Gotowa bibliografia na temat „Satires in verse”

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Rozprawy doktorskie na temat "Satires in verse"

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Crozier, James H. "Telling stories : Aristotelian dramatic character in Juvenal's satires /." free to MU campus, to others for purchase, 2002. http://wwwlib.umi.com/cr/mo/fullcit?p3074393.

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Forshaw, Clifford A. "The chameleon muse : satirical personae in the formal verse satires of Marston, Guilpin and others." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310510.

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McDayter, Mark Alan. "This evasive way of abuse, satiric voices in English verse satire, 1640-1700." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ28292.pdf.

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Buchanan, David. "Augustan women's verse satire." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0012/NQ34742.pdf.

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Bicak, Ivana. "Roman satiric modes in English verse satire, 1660-1740, with special reference to Swift's Horace and Pope's Juvenal." Thesis, University of Leeds, 2015. http://etheses.whiterose.ac.uk/10736/.

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This thesis questions the traditional dichotomy between the satires of Horace and Juvenal, a binary satiric theory that has strongly influenced twentieth-century readings of Alexander Pope and Jonathan Swift. It is argued that the works of both Horace and Juvenal are too complex to be reduced to a single well-defined ‘type’ of satire. Hence, the popular labelling of Pope as a ‘Horatian’ satirist and Swift as a ‘Juvenalian’ satirist is shown to be as synthetic as the duality between Horace and Juvenal itself. Chapter 1 provides an overview of the Restoration theory of satire as a background for
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Hudson, Nicola Anne. "Food : a suitable subject for Roman verse satire." Thesis, University of Leicester, 1991. http://hdl.handle.net/2381/8236.

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This thesis looks in particular at a number of satires by the Roman poets Horace and Juvenal in which food is prominent: Horace's Satires 2.2, 2.4 and 2.8 and Juvenal's satires 4, 5, 11 and 15. Where relevant the works of Lucilius and Persius have also been brought into the scope of the study. It begins with a discussion of the reasons why food might be considered a suitable subject for Roman verse satire (considering the nature of food and of eating, and the nature of the genre), and a brief survey of the forms which food takes in the genre. This is followed by an analysis of the gastronomic
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Goh, Ian. "Lucilius and the archaeology of Roman satire." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283889.

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Porter, David Andrew. "Neo-Latin formal verse satire from 1420 to 1616." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708254.

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Wheeler, Angela J. "English verse satire from Donne to Dryden : imitation of classical models /." Heidelberg : C. Winter, 1992. http://catalogue.bnf.fr/ark:/12148/cb35716182c.

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Klein, Kaitlyn Marie. "Literary Love(r)s: Recognizing the Female Outline and its implications in Roman Verse Satire." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2825.

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The existence of a metaphoric female standing in for poetic style was only plainly discussed in a paper from 1987 concerned with Roman elegiac poetry. This figure is given the title of scripta puella or written woman, since her existence depends solely on the writings of an author. These females often appear to have basis in reality; however there is insufficient evidence to allow them to cross out of the realm of fantasy. The term scripta puella in poetry refers to a perfected poetic form, one the author prefers over all others, and a human form creates the illusion of a mistress. Using this
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