Gotowe bibliografie tematyczne / Schuller, Gunther

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  4. Części książek

Gotowa bibliografia na temat „Schuller, Gunther”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 21 lutego 2023

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Artykuły w czasopismach na temat "Schuller, Gunther"

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Gallegos, Álvaro. "Gunther Schuller." Revista musical chilena 69, no. 224 (December 2015): 169–70. http://dx.doi.org/10.4067/s0716-27902015000200023.

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Hoffmann, James Avery, Joseph Gabriel Maneri, and Gunther Schuller. "A Conversation with Gunther Schuller." Perspectives of New Music 24, no. 2 (1986): 242. http://dx.doi.org/10.2307/833224.

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Givan, Benjamin. "Gunther Schuller and the Challenge of Sonny Rollins:." Journal of the American Musicological Society 67, no. 1 (2014): 167–237. http://dx.doi.org/10.1525/jams.2014.67.1.167.

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Scholarly opinion has for many years been divided over Gunther Schuller's landmark 1958 article, “Sonny Rollins and the Challenge of Thematic Improvisation.” Jazz theorists view the article's close analysis of Rollins's 1956 jazz saxophone improvisation “Blue 7” as one of their discipline's founding statements; historians and ethnomusicologists meanwhile tend to fault it for neglecting cultural context. In either instance the specific details of Schuller's analysis have been largely accepted as being internally consistent. The present study proposes that the analysis of jazz improvisation ough
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Britton, Allen P., and Gunther Schuller. "Musings: The Musical Worlds of Gunther Schuller." American Music 5, no. 1 (1987): 87. http://dx.doi.org/10.2307/3051861.

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Dickinson, P. "A Life in Pursuit of Music and Beauty. By Gunther Schuller." Music and Letters 94, no. 1 (February 1, 2013): 182–84. http://dx.doi.org/10.1093/ml/gct016.

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Ceely, Robert. "Minute Rag for Solo Piano for Gunther Schuller on His 60th Birthday." Perspectives of New Music 24, no. 2 (1986): 253. http://dx.doi.org/10.2307/833226.

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Helgert, Lars. "Gunther Schuller: A Life in Pursuit of Music and Beauty (review)." Notes 69, no. 2 (2012): 289–90. http://dx.doi.org/10.1353/not.2012.0156.

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Bruce Brubaker. "Surrounded by this Incredible Vortex of Musical Expression: A Conversation with Gunther Schuller." Perspectives of New Music 49, no. 1 (2011): 172. http://dx.doi.org/10.7757/persnewmusi.49.1.0172.

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Bruce Brubaker. "Surrounded by this Incredible Vortex of Musical Expression: A Conversation with Gunther Schuller." Perspectives of New Music 49, no. 1 (2011): 172–81. http://dx.doi.org/10.1353/pnm.2011.0004.

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Maloney, Timothy. "Glenn Gould, Conductor: Critical Reception, Chronicle, and Commentary." Articles 31, no. 2 (November 27, 2012): 79–98. http://dx.doi.org/10.7202/1013215ar.

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In 1982, about two months before he died, Glenn Gould conducted a Toronto chamber orchestra to record Richard Wagner’s Siegfried Idyll. Reactions to the recording, eventually released in 1990, varied dramatically: while the Pulitzer Prize–winning critic and Gould scholar Tim Page considered it “a reading of melting and surpassing tenderness,” the composer-conductor Gunther Schuller, also a Pulitzer Prize winner, declared it “the most inept, amateurish, wrong-headed rendition of a major classic ever put to vinyl.” In light of that extreme divergence of opinion, this article examines the recordi
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Rozprawy doktorskie na temat "Schuller, Gunther"

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Farnsley, Stephen H. "Gunther Schuller, his influence on the French horn." Virtual Press, 1985. http://liblink.bsu.edu/uhtbin/catkey/469339.

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Gunther Schuller is presently one of America's most influential music personalities. As one colleague of Schuller's at the New England Conservatory has written, "In many ways, Gunther Schuller is a modern incarnation of the renaissance man, with his interests and abilities flowing from him like ripples in a pond."1 Schuller, in his six decades, has been one of the nation's first-rate orchestral horn players and has participated in the instrument's introduction into the jazz medium; his interest in musicological research has encompassed the study of various types of music and resulted in Early
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Styles, Matthew John. "An evaluation of the concept of Third Stream music and its applicability to selected works by Gunther Schuller and Mark-Anthony Turnage." University of Western Australia. School of Music, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0224.

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In a public lecture given by Gunther Schuller in 1957, the term 'third stream music' was suggested as a way of describing the combination of 'first stream music' (Western classical) and 'second stream music' (American jazz) within a musical work. 'Third stream' was proposed as a term to denote the fusion of
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Calkins, Susan Lee. "A history of Jazz Studies at New England Conservatory, 1969-2009: the legacy of Gunther Schuller." Thesis, Boston University, 2012. https://hdl.handle.net/2144/12306.

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Thesis (D.M.A.)--Boston University PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>Over the first half of the twentieth century, the jazz rose from its modest beginnings as a trenchantly African-American style of folk music, to assume a place of cultural noteworthiness. The field of jazz edu
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Plattner, Markus. "Aspects of third stream works : an analytical study of compositions by Gunther Schuller, Don Banks and Bozidar Kos." Master's thesis, Sydney Conservatorium of Music, 2001. http://hdl.handle.net/2123/9108.

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Harrison, Kathleen Elizabeth. "THE TREATMENT OF THE TRUMPET IN SELECTED JAZZ-INFLUENCED CLASSICAL CHAMBER WORKS OF THE TWENTIETH CENTURY." OpenSIUC, 2009. https://opensiuc.lib.siu.edu/theses/493.

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The trumpet has always maintained a central role in the jazz genre. However, throughout the history of chamber music the trumpet was overlooked until the mid-twentieth century when brass chamber music and mixed chamber ensembles rose to popularity. An infiltration of the popular American style, jazz, into classical chamber music changed composers' treatment of the trumpet. This thesis focuses on the role and treatment of the trumpet in selected jazz-influenced classical chamber works in order to highlight that the trumpet's prominence in jazz helped to establish its place in twentieth-century
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Pruñonosa, Furió José. "Tercera corriente jazzística (third stream): influencia en el panorama actual del jazz en Valencia." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/74246.

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[EN] Doctoral thesis: Third stream jazz: influence on the current scene of jazz in Valencia. Abstract: The dialectic between classical music and jazz schools is a long-standing issue; which would need a historical revision due to the recent addition of the higher education of jazz at the conservatory of Valencia, which operate in parallel way looking each other with suspicion. In the second half of the 20th century Gunther Schuller coined the term third stream to define a new aesthetic somewhere between jazz and contemporary classical music, since the beginning of century XXI is taking root
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Carbon, Luke Capell. "The Exploration of Selected Cross-Genre Compositions for Clarinet and Saxophone." Thesis, Griffith University, 2016. http://hdl.handle.net/10072/366846.

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This thesis explores specific aspects of the broad subgenre of classical/jazz cross-genre music through the performative examination of selected compositions that feature or include the clarinet or saxophone. Several mid-20th century works by American composers Gunther Schuller and William Russo, and several 21st century works by contemporary Australian composers Steve Newcomb and Yitzhak Yedid are explored through preparation, performance, and reflection. Through a performance-centric perspective, these works are contextualised through historical overviews of the third stream and cross-genre
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Bogle, James Michael. "Gunther Schuller and John Swallow: Collaboration, Composition, and Performance Practice in Eine Kleine Posaunenmusik, with Three Recitals of Selected Works by Berio, Bogle, Gregson, Pryor, Suderburg and Others." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2479/.

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Gunther Schuller is credited with coining the term Third Stream, meaning compositions where twentieth-century art music forms exist simultaneously with jazz. Furthermore, Schuller specifically states in the liner notes to the debut recording of Eine Kleine Posaunenmusik "The work is not a Third Stream piece." Yet the concerto alludes to jazz through a multitude of slide glissandi and plunger mute effects, Solotone mute passages, specific references to the jazz trombone styles of Tommy Dorsey and Lawrence Brown, musical quoting or indirect reference, and the use of a walking bass line in Moveme
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FORRESTER, ELIZABETH HARTLEIGH. "Musical Semantics within Modern Literature: A Study of Seven American Art Songs Set to the Texts of Gertrude Stein." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211255987.

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Schulze, Hüynck Jan [Verfasser], Gunther [Gutachter] Döhlemann, and Stanislav [Gutachter] Kopriva. "Cysteine proteases and their inhibitors in microbe - maize root interactions / Jan Schulze Hüynck ; Gutachter: Gunther Döhlemann, Stanislav Kopriva." Köln : Universitäts- und Stadtbibliothek Köln, 2019. http://d-nb.info/1202920365/34.

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Książki na temat "Schuller, Gunther"

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Gunther Schuller: A bio-bibliography. New York: Greenwood Press, 1987.

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Musing: The musical worlds of Gunther Schuller. New York: Oxford University Press, 1989.

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Musings: The musical worlds of Gunther Schuller. New York: Oxford University Press, 1986.

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Gunther Schuller: A life in pursuit of music and beauty. Rochester, NY: University of Rochester Press, 2011.

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Schuller, Gunther. Gunther Schuller: A life in pursuit of music and beauty. Rochester, NY: University of Rochester Press, 2011.

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Musings: The musical worlds of Gunther Schuller : a collection of his writings. New York: Da Capo Press, 1999.

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Schuller, Gunther. Musings: The Musical Worlds of Gunther Schuller. Oxford University Press, USA, 1986.

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Schuller, Gunther. Musings: The Musical Worlds of Gunther Schuller. Oxford University Press, 1986.

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Schuller, Gunther. Musings: The Musical Worlds of Gunther Schuller (Oxford Paperbacks). Oxford University Press, USA, 1989.

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Schuller, Gunther. Gunther Schuller: A Life in Pursuit of Music and Beauty. University of Rochester Press, 2011.

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Części książek na temat "Schuller, Gunther"

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Möller, Hartmut. "Schuller, Gunther." In Metzler Komponisten Lexikon, 716–17. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_276.

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"Introduction: The Musician as Mediator by Joan Shelley Rubin." In Gunther Schuller, ix—xiv. Boydell and Brewer Limited, 2011. http://dx.doi.org/10.1017/9781580467834.001.

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"Preface." In Gunther Schuller, xv—xvi. Boydell and Brewer Limited, 2011. http://dx.doi.org/10.1017/9781580467834.002.

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"Childhood." In Gunther Schuller, 1–35. Boydell and Brewer Limited, 2011. http://dx.doi.org/10.1017/9781580467834.003.

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"Boyhood." In Gunther Schuller, 36–97. Boydell and Brewer Limited, 2011. http://dx.doi.org/10.1017/9781580467834.004.

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"Youth." In Gunther Schuller, 98–166. Boydell and Brewer Limited, 2011. http://dx.doi.org/10.1017/9781580467834.005.

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"Interlude." In Gunther Schuller, 167–81. Boydell and Brewer Limited, 2011. http://dx.doi.org/10.1017/9781580467834.006.

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"Discovering Jazz." In Gunther Schuller, 182–204. Boydell and Brewer Limited, 2011. http://dx.doi.org/10.1017/9781580467834.007.

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"First Years at the Metropolitan Opera." In Gunther Schuller, 205–46. Boydell and Brewer Limited, 2011. http://dx.doi.org/10.1017/9781580467834.008.

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"Plumbing the Depths of New York's Cultural Scene." In Gunther Schuller, 247–99. Boydell and Brewer Limited, 2011. http://dx.doi.org/10.1017/9781580467834.009.

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