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Gotowe bibliografie tematyczne / Romance genre and trauma representation / Artykuły w czasopismach

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Artykuły w czasopismach na temat „Romance genre and trauma representation”

Autor: Grafiati

Data publikacji: 4 listopada 2024

Data aktualizacji: 31 lipca 2025

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1

Prayuana, Ratu, Rayhan Romombe De Ferras, and Fitra Wahyu Ramadhan. "The Rules of Romance Manifested in the Textual Structure of the Novel Fireside." JIIP - Jurnal Ilmiah Ilmu Pendidikan 6, no. 8 (2023): 6450–54. http://dx.doi.org/10.54371/jiip.v6i8.2882.

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The aim of this study was to identify how Susan Wiggs' novel Fireside (2009) represented the romance genre. This study's research approach, which includes a description of the analysis, is qualitative. The novel Fireside by Susan Wiggs, the textual approach with close reading used in this study, serves as the analytical unit. The results of the data analysis are then used to examine the fundamental principles of romance in the book. Cawelti G. John's (1977) book Adventure, Mystery, and Romance: Formulas Stories as Art and Popular Culture served as the basis for the idea applied in this study.

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Boccardi, Mariadele. "Postmodernism and the past : A romance." Recherches anglaises et nord-américaines 36, no. 1 (2003): 111–17. http://dx.doi.org/10.3406/ranam.2003.1673.

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British contemporary historical fiction is the genre that most closely, extensively and fruitfully explores the questions concerning the nature and scope of representation raised by postmodern historical and narrative theory. One interesting trait, common to the most speculative works of historical fiction published in the last fifteen years, is the adoption of Romance in all its modes — as a motif of the plot (the love story) and as a narrative mode (defining itself against the novel). Indeed Romance is the means by which the contemporary historical novel first dramatises and then investigate

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Tiao, Wang. "The Ethics of Romance: Edward Bellamy and American Historical Fiction." Interlitteraria 22, no. 2 (2018): 312. http://dx.doi.org/10.12697/il.2017.22.2.9.

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The author examines The Duke of Stockbridge: A Romance of Shays’ Rebellion (1879), a historical novel written by Edward Bellamy (1850–1898) in order to examine the ethics of Romance in the treatment of historical fiction. Edward Bellamy, most famous for his socialist novel, Looking Backwards (1888), himself looks backwards to examine the popular rebellion during the early post-revolutionary American democracy before the US Constitution was established. The striking feature of this novel is the way that it superimposes the romance genre onto political and historical events. Using the ethical cr

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Duvezin-Caubet, Caroline. "Gaily Ever After: Neo-Victorian M/M Genre Romance for the Twenty-First Century." Neo-Victorian Studies 13, no. 1 (2020): 242–69. https://doi.org/10.5281/zenodo.4320839.

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This article examines the subgenre of M/M (gay) genre romance set in the nineteenth century, focusing on a corpus of 2017 to 2018 novels as well as shorter works by authors  K. J. Charles and Cat Sebastian. Their writings are rooted in the legacy of Georgette Heyer’s Regency romances and the history of M/M romance, a recent genre which owes as much to digital fanfiction as it does to queer publishers in the 1960s and 1970s. I explore the idea of a queer Happily Ever After as a <em>topos</em> and <em>telos</em> that allows the narratives to re-write the past through creating a happy

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Akkülah, Seray. "Representation of Male Love in East Asia and West: “Fetish vs Activism”." fe dergi feminist ele 16, no. 1 (2024): 70–82. http://dx.doi.org/10.46655/federgi.1427610.

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Alice Oseman, the author of an LGBTQ+ young adult graphic novel that focuses on the lives and romance of two boys, has made a comment that caused some controversy on the internet. This comment by Oseman illustrates a somewhat common view held by Western society toward East Asian Boys Love (BL) genre. That is: BL novels and webcomics being highly sexual, fetish works with little literary value. This research note tries to analyze what could be the reason behind this commonly held view by the West, illustrated by Oseman’s comment through analyzing BL genre, Oseman’s work Heartstopper, the differ

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Beyer, Charlotte. "‘What are words?’: Symbolism and romance in Agatha Christie’s short stories ‘Within a Wall’, ‘The House of Dreams’ and ‘The Lonely God’." Short Fiction in Theory & Practice 10, no. 1 (2020): 27–42. http://dx.doi.org/10.1386/fict_00012_1.

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This article explores three of Agatha Christie’s early non-crime short stories written in the mid-1920s. I examine Christie’s use of symbolism and key motifs to explore the representation of relationships through the prism of romance. I argue that Christie’s short stories serve as a highly significant creative site for her investigation of the relationship between genre, subjectivity and symbolism.

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Sinaga, Leny Roslinda. "THE COMMODIFICATION OF ROMANCE THRILLER IN NETFLIX’S YOU SERIES." Rubikon : Journal of Transnational American Studies 12, no. 1 (2025): 106. https://doi.org/10.22146/rubikon.v12i1.98846.

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This study aims to determine how the You series uses the male gaze to commodify romance and thriller elements and manipulate aspects of the genre to draw viewers. Additionally, the analysis of the You series reveals that it questions patriarchal beliefs and gender representation in the media. In reviewing this research, qualitative analysis methods were used, and Laura Mulvey's Male Gaze theory was applied to analyze the data after examining primary and secondary data and finding supporting theories for the data. This research also uses a Transnational perspective to understand how Netflix pro

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Johnson, Nicholas L. "The Paradox of Chivalric Madness: Ariosto’s and Cervantes’s Madness Representations’ Impact on Disability Representation." Humanities 13, no. 3 (2024): 87. http://dx.doi.org/10.3390/h13030087.

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This study investigates the connection between madness and critiques of the chivalric romance genre in two late Renaissance works, Ludovico Ariosto’s Orlando Furioso and Miguel de Cervantes’s Don Quijote de la Mancha. The satire of chivalric romance in these works of fiction caution against nascent modes of thinking in imperial societies for the implementation of chivalric ideas to inspire and promote imperial conquests in Latin America through juxtaposition with the Muslim and Moorish conquest in the Maghreb and through metaphorical island governance. In order to make such critiques, these no

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Neconesnic, Noemi, and Nadia-Nicoleta Morărașu. "Recreating the Medieval Past through Neomedievalism: Knights, Tournaments and Fangirls in Popular Romance." CULTURAL PERSPECTIVES - JOURNAL FOR LITERARY AND BRITISH CULTURAL STUDIES IN ROMANIA 28 (December 20, 2023): 163–86. http://dx.doi.org/10.29081/cp.2023.28.08.

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The purpose of this paper is to investigate the paradigm of neomedievalism in historical popular romance novels as the process of recreating the medieval past through a combination of character types and medievalist tropes accepted by the readership as iconic. Considering that the typical readers of popular romance novels set in the Middle Ages are less preoccupied with historical accuracy, and neomedievalism does not prescribe specific gender tropes (Ford 2015), we shall explore the ways in which knights are developed as male characters, and whether the cultural assumption about the medieval

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Herb, Annika. "(Para)normalizing Rape Culture." Girlhood Studies 14, no. 1 (2021): 68–84. http://dx.doi.org/10.3167/ghs.2021.140107.

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Contemporary Young Adult literature is a favored genre for exploring sexual assault, yet rarely interrogates the social structures underpinning rape culture. In its representation of heterosexual relationships, Young Adult paranormal romance offers insight into the processes and structures that uphold rape culture. Genre tropes normalize abusive behavior and gender ideals, demonstrating the explicit and implicit construction of rape culture, culminating in the depiction of supernatural possession analogous to rape. Here, I reflect on power, control, rape culture, and girlhood in a textual anal

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Chinca, Mark. "Courtly Narration and the Field of Books." Beiträge zur Geschichte der deutschen Sprache und Literatur 147, no. 2 (2025): 209–49. https://doi.org/10.1515/bgsl-2025-0016.

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Abstract Courtly romance is a book-derived genre, and certain romances stand out because they claim that their story matter is distributed over multiple books in more than one language. In these ‘romances with bibliography’, books are present as a field of transmission from which narration issues. This essay describes the imaginative and conceptual configurations which organize the representation of the field in German romances from the late twelfth to the middle of the fourteenth century; taken together, these configurations reveal the variety of ways in which romance authors situated their w

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Amal, Bakhrul Khair, Supsiloani, Daud, Dina Ampera, and Muhammad Natsir. "The Analysis of Fantasy and Representation of Female on Gay and Male Homoerotic Relationships in the Yaoi Genre." Asian Social Science and Humanities Research Journal (ASHREJ) 3, no. 2 (2021): 57–66. http://dx.doi.org/10.37698/ashrej.v3i2.80.

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The research aims to analyze the analysis of fantasy and representation of female on gay and male homoerotic relationships in the Yaoi Genre. This research uses an ethnographic approach, which is one of the qualitative research methods. The results of this study indicate that Fujoshi's background likes love stories between men is certainly different. But from this study it is found that there are a number of similarities, such as being Fujoshi because they initially like manga and anime, those who were curious about the Yaoi Genre, and those who feel bored with the love story between men and w

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Lujanović, Nebojša, and Paula Jurišić. "Representation and Subversion in Croatian Alexander Romance." Zbornik radova Filozofskog fakulteta u Splitu, no. 16 (December 21, 2023): 27–42. http://dx.doi.org/10.38003/zrffs.16.2.

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Reading the novel Hrvatska Aleksandrida (Croatian Alexander Romance) as a chivalric narrative structured around a historical figure, this paper aims at reinterpretation of it in the key of popular culture and looks into the politics of the representation of the protagonists-bearers of specific ideological values, acting both affirmatively and subversively within the imposed value system. Beside that, the paper will focus on the novel’s strategy of undermining dominant codes, arguing that the chivalric romance provides an ideal frame for the observation of the clash of ideological centers and m

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Bernardi, Claudia. "Murders in Shocking Pink: Women, Love and Desire in Rossana Campo’s Noir Fiction." Quaderni d'italianistica 37, no. 1 (2017): 141–58. http://dx.doi.org/10.33137/q.i..v37i1.28283.

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This article analyzes Rossana Campo’s Mentre la mia bella dorme (1999), Duro come l’amore (2005) and Il posto delle donne (2013) in the context of Campo’s work in general, showing how her use of crime genre conventions is specifically designed to reveal flaws and pitfalls inherent in romance narratives. By establishing a complex dialogue between noir and rosa, and by offsetting both traditions with female protagonists who question in different ways the heterosexual paradigm, Campo’s crime novels occupy a unique place in her production, especially in regard to the representation of female desir

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Kolesnyk, Olena, and Maryna Stoliar. "HISTORICAL AND PARA-HISTORICAL GENRES OF LITERATURE." Doxa, no. 1(41) (June 27, 2024): 70–78. https://doi.org/10.18524/2410-2601.2024.1(41).316160.

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The article examines the specifics of the historical genre of literature, as well as genre variants that combine interest in historical figures, events, entourage with an effort to move away from following purely scientific data and widely use the author's fiction. In a number of cases, there is a departure from the boundaries of the actual historical genre, which we propose to designate as a "parahistorical" approach. Alternative history in its various forms, historical fantasy, cryptohistory, historiographical metafiction, etc. can be attributed to such parahistorical genres. At the same tim

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Zembylas, Michalinos. "Emotions, affects, and trauma in classrooms: Moving beyond the representational genre." Research in Education 106, no. 1 (2019): 59–76. http://dx.doi.org/10.1177/0034523719890367.

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The purpose of this paper is to draw together and engage some of the most prominent themes throughout the literature on emotions, affects, and trauma in classrooms: the representation of trauma in classrooms and its risks; the body as a part of traumatic experience and how it may be engaged pedagogically; and the un/making of affective communities as pedagogical spaces that can be transformative. It is argued that the prevalent representational account of trauma in classrooms imposes certain constraints that frame the pedagogical work that may be conducted. New theoretical and research develop

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Alessa, Maram R., and Nesreen Al-Harby. "Sarah Perry’s The Essex Serpent: A Contemporary Remap of Women’s Identity." International Journal of Linguistics and Translation Studies 4, no. 3 (2023): 159–70. http://dx.doi.org/10.36892/ijlts.v4i3.383.

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Sarah Perry’s The Essex Serpent is a contemporary feminist text that sheds light on various perceptions, such as women’s identity, trauma, and social misogyny, through the appropriation of historical fiction. This study investigates the text through the lenses of genre theory, feminism, and trauma theory. It demonstrates that the novel faithfully represents a Victorian setting while remaining relevant to post-postmodern readers. The study suggests that the novel appropriates subversive contemporary conventions and simultaneously expresses Victorian themes. It also argues that Perry’s text prov

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Febrizani, Nissya, Erwin Erwin, and Sri Setiawati. "SIMBOL KARAKTER GAY DALAM GENRE BOYS LOVE DI KOTA PADANG." Jurnal Ilmu Sosial dan Ilmu Politik Malikussaleh (JSPM) 5, no. 2 (2024): 1. http://dx.doi.org/10.29103/jspm.v5i2.14749.

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This research explores the interpretations of LGBTQ+ students regarding Boys love content, a genre featuring romantic relationships between male characters. Despite attracting fans from diverse backgrounds, the genre's interpretations often stem from the perspective of heterosexual women, creating a paradox in LGBTQ+ representation. Through in-depth interviews with LGBTQ+ individuals, fujoshi (female Boys love fans), and heterosexual individuals, this study discusses how symbols of love, romance, and LGBTQ+ identity in the storyline are perceived by the residents of Padang City. The research r

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Osman, Khan Touseef. "Trauma and Fiction:." Crossings: A Journal of English Studies 8 (August 1, 2017): 160–67. http://dx.doi.org/10.59817/cjes.v8i.140.

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Trauma involves a rupture in the temporal and symbolic orders at individual and collective levels. Fictional representation of trauma, therefore, is marked by a problem of referentiality, where mimesis fails and chronology breaks down. The article opens with a discussion on the disorientation in the co-ordinative links between the world, the self, and representational tools in the event of a traumatic experience, which results in the crisis of referentiality. The inadequacy of language as a representational medium on the one hand, and unacknowledgement of extreme events beyond “socially valida

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Ferris, Ina. "Narrating Cultural Encounter: Lady Morgan and the Irish National Tale." Nineteenth-Century Literature 51, no. 3 (1996): 287–303. http://dx.doi.org/10.2307/2934012.

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With the publication of The Wild Irish Girl in 1806 Sydney Owenson (Lady Morgan) inaugurated the national tale, a worldly and impure genre that operates out of a performative notion of representation. Building out of romance tropes and protoethnographic discourse, the national tale relocates the scene of cultural encounter, confounding the distinction between "over here" and "over there" in order to move the modern metropolitan subject/reader into a potentially transformative relation of proximity. Familiar categories come under pressure as the English protagonist/reader is transported to Iris

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Shalagina, Olga Vadimovna. "The distinctive genre of 9/11 literature about children." Litera, no. 2 (February 2024): 160–70. http://dx.doi.org/10.25136/2409-8698.2024.2.69897.

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The article explores the genre specifics of American 9/11 novels about children. The genre features of 9/11 literature include a modification of the classic educational novel. Such genre elements as the hero’s growing up process, their journey beyond ordinary life, and their return as changed individuals, still form the primary narrative focus of these works. However, the temporality and the impetus for action development are altered compared to the classic educational novel, which is typical for the subgenre of the initiation novel. The main catalyst of the plot becomes the traumatic experien

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Pătrașcu, Elena Otilia. "Dystopia – Ambiguities and Paradoxes Enveloping a Changing Genre." ISA Journal of Arts, Humanities and Social Sciences (ISAJAHSS) 2, no. 2 (2025): 53–57. https://doi.org/10.5281/zenodo.15294802.

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Generic change, the birth, death or metamorphoses of types of texts happen all the time, their compass including not only factors within art history but also some of a context-bound nature, such as ideology, the political regime, habitus, interferences with other generic forms. The essay is looking at several modes whereby dystopia’s generic identity has been destabilized to the point where it leaves the sphere of non-factual sliding into realistic modes of representation or crossing the border that separates world and text. Probing into the reasons behind such mutations, our research ha

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Pallavi, Mrs Koyyana, and Prof Y. Somalatha. "A Literary Inquiry into Disability, Trauma and Narrative Strategies in Lisa Genova’s Novels." SMART MOVES JOURNAL IJELLH 9, no. 3 (2021): 114–34. http://dx.doi.org/10.24113/ijellh.v9i3.10954.

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The reaisltic illustration of central characters suffering from rare and severe neurological sicknesses in Lisa Genova’s novels provide an ideal prospect to study trauma in pathography novels, a subset of science fiction. However, despite its scope, these genres of novels have received little consideration in American literary trauma studies. This paper will present a new analysis of trauma in relationship to the ‘neuro’genre, followed by an analysis of narrative and literary devices employed by the author to illustrate traumatic episodes in her novels. Through this case study and critical ref

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Jorgensen, Jeana. "The Thorns of Trauma: Torture, Aftermath, and Healing in Contemporary Fairy-Tale Literature." Humanities 10, no. 1 (2021): 47. http://dx.doi.org/10.3390/h10010047.

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While classical fairy tales do not portray much depth of suffering, many contemporary fairy-tale retellings explore trauma and its aftermath in great detail. This article analyzes depictions of trauma in fairy tales, utilizing as a primary case study the “Beauty and the Beast” retelling A Court of Thorns and Roses by Sarah J. Maas, arguing that this text provides a scientifically accurate representation of trauma and its aftermath, thereby articulating the real in fairy tales. Further, this article classifies that work as not simply a “dark” fairy tale (a contentious term that invites rethinki

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Radkevych, Y. "The singer as the co-author: the features of the representation of Ukrainian folk songs in the concert and art space of the present." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 52, no. 52 (2019): 101–18. http://dx.doi.org/10.34064/khnum1-52.07.

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Background. Turning to the original sources of Ukrainian musical culture, we should point out the greatest achievements that appear to be the folk-song tradition. The problem of authorship of musical folklore was not considered for well-known reasons: its decisive features are oral, anonymous, collective way of creation. If the phenomenon of authorship is present in various manifestations of musical creativity (composing, performing, directing, etc.) and works in various forms of musical art of the past and present, today the study of the role of the singer as a co-author in the contemporary r

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О.В., Горлова. "ЖАНРОВІ ДОМІНАНТИ РОМАНУ І. МАК'ЮЕНА «THE INNOCENT»". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 2, № 86 (2018): 88–104. https://doi.org/10.5281/zenodo.1146193.

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The article deals with the genre structure of the novel by British writer of the turn of XX-XXI centuries. Genre dominants of I. McEwan’s «The Innocent» are the features of spy and romance novels. These genres of Paraliterature influence the representation of the characteristics of historical, psychological novel and Bildungsroman. As a representative of the concept of «historiographic metafiction», the writer uses history – the period of the «cold war» – as a decoration for tense and melodramatic events, playing with well-known historical

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Rohatgi, Rashi. "The Rainbow Isle and the City of Rain." Journal of World Literature 2, no. 2 (2017): 217–35. http://dx.doi.org/10.1163/24056480-00202004.

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Deleuze and Guattari’s conception of a minor literature—linguistically deterritorialised, thoroughly political, and collectively charged—can allow us to draw parallels between distant, diverse literatures; demographic and historical similarities, such as numerical ultra-smallness, do so as well. This essay compares literatures which are both minor and ultrasmall: ultraminor, as Bergur Moberg has recently coined. It looks at the ways in which attitudes towards diversity have shaped the representation of foreigners and “the foreign” in genre fiction. It argues that the emergence and popularity o

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Rosenthal, Debra J. "The White Blackbird: Miscegenation, Genre, and the Tragic Mulatta in Howells, Harper, and the "Babes of Romance"." Nineteenth-Century Literature 56, no. 4 (2002): 495–517. http://dx.doi.org/10.1525/ncl.2002.56.4.495.

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In this essay I construct a literary genealogy that situates William Dean Howells in the middle of a call-and-response literary conversation with popular women writers about race, gender, and genre. Since Howells correlated racial questions with realism, his only novel that treats intermarriage, An Imperative Duty (1891), offered Howells an opportunity to deploy his presumably objective, scientific, realist knowledge about race in order to challenge women's romantic miscegenation plots found in Margret Holmes Bates's The Chamber over the Gate (1886) and Alice Morris Buckner's Towards the Gulf

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Fuller, Emily. "Mirror, Mirror, Who’s the Greatest Power of them All?" Papers: Explorations into Children's Literature 27, no. 1 (2023): 21–48. http://dx.doi.org/10.21153/pecl2023vol27no1art1796.

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In the broader field of trauma theory, trauma is often characterised as an event that is physical, violent, and sporadic. However, feminist trauma theorists have argued that there are other forms of trauma inflicted by ideological systems such as patriarchy, resulting in less transparent versions of the traumatic. Fantasy literature, particularly children’s fantasy, has a potential to construct new visions of society that transcend these patriarchal systems for their young female heroines, and to reveal the functions of patriarchal trauma. By applying feminist trauma theory to children’s fanta

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Zhuchkova, Anna V. "Autofiction VS. “Literature оf Trauma". Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 74 (2024): 163–81. https://doi.org/10.37816/2073-9567-2024-74-163-181.

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The present paper explores the genre of autofiction in the context of autobiographical and anthropological shifts of the twentieth century. By investigating the origins and defining characteristics of autofiction, we are able to differentiate it from traditional autobiography and to recognize its similarities with women's writing comparing it with the later literary mutations such as “documentary fiction” and “literature of trauma”. While both autofiction and trauma literature deal with traumatic experiences, they differ in their representation of these events. Autofiction utilizes a symbolic

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Karić, Milica. "TROP VOZA KAO SIMBOL TRAUME U KNjIŽEVNOSTI HOLOKAUSTA." Lipar XXII, no. 76 (2021): 69–92. http://dx.doi.org/10.46793/lipar76.069k.

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Traumatic experience such as the Holocaust requires traumatic ways of representation. Those who dare to write about it encounter various dilemmas and difficulties in finding the right ways to write about something that cannot be written about. Train trope is a usual symbol of the biggest XX century trauma because rail- way system and different types of cars enabled transportation of millions of people from the whole Europe, whose lives were terminated in the death camps, as well as their wealth, gold and other valuables. Trains found their way in literature with both survivor writers and those

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Grimova, Ol'ga A. "BREAKING DOWN NARRATIVE INTRIGUE IN THE "ROMANCE" BY M. STEPANOVA "IN COMMEMORATION OF MEMORY"." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 9 (2020): 140–51. http://dx.doi.org/10.28995/2686-7249-2020-9-140-151.

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The “Romance” of M. Stepanova “In commemoration of Memory” is considered in the article as an attempt of non-narrative representation of the material, which traditionally becomes the basis for the epic forms, – the story of genus. The writer believes that the “translation” of such material into the language of literature, organizing the narrative intrigue, formatting of material according to traditional genres patterns makes the past lose its uniqueness, becoming “typical”. In order to preserve an authenticity of the remaining evidence of her family’s life, Stepanova invents a form of “showcas

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Temple, Gale. "Utopian Gothic: Or, The Ineffable Socialities of The House of the Seven Gables." Nathaniel Hawthorne Review 50, no. 1 (2024): 1–22. https://doi.org/10.5325/nathhawtrevi.50.1.0001.

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ABSTRACT This article argues that The House of the Seven Gables encourages readers to consider the trauma inflicted by a society in which “somebody is always at the drowning point” (CE 2:38), the behaviors and identities such a society both rewards and marginalizes, and how we might begin to heal from the damage done by the repressive imperatives of the normative social contract. Hawthorne’s antidote to the trauma of marginalization and shame lies in the redemptive potential of the “romance,” a genre that, like the Gothic, encourages recognitions of both self and other not according to the ide

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Melnikoff, Elaine Almeida Aires, and Ricardo André Aires Melnikoff. "A SUBVERSÃO DE NÚBIA NASCIMENTO MARQUES ATRAVÉS DA POESIA E DO ROMANCE." InterEspaço: Revista de Geografia e Interdisciplinaridade 3, no. 9 (2017): 249. http://dx.doi.org/10.18764/2446-6549.v3n9p249-262.

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SUBVERSION OF NÚBIA NASCIMENTO MARQUES THROUGH POETRY AND ROMANCESUBVERSION DE NUBIA NASCIMENTO MARQUES A TRAVERS LA POESIE ET LA ROMANCEEste texto tem como objetivo analisar a trajetória artística de Núbia Marques, destacando a mulher poeta e romancista. Em sua larga carreira, essa artista teve vários livros de poesia e romance premiados. Dessa forma, analisaremos o gênero de escrita em que a escritora se espelhava para escrever. Para dar sustentabilidade ao texto, traremos à baila os conceitos de Campo Literário de Bourdieu (1996) e Representação de Chartier (1997). A metodologia adotada foi

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Ozdemir, Mehtap. "Ethical Antinomies." Comparative Studies of South Asia, Africa and the Middle East 44, no. 2 (2024): 234–48. http://dx.doi.org/10.1215/1089201x-11233104.

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Abstract Building on recent scholarship on the novel and Middle Eastern modernities, this article examines how Ottoman intellectuals theorized the novel as a realist genre in the nineteenth century as a way of including Ottoman literary knowledge within global novel theories. In the late Ottoman context, the novel was articulated in terms of conceptual separations (primarily as truth/imitation–fiction/creation, which then develops into nature-beauty and romance-realism binaries). Such conceptual divides inform both the history and the theory of the novel by Ottoman intellectuals. Revisiting th

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Cronin, Michael G. "‘Ransack the histories’: Gay Men, Liberation and the Politics of Literary Style." Review of Irish Studies in Europe 5, no. 1 (2022): 73–88. http://dx.doi.org/10.32803/rise.v5i1.2971.

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It is now twenty years since the publication of Jamie O’Neill’s At Swim, Two Boys (2001). O’Neill’s novel was not the first Irish novel to depict same-sex passion, and not even the first Irish gay novel of the post-decriminalisation period. However, it did attain a wider and higher level of recognition among mainstream Irish, and international, readers. This may have been at least partly due to O’Neill’s decision to write a historical romance – a genre which still retains its enduring appeal for readers. By adapting this genre, O’Neill uses fiction to unearth, and imaginatively recreate, an ar

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Tippner, Anja. "Postcatastrophic entanglement? Contemporary Czech writers remember the holocaust and post-war ethnic cleansing." Memory Studies 14, no. 1 (2021): 80–94. http://dx.doi.org/10.1177/1750698020976463.

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The last two decades have seen a rising interest in the Holocaust and the expulsion of ethnic Germans after World War II in Czech literature. Novels by Hana Androníková, Radka Denemarková, Magdalena Platzová, Kateřina Tučková, and Jáchym Topol share a quest for a new poetics of remembrance. Informed by contemporary discussions about Czech memory politics, these novels are characterised by spectral visions of Germans and Jews alike, a dichotomy of trauma and nostalgia, and an understanding of Czech history as postcatastrophically entangled and thus calling for multidirectional forms of remembra

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Aarons, Victoria. "Landscapes of Memory: Visualizing Holocaust Testimony in But I Live: Three Stories of Child Survivors of the Holocaust." Jewish Film & New Media: An International Journal 11, no. 1 (2023): 67–89. http://dx.doi.org/10.1353/jfn.2023.a937529.

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ABSTRACT: We are now at a time that will see the end of direct survivor testimony, and thus the transmission of Holocaust memory is increasingly complicated by its mediation through the voices and narratives of subsequent generations of Holocaust writers and scholars. The rendition of Holocaust testimony has expanded to include not only visual and textual forms of representation, but the hybrid genre of Holocaust graphic narratives. But I Live: Three Stories of Child Survivors of the Holocaust , a polyphonic dialogue among scholars, survivors, and graphic artists, is an innovative approach to

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Klinkmann, Sven-Erik. "Frank Sinatra och de narrativa fälten." Kulturella Perspektiv – Svensk etnologisk tidskrift 18, no. 3-4 (2009): 7–18. http://dx.doi.org/10.54807/kp.v18.28306.

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The article argues for an understanding of popular icons such as Frank Sinatra as best seen through the concept of moving narrative fields, adopted from a theory of literary modes, put forward by Robert Scholes. The positive and negative poles of an icon such as Sinatra corresponds to the metaphor of glow and pain, used by Daniel Herwitz to describe the status of popular icons in general. In Sinatra's case, as the article makes clear, a highly complex representation emerges, consisting of both mimetic and imaginary elements. The Sinatra icon is understood as a representation of coolness, roman

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El Maizi, Myriem. "Bande dessinée, autobiographie et guerre au Liban." Nottingham French Studies 53, no. 3 (2014): 249–66. http://dx.doi.org/10.3366/nfs.2014.0091.

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Whilst Iranian Marjane Satrapi's works, Persépolis 1 and 2, have received considerable critical attention, no study has been carried out in the field of Lebanese bande dessinée. This article examines two works of graphic memoirs (a growing genre in the contemporary field of graphic narrative) by Zeina Abirached, Mourir partir revenir. Le Jeu des hirondelles (2007) and Je me souviens. Beyrouth (2008), focusing on the testimonial dimension of autobiographical representations of selfhood in connection with the Lebanese Civil War (1975–90). The aim is to analyse the aesthetics developed by Abirach

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R. Alessa, Maram, and Nesreen Al-Harby. "Lane Moore’s How to Be Alone: Deconstruction of Contemporary Identity." Arab World English Journal For Translation and Literary Studies 7, no. 4 (2023): 132–43. http://dx.doi.org/10.24093/awejtls/vol7no4.10.

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This study explores contemporary concepts of identity as a post-postmodernist perception in Lane Moore’s (2018) Memoir, How to Be Alone. The significance of this study is that it examines the impact of cyberculture on human connections and the role of technology in shaping human perception of identity and personhood. It also sheds light on the effects of the internet in creating new social phenomena like ghosting and allowing individuals to transgress social boundaries. The study assesses the representation of the self in the memoir and its effect on the reinforcement of the author’s voice. It

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Brierley, Amy. "Communicating Love: Dialogue Icons, Control and Diminishing Social Complexity in Cyberpunk 2077." Platform: Journal of Media and Communication 9, no. 2 (2022): 37–54. http://dx.doi.org/10.46580/p82083.

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Romance is communicated in an unusual way in digital gaming. The systemisation of one of the most complex and nebulous social engagements, that of romantic love and relationships, often leads to stilted encounters and the prioritisation of sexual interactions. For AAA RPGs, dialogue acts as the primary arbiter of romantic relationships. But dialogue prompts often do not fully convey what will be said by the characters. To compensate for this communication shorthand, some developers have decided to include “dialogue icons”. This is any picture, symbol or image representation that occurs next to

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Bashkyrova, Olha. "REPRESENTATION OF FEMININITY IN MODERN UKRAINIAN NOVELS." Слово і Час, no. 6 (November 26, 2020): 72–86. http://dx.doi.org/10.33608/0236-1477.2020.06.72-86.

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The paper deals with the main tendencies of the artistic reception of women images in modern Ukrainian novels. The principles of modeling femininity in literature have been considered from the positions of the gender studies, postcolonial and psychoanalytic theory. It is proved that the peculiarities of this modeling are determined by stylistic and genre tendencies of the Ukrainian literature. The interpretation of feminine images typical for the national literary tradition (mother, family-keeper, demonic woman) has been demonstrated in numerous examples. These images correlate with the fundam

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Lafhel, Majda, Hocine Cherifi, Benjamin Renoust, and Mohammed El Hassouni. "Comparison of Graph Distance Measures for Movie Similarity Using a Multilayer Network Model." Entropy 26, no. 2 (2024): 149. http://dx.doi.org/10.3390/e26020149.

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Graph distance measures have emerged as an effective tool for evaluating the similarity or dissimilarity between graphs. Recently, there has been a growing trend in the application of movie networks to analyze and understand movie stories. Previous studies focused on computing the distance between individual characters in narratives and identifying the most important ones. Unlike previous techniques, which often relied on representing movie stories through single-layer networks based on characters or keywords, a new multilayer network model was developed to allow a more comprehensive represent

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Прудиус, И. Г. "Осмысление военного времени в графическом романе конца XX — начала XXI века". Вестник Рязанского государственного университета имени С.А. Есенина, № 1(86) (2 липня 2025): 149–59. https://doi.org/10.37724/rsu.2025.86.1.016.

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В статье представлены результаты сопоставительного анализа трех современных графических романов, в которых репрезентована тема войны. В анализируемых произведениях показаны события, связанные со Второй мировой войной и представляющие истории героев, в ней не участвовавших, но на которых война непосредственным образом повлияла. Гибридный жанр графического романа, наследующий черты комикса и романа, позволяет авторам предложить читателям возможность многочисленных прочтений одной и той же книги, за счет обязательного соединения иконической и текстовой составляющих. В результате компаративного ан

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Osman, Khan Touseef. "Representing the Unrepresentable in Anita Desai’s Clear Light of Day." East West Journal of Humanities 5 (February 20, 2015): 15–23. http://dx.doi.org/10.70527/ewjh.v5i.30.

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This article looks closely at Anita Desai’s Clear Light of Day from the critical perspective of trauma studies with a particular focus on the representational crisis posed by individual and collective catastrophic events. It positions the novel within the category of partition fiction so as to enable a contextual reading—one that takes the literary-historical milieu as well as the evolution of the genre into consideration. Such positioning makes comparison and cross-referencing between texts possible. Any traumatic event causes a mnemonic gap in the individual victim’s consciousness and a poli

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Alifia, Chafila Nursyifa. "REPRESENTASI PESAN MORAL DALAM FILM “THE THEORY OF EVERYTHING” (ANALISIS SEMIOTIKA ROLAND BARTHES)." LAYAR: Jurnal Ilmiah Seni Media Rekam 10, no. 1 (2024): 43. http://dx.doi.org/10.26742/layar.v10i1.3106.

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ABSTRACT Film is not far from the word work of art, a film is not foreign to society by presenting entertainment, experiences, and new knowledge for the audience. The film directed by James Marsh entitled “The Theory Of Everything” is a genre film Biography, Drama, Romance which contains a lot of moral message to the first love story of Stephen Hawking’s life journey that led him to become a famous and successful physicist. The film is adapted from Jane’s 2007 book “Traveling to Infinity: My Life With Stephen”. The author aims (1) description of the meaning of Denotation in the film “The

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Hudoshnyk, O. "Documentary comics in modern scientific discourse and Ukrainian comics space." Communications and Communicative Technologies, no. 19 (May 5, 2019): 32–40. http://dx.doi.org/10.15421/291905.

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The characteristics of documentary comics in modern multidisciplinary scientific space is presented, the methods of nonlinear historiography (narrative, oral history, commemoration) and post-documentalism are presented. The scientific discourse focuses on the types of interpretation of reality in comics, the hybridity of genre and style features, the types and forms of empathic involvement of the reader, the compositional specifics of graphic journalism. Scientists’ particular attention is focused on the forms of representation of the “lost history and the history of the lost” (N. Chute), on t

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Yoo,, Ka-eul. "Anna Deavere Smith’s Docudrama Twilight: Los Angeles, 1992: Crossing Boundaries or Re-Mythifying the Orient?" Plaridel 14, no. 1 (2017): 1–16. http://dx.doi.org/10.52518/2017.14.1-01kayoo.

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Twilight: Los Angeles, 1992 (1994), Anna Deavere Smith’s 15th project in her On the Road series, is a docudrama that explores American identity through the diverse cultural memories of the 1992 Los Angeles crisis. She works to make the play an open platform where racial minority groups in multicultural America can negotiate and coexist by repeating interviews from various groups who were involved in the L.A. crisis. Despite the many advantages in her docudrama, the genre itself has been criticized, owing to the dubious characteristics of “reality,” “truthfulness,” and “neutrality” that she emp

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Darenskaya, Natalia Alexandrovna. "The role of musical ecphrasis in the works of A. I. Kuprin in the late 80s - early 90s of the 19th century." Philology. Issues of Theory and Practice 17, no. 7 (2024): 2415–21. http://dx.doi.org/10.30853/phil20240344.

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The purpose of the study is to find out the role of musical ecphrasis in the early stories of A. I. Kuprin (works of 1889-1896). The scientific novelty of the work lies in the fact that for the first time a detailed sequential analysis of the precedents of musical citation and references to musical sources is given, their role in the narrative structure is analyzed. The identification and analysis of cases of verbal representation of musical works in Kuprin's texts gives an idea of the writer's search and formation of his own unique artistic handwriting. The significance of this research is ge

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