 2003.

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Shaner, Katherine A. Shifting Power. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190275068.003.0004.

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This chapter explores differences between rhetorics of sacrifice in inscriptional evidence in Ephesos and in imperial depictions. Different rhetorics around configurations of sacrificial personnel reveal a contestation around enslaved leadership in ritual practices. As imperial presence strengthened in Ephesos in the second century CE, the rhetoric of imperial authority attempted to contain the social tensions that come with enslaved leadership. Drawing on rhetorical analysis of the Parthian Reliefs and the prevalence of enslaved personnel in the Artemis cult, this chapter argues that the work
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Eikelboom, Lexi, and David Newheiser, eds. Art-Making as Spiritual Practice. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350474215.

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Is it possible to consider art-making as a spiritual practice independent of explicit religious belief or content? This open access collection establishes a new paradigm that changes the conversation surrounding the spiritual significance of art. Where earlier research has focused on the religious significance of secular artworks, this innovative volume turns its attention to the role of the artist, and to specific examples of art practices, putting them into conversation with particular ritual practices. By creating a web of connections that emerge across multiple disciplines and practices, a
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Edmonds III, Radcliffe G. Drawing Down the Moon. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691156934.001.0001.

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What did magic mean to the people of ancient Greece and Rome? How did Greeks and Romans not only imagine what magic could do, but also use it to try to influence the world around them? This book provides the most comprehensive account of the varieties of phenomena labeled as magic in classical antiquity. Exploring why certain practices, images, and ideas were labeled as “magic” and set apart from “normal” kinds of practices, the book gives insight into the shifting ideas of religion and the divine in the ancient past and in the later Western tradition. Using fresh approaches to the history of
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Johnson, Sarah Kathleen. Occasional Religious Practice. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197806579.001.0001.

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Abstract Occasional religious practice is a way of relating to religion that is characterized by participation in religious practices occasionally rather than routinely, most often in connection with certain types of occasions, including holidays, life transitions, and times of crisis. Anchored in three years of ethnographic research in the Anglican tradition in Toronto, this interdisciplinary study employs qualitative theological methods to develop the concept of occasional religious practice. Sociologically, occasional religious practice is a consistent yet underdeveloped theme in research o
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van der Braak, André. Ayahuasca as Liquid Divinity. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781666985894.

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Ayahuasca often yields transformative experiences that merge such familiar categories as the sacred and the secular, transcendence and immanence, subject and object, and the human and the nonhuman. However, such experiences are interpreted differently by Western and indigenous discourses. Using the work of French philosopher Bruno Latour, André van der Braak asks fundamental ontological questions in order to reimagine ayahuasca as liquid divinity, shifting the focus from ayahuasca experiences to ayahuasca-based ritual practices that aim to cultivate relationships with more-than-human powers, d
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Rushdy, Ashraf H. A. Private Apologies. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190851972.003.0009.

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This chapter discusses two philosophical approaches to understanding the dynamics and work of private apologies: either as performative speech acts or as remedial exchanges. Drawing on the writings of J. L. Austin, an ordinary language philosopher, and Erving Goffman, a sociologist, this chapter examines the different ways of conceiving of apology as an illocutionary act, that is, an utterance that performs an action, or as a rehabilitative ritual, involving bodily gestures and facial expressions in addition to the utterance itself. It then explores how these theories from the 1950s and 1960s
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Halperin, Ehud. The Many Faces of a Himalayan Goddess. Edited by Robert Yelle. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190913588.001.0001.

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Haḍimbā is a major village goddess in the Kullu Valley of the West Indian Himalayan state of Himachal Pradesh, a mountainous, rural area known as the Land of Gods. This book is an ethnographic study of Haḍimbā and her dynamic, mutually formative relationship with her community of followers. It explores the part played by the goddess in her devotees’ lives, particularly in their encounters with players, powers, and ideas both local and external, such as invading royal forces, colonial forms of knowledge, and, more recently, modernity, capitalism, tourism, and ecological change. Haḍimbā is revea
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Brown, Benita, Dannabang Kuwabong, and Christopher Olsen. Myth Performance in the African Diasporas. Rowman & Littlefield, 2013. https://doi.org/10.5040/9798881818869.

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Diaspora studies continue to expand in range and scope and remain fertile terrain for investigating multiple techniques of myth creation in dance performance, history as performance, dramatic narrative, and staged rituals in the field. Similarly, research in postcoloniality, gender/sexuality, intercultural, and literary studies, among others, all engage and feature core components of performance and myth in articulating and understanding their fields. This sharing of similar components also demonstrates the interrelatedness of these fields. In Myth Performance in the African Diasporas: Ritual,
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Lounsbury, Carl. The Material Culture of Dissent. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198702245.003.0020.

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The long eighteenth century was the period in which Dissenting meeting houses moved out of the backstreets into positions of public prominence. Initially, hard to distinguish from the domestic dwellings that surrounded them, Dissenting meeting houses developed a distinctive style of their own. Often lacking the towers of their Anglican counterparts, they were designed as venues for preaching, rather than elaborate ceremony and ritual, and their internal configuration and decoration reflected these priorities. While drawing inspiration from earlier Puritan and European models, concerns about vi
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Wellman, James, Katie Corcoran, and Kate Stockly. High on God. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199827718.001.0001.

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Humans are homo duplex, seeking to be individuals but knowing this is only possible in communities. Thus, humans struggle to integrate these two sides of their nature. Megachurches have been enormously successful at resolving this struggle. How do they do it, and what is it about their structure and rituals that makes so many feel as if they are high on God? The affective energies and emotional valences that characterize religious ecstasy are the primary focus of our study of megachurches. Empirically, humans want and desire forms of what Randall Collins calls “emotional energy.” Drawing on ex
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Davis, Donald R., and David Brick. Social and Literary History of Dharmaśāstra. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198702603.003.0003.

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This chapter examines the development of the Dharmaśāstra tradition in medieval and early modern India and focuses on two genres or styles of textual production: commentaries and digests. The historical factors leading to the creation of each genre are described, along with their nature and purpose. The two genres negotiated a tension between changing sociohistorical conditions and institutions and internal commitments to preserve Hindu law in its ancient form. Commentaries stayed close to their original root-texts and sought to resolve conflicts between them, even as their interpretations als
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Shimazono, Susumu, and Margo Kitts. Rituals of Death and Remembrance. Edited by Michael Jerryson, Mark Juergensmeyer, and Margo Kitts. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199759996.013.0023.

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This chapter reviews death rituals from ancient times to the present, but is limited to corpse treatments across traditions. It is shown that death may be a drawn-out process, wherein several death rituals precede the final one. Grave monuments have more purposes than simply salutation of the dead. The Catholic communities show a form of funerary behaviors, from gathering at wakes to the performative displays of professional mourners. The spread of cremation is the most notable modern change. Conceptions of death and the etiquette of remembrance meet in ceremonies linked with corpse disposal.
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Nagarajan, Vijaya. Beginnings. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780195170825.003.0001.

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Before dawn each day, millions of Hindu women in Tamil Nadu, India, create a kōlam, a sacred ritual art form, on the thresholds of homes, temples, and businesses. It is usually made of rice flour and therefore is ephemeral. Drawing on her extensive ethnographic research, the author seeks to understand the wide range of meanings attributed to the kōlam, such as beauty; auspiciousness; the god Ganesha; the goddesses Lakshmi, Mūdevi, and Bhūdevi; the evil eye; competition; designs; mathematics; ecology; and the idea of “feeding a thousand souls.” This chapter (along with Chapters 2 and 3) lays th
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Parry, Tyler D. Jumping the Broom. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469660868.001.0001.

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In this definitive history of a unique tradition, Tyler D. Parry untangles the convoluted history of the "broomstick wedding." Popularly associated with African American culture, Parry traces the ritual’s origins to marginalized groups in the British Isles and explores how it influenced the marriage traditions of different communities on both sides of the Atlantic Ocean. His surprising findings shed new light on the complexities of cultural exchange between peoples of African and European descent from the 1700s up to the twenty-first century. Drawing from the historical records of enslaved peo
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Clarke, Didi. Moon Magick of the Triple Goddess: Wiccan Moon Rituals, Lunar Spells, and Drawing down the Moon. Independently Published, 2018.

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41

Neuschel, Kristen B. Living by the Sword. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501753336.001.0001.

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This book sharpens the readers' knowledge of swords as it traverses through a captivating 1,000 years of French and English history. The book reveals that warrior culture, with the sword as its ultimate symbol, was deeply rooted in ritual long before the introduction of gunpowder weapons transformed the battlefield. The book argues that objects have agency and that decoding their meaning involves seeing them in motion: bought, sold, exchanged, refurbished, written about, displayed, and used in ceremony. Drawing on evidence about swords in the possession of nobles and royalty, the book explores
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42

Curtis, Lauren, and Naomi Weiss, eds. Music and Memory in the Ancient Greek and Roman Worlds. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108917858.

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In Greek mythology, the Muses are Memory's daughters. Their genealogy suggests a deep connection between music and memory in Graeco-Roman culture, but how was this connection understood and experienced by ancient authors, artists, performers, and audiences? How is music remembered and how does it memorialize in a world before recording technology, where sound accumulated differently than it does today? This volume explores music's role in the discourses of cultural memory, communication, and commemoration in ancient Greek and Roman societies. It reveals the many and varied ways in which musica
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43

Williams, Jack. Rethinking Religious Conversion. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350383241.

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Drawing on methods from religious studies, philosophy, and cognitive science, Jack Williams develops a unique and interdisciplinary approach to the study of religious conversion. This is the first major philosophical study of conversion to treat the phenomenon as a long-term process, shaped by the convert’s embodiment and immersion in a linguistic, social, and ritual community. Williams’ analysis of the conversion process is rooted in a view of cognition as both embodied and affective, and is informed by the latest research in phenomenology, affect theory, neuroscience, and enactivist cognitiv
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Petersen, Brooke N. Religious Trauma. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781978727069.

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Through the rich stories of eight participants, the author explores the psychological, spiritual, and ritual dimensions of religious trauma among queer people. Drawing on current scholarship in the field of trauma studies, the author makes a case for religious trauma as an important frame to understand the experiences of queer people in non-accepting faith communities. Though previous scholarship has limited the recovery from religious trauma to those who exit religious communities, in this research the author analyzes participant stories to understand how queer people might find healing in ac
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Osanloo, Arzoo. Forgiveness Work. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691172040.001.0001.

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Iran's criminal courts are notorious for meting out severe sentences—according to Amnesty International, the country has the world's highest rate of capital punishment per capita. Less known to outside observers, however, is the Iranian criminal code's recognition of forgiveness, where victims of violent crimes, or the families of murder victims, can request the state to forgo punishing the criminal. This book shows that in the Iranian justice system, forbearance is as much a right of victims as retribution. Drawing on extended interviews and first-hand observations of more than eighty murder
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Erasmo, Mario, ed. A Cultural History of Death in Antiquity. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781474206303.

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A Cultural History of Death in Antiquity provides a comprehensive and interdisciplinary overview of the cultural history of death from 500BC-800AD. Drawing together contributions from leading scholars, this volume ranges over the medical, religious, social and theological histories of death. Each chapter takes a different theme as its focus, covering the rituals and sites of death, death’s relationship with grief and representations and interpretations of death in art, literature, dance and music.
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Raeburn, Gordon D., and Nathaniel A. Warne. A Cultural History Of Death In The Renaissance. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781474206358.

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The movement from the Renaissance to the early modern period may have been one of the most tumultuous times in the history of the western world. Everything, sacred and profane, was up for grabs which meant attitudes and behaviors around death underwent a profound change. This book examines the period between 1450 and 1650, encompassing the Reformation and the Renaissance and the significant changes in theology, philosophy, and culture, as long-held scientific, moral, and philosophical presumptions were beginning to be questioned and scrutinized. Contributors to the volume explore how the confl
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Denysenko, Nicholas E. People's Faith. The Rowman & Littlefield Publishing Group, 2018. https://doi.org/10.5040/9781978720022.

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Works of liturgical theology tend to be produced by experts who draw from the sources and explain the meaning of the liturgy to the lay people. When such explanations are firmly grounded in the sources, the academy accepts and celebrates them as genuine works of liturgical theology. Liturgical theology requires an examination from a different perspective: the lay people's. How do the lay people explain their understanding of the liturgy in their own words? Drawing from the results of parish focus groups and a clergy survey, The People’s Faith presents the liturgical theology of the lay people
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Ritzinger, Justin. Anarchy in the Pure Land. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190491161.001.0001.

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Anarchy in the Pure Land investigates the cult of Maitreya, the future Buddha, promoted by the Chinese Buddhist reform movement spearheaded by Taixu as an avenue through which to consider the formation of alternative modernities. The cult presents an apparent anomaly: It shows precisely the kind of concern for ritual, supernatural beings, and the afterlife that much scholarship contends the reformers rejected in the name of “modernity.” This book shows that rather than a concession to tradition, the reimagining of ideas and practices associated with Maitreya was an important site for formulati
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Taylor-Guthartz, Lindsey. Challenge and Conformity. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781786941718.001.0001.

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Orthodox Jewish women are increasingly seeking new ways to express themselves religiously, and important changes have occurred in consequence in their self-definition and the part they play in the religious life of their communities. Drawing on surveys and interviews across different Orthodox groups in London, as well as on the author's own experience of active participation over many years, this is a study that analyses its findings in the context of related developments in Israel and the USA. Sympathetic attention is given to women's creativity and sophistication as they struggle to develop
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