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Gotowe bibliografie tematyczne / Sacred books – Fiction

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Gotowa bibliografia na temat „Sacred books – Fiction”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Sacred books – Fiction"

1

Borisova, Valentina V. "Images of Books in Fyodor Dostoevsky’s Novel The Idiot. Review of the Collective Monograph: Kasatkina, Tatiana A., Corbella, Caterina, Magaril-Il’iaeva, Tatiana G., and Nikolay N. Podosokorsky. Books in the Book. The Role and Image of Books in Fyodor Dostoevsky’s Novel The Idiot. Ed. T.A. Kasatkina. Moscow, IWL RAS Publ., 2024. 392 p." Dostoevsky and World Culture. Philological journal, no. 2 (30) (2025): 370–83. https://doi.org/10.22455/2619-0311-2025-2-370-383.

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The review examines the collective monograph by Tatiana Kasatkina, Caterina Corbella, Tatiana Magaril-Il’iaeva, and Nikolay Podosokorsky titled Books in the Book. The Role and Image of Books in Fyodor Dostoevsky’s Novel The Idiot (Ed. T.A. Kasatkina. Moscow, IWL RAS, 2024. 392 p.). The work reviewed represents a perspective of research that has actively developed in recent years, characterized by a new terminological thesaurus and a new methodology for studying the role and image of books-within-books, which is fundamentally different from the traditional intertextual approach. The authors’ pr

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Hickman, Alan Forrest. ""Shadows Like to Thee": Modern Writers on the Character of William Shakespeare." International Human Sciences Review 2 (March 19, 2020): 1–8. http://dx.doi.org/10.37467/gka-humanrev.v2.2018.

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A swarm of books boasting William Shakespeare as a central character have hit the bookstands in recent years. The question is, why? In some books he is rather insipid, as if his brand is too hot to tamper with, and he is reduced to the status of a sacred cow. In other books he is too busy fighting for truth and justice to be bothered with taking up the quill, while in others, he is an opportunistic “Shake-scene” who has no qualms about “beautifying” himself with his contemporaries’ feathers. I propose to look at such works in the aggregate and determine the basic character traits that modern s

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Hickman, Alan Forrest. "“Shadows Like to Thee”: Modern Writers on the Character of William Shakespeare." HUMAN Review. International Humanities Review / Revista Internacional de Humanidades 9, no. 1 (2020): 53–60. http://dx.doi.org/10.37467/gka-revhuman.v9.2602.

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A swarm of books boasting William Shakespeare as a central character have hit the bookstands in recent years. The question is, why? In some books, he is rather insipid, as if his brand is too hot to tamper with, and he is reduced to the status of a sacred cow. In other books, he is too busy fighting for truth and justice to be bothered with taking up the quill, while in others, he is an opportunistic “Shake-scene” who has no qualms about “beautifying” himself with his contemporaries’ feathers. I propose to look at such works in the aggregate and determine the basic physical and character trait

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Hickman, Alan Forrest. "“Shadows Like to Thee”: Modern Writers on the Character of William Shakespeare." HUMAN REVIEW. International Humanities Review / Revista Internacional De Humanidades 9, no. 1 (2020): 53–60. https://doi.org/10.37819/humanrev.v9i1.900.

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A swarm of books boasting William Shakespeare as a central character have hit the bookstands in recent years. The question is, why? In some books, he is rather insipid, as if his brand is too hot to tamper with, and he is reduced to the status of a sacred cow. In other books, he is too busy fighting for truth and justice to be bothered with taking up the quill, while in others, he is an opportunistic “Shake-scene” who has no qualms about “beautifying” himself with his contemporaries’ feathers. I propose to look at such works in the aggregate and determine the basic physical and character trait

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Hickman, Alan Forrest. "“Shadows Like to Thee”: Modern Writers on the Character of William Shakespeare." HUMAN REVIEW. International Humanities Review / Revista Internacional De Humanidades 9, no. 1 (2020): 53–60. https://doi.org/10.37819/revhuman.v9i1.900.

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A swarm of books boasting William Shakespeare as a central character have hit the bookstands in recent years. The question is, why? In some books, he is rather insipid, as if his brand is too hot to tamper with, and he is reduced to the status of a sacred cow. In other books, he is too busy fighting for truth and justice to be bothered with taking up the quill, while in others, he is an opportunistic “Shake-scene” who has no qualms about “beautifying” himself with his contemporaries’ feathers. I propose to look at such works in the aggregate and determine the basic physical and character trait

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Sharma, Sweta, and Kavita Agnihotri Dr. Kavita Dr. "Chetan Bhagat: The best selling voice of Middle-class young India." International Journal of Advance and Applied Research 12, no. 2 (2024): 291–95. https://doi.org/10.5281/zenodo.14650220.

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<strong>Abstract</strong> In 2003, the Rupa publication published a novel titled "Five Point Someone.” Bookstores like “Oxford” and “Crossword” placed it under the “bookshelf genre” of “Indian Fiction.” On commercial frontiers, this new author was competing with literary Laurels like “Arundhati Roy,” Shobha De,” “Sudha Narayan” and Vikram Seth.”  The contents and pricing of the novel “Five Point Someone” was far from this classic league of “Indian Fiction.” It was a tale writt

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Janson, Torsten. "“A Halal Happy Ever After”: Envisioning Muslim Futures in Islamically Minded Children’s Literature." Journal of Muslims in Europe 13, no. 3 (2024): 301–21. https://doi.org/10.1163/22117954-bja10114.

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Abstract What future aspirations have informed the incentives for producing children’s literature in Muslim minority communities? What social dynamics and theological debates have accompanied its visions of Islamic futures? What narrative tropes, visual-aesthetics norms and literary genres has it appropriated, while maturing into an innovative religious-pedagogic-literary expression? Probing such questions, this article challenges distinctions between “Islamic” and “secular” to build a concept of Islamically minded children’s literature. It follows the diversification of the literature as a gl

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Cox, Jessica. "The ‘most Sacred of Duties’1: Maternal Ideals and Discourses of Authority in Victorian Breastfeeding Advice." Journal of Victorian Culture 25, no. 2 (2020): 223–39. http://dx.doi.org/10.1093/jvcult/vcz065.

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Abstract The maternal role and its associated practices were subject to much scrutiny throughout the Victorian period. Whilst motherhood was seen as the natural destiny of the (respectable) woman, mothers were nonetheless deemed in need of strict guidance on how best to raise their offspring. This was offered in an extensive range of advice and conduct books, via newspapers, journals, and fiction, and from medical practitioners, and covered pregnancy, childbirth, and all aspects of care for babies and young children. This article considers Victorian advice on infant feeding, focusing in partic

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MILLER, BONNY H. "Augusta Browne: From Musical Prodigy to Musical Pilgrim in Nineteenth-Century America." Journal of the Society for American Music 8, no. 2 (2014): 189–218. http://dx.doi.org/10.1017/s1752196314000078.

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AbstractAugusta Browne Garrett composed at least two hundred piano pieces, songs, duets, hymns, and sacred settings between her birth in Dublin, Ireland, around 1820, and her death in Washington, D.C., in 1882. Judith Tick celebrated Browne as the “most prolific woman composer in America before 1870” in her landmark study American Women Composers before 1870. Browne, however, cast an enduring shadow as an author as well, publishing two books, a dozen poems, several Protestant morality tracts, and more than sixty music essays, nonfiction pieces, and short stories. By means of her prose publicat

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Kornilova, Aleksandra Andreevna, and Elena Mikhailovna Severina. "The Rhetoric of Fear in English Literature of the 16th-17th Centuries (The Case of the Expression "Great Fear"): A Digital Approach." Филология: научные исследования, no. 5 (May 2025): 128–39. https://doi.org/10.7256/2454-0749.2025.5.74387.

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The article explores the usage of the expression "great fear" in texts of English literature from the 16th to 17th centuries. The analysis focuses on identifying the religious and secular contexts in which this phrase functioned, as well as understanding its meaning in early modern English culture. The research is based on materials from the Early English Books Online (EEBO) corpus, which includes thousands of English-language printed sources from the 16th and 17th centuries, such as sermons, theological treatises, historical chronicles, travelogues, pamphlets, and works of fiction. This genre

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Książki na temat "Sacred books – Fiction"

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Krans, Kim. Hello sacred life. The Wild Unknown, 2014.

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Oke, Janette. The sacred shore. Bethany House, 2000.

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Oke, Janette. The sacred shore. G.K. Hall, 2000.

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Davies, Elgan Philip. Dylan Rees: Allan o'i gynefin. Gwasg Gomer, 2012.

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Zemskov, Mikhail. Sektant. "ĖKSMO", 2010.

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Hegi, Ursula. Sacred time. Simon & Schuster, 2004.

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Hegi, Ursula. Sacred time. Wheeler Pub., 2004.

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Cussler, Clive. Sacred stone. Wheeler Pub., 2005.

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Blair, Clifford. The guns of Sacred Heart. Thorndike Press, 1992.

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Blair, Clifford. The guns of Sacred Heart. Walker, 1991.

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Części książek na temat "Sacred books – Fiction"

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Gruner, Elisabeth Rose. ", Prophetic, and Sacred Books: Making Communities of Readers." In Constructing the Adolescent Reader in Contemporary Young Adult Fiction. Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-53924-3_5.

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Severs, Jeffrey. "E Pluribus Unum." In David Foster Wallace's Balancing Books. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231179447.003.0007.

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Where Infinite Jest had allowed Wallace to go continually inside the calculating minds of addicts and consumers to find evidence of diminishing returns and enslavement, he turned to taxes in order to place in the background of his next novel innumerable arcane terms of valuation, transaction, and reconciling, the million acts of book-balancing that go on constantly at the IRS. Oblivion’s wariness about the saving power of work receives new accents in this examination of ascetics, and by elaborating anew my central terms of work, value, and political rhetoric, I add nuance to readings that have

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Lewis, A. David. "The Seven Traits of Fictoscripture and the Wormhole Sacred." In Comics and Sacred Texts. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819215.003.0004.

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This chapter discusses how fiction’s religion influences the readers’ own spiritual patency irrupting from an engagement with the fictional. In examining the fictitious scriptures of several comics works, this chapter arrives at a theory suggesting that these imagined sacred texts, these “fictoscriptures,” may allow us a new path for contact with our own sacred. There are seven observed traits of most fictoscriptures: archaic diction, kephalaiacparatext, prophetic revelation, rarity, stylized font, coded gnosis, and actualization. Fictoscriptures may direct an audience’s attention downward, ev

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Crosby, Jill Flanders, and JT Torres. "Theories and Methods of Artists Performing Fieldwork." In Situated Narratives and Sacred Dance. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9781683402060.003.0002.

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This chapter serves as a theoretical and methodological framework for the book. The central discussion examines Patricia Leavy’s argument of how writing is itself a performative act that intersects with knowledge in ways that go beyond traditional data. Critically to the book, this chapter extends James Clifford’s definition of the term true fiction. The authors also offer the additional term choreographed narrative. They describe their application as fieldwork methods. In order to open up possibilities of other ways of knowing—the imaginative, the sensuous, the aesthetic—the authors rely on p

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Givens, Terryl L. "“Devices of the Devil”: The Book of Mormon as Cultural Product or Sacred Fiction." In By the Hand of Mormon. Oxford University Press, 2002. http://dx.doi.org/10.1093/019513818x.003.0007.

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