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1

Kadyrbekova, Zaure. "Ecosystemic worldview in Russian fairy tales." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121571.

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The majority of interpretations of literary animals focus on the animals' metaphoric or symbolic significance, overlooking the actual animal, which often completely disappears behind its metaphoric or mythological representation. Such traditional interpretations of animals expose the dominant anthropocentric focus of the humanities in general, and literary studies in particular. Yet, even as textual representations a lot of literary animals still exhibit some basic species-specific characteristics. By analyzing selected Russian fairytales through the animal studies perspective I will show that
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Rose, Katherine Mae. "Multivalent Russian Medievalism: Old Russia Through New Eyes." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493416.

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This thesis explores representations of medieval Russia in cultural and artistic works of the late nineteenth and early twentieth centuries, with an eye to the shifting perceptions of Russia’s cultural heritage demonstrated through these works. The thesis explores the history of medievalism as a field of study and interrogates the reasons that medievalism as a paradigm has not been applied to the field of Russian studies to date. The first chapter is an investigation of architectural monuments incorporating Old Russian motifs, following the trajectory of the “Russian Style” in church architect
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Krasnova, Irina. "Concept chest' in the Russian worldview Koncept chest'v russkoi iazykovoi kartine mira." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=92179.

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This thesis is a cross-disciplinary study of one of the culture-specific words important for a given society ("concepts") – concept chest' (honor) - that has a considerable weight in the Russian cultural tradition. The study aims to transcend disciplinary boundaries in order to examine the cultural construction of honor in the Russian Worldview. "Concept" is not just a lexical item but a distinctive "file" containing semantic and aesthetic information. "Concepts" reflect and pass on people's values, ideals, attitudes as well as a way of thinking about the world. They provide important clue
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Migdissova, Svetlana. "An analysis of a Russian cultural phenomenon: A.S. Pushkin's prisoner of the caucasus and beyond." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=103520.

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This thesis is an analysis of works derived from Russian literature and cinematography as grouped by the morphemes 'kavkaz' and 'plen' in their titles. During the last 200 years at least ten such works have appeared, the most famous being Pushkin's Prisoner of the Caucasus. These have become a fascinating phenomenon of Russian culture and the goal of my study is to analyze the intertextual links among these works. The study as a whole is based on the approaches developed by Lotman, Barthes, Zholkovsky, Likhachev and others. Thus it takes into account the specific social, historical and cultura
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Johnson, James Alan. "Societies of the southern Urals, Russian Federation, 2100 -- 900 BC." Thesis, University of Pittsburgh, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3690747.

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<p> In the past ten years or more, social complexity has taken center stage as the focus of archaeologists working on the Eurasian steppe. The Middle Bronze Age Sintashta period, ca. 2100 - 1700 BC, is often assumed to represent the apex of social complexity for the Bronze Age in the southern Urals region. This assumption has been based on the appearance of twenty-two fortified settlements, chariot burials, and intensified metal production. Some of these studies have incorporated the emergence and subsequent development of mobile pastoralism as their primary foci, while others have concerned t
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Fouts, Jordan. "After the end of the line: apocalypse, post- and proto- in Russian science fiction since Perestroika." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=18304.

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This thesis examines concepts of history and culture in six texts published between 1986 and 2006, as they relate to the loss of Russia’s future, according to Mikhail Epstein, with the collapse of the Soviet Union. The works, paired by decade in three chapters, are Vladimir Voinovich’s Moscow 2042 (1987) and Andrei Bitov’s “Pushkin’s Photograph” (1989); Andrei Lazarchuk and Mikhail Uspenskii’s Look into the Eyes of Monsters (1998) and Tat’iana Tolstaia’s Slynx (2000); and Sergei Luk’ianenko’s “Girl with the Chinese Lighters” (2002) and Aleksei Kalugin’s “Time Backwards!” (2005). Though the aut
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7

Rankin, Colleen A. "International Agendas Confront Domestic Interests: EU Enlargement, Russian Foreign Policy, and Eastern Europe." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1337888570.

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Schick, Christine Suzanne. "Russian Constructivist Theory and Practice in the Visual and Verbal Forms of "Pro Eto"." Thesis, University of California, Berkeley, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3616250.

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<p> This dissertation aims in part to redress the shortage of close readings of Vladimir Mayakovsky and Aleksandr Rodchenko's joint project, the book <i> Pro Eto.</i> It explores the relationship between the book's visual and verbal aspects, treating the book and its images as objects that repay attentive looking and careful analysis. By these means this dissertation finds that the images do not simply illustrate the text, but have an intertextual relationship with it: sometimes the images suggest their own, alternative narrative, offering scenes that do not exist in the poem; sometimes they a
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Willett, Gudrun Alyce. "Crises of self and other-- Russian-speaking migrants in the Netherlands and European Union." Diss., University of Iowa, 2007. http://ir.uiowa.edu/etd/130.

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Kotsyuba, Oleh. "Rules of Disengagement: Author, Audience, and Experimentation in Ukrainian and Russian Literature of the 1970s and 1980s." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:23845486.

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Is there a direct correlation between the degree of an artist’s participation in ideologically defined discursive practices and the aesthetic value and expressive innovation of her or his work? How does the concept of the implied audience influence an author’s approach to the creative process? How relevant is the author’s own self-projection in her or his works to their aesthetic quality? Examining these and other questions, this dissertation studies the strategies of an artist’s engagement with or disengagement from repressive political systems which are understood here as mechanisms of putti
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Mykhed, Oksana Viktorivna. "Not by Force Alone: Russian Incorporation of the Dnieper Borderland, 1762-1800." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11591.

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This dissertation concentrates on the history of frontiers, borderlands, and empires in Eastern and Central Europe in the eighteenth century. While the existing literature examines mainly ideological and political competitions among the empires for land, resources, and the stateless population; I explore more physical and material spheres of rivalry such as border security, economy and public health. This dissertation explores the politics of the Russian Empire in these spheres in the eighteenth century. It argues that the policies of improvement in migration control, border infrastructure, an
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Sundaram, Susmita. "Land of thought: India as ideal and image in Konstantin Bal'mont's Oeuvre." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1087410693.

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Georgiyeva, Natalya. "Impact of Indigenous Language on Achievement and Emotional Conditions: A Case Study of East European Students in Utah." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/3194.

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The importance of using an indigenous language as a medium of school instruction has been discussed in world education for a long time. This study focuses on the influence of the presence of a native language in the learning process of the students and the impact on their academic achievement, emotional conditions, and post-school lives. A qualitative method of research was used in the study, comprising 12 interviews among Ukrainian/Russian adopted and nonadopted students who attended Utah schools. Information obtained through interviews presented language levels of students (both native and E
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Chung, Bora. "Changing the shape of existence Utopia in Andrei Platonov's "Chevengur" and Bruno Jasienski's "I Burn Paris" /." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3373500.

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Thesis (Ph.D.)--Indiana University, Dept. of Slavic Languages and Literature, 2009.<br>Title from PDF t.p. (viewed on Jul 6, 2010). Source: Dissertation Abstracts International, Volume: 70-10, Section: A, page: 3879. Adviser: Aaron B. Beaver.
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15

Panyushkina, Irina P., Alexei A. Karpukhin та Asya V. Engovatova. "Moisture record of the Upper Volga catchment between AD 1430 and 1600 supported by a δ13C tree-ring chronology of archaeological pine timbers". ELSEVIER GMBH, URBAN & FISCHER VERLAG, 2016. http://hdl.handle.net/10150/622437.

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Investigations of interactions between climate change and humans suffer from the lack of climate proxies directly linked to historical or archaeological datasets that describe past environmental conditions at a particular location and time. We present a new set of pine tree-ring records (Pinus sylvestris L) developed from burial timbers excavated at the historical center of Yaroslavl city, Russia. A 171 year delta C-13 tree-ring chronology from AD 1430 to AD 1600 evidences mostly wet summers during the 15th century but exceptionally dry conditions of the 16th century at the Upper Volga catchme
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Renner-Fahey, Ona. "Mythologies of poetic creation in twentieth-century Russian verse." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1056554664.

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Heywood, Emma. "Foreign conflict reporting post-9/11 and post-Cold War : a comparative analysis of European television news coverage of the Middle East conflict." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/foreign-conflict-reporting-post911-and-postcold-war-a-comparative-analysis-of-european-television-news-coverage-of-the-middle-east-conflict(1f514bbd-0779-44c9-bc27-66c26b507194).html.

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The thesis explores the state of European foreign conflict reporting by public sector broadcasters, post-Cold War and post-9/11. It provides a comparative analysis of the news values of three television news providers from three differing public systems: BBC’s News at 10, representing a British public service broadcaster, nominally independent of government control; Russia’s Vremya on Channel 1, a state-aligned broadcaster used, to a large extent, as a mouthpiece for the government; and France 2’s 20 Heures, a public service broadcaster, from a media system with a long history of state interve
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Davis, Brandon S. "State Cyber Operations and International Law: Russian and Western Approaches." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523531316393533.

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Mulcahy, Robert Alan. "A Hero of Two Times: Erast Fandorin and the Refurbishment of Genre." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1369768067.

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Cotrell, Brittany Marie. "When Ambivalence Kills: The West and InternationalHIV Relief in Post-Socialist Russia." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366143332.

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Pyanzina, Elizaveta Anatolyevna 1981. "Representation of the Peoples of the Caucasus in 20th Century Russian Literature and Cinematography." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11489.

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ix, 67 p.<br>For centuries, Russian writers have stressed the important role the Caucasus played in the Russian Empire. In the last few decades, much attention has been directed at the Caucasians in literary works and movies as a result of the two Chechen wars. This thesis addresses the evolution of the Caucasian theme in Russian literature beginning from the 18th century with a focus on the contemporary representation of the peoples of Caucasus, mainly Chechens, in three works: a Soviet-era movie by Leonid Gaidai, <italic>Kidnapping, Caucasian Style</italic> (1966); Vladimir Makanin's story,
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Sorokina, Alfia. "Re-Inventing the Past, Defining the Future: Historical Representations and Regional Development in the Russian Northwest." Thesis, Université d'Ottawa / University of Ottawa, 2010. http://hdl.handle.net/10393/12910.

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This work explores the connections between the constructed representations of places based on local histories, the processes of tradition reinvention and the strategies of regional development in two Russian regions. This analysis also outlines the context created by the external to the regions influences and the associated with them local conditions.
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Whittle, Maria Karen. "Subverting Socialist Realism: Vasily Grossman's Marginal Heroes." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/pomona_theses/70.

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Soviet writer Vasilii Grossman has been renowned in the West as a dissident author of Life and Fate, which multiple sources, including The New York Times have called "arguably the greatest Russian novel of the 20th century." Grossman, however, was not a dissident, but an official state writer attempting to publish for a Soviet audience. Grossman's work was criticized by Soviets as being "too Jewish", while Jewish scholars have called it "not Jewish enough." And, despite his modern critical acclaim, little scholarship on Grossman exists. In my thesis, I explore these paradoxes. I argue that Gro
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Marsh, Clayton E. "Germany and Russia: A Tale of Two Identities: The Development of National Consciousness in the Napoleonic Era." Wittenberg University Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors161762574001347.

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Martin, Jeremy A. "RUSSIA AND THE “WEST:” A USEFUL PARADIGM OR AN IMAGINED ACTOR?" Miami University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=miami1178124728.

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Kofman, Olha V. "Freed by Ideology, Imprisoned by Reality: the Representation of Women in the Cinemas of The Thaw and Perestroika." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366070656.

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Martin, Jeremy Andrew. "Russia and the "West" a useful paradigm or an imagined actor? /." Oxford, Ohio : Miami University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1178124728.

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Esno, Tyler P. "Trading with the Enemy: U.S. Economic Policies and the End of the Cold War." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1486807359479029.

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