Gotowe bibliografie tematyczne / Roussel (Firm)

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Gotowa bibliografia na temat „Roussel (Firm)”

Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Roussel (Firm)"

Teschke, Rolf, and Gaby Danan. "Advances in Idiosyncratic Drug-Induced Liver Injury Issues: New Clinical and Mechanistic Analysis Due to Roussel Uclaf Causality Assessment Method Use." International Journal of Molecular Sciences 24, no. 13 (2023): 10855. http://dx.doi.org/10.3390/ijms241310855.

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Clinical and mechanistic considerations in idiosyncratic drug-induced liver injury (iDILI) remain challenging topics when they are derived from mere case narratives or iDILI cases without valid diagnosis. To overcome these issues, attempts should be made on pathogenetic aspects based on published clinical iDILI cases firmly diagnosed by the original RUCAM (Roussel Uclaf Causality Assessment Method) or the RUCAM version updated in 2016. Analysis of RUCAM-based iDILI cases allowed for evaluating immune and genetic data obtained from the serum and the liver of affected patients. For instance, str

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Teschke, Rolf, and Axel Eickhoff. "Acute Liver Failure Due to Assumed Drug Induced Liver Injury but Lack of Any Validated Causality Algorithm: Evidence by 36 Cohort Reports with 21,709 Cases." OBM Transplantation 09, no. 01 (2025): 1–10. https://doi.org/10.21926/obm.transplant.2501234.

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Liver transplantation (LT) can be the only option for patients with acute liver failure (ALF) where medical approaches are ineffective. Causes of ALF are multiple and commonly easily detectable, but uncertainty remained on the role of drug-induced liver injury (DILI) within the published ALF cohorts. Therefore, an analysis was undertaken to clarify which drugs may have caused the DILI and how the diagnosis of the liver injury was established. Using the PubMed database and Google Science, the search term of acute liver failure combined with drugs provided 36 publications of ALF cohorts, which i

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Castilho, Glaucejane Galhardo da Cruz de, and Lourdes de Maria Leitão Nunes Rocha. "A rede cegonha na formação da agenda no governo de Dilma Rousself." Serviço Social e Saúde 21 (March 21, 2023): e022006. http://dx.doi.org/10.20396/sss.v21i00.8670541.

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O artigo apresenta a Rede Cegonha na formação da agenda de políticas públicas para as mulheres no governo de Dilma Rousseff, no ano de 2011. Compreende-se o tema a partir de uma análise bibliográfica, considerando os estudos sobre o movimento da agenda e as interpretações dos sujeitos sobre o planejamento reprodutivo das mulheres e à atenção à criança. O artigo versa sobre os seguintes itens: uma parte introdutória, seguida dos itens que caracterizam a formação da agenda de políticas públicas e a emergência da Rede Cegonha no governo de Dilma Rousseff, no ano de 2011. Conclui-se que, contradit

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Winterbottom, Tom. "Political Cartographies in Aquarius." Brasiliana: Journal for Brazilian Studies 6, no. 1 (2018): 64–84. http://dx.doi.org/10.25160/bjbs.v6i1.26249.

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The premiere of Kleber Mendonça Filho’s film Aquarius coincided with the beginning of impeachment processes against former president Dilma Rousseff, spurring the filmmaking team to voice their opinions on the Cannes red carpet and in subsequent public discourse. In the following months the film became an important point of reference on the cultural landscape of Brazil, snubbed for selection for the Oscars, and involved in a debate over censorship. By first studying the content and cinematic techniques employed in telling the intimate story of contested space in the historic seafront building t

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Bergamo, Thelma Maria de Moura, Laís Alice Oliveira Santos, Sangelita Miranda Franco Mariano, and Marcus Vinícius Costa Da Conceição. "O mestre em Rousseau: Autoridade e sedução." LUMEN ET VIRTUS 15, no. 39 (2024): 2122–36. http://dx.doi.org/10.56238/levv15n39-042.

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Esse artigo é resultado de uma pesquisa bibliográfica nas obras do filósofo francês Jean-Jacques Rousseau com o objetivo de analisar as categorias autoridade e sedução enquanto constituintes da figura do mestre. A partir da hipótese de que o homem, no estado de natureza, era dotado de uma alma essencialmente boa e da crença em que o abandono deste estado original para viver em sociedade é responsável pelo estado de degradação moral no qual a humanidade se encontra, atribui à educação a função de resguardar o homem dos males aos quais se encontra suscetível ao viver em sociedade. Nesse processo

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Kohno, Hisayuki, and Tomoya Arai. "Instrumentations and Applications for the Soft and Ultrasoft X-Ray Measurements." Advances in X-ray Analysis 36 (1992): 59–64. http://dx.doi.org/10.1154/s0376030800018644.

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The development of X-ray fluorescence analysis of light elements (e.g. O, C, B and Be) has been carried out for many applications. Recently, the revolutional expansion of semiconductor electronic and memory devices has roused the needs of analysis and identification of the surface and the single- and multi-layered film structure in devices, using the fundamental parameter method for the soft and ultrasoft X-ray region. From the view point of the extensive studies of soft and ultrasoft X-ray measurements.

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Yazıcı, Berna. "“Discovering Our Past”: Are “We” Breaking Taboos? Reconstructing Atatürkism and the Past in Contemporary Turkey." New Perspectives on Turkey 25 (2001): 1–30. http://dx.doi.org/10.1017/s0896634600003587.

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In 1993, a documentary film titled Sarı Zeybek, which narrates the last days of Atatürk, the founder of the Turkish Republic, appeared on a private TV channel in Turkey. Having roused considerable interest, the film reappeared on screens a few more times and later was made into a video. Can Dündar, the producer of the film, writes:When I was a child, I could not understand why the statues of Atatürk were put so high, that as I tried to stare at them, my neck would start to hurt. I could not know why he would always appear alone in his pictures …. Atatürk was a statue far away and a lonely pict

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Zanetti Negrini, Márcio, Giulianna Ronna Nogueira, Giancarlo Backes Couto, and Cristiane Freitas Gutfreind. "A Panorama of Brazilian documentary film activism in the 2010s." Teknokultura. Revista de Cultura Digital y Movimientos Sociales Avance en línea (March 25, 2025): 1–9. https://doi.org/10.5209/tekn.97843.

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This article analyzes Brazilian documentaries from the last decade, investigating their narrative and visual strategies and relating them to emerging video activism practices. Referred to here as ‘documentary cine-activism’, this set of films belongs to the context of militant cinema, updated by contemporary social activism and new image broadcasting technologies via the internet. It is divided into two trends: the first one resulting from the events of June 2013, which street demonstrations are elaborated imagetically, questions the political disputes that occurred through these images. The s

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Ferreira, Carolin Overhoff. "Reflecting on hard and soft coups: a comparison of Aquarius by Kleber Mendonça Filho and Land in Anguish by Glauber Rocha." Brasiliana: Journal for Brazilian Studies 6, no. 1 (2018): 85–104. http://dx.doi.org/10.25160/bjbs.v6i1.26352.

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This article aims to study the film Aquarius (2015) by Kleber Mendonça Filho in comparison with Land in Anguish (1967) by Glauber Rocha. The interest in analyzing both films stems from the polemical reception that Aquarius received after its director and cast used the international launch at the Cannes Film Festival in 2016 to protest publically against the impeachment of Brazilian president Dilma Rousseff, denounced by them as a soft coup. Land in Anguish, on the other hand, has long been considered an allegory of Brazil’s political situation after the military coup in 1964. This article will

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Abriwani, Oktavia. "IMPROVING WRITING DESCRIPTIVE SKILLS THROUGH SHORT DOCUMENTARY MOVIE AT ELEVENTH GRADE OF SMA 71, JAKARTA." Dialectical Literature and Educational Journal 6, no. 2 (2021): 50–55. http://dx.doi.org/10.51714/dlejpancasakti.v6i2.55.pp.50-55.

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This examination endeavors to work on understudies' accomplishment recorded as a hard copy elucidating text through short narrative film. This investigation was led by utilizing homeroom activity research. The subject of this investigation is class XI-B SMA 71 which comprised of 28 understudies. The examination was led in two cycles, cycle I comprised of two gatherings and cycle II comprised of two gatherings. The instruments of gathering the information were subjective information (meeting and perception sheet). In view of composing scores, understudies' score continued working on in each com

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Rozprawy doktorskie na temat "Roussel (Firm)"

Jaeger, Bruna Coelho. "A política externa do Governo Dilma Rousseff para a América do Sul (2011-2015) : o fim do paradigma logístico?" reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/150552.

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O tema desta pesquisa consiste na política externa do governo Dilma Rousseff para a América do Sul. Dessa forma, adotando-se como marco teórico-conceitual os padrões de conduta e os paradigmas da política externa de Amado Luiz Cervo (2008), o objetivo do trabalho é avaliar se há uma continuidade em relação ao governo Lula da Silva nas relações regionais. Mais especificamente, a pergunta que guia essa pesquisa é se a política externa sob o governo Rousseff mantém ou não o paradigma do Estado logístico para a integração sul-americana. Como hipótese, considera-se que a política externa do governo

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Bullot, Érik. "Théorie de la démarche le film et son double Renversements : notes sur le cinéma. 1 Renversements : notes sur le cinéma. 2 Sortir du cinéma : histoire virtuelle des relations de l'art et du cinéma Sayat Nova de Serguei Paradjanov : la face et le profil." Thesis, Paris 10, 2019. http://www.theses.fr/2019PA100041.

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La thèse sur travaux, intitulée THÉORIE DE LA DÉMARCHE, présente un ensemble de recherches et d’enquêtes autour du cinéma et de ses métamorphoses. La mutation technique du médium, sa dissémination dans l’espace social ont transformé nos usages. Nous continuons à appeler cinéma un médium désormais dissocié de son dispositif technologique. Il semble persister sous son avatar numérique à la manière d’une promesse, d’un fantôme ou d’un double. La série des travaux étudient cette transformation dans les relations du cinéma à l’art contemporain, son devenir performatif, ses marges et ses frontiè

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Książki na temat "Roussel (Firm)"

Bento, Berenice. Brasil, ano zero: estado, gênero, violência. EDUFBA, 2021. http://dx.doi.org/10.7476/9786556303680.

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A obra transforma a perplexidade da realidade contemporânea em instigantes análises. A partir de questões que conectam o impeachment da ex-presidenta Dilma Rousseff, os reiterados ataques às questões dos gêneros e das sexualidades, o aumento da miséria e a eleição de Bolsonaro, os capítulos oferecem interpretações históricas à conjuntura sócio-política atual e seus personagens. O livro reúne a trajetória acadêmica e militante da autora, tal como suas percepções. Por fim, busca oferecer análises que negam dois tipos de determinismo: o que atribui à natureza biológica a explicação da produção da

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Pinheiro, Armando Castelar. The Rise and Fall of State Enterprises. Edited by Edmund Amann, Carlos R. Azzoni, and Werner Baer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190499983.013.35.

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We can divide the history of Brazilian state-owned enterprise (SOEs) into two periods. In the first (1930s to late 1970s), SOEs were a policy instrument in state-led industrialization. They produced manufactured goods, supplied cheap inputs to private manufacturing firms, and financed those companies with long-term, subsidized loans. In the second period (1980s to the early 2000s), Brazil privatized several of its main SOEs. Privatization was mainly seen as an answer to macroeconomic problems and did not result from a national ideological about-face; indeed, most Brazilians continued to trust

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Części książek na temat "Roussel (Firm)"

Roett, Riordan. "Dilma Rousseff." In Brazil. Oxford University Press, 2016. http://dx.doi.org/10.1093/wentk/9780190224523.003.0007.

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Unlike many presidents in Latin America, Lula chose to follow the Constitution and not attempt to change it to allow for a third term. In spite of pressure from the PT, he remained firm and it soon became apparent that he had “chosen” the PT...

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Carlyle, Thomas. "Book I. September." In The French Revolution. Oxford University Press, 2019. http://dx.doi.org/10.1093/owc/9780198815594.003.0018.

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Chapter I. The Improvised Commune. Ye have roused her, then, ye Emigrants and Despots of the world; France is roused! Long have ye been lecturing and tutoring this poor Nation, like cruel uncalled-for pedagogues, shaking over her your ferulas* of fire and...

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Berry, Jessica. "Die Nacht gehört uns/La nuit est à nous and Multilingual Reception in Switzerland." In Aesthetics of Early Sound Film. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463727372_ch11.

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This chapter examines how two versions of one film – the German version, Die Nacht gehört uns (1929, dir. Carl Froelich), and the French version, La nuit est à nous (1929, dir. Carl Froelich, Henry Roussell) – were shown and received in Switzerland. Multilanguage versions (also known as multiple language versions or MLVs) were mostly produced to allow film production companies to market their films in different countries. In this context, Switzerland, with its multilingual tradition, is of particular interest. Here, both the German and French versions were released, according to the respective

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Collins, Wilkie. "Chapter XV." In The Moonstone. Oxford University Press, 2019. http://dx.doi.org/10.1093/owc/9780198819394.003.0024.

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The Sergeant remained silent, thinking his own thoughts, till we entered the plantation of firs which led to the quicksand. There he roused himself, like a man whose mind was made up, and spoke to me again. ‘Mr Betteredge,’ he said, ‘as you have honoured...

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Austen, Jane. "Chapter VII." In Northanger Abbey, Lady Susan, The Watsons, Sanditon. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199535545.003.0026.

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The housemaid’s folding back her window-shutters at eight o’clock the next day, was the sound which first roused Catherine; and she opened her eyes, wondering that they could ever have been closed, on objects of cheerfulness; her fire was already burning, and a bright...

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Hollweg, Brenda. "Encounters with the Concentrationary." In Your History with Me. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059417-005.

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This chapter explores the manifold ways in which Penny Siopis’s transnational essay film The New Parthenon invokes “the concentrationary” (David Rousset): a logic of destruction and violation against the human that did not vanish with the defeat of Nazi Germany or the end of the Second World War but is still pervasive today, even, as it becomes increasingly visible, in countries that call themselves “democratic.” Drawing on Jean Cayrol’s notion of “Lazarean art,” an art of the in-between, the chapter traces the suggestive ways in which Siopis’s audiovisual essay—not a film about concentration

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Christians, Clifford G., John P. Ferre, and P. Mark Fackler. "Normative Pluralism." In Good News. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195084320.003.0006.

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Abstract In an ancient fable, a dragon is urgently summoned to defend the king’s castle. It pulls together its mighty frame and draws deep inside for a torrent of fire to scorch the attackers. Nothing happens. The flames in its stomach have died. At the moment of challenge, the dragon is little more than a puffing hulk with its fire gone out. Today, when the demands are most intense, the great communications enterprise rouses itself for battle. Ethics committees crop up in professional associations. Alarmists point to opinion polls that show plummeting press credibility, and they demand more r

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Allen, Jeffner. "Effulgences Particles in Motion." In The Films of Apichatpong Weerasethakul. Liverpool University Press, 2024. http://dx.doi.org/10.3828/liverpool/9781837645138.003.0008.

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This chapter is a lyrical journey through the interconnected realms of Apichatpong's cinematic and meditative creations. Exploring the subtle synapses between Apichatpong's mind and his films, the essay portrays him as a skilled architect of captivating images in both film and writing. With a focus on Isan, Thailand, and the Cambodian Khmer roots that influence his work, the essay delves into motifs of motion and meditation. It maps the intricate web of relations between key works such as Sakda (Rousseau), Primates' Memories, Primitive, and Luminous People, revealing the coexistence of etherea

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"The Neophyte’s Tale: A Choreographer Works on Alive from Off Center David Rousseve." In Envisioning Dance on Film and Video. Routledge, 2013. http://dx.doi.org/10.4324/9780203954034-59.

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Wilson, Carl. "Nosferatu, Gnomeferatu, and Orlox." In Nosferatu in the 21st Century. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781800856400.003.0017.

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Citing F. W. Murnau’s Nosferatu: A Symphony of Horror (1922) as an example, Richard Rouse III offers that ‘Suspense-driven horror films have long focused on life and death struggles against a world gone mad, with protagonists facing powerful adversaries who are pure evil.’ By comparison, he goes on to say, ‘horror games are a natural fit’ (Rouse III 2009: 16). Yet, in the same way that Stacey Abbott points out that ‘A celluloid vampire is more than simply a film adaptation of the myth; it is the reinvention of the vampire through film technology’ (Abbott 2007: 7), what might this mean for vide

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Streszczenia konferencji na temat "Roussel (Firm)"

Usha, R., S. Millet, H. BenHadid, and F. Rousset. "Stability of a Shear-Thinning Film on a Porous Substrate." In ASME 2010 3rd Joint US-European Fluids Engineering Summer Meeting collocated with 8th International Conference on Nanochannels, Microchannels, and Minichannels. ASMEDC, 2010. http://dx.doi.org/10.1115/fedsm-icnmm2010-30464.

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A significant feature of gravity-driven film flows of Newtonian and rheologically complex fluids down an inclined/vertical substrate is the instability of the free surface which manifests as surface waves having wavelengths much larger than the film thickness. There are a number of applications which can be modeled as thin film flow systems on porous substrates. Pascal [1] investigated the stability of a falling power-law film on an inclined porous substrate. This model for the fluid predicts a viscosity that goes to infinity as the shear rate approaches zero. There is a need to employ a more

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