Gotowe bibliografie tematyczne / Ronchamp, France. Notre Dame du Haut (Chapel)

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Gotowa bibliografia na temat „Ronchamp, France. Notre Dame du Haut (Chapel)”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 14 lutego 2022

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Artykuły w czasopismach na temat "Ronchamp, France. Notre Dame du Haut (Chapel)"

Samuel, Flora. "The Representation of Mary in the Architecture of Le Corbusier's Chapel at Ronchamp". Church History 68, nr 2 (czerwiec 1999): 398–416. http://dx.doi.org/10.2307/3170863.

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In the Fondation Le Corbusier in Paris there is a little guide for pilgrims that was given to the architect when he began work on the pilgrimage chapel of Notre Dame du Haut Ronchamp (1955), probably the most influential yet contentious building of the twentieth century (fig. 1). Within the guide, the section on the cult of Mary has been heavily underlined and in the margin is the word “feminism,” written by Le Corbusier, a very unusual departure for a man of his times. In this article I will examine the role of Mary in the work of Le Corbusier and discuss the way in which she is interpreted in the architecture of Ronchamp.

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Outmoune, Nadjat, i Abdelmalek Arrouf. "The Design Process at Le Corbusier, Case of the Ronchamp Chapel". Proceedings of the Design Society: International Conference on Engineering Design 1, nr 1 (lipiec 2019): 1275–82. http://dx.doi.org/10.1017/dsi.2019.133.

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AbstractThis work falls within the empirical studies of design activity. Its project is to understand Le Corbusier's designing way and how does he work and structure his design processes. Doing so, it jumps above the descriptive and doctrinal knowledge of objects produced by “Le Corbusier” to study the actions and mechanisms that led to them.To achieve its aim, this study uses genetic method, developed by P.M. De Biasi of literary origin, this research method is made of three stages. The first one, which is of empirical nature, is one of data gathering. It leads to the establishment of genesis tables and to the classification of the all collected documents. The second stage, makes the analysis of all the collected documents one by one. It allows the restitution of the creative process of one projects “Le Corbusier” which is “la chapelle de Notre Dame du haut de Ronchamp”. The last stage is finally that define the design processe of the this project. The results show that the design activity of “Le Corbuiser” obeys the overall logic of one generic model which may be called his individual designing style.

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Rozprawy doktorskie na temat "Ronchamp, France. Notre Dame du Haut (Chapel)"

Dunlap, Richard Stockton. "Reassessing Ronchamp : the historical context, architectural discourse and design development of Le Corbusier's Chapel Notre Dame-du-Haut". Thesis, London School of Economics and Political Science (University of London), 2014. http://etheses.lse.ac.uk/1009/.

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This dissertation provides a reassessment of the design documents and historical discourse concerning Le Corbusier's Chapel Notre-Dame-du-Haut, Ronchamp. Chapter 1 provides historical background for Le Corbusier’s acceptance of the commission, and resituates the primary literature on the Chapel within its original context: a tense ideological conflict between the French Dominicans and the Vatican hierarchy, who had placed the principal patrons and their chosen architect under covert surveillance. Chapter 2 presents a comprehensive review of the secondary literature on the Chapel, providing chronological evidence that Le Corbusier’s explanations of Ronchamp have exerted a predominant influence upon this discourse since the Chapel's inauguration in 1955. Chapters 3 and 4 present an exhaustive content analysis of the portion of the primary literature on Ronchamp published between 1953 and 1955, highlighting the considerable discrepancies that these texts contain. Upon the basis of this review, I suggest that there is sufficient warrant to be skeptical about the canonical explanations of the Chapel's design, which first appeared within these texts. The study concludes in Chapters 5 and 6 with a renewed investigation of the extant archival materials pertaining to the initial phases of Le Corbusier’s design work for the Chapel. I argue that the canonical explanations of Ronchamp have overlooked many early drawings that played a fundamental role in the architect's creative process, and, on the basis of these discoveries, propose a revised sequence of design development for the first three phases of work within the atelier. An alternate explanation of Le Corbusier's creative process is also proposed, based upon a revolutionary approach to architectural design that he developed after the war, which, I suggest, he did not wish to disclose to his professional peers or to the public.

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Książki na temat "Ronchamp, France. Notre Dame du Haut (Chapel)"

The Chapel at Ronchamp. New York: Princeton Architectural Press, 1999.

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Pauly, Danièle. Le Corbusier: La chapelle de Ronchamp = the chapel at Ronchamp. Paris: Fondation Le Corbusier, 1997.

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Pauly, Danièle. Le Corbusier: The chapel at Ronchamp. Paris: Fondation Le Corbusier, 2008.

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Pauly, Danièle. Le Corbusier: La chapelle de Ronchamp = the chapel at Ronchamp. Paris: Fondation Le Corbusier, 1997.

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Ronchamp: Lecture d'une architecture. Paris: Éditions Ophrys, 1987.

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Corbusier, Fondation Le, red. Manières de penser Ronchamp: Hommage à Michel W. Kagan. Paris: Editions de la Villette, 2011.

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Un Evangile selon Le Corbusier. Paris: Cerf, 1987.

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Le Corbusier: The Chapel of Notre-Dame du Haut at Ronchamp. 2015.

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Pauly, Danièle. Le Corbusier: Die Kapelle von Ronchamp / La Cappella di Ronchamp (Le Corbusier Führer). Birkhauser, 1996.

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Pauly, Danièle. Le Corbusier: La Chapelle de Ronchamp / The Chapel of Ronchamp (Le Corbusier Guide (englisch/französisch)). Birkhauser, 1996.

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Streszczenia konferencji na temat "Ronchamp, France. Notre Dame du Haut (Chapel)"

Mindrup, Matthew. "La Réaction Poètique of a Prepared Mind". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.677.

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Abstract: This paper explores Le Corbusier’s practice of collecting and studying everyday objects as inspiration for new architectural ideas. An avid collector of ‘objets trouves’ that Le Corbusier referred to specifically as ‘objets à réaction poètique,’ he promoted their use claiming they gave direction to an imagination that alone might not be able to detect. Perhaps the most famous object in Le Corbusier’s collection was a crab shell that he used as inspiration for the design of the roof for his Notre-Dame du Haut chapel in Ronchamp, France. Although Le Corbusier’s use of this shell is well documented in studies on his oeuvre, little attention has been given to the role he intended found objects to play in his design process. In themselves these objects, which have their own identities as shells, pinecones or pieces of bone, they do not immediately lend themselves to any architectural solution. Rather, they are evidence of Le Corbusier’s unique approach to design that relies on a what Louis Pasteur referred to as a ‘prepared mind,’ availed of all relevant data and information pertaining to a task, that can search for solutions in random object or events by spontaneously shift back and forth between analytic and associative modes of thought. Keywords: Architectural model, Ronchamp, Design method, Imagination, Play, Objet trouve. DOI: http://dx.doi.org/10.4995/LC2015.2015.677

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Ribichini, Luca. "Notre Dame du Haut, Ronchamp, the shape of a listening. A whole other generative hypothesis". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.719.

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Abstract: The article will examin one of Le Corbusier's more emblematic works: the Ronchamp Chapel. The aim is to discover some of the intentionalities hidden within the design of this work by the swiss architect. It will start with the following considerations of Le Corbusier about the Ronchamp chapel:“it began with the acoustics of the landscape taking the four horizons as a reference...to respond to these horizons, to accomodate them, shapes were created…” And: “ Shapes make noise and silence; some speak and others listen...”And again: “ Ear can see proportions. It's possibile to hear the music of visual proportion” (Le Corbusier). The article sustains that the church is nothing but a giant acoustic machine dedicated to Virgin Mary which main purpose is the listening of the prayers. Infact in the Christian religion Mary is the very vehicle between God and man , she has a human but also divine nature since she is the mother of Jesus. To get in contact with the divine it is necessary to pray Mary, she can listen to man's prayers but she can also pass down God's word to man. In support of this hypothesis there stands an analogy between the chapel's map and the image section of a human ear, highlighting the coincidence between the altar position and that of cochlea, which shape is so dear to le Corbusier that he makes use of it very often in his work. Keywords: Ronchamp; acoustic landscape; human ear, architecture as chrystallized music. DOI: http://dx.doi.org/10.4995/LC2015.2015.719

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