Gotowe bibliografie tematyczne / Royal Academy of Arts

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji
  6. Raporty organizacyjne

Gotowa bibliografia na temat „Royal Academy of Arts”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 5 marca 2023

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Artykuły w czasopismach na temat "Royal Academy of Arts"

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Lau, George F. "Aztecs. Royal Academy of Arts, London." American Anthropologist 105, no. 3 (September 2003): 623–27. http://dx.doi.org/10.1525/aa.2003.105.3.623.

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Baudez, Basile. "La Royal Academy of Arts au XVIIIe siècle, une académie royale ?" Livraisons d'histoire de l'architecture 10, no. 1 (2005): 123–36. http://dx.doi.org/10.3406/lha.2005.1020.

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Thomas, Nicholas, Adrian Locke, Noelle M. K. Y. Kahanu, and Simon Jean. "Reviewing Oceania." Museum Worlds 7, no. 1 (July 1, 2019): 262–91. http://dx.doi.org/10.3167/armw.2019.070116.

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Curating Oceania at the Royal Academy of Arts by Nicholas ThomasAn Internal Response to Oceania from the Royal Academy of Arts by Adrian Locke“Exhibiting Oceania”: Conversing with the Curators (or Truth-Telling in Real Time) by Noelle M. K. Y. KahanuOcéanie in Paris by Simon JeanOceania Catalogue by Lagi-Maama
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Pascual, Ramon. "Royal Academy of Sciences and Arts of Barcelona." Europhysics News 44, no. 3 (May 2013): 27–29. http://dx.doi.org/10.1051/epn/2013305.

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Quinn, Malcolm. "The disambiguation of the Royal Academy of Arts." History of European Ideas 37, no. 1 (March 2011): 53–62. http://dx.doi.org/10.1016/j.histeuroideas.2010.10.002.

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Pomeroy, Mark. "The Archives of the Royal Academy of Arts, London." Art Libraries Journal 30, no. 1 (2005): 5–9. http://dx.doi.org/10.1017/s030747220001378x.

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The Academy is one of Britain’s foremost cultural institutions. It is a unique survival of the age of enlightenment, continuing to fulfil the purposes for which it was founded. The Academy is run by artists for the benefit of artists, while providing an elegant venue for ‘the promotion of the arts of design’. The Library of the Royal Academy of Arts is well known, as it is the oldest fine art library in the United Kingdom. The Archives has always lain in comparative shadow, even though it is close to the heart of the institution. This article attempts to place the Archives in context, to descr
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Labica, Thierry. "La Royal Academy of Arts ou le compromis patricien." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 63, no. 1 (2006): 171–88. http://dx.doi.org/10.3406/xvii.2006.2327.

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Sands, Mick, Marion Tasker, Tamsin Dives, Gini Lawson, Andy Ridley, Gerry Prince, and Giorgos Tsiris. "ST.CHRISTOPHERS GROUP PARTNERSHIP WITH THE ROYAL ACADEMY OF ARTS." BMJ Supportive & Palliative Care 4, Suppl 1 (March 2014): A55.2—A55. http://dx.doi.org/10.1136/bmjspcare-2014-000654.157.

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Picton, John. "africa95 and the Royal Academy." African Arts 29, no. 3 (1996): 22. http://dx.doi.org/10.2307/3337340.

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Baudino, Isabelle. "La Royal Academy of Arts n'est pas née en 1768." Études anglaises 56, no. 4 (2003): 412. http://dx.doi.org/10.3917/etan.564.0412.

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Rozprawy doktorskie na temat "Royal Academy of Arts"

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Veasey, Melanie. "'Reforming academicians' : sculptors of the Royal Academy of Arts, c. 1948-1959." Thesis, Loughborough University, 2018. https://dspace.lboro.ac.uk/2134/34791.

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Post-war sculpture created by members of the Royal Academy of Arts was seemingly marginalised by Keynesian state patronage which privileged a new generation of avant-garde sculptors. This thesis considers whether selected Academicians (Siegfried Charoux, Frank Dobson, Maurice Lambert, Alfred Machin, John Skeaping and Charles Wheeler) variously engaged with pedagogy, community, exhibition practice and sculpture for the state, to access ascendant state patronage. Chapter One, The Post-war Expansion of State Patronage , investigates the existing and shifting parameters of patronage of the visual
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Hoock, Holger. "The king's artists : the Royal Academy of Arts as a 'national institution', c1768-1820." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365672.

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Shirota, Sère Yoshino. "Royal Academy of Arts de Londres, sa position, son rôle dans l'histoire de l'art, depuis sa création jusqu'à nos jours." Paris 4, 2003. http://www.theses.fr/2002PA040263.

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Ce travail décrit le Royal Academy de son régime, à ses locaux divers et variés, son école, ses expositions annuelles, ses problèmes et réussites. Fondée en 1768, la Royal Academy fut créée par la volonté de quelques artistes conscients du manque de patronage et de lieu de formation. Ayant le roi George III comme patron et protecteur, sans toutefois être le propriétaire, l'institution était privée et gérée uniquement par les artistes. Joshua Reynolds fut le premier président. L'exposition annuelle d'œuvres d'artistes vivants, l'équivalent du Salon était un événement important dans le monde art
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Soden, Joanna. "Tradition, evolution, opportunism the role of the Royal Scottish Academy in art education, 1826-1910 /." Thesis, Available from the University of Aberdeen Library and Historic Collections Digital Resources, 2006. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=59750.

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Foot, Michelle Elizabeth. "Modern spiritualism and Scottish art between 1860 and 1940." Thesis, University of Aberdeen, 2016. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=230582.

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This thesis is formed from original research into the cultural impact of Modern Spiritualism in Scotland during the late nineteenth and early twentieth century. Until the twenty first century academic scholarship has failed to recognise the historic importance of the Spiritualist movement's widespread popularity and the influence it had on art during this period. The findings of this research provide a new understanding and greater appreciation of art from this time. As academic investigation into Spiritualism's historic significance is largely absent, this study focuses on primary sources fro
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Morris, Cathryn. "Miracles or myth : the royal Raymond Rife story." Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/236.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Film
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Darlington, Anne Carol. "The Royal Academy of Arts and its anatomical teachings : with an examination of art-anatomy practices during the eighteenth and early nineteenth centuries in Britain." Thesis, UCL Institute of Education (IOE), 1990. http://discovery.ucl.ac.uk/10006566/.

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The thesis investigates the artistic and anatomical practices taking place between circa 1768 and 1810, primarily in the context of the Royal Academy of Arts. In focusing on the educational components of anatomical knowledge, the dissertation examines the style, methodology and the various types of private and public teaching available to artists and medical students during this period. In Chapter One, I examine the social, professional and demographic factors uniting artists and medical men. The social and professional divide that at one time kept such professions apart, was now being filled
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Lidman, Charlotte. "Konstes fria studie : En undersökning av förändringarna i avgångselevernas examensutställningar vid Kungliga Konsthögskolan 1962-2011." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-276865.

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The aim of the essay is to examine how the student exhibitions of the Royal University college of Fine Arts in Stockholm has changed between 1962-2011, and what these changes can depend on. The questions are: What are the changes in the choice of examination work for the students of the Royal University college of Fine Arts, and what can they depend on? Is the school adjusting their education to the surrounding art world, and in what way is that noticeable? By studying the catalogs from the exhibitions, newspaper reviews and other literature, a shorter conclusion is given concerning the art wo
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James, Pamela J., University of Western Sydney, of Arts Education and Social Sciences College, and School of Humanities. "The lion in the frame : the art practices of the national art galleries of New South Wales and New Zealand, 1918-1939." THESIS_CAESS_HUM_James_P.xml, 2003. http://handle.uws.edu.au:8081/1959.7/567.

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This study examines the art practices and management of the National Art Galleries of Australia and New Zealand in the period between the wars, 1918-1939.It does so in part to account for the pervading conservatism and narrow corridors of aesthetic acceptability evident in their acquisitions and in many of their dealings. It aims to explore the role of Britishness, through an examination of the influence of the London Royal Academy of Art, within theses emerging official art institutions. This study argues that the dominant artistic ideology illustrated in these National Gallery collections wa
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James, Pamela J. "The lion in the frame : the art practices of the national art galleries of New South Wales and New Zealand, 1918-1939." Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/567.

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This study examines the art practices and management of the National Art Galleries of Australia and New Zealand in the period between the wars, 1918-1939.It does so in part to account for the pervading conservatism and narrow corridors of aesthetic acceptability evident in their acquisitions and in many of their dealings. It aims to explore the role of Britishness, through an examination of the influence of the London Royal Academy of Art, within theses emerging official art institutions. This study argues that the dominant artistic ideology illustrated in these National Gallery collections wa
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Książki na temat "Royal Academy of Arts"

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Arts, Royal Academy of. Royal Academy of Arts. London: Royal Academy of Arts, 1988.

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Geraldine, Walsh, Boucher Katherine, and Martello Arts Review, eds. Royal Hibernian Academy of Arts. Dublin: Martello Arts Review, 1991.

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Arts, Royal Academy of. Royal Academy of Arts summer exhibition. London: Royal Academy of Arts, 1998.

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Arts, Royal Academy of. Royal Academy of Arts summer exhibition. London: The Academy, 1987.

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Arts, Royal Academy of. Royal Academy of Arts summer exhibition. London: Royal Academy of Arts, 1995.

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Arts, Royal Academy of. Royal Academy of Arts summer exhibition. London: Royal Academy of Arts, 1991.

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Arts, Royal Academy of. Royal Academy of Arts summer exhibition. London: Royal Academy of Arts, 1989.

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Arts, Royal Academy of. Royal Academy of Arts summer exhibition. [London: Royal Academy of Arts, 1986.

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Arts, Royal Academy of. Royal Academy of Arts summer exhibition. London: Royal Academy of Arts, 1997.

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Arts, Royal Academy of. Royal Academy of Arts summer exhibition. London: Royal Academy of Arts, 1993.

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Części książek na temat "Royal Academy of Arts"

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Dörrbecker, D. W. "Innovative Reproduction: Painters and Engravers at the Royal Academy of Arts." In Historicizing Blake, 125–46. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23477-6_8.

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KAMIDE, MAYU. "The Royal Academy of Arts and Japan:." In Britain & Japan: Biographical Portraits, Vol. X, 718–30. Renaissance Books, 2016. http://dx.doi.org/10.2307/j.ctt1s17p06.68.

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"The Royal Academy:." In A Little History of Art, 169–76. Yale University Press, 2022. http://dx.doi.org/10.2307/j.ctv2g591d1.25.

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Ibata, Hélène. "Introduction." In The challenge of the sublime. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526117397.003.0001.

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In the decades that followed the creation of the Royal Academy of Arts in 1768, the sister arts tradition appeared to be as alive as it had been at the beginning of the century. The literary aspirations of British visual artists were nurtured by academic precepts which claimed that by rivalling and adapting the best poetic work, painters would assert their art’s intellectual value and prove that it was a ‘liberal’ occupation, rather than a ‘mechanical’ trade. While the Royal Academy promoted ‘history painting’ and the emulation of epic poetry as the best demonstration of the mental skills employed in painting, a new generation of visual artists sought inspiration in the most exalting and tumultuous productions of the British literary genius, and found in Shakespeare, Milton or Macpherson’s ...
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"23 The Royal Academy: Home and Away." In A Little History of Art, 169–76. Yale University Press, 2022. http://dx.doi.org/10.12987/9780300265538-023.

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"Commission of Inquiry into the Royal Academy: 1863." In The Essence of Art, edited by Craig Harrison, 52–58. Routledge, 2019. http://dx.doi.org/10.4324/9780429439834-5.

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de Wied, D. "Preface by the President of the Royal Netherlands Academy of Arts and Sciences." In Physics in the Making, v—vi. Elsevier, 1989. http://dx.doi.org/10.1016/b978-0-444-88019-2.50004-0.

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de Wied, D. "Preface by the President of the Royal Netherlands Academy of Arts and Sciences." In Physics in the Making, v—vi. Elsevier, 1989. http://dx.doi.org/10.1016/b978-0-444-88121-2.50004-x.

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McCormack, Helen. "Pursuing the imitation of nature in and beyond the Royal Academy of Arts." In William Hunter and his Eighteenth-Century Cultural Worlds, 138–70. Routledge, 2017. http://dx.doi.org/10.4324/9781315547145-6.

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Quin, Jack. "An Art School Education." In W. B. Yeats and the Language of Sculpture, 17–52. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192843159.003.0002.

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Abstract The first chapter constructs an unfamiliar portrait of Yeats—the famous autodidact—as a fledgling poet who was educated at art school in Dublin. The opening section documents Yeats’s art school years at the Dublin Metropolitan School of Art and later the Royal Hibernian Academy. It outlines how Yeats’s art school training in the mid-1880s put him in contact with John Hughes and Oliver Sheppard who would become the foremost Irish sculptors of the early twentieth century. By tracing his time at art school, the chapter recovers Yeats’s earliest exposure to the visual arts; sketching from casts of classical statues, and comparing antique and modern artworks. Subsequent sections compare Yeats’s earliest poems, The Island of Statues, ekphrastic verses, and verse fragments, with his later recollections of the Metropolitan School of Art and Royal Hibernian Academy in Reveries over Childhood and Youth, a 1906 committee deposition, and his draft Memoirs, arguing that a poetics of sculpture offered Yeats a creative escape from the dry, academic neoclassicism of his art schooling. The art writing of Yeats and George Russell (Æ)—another art school student—in the Daily Express promoted the sculpture of Sheppard and Hughes in the 1890s to early 1900s. The later sections propose a reciprocal relationship between Irish sculpture and poetry of the Revival, tracing Yeats and Russell’s reinterpretation of Matthew Arnold and his critique of the Celtic plastic arts, and closing with an examination of Sheppard’s unpublished essay on public sculpture in Ireland.
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Streszczenia konferencji na temat "Royal Academy of Arts"

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Grunina, Yulia. "THE EMPLOYMENT OF THE ROYAL SPANISH ACADEMY REFERENCE POINTS IN TEACHING RUSSIAN STUDENTS." In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/2.1/s10.042.

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Welling, Helen G. "Aspects of Preservation of Architecture of the Early Modern Movement." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.72.

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The following paper contains some of the main points of discussion in a research project about the preservation of architecture of the Modem Movement in preparation at the Royal Academy of Fine Arts, School of Architecture, Copenhagen. It discusses the relativity of historical values within the early Modem Movement. Various aspects on the case of preservation of architecture of the Modem Movement are explained. Different examples of restoration, reconstruction and new interventions are analysed and ordered in a series of methods. The conclusion is that the architecture of this epoch needs a ne
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Pullen, K. R., A. W. Court, and C. B. Besant. "The Advanced Turbogenerator Project — A Total Technology Education Experience for Engineering Undergraduate Students." In ASME 1998 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/98-gt-023.

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The preparation of engineering students for industrial careers after graduating is a vital part of the education process at university. It is the responsibility of the university to teach sound foundations of engineering science but this on its own is not sufficient preparation. The subject of design has been identified as a valuable means by which engineering science can be applied at advanced levels but at the same time teach students skills which are necessary for successful careers in industry. Three years ago, five senior engineers from UK industry were appointed as Visiting Professors in
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Dare, Eleanor, and Libby Heaney. "Royal College of Art." In Electronic Visualisation and the Arts. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/eva2018.77.

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Yan, Junxia. "Research on Henan Academy Landscape Design Symbol. Take Songyang Academy as an Example." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.142.

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Pangayan, Victor. "Major Selection Tendency among Creative Arts Students, Academy of Arts and Creative Technology, UMS." In International Academic Symposium of Social Science. Basel Switzerland: MDPI, 2022. http://dx.doi.org/10.3390/proceedings2022082026.

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Cheng, Hai, and Yi Gong. "On Change of Architectural Culture of Xuetang Academy." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.37.

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Wei, Yinxia. "Operation Mechanism Research of Outstanding Engineer Industry Academy Cooperation." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.282.

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Jung, Dieter, and Andrew T. Pepper. "Creative holography: developments in the Academy of Media Arts Cologne, Germany." In LkForest 91, edited by Tung H. Jeong. SPIE, 1992. http://dx.doi.org/10.1117/12.57818.

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Mason, Catherine. "THE FORETIETH ANNIVERSARY OF EVENT ONE AT THE ROYAL COLLEGE OF ART." In Electronic Visualisation and the Arts (EVA 2009). BCS Learning & Development, 2009. http://dx.doi.org/10.14236/ewic/eva2009.15.

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Raporty organizacyjne na temat "Royal Academy of Arts"

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Kangro, Kirke, Oliver Laas, and Madis Luik. PhD Vitamin at the Estonian Academy of Arts. Jar-online.net, July 2020. http://dx.doi.org/10.22501/jarnet.0032.

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Khan, B. Zorina. Prestige and Profit: The Royal Society of Arts and Incentives for Innovation, 1750-1850. Cambridge, MA: National Bureau of Economic Research, January 2017. http://dx.doi.org/10.3386/w23042.

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Birnbaum, David J., Ralph Cleminson, Sebastian Kempgen, and Kiril Ribarov. White Paper on Character Set Standardization for Early Cyrillic Writing after Unicode 5.1. Otto-Friedrich-Universität, 2021. http://dx.doi.org/10.20378/irb-49898.

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The White Paper on Character Set Standardization for Early Cyrillic Writing after Unicode 5.1 emerged from discussions among the authors at the "Slovo" conference in Sofia in 2008. It is partially a response to documents published by the Serbian Academy of Arts and Sciences. It has been written for the benefit of medieval Slavic philologists.
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Medical Emergencies in Eating Disorders - what you need to know. ACAMH, November 2022. http://dx.doi.org/10.13056/acamh.21546.

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This webinar looked at 'Medical Emergencies in Eating Disorders (MEED)' the new guidance, produced by the Royal College of Psychiatrists and endorsed by the Academy of Medical Royal Colleges, with perspectives from clinicians, paediatricians, dieticians, parents/carers, and lived experience. It was organised by the London and South East ACAMH Branch.
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The COVID Decade: understanding the long-term societal impacts of COVID-19. The British Academy, 2021. http://dx.doi.org/10.5871/bac19stf/9780856726583.001.

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The British Academy was asked by the Government Office for Science to produce an independent review on the long-term societal impacts of COVID-19. This report outlines the evidence across a range of areas, building upon a series of expert reviews, engagement, synthesis and analysis across the research community in the Social Sciences, Humanities and the Arts (SHAPE). It is accompanied by a separate report, Shaping the COVID decade, which considers how policymakers might respond. History shows that pandemics and other crises can be catalysts to rebuild society in new ways, but that this require
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