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Artykuły w czasopismach na temat „Sacred books – Fiction”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Borisova, Valentina V. "Images of Books in Fyodor Dostoevsky’s Novel The Idiot. Review of the Collective Monograph: Kasatkina, Tatiana A., Corbella, Caterina, Magaril-Il’iaeva, Tatiana G., and Nikolay N. Podosokorsky. Books in the Book. The Role and Image of Books in Fyodor Dostoevsky’s Novel The Idiot. Ed. T.A. Kasatkina. Moscow, IWL RAS Publ., 2024. 392 p." Dostoevsky and World Culture. Philological journal, no. 2 (30) (2025): 370–83. https://doi.org/10.22455/2619-0311-2025-2-370-383.

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The review examines the collective monograph by Tatiana Kasatkina, Caterina Corbella, Tatiana Magaril-Il’iaeva, and Nikolay Podosokorsky titled Books in the Book. The Role and Image of Books in Fyodor Dostoevsky’s Novel The Idiot (Ed. T.A. Kasatkina. Moscow, IWL RAS, 2024. 392 p.). The work reviewed represents a perspective of research that has actively developed in recent years, characterized by a new terminological thesaurus and a new methodology for studying the role and image of books-within-books, which is fundamentally different from the traditional intertextual approach. The authors’ pr

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Hickman, Alan Forrest. ""Shadows Like to Thee": Modern Writers on the Character of William Shakespeare." International Human Sciences Review 2 (March 19, 2020): 1–8. http://dx.doi.org/10.37467/gka-humanrev.v2.2018.

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A swarm of books boasting William Shakespeare as a central character have hit the bookstands in recent years. The question is, why? In some books he is rather insipid, as if his brand is too hot to tamper with, and he is reduced to the status of a sacred cow. In other books he is too busy fighting for truth and justice to be bothered with taking up the quill, while in others, he is an opportunistic “Shake-scene” who has no qualms about “beautifying” himself with his contemporaries’ feathers. I propose to look at such works in the aggregate and determine the basic character traits that modern s

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Hickman, Alan Forrest. "“Shadows Like to Thee”: Modern Writers on the Character of William Shakespeare." HUMAN Review. International Humanities Review / Revista Internacional de Humanidades 9, no. 1 (2020): 53–60. http://dx.doi.org/10.37467/gka-revhuman.v9.2602.

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A swarm of books boasting William Shakespeare as a central character have hit the bookstands in recent years. The question is, why? In some books, he is rather insipid, as if his brand is too hot to tamper with, and he is reduced to the status of a sacred cow. In other books, he is too busy fighting for truth and justice to be bothered with taking up the quill, while in others, he is an opportunistic “Shake-scene” who has no qualms about “beautifying” himself with his contemporaries’ feathers. I propose to look at such works in the aggregate and determine the basic physical and character trait

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Hickman, Alan Forrest. "“Shadows Like to Thee”: Modern Writers on the Character of William Shakespeare." HUMAN REVIEW. International Humanities Review / Revista Internacional De Humanidades 9, no. 1 (2020): 53–60. https://doi.org/10.37819/humanrev.v9i1.900.

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A swarm of books boasting William Shakespeare as a central character have hit the bookstands in recent years. The question is, why? In some books, he is rather insipid, as if his brand is too hot to tamper with, and he is reduced to the status of a sacred cow. In other books, he is too busy fighting for truth and justice to be bothered with taking up the quill, while in others, he is an opportunistic “Shake-scene” who has no qualms about “beautifying” himself with his contemporaries’ feathers. I propose to look at such works in the aggregate and determine the basic physical and character trait

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Hickman, Alan Forrest. "“Shadows Like to Thee”: Modern Writers on the Character of William Shakespeare." HUMAN REVIEW. International Humanities Review / Revista Internacional De Humanidades 9, no. 1 (2020): 53–60. https://doi.org/10.37819/revhuman.v9i1.900.

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A swarm of books boasting William Shakespeare as a central character have hit the bookstands in recent years. The question is, why? In some books, he is rather insipid, as if his brand is too hot to tamper with, and he is reduced to the status of a sacred cow. In other books, he is too busy fighting for truth and justice to be bothered with taking up the quill, while in others, he is an opportunistic “Shake-scene” who has no qualms about “beautifying” himself with his contemporaries’ feathers. I propose to look at such works in the aggregate and determine the basic physical and character trait

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Sharma, Sweta, and Kavita Agnihotri Dr. Kavita Dr. "Chetan Bhagat: The best selling voice of Middle-class young India." International Journal of Advance and Applied Research 12, no. 2 (2024): 291–95. https://doi.org/10.5281/zenodo.14650220.

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<strong>Abstract</strong> In 2003, the Rupa publication published a novel titled "Five Point Someone.” Bookstores like “Oxford” and “Crossword” placed it under the “bookshelf genre” of “Indian Fiction.” On commercial frontiers, this new author was competing with literary Laurels like “Arundhati Roy,” Shobha De,” “Sudha Narayan” and Vikram Seth.”  The contents and pricing of the novel “Five Point Someone” was far from this classic league of “Indian Fiction.” It was a tale writt

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Janson, Torsten. "“A Halal Happy Ever After”: Envisioning Muslim Futures in Islamically Minded Children’s Literature." Journal of Muslims in Europe 13, no. 3 (2024): 301–21. https://doi.org/10.1163/22117954-bja10114.

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Abstract What future aspirations have informed the incentives for producing children’s literature in Muslim minority communities? What social dynamics and theological debates have accompanied its visions of Islamic futures? What narrative tropes, visual-aesthetics norms and literary genres has it appropriated, while maturing into an innovative religious-pedagogic-literary expression? Probing such questions, this article challenges distinctions between “Islamic” and “secular” to build a concept of Islamically minded children’s literature. It follows the diversification of the literature as a gl

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Cox, Jessica. "The ‘most Sacred of Duties’1: Maternal Ideals and Discourses of Authority in Victorian Breastfeeding Advice." Journal of Victorian Culture 25, no. 2 (2020): 223–39. http://dx.doi.org/10.1093/jvcult/vcz065.

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Abstract The maternal role and its associated practices were subject to much scrutiny throughout the Victorian period. Whilst motherhood was seen as the natural destiny of the (respectable) woman, mothers were nonetheless deemed in need of strict guidance on how best to raise their offspring. This was offered in an extensive range of advice and conduct books, via newspapers, journals, and fiction, and from medical practitioners, and covered pregnancy, childbirth, and all aspects of care for babies and young children. This article considers Victorian advice on infant feeding, focusing in partic

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MILLER, BONNY H. "Augusta Browne: From Musical Prodigy to Musical Pilgrim in Nineteenth-Century America." Journal of the Society for American Music 8, no. 2 (2014): 189–218. http://dx.doi.org/10.1017/s1752196314000078.

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AbstractAugusta Browne Garrett composed at least two hundred piano pieces, songs, duets, hymns, and sacred settings between her birth in Dublin, Ireland, around 1820, and her death in Washington, D.C., in 1882. Judith Tick celebrated Browne as the “most prolific woman composer in America before 1870” in her landmark study American Women Composers before 1870. Browne, however, cast an enduring shadow as an author as well, publishing two books, a dozen poems, several Protestant morality tracts, and more than sixty music essays, nonfiction pieces, and short stories. By means of her prose publicat

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Kornilova, Aleksandra Andreevna, and Elena Mikhailovna Severina. "The Rhetoric of Fear in English Literature of the 16th-17th Centuries (The Case of the Expression "Great Fear"): A Digital Approach." Филология: научные исследования, no. 5 (May 2025): 128–39. https://doi.org/10.7256/2454-0749.2025.5.74387.

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The article explores the usage of the expression "great fear" in texts of English literature from the 16th to 17th centuries. The analysis focuses on identifying the religious and secular contexts in which this phrase functioned, as well as understanding its meaning in early modern English culture. The research is based on materials from the Early English Books Online (EEBO) corpus, which includes thousands of English-language printed sources from the 16th and 17th centuries, such as sermons, theological treatises, historical chronicles, travelogues, pamphlets, and works of fiction. This genre

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Nandi, Swaralipi. "Delineating Delhi: Spaces of the Neoliberal Urbanism in Tarun Tejpal’s The Story Of My Assassins." Studies in Linguistics and Literature 5, no. 4 (2021): p105. http://dx.doi.org/10.22158/sll.v5n4p105.

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Recent Indo-Anglican literature has also seen a burgeoning of the genre of urban crime fictions set against the backdrop of India’s modernizing metropolises. While explorations of the contemporary Indian city mostly consists of non-fictional, journalistic writings, like Katherine Boo’s Pulitzer winning book Behind the Beautiful Forevers, William Dalrymple’s City of Djinns and Suketu Mehta’s Maximum City, the genre also includes fictions like Altaf Tyrewala’s critically acclaimed debut novel No God in Sight, Vikram Chandra’s bestseller Sacred Games, Tarun Tejpal’s The Story of My Assassins, Hri

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Шеретюк, Р. "ПАМ'ЯТКИ САКРАЛЬНОГО МИСТЕЦТВА ОРДЕНУ ПІАРІВ НА ВОЛИНІ: ІСТОРІЯ ТА СУЧАСНІСТЬ". Вісник Харківської державної академії дизайну і мистецтв, № 3 (30 серпня 2018): 89–97. https://doi.org/10.5281/zenodo.1406668.

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An important role in promoting and affirming of cultural achievements of Western civilization in Ukraine and of the artistic heritage of the Baroque period was played by representatives of Roman Catholic religious orders: Jesuits, Dominicans, Franciscans, Carmelites, Capuchins, Piarists and etc. Although this work was the part of their missionary activities aimed at implementing of postulates of potrydenska reform, it also became a significant factor in the deployment of the process of intensive development of Ukrainian art, including the organic combination of its ancient Byzantine

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Henningsen, Gustav, and Jesper Laursen. "Stenkast." Kuml 55, no. 55 (2006): 243–78. http://dx.doi.org/10.7146/kuml.v55i55.24695.

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CairnsIn Denmark, the term stenkast (a ‘stone throw’) is used for cairns – stone heaps that have accumulated in places where it was the tradition to throw a stone. A kast (a ‘throw’) would actually be a more correct term, as sometimes the heaps consist of sticks, branches, heather, or peat, rather than stones – in short, whichever was at hand at that particular place. A kast could also consist of both sticks and stones.The majority of the known Danish cairns were presented by August F. Schmidt in 1929. Since then, numerous new ones have been discovered, and we now know of around 80 cairns, cf.

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Sen, Asha. "The Promise of Postcolonial Postsecularism." Journal of Global Postcolonial Studies 10, no. 1 (2023). http://dx.doi.org/10.5744/jgps.2022.1005.

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Cumpsty, Rebekah. Postsecular Poetics: Negotiating the Sacred and Secular in Contemporary African Fiction, Routledge, 2023. 161 pp. $127.50 McNamara, Roger. Secularism and the Crisis of Minority Identity in Postcolonial Literature, Lexington Books, 2018. 171 pp. $100.00 Ratti, Manav. The Postsecular Imagination: Postcolonialism, Religion and Literature, Routledge, 2013. 240 pp. $120.00 Sagir Ali, Sk, Goutam Karmakar, and Nasima Islam, editors. Religion in South Asian Anglophone Literature: Traversing Resistance, Margins and Extremism, Routledge, 2022. 187 pp. $127.50

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Apostolides, Anastasia. "The sacralisation of popular culture as adolescent lived spirituality." STJ | Stellenbosch Theological Journal 3, no. 1 (2017). http://dx.doi.org/10.17570/stj.2017.v3n1.a01.

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Many adolescents are drawn to the fantasy, science fiction and urban fantasy genres (movies and books), genres whose main characters include witches, wizards, vampires, ghosts, angels, demons, aliens and various other supernatural beings and events. Books and movies such as The Hobbit, Lord of the Rings (film series), Harry Potter (film series), X-Files, Twilight (film series), Star Wars (film series), and so on, are not only fervently consumed by some adolescents but have also, in some instances, been sacralised by adolescents (see Hopper 2005:116, McAvan 2012:5–10, Kirby 2013:2). In this art

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Sotiboldieva Sarvinoz Ruzievna. "THE ARTISTIC FUNCTION OF NARRATIVES IN THE SACRED BOOKS AND RELIGIOUS-HISTORICAL EVENTS IN MODERN PERSIAN NOVELS." EPRA International Journal of Research & Development (IJRD), August 28, 2020, 164–71. http://dx.doi.org/10.36713/epra4174.

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Every nation has its own way of life, culture, spiritual and religious values. These values are also reflected in the fiction, which is the product of the artistic thinking of that nation. Since the creation of the Holy Qur'an, the Bible, the Torah, and the Psalms, they have played an important role in the lives of people who believe in a particular religion. One of the main reasons for this is the existence in the holy books of stories didactic in spirit about life and death, good and evil. The writers make effective use of these stories, as well as the exemplary lives of the prophets and rel

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Lowes, Elanna Herbert. "Transgressive Women, Transworld Women." M/C Journal 8, no. 1 (2005). http://dx.doi.org/10.5204/mcj.2319.

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   This paper will discuss the way in which the creative component of my thesis Hannah’s Place uses a style of neo-historical fiction to find ‘good’ narratives in (once) ‘bad’ women, keeping with the theme, here paraphrased as:  The work of any researcher in the humanities is to…challenge what is simply thought of as bad or good, to complicate essentialist categories and question passively accepted thinking.    As a way of expanding this statement, I would like to begin by considering the following quote from Barthes on the nature of research. I

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Mercer, Erin. "“A deluge of shrieking unreason”: Supernaturalism and Settlement in New Zealand Gothic Fiction." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.846.

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Like any genre or mode, the Gothic is malleable, changing according to time and place. This is particularly apparent when what is considered Gothic in one era is compared with that of another. The giant helmet that falls from the sky in Horace Walpole’s Castle of Otranto (1764) is a very different threat to the ravenous vampires that stalk the novels of Anne Rice, just as Ann Radcliffe’s animated portraits may not inspire anxiety for a contemporary reader of Stephen King. The mutability of Gothic is also apparent across various versions of national Gothic that have emerged, with the specificit

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Athraa Mohammed Mosa and Dr. Ahmed Heyal Jahad. "The Religious Sacred in the Novels of Khudair Falih Al-Zaidi." EVOLUTIONARY STUDIES IN IMAGINATIVE CULTURE, September 17, 2024, 346–56. http://dx.doi.org/10.70082/esiculture.vi.1046.

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The religious sanctity constitutes a spiritual and moral value in the life of the religious person from ancient times until our present era, regardless of religions and backgrounds. For the individual, it is considered a powerful energy that is distinguished by its presence from other ordinary things, as it constitutes the religious identity of that society. Khudair Falih Al-Zaidi is one of the writers whose literary and fictional productions were not devoid of mention, criticism, and treatment of it, and who extended his sensory and emotional perceptions from it and emanated from the core of

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Morrison, Susan Signe. "Walking as Memorial Ritual: Pilgrimage to the Past." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1437.

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This essay combines life writing with meditations on the significance of walking as integral to the ritual practice of pilgrimage, where the individual improves her soul or health through the act of walking to a shrine containing healing relics of a saint. Braiding together insights from medieval literature, contemporary ecocriticism, and memory studies, I reflect on my own pilgrimage practice as it impacts the land itself. Canterbury, England serves as the central shrine for four pilgrimages over decades: 1966, 1994, 1997, and 2003.The act of memory was not invented in the Anthropocene. Rathe

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Rocavert, Carla. "Aspiring to the Creative Class: Reality Television and the Role of the Mentor." M/C Journal 19, no. 2 (2016). http://dx.doi.org/10.5204/mcj.1086.

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Introduction Mentors play a role in real life, just as they do in fiction. They also feature in reality television, which sits somewhere between the two. In fiction, mentors contribute to the narrative arc by providing guidance and assistance (Vogler 12) to a mentee in his or her life or professional pursuits. These exchanges are usually characterized by reciprocity, the need for mutual recognition (Gadamer 353) and involve some kind of moral question. They dramatise the possibilities of mentoring in reality, to provide us with a greater understanding of the world, and our human interaction wi

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Foster, Kevin. "True North: Essential Identity and Cultural Camouflage in H.V. Morton’s In Search of England." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1362.

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When the National Trust was established in 1895 its founders, Canon Rawnsley, Sir Robert Hunter and Octavia Hill, were, as Cannadine notes, “primarily concerned with preserving open spaces of outstanding natural beauty which were threatened with development or spoliation.” This was because, like Ruskin, Morris and “many of their contemporaries, they believed that the essence of Englishness was to be found in the fields and hedgerows, not in the suburbs and slums” (Cannadine 227). It was important to protect these sites of beauty and historical interest from development not only for what they w

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Phillips, Maggi. "Diminutive Catastrophe: Clown’s Play." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.606.

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IntroductionClowns can be seen as enacting catastrophe with a small “c.” They are experts in “failing better” who perhaps live on the cusp of turning catastrophe into a metaphorical whirlwind while ameliorating the devastation that lies therein. They also have the propensity to succumb to the devastation, masking their own sense of the void with the gestures of play. In this paper, knowledge about clowns emerges from my experience, working with circus clowns in Circus Knie (Switzerland) and Circo Tihany (South America), observing performances and films about clowns, and reading, primarily in E

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Connor, Will. "Making It Magical." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3006.

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In the late 2010s, I owned and operated a bespoke drum-building company, and during that time, I was commissioned to build a frame drum by the partner of a musician who was also a magic practitioner. The commission was fitting despite my business not being related to magic or Paganism directly. I have been working with drum construction in all of my research projects during my academic career, a touring percussionist for decades, and the company focussed on making drums inspired by Lovecraftian narratives and Lovecraftian Futurist music. Due to the nature of Lovecraftian horror and science fic

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Wessell, Adele. "Making a Pig of the Humanities: Re-centering the Historical Narrative." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.289.

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As the name suggests, the humanities is largely a study of the human condition, in which history sits as a discipline concerned with the past. Environmental history is a new field that brings together scholars from a range of disciplines to consider the changing relationships between humans and the environment over time. Critiques of anthropocentrism that place humans at the centre of the universe or make assessments through an exclusive human perspective provide a challenge to scholars to rethink our traditional biases against the nonhuman world. The movement towards nonhumanism or posthumani

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Kidd, Kerry. "Called to Self-care, or to Efface Self?" M/C Journal 5, no. 5 (2002). http://dx.doi.org/10.5204/mcj.1988.

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Pignarre's How Depression Became an Epidemic and Ehrenberg's The Exhaustion of Being Oneself: Depression and Society are two recent titles exploring the latest manifestation of a historically resonant phenomenon -- depression, nervous exhaustion, melancholia. Over the millennia, treatments and explanations have bounded. This mysterious ailment has been viewed as the call of the soul seeking self-purification; the inner wail of the child, mourning forever the loss of its own mother (primary sense of self); the sob of the woman who cannot cope with the realities of childbearing; and the nightmar

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Nolan, Huw, Jenny Wise, and Nathan Wise. "All the Pretty Noir Horses." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3143.

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Introduction The fusion of noir and Western elements in All the Pretty Horses (McCarthy) presents an anomalous hybrid, bridging the fatalism and existential despair of noir with the rugged individualism and pastoral decline of the Western. This relationship complicates traditional narrative boundaries, inviting readers to reconsider the archetypes and thematic constructs at play. Situated within a frontier grappling with industrial encroachment, All the Pretty Horses presents a world caught between preservation and progress. By focussing on the role of horses, this article explores their symbo

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Wise, Jenny, and Lesley McLean. "Making Light of Convicts." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2737.

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Introduction The social roles of alcohol consumption are rich and varied, with different types of alcoholic beverages reflecting important symbolic and cultural meanings. Sparkling wine is especially notable for its association with secular and sacred celebrations. Indeed, sparkling wine is rarely drunk as a matter of routine; bottles of such wine signal special occasions, heightened by the formality and excitement associated with opening the bottle and controlling (or not!) the resultant fizz (Faith). Originating in England and France in the late 1600s, sparkling wine marked a dramatic shift

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Hackett, Lisa J., and Jo Coghlan. "Conjuring Up a King." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.2986.

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Introduction The coronation of King Charles III was steeped in the tradition of magic and ritual that has characterised English, and later British, coronations. The very idea of a coronation leverages belief in divinity; however, the coronation of Charles III occurred in a very different social environment than those of monarchs a millennium ago. Today, belief in the divine right of Kings is dramatically reduced. In this context, magic can also be thought of as a stage performance that relies on a tacit understanding between audience and actor, where disbelief is suspended in order to achieve

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Collins-Gearing, Brooke, Vivien Cadungog, Sophie Camilleri, et al. "Listenin’ Up: Re-imagining Ourselves through Stories of and from Country." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1040.

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This story not for myself … all over Australia story.No matter Aborigine, White-European, secret before,Didn’t like im before White-European…This time White-European must come to Aborigine,Listen Aborigine and understand it.Understand that culture, secret, what dreaming.— Senior Lawman Neidjie, Story about Feeling (78)IntroductionIn Senior Lawman Neidjie’s beautiful little book, with big knowledge, Story about Feeling (1989), he shares with us, his readers, the importance of feeling our connectedness with the land around us. We have heard his words and this is our effort to articulate our resp

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Baird, Barbara. "Before the Bride Really Wore Pink." M/C Journal 15, no. 6 (2012). http://dx.doi.org/10.5204/mcj.584.

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Introduction For some time now there has been a strong critical framework that identifies a significant shift in the politics of homosexuality in the Anglo-oriented West over the last fifteen to twenty years. In this article I draw on this framework to describe the current moment in the Australian cultural politics of homosexuality. I focus on the issue of same-sex marriage as a key indicator of the currently emerging era. I then turn to two Australian texts about marriage that were produced in “the period before” this time, with the aim of recovering what has been partially lost from current

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