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Artykuły w czasopismach na temat „Science fiction – Authorship”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 1 sierpnia 2024

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1

Kurowicka, Anna. "“Aliens” Speaking Out: Science Fiction by Autistic Authors." Przegląd Kulturoznawczy, no. 3 (45) (2020): 261–77. http://dx.doi.org/10.4467/20843860pk.20.026.12586.

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This article discusses depiction of autism in science fiction based on three recent American novels written by autistic authors: Ada Hoffman’s The Outside (2019), Kaia Sønderby’s Failure to Communicate (2017), and Selene dePackh’s Troubleshooting (2018). The novels are discussed in the context of debates about diversity in science fiction, depiction of disability in the genre, and disability and autism studies, particularly in reference to concepts such as authorship, self-expression, and rationality. This is followed by an in-depth analysis of the use of utopian and dystopian impulses in scie

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Mateos-Pérez, Javier. "La investigación sobre series de televisión españolas de ficción. Un estudio de revisión crítica (1998-2020)." Revista Mediterránea de Comunicación 12, no. 1 (January 11, 2021): 171. http://dx.doi.org/10.14198/medcom000016.

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This review paper assesses academic articles published about Spanish fictional television series in scientific journals indexed in multidisciplinary databases: Web of Science (WoS), Scopus and Dialnet between 1998 and 2020. A combined quantitative and qualitative method of analysis based on the SALSA Framework was used, in order to build a systematic bibliographic review. The results showed that the most common studies were those about the representation proposed in the fictional series about certain groups or social settings. Other approaches referred to the development of television fiction

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Pizzo, Justine. "Atmospheric Exceptionalism in Jane Eyre: Charlotte Brontë's Weather Wisdom." Publications of the Modern Language Association of America 131, no. 1 (January 2016): 84–100. http://dx.doi.org/10.1632/pmla.2016.131.1.84.

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As her family name suggests, Jane Eyre is exceptionally responsive to changes in the weather. In her eponymous “autobiography,” Jane's ability to predict future events and assume an embodied—yet occasionally omniscient—insight alerts us to the ways in which Charlotte Brontë‘s fiction leverages the rise of climate science as a basis for successful female authorship. In opposition to the prevailing belief of the Victorian medical establishment that storms prompted hysteria and exacerbated symptoms of women's biological “periodicity,” Brontë‘s first published novel draws the sensitive body and in

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Pavlyshenko, Bohdan. "The Distribution of Semantic Fields in Author’s Texts." Cybernetics and Information Technologies 16, no. 3 (September 1, 2016): 195–204. http://dx.doi.org/10.1515/cait-2016-0043.

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Abstract The paper describes the analysis of frequency distribution of semantic fields of nouns and verbs in the texts of English fiction. To such distributions, we applied Shapiro-Wilk test. The null hypothesis of normal distribution of semantic fields frequencies in the array of texts under analysis is rejected for some semantic fields. This makes it possible to consider the frequency distribution of semantic fields as a categorized mixture of normal distributions. As a factor of categorization, we chose text authorship. We divided the author’s categories with rejected hypothesis of normal d

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Stoneman, Lisa G., DorothyBelle Poli, Anna Denisch, Lydia Weltmann, and Melanie Almeder. "Book Publication as Pedagogy: Taking Learning Deep and Wide." Art/Research International: A Transdisciplinary Journal 4, no. 2 (August 30, 2019): 568–89. http://dx.doi.org/10.18432/ari29446.

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For students, the practice of writing, illustrating, and publishing facilitates deep learning experiences, both within and beyond the discipline for which the writing is targeted. In this case study, students created books under the umbrella of a large, transdisciplinary research project: a science-based, illustrated activity book, a children’s fiction chapter book with illustrations, an adolescent novel, and two illustrated social studies activity books. Students completed the self-directed research, wrote the narratives, created the artwork, sought the advice of outside scholars and artists,

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Hladík, Radim, and Neal Digre. "The literature/science boundary in sociological articles: Using fiction to discover patterns in co-authorship, author gender, and citation rank." Current Sociology 70, no. 3 (November 25, 2021): 381–402. http://dx.doi.org/10.1177/00113921211057605.

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Sociology has been described as a ‘third culture’ between science and literature. The distinctions between different orientations in sociological writing have been studied primarily through their non-textual manifestations (publication genres or venues, methodologies used, scientometric indicators, etc.). Our knowledge of how the science–literature boundary relates to the rhetorical composition of sociological texts therefore remains limited. We mixed a bespoke corpus of Czech sociological articles with a corpus of Czech short fiction to straightforwardly account for the relationship between s

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Pierrart, Thomas. "Van buitenwereld tot buitenstaander : Over het auteurschap en oeuvre van Auke Hulst." Internationale Neerlandistiek 58, no. 3 (October 1, 2020): 183–212. http://dx.doi.org/10.5117/in2020.3.002.pier.

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Abstract Despite his growing popularity, the Dutch writer Auke Hulst (1975), whose oeuvre ranges from multimedia travel books to science fiction-like novels, has remained under-researched in academic scholarship. This paper provides an introduction to this author and an analysis of his work, examining Hulst’s self-presentation, his poetics, his (non-)fictional books and his place within contemporary Dutch literature. The image of the outsider, which is of vital importance for Hulst’s authorship, runs as a continuous thread throughout the discussion. The first section uses several assertions ma

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Medeiros, Nuno. "Fostering Fiction, Forging Literature: Invented Authorship and Publishing Agency in the Grandes Mistérios, Grandes Aventuras Collection." Publishing Research Quarterly 38, no. 1 (January 21, 2022): 109–16. http://dx.doi.org/10.1007/s12109-022-09863-8.

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Dennis, Ian. "Charles Maturin: authorship, authenticity and the nation/Charles Robert Maturin and the haunting of Irish Romantic fiction." Irish Studies Review 21, no. 2 (May 2013): 236–39. http://dx.doi.org/10.1080/09670882.2013.777621.

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Selfa Sastre, Moisés. "La novela juvenil de autoría femenina en la literatura catalana del siglo XXI: autoras y títulos significativos. The youth novel of female authorship in Catalan literature of the 21st century: authors and significant titles." El Guiniguada 29 (2020): 65–74. http://dx.doi.org/10.20420/elguiniguada.2020.339.

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En este artículo presentamos una panorámica de la novela juvenil de autoría femenina escrita en lengua catalana y publicada en el siglo XXI. Citaremosescritoras que componen novelas de marcado carácter realista, en los que aparecen temas relacionados con el amor y los conflictos personales y sociales, y novelas fantásticas, en las que también caben las de ciencia-ficción. El recorrido presentado nos permite hablar del excelente estado de salud que en el siglo XXI goza este tipo de literatura, si consideramos la cantidad y calidad de las obras a las que nos referiremos. In this article we prese

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Repina, Anastasija S. "Folk Adaptation of the Sentimental Romance by M. V. Zubova “I`m Going to the Desert." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 68 (2023): 181–89. http://dx.doi.org/10.37816/2073-9567-2023-68-181-189.

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The paper presents the collection and analysis of the folklore adaptations of Maria Zubova's sentimental romance “I am going away into the desert” in the 19th and 20th centuries. The transformation of the author's work in folk song and theatre culture demonstrates a complex interaction between folklore and book poetry. The biography of the author, a representative of the artistic milieu and one of the few female poets of the late 18th century, is reflected in some journal sources (“Materials for the History of Russian Female Authors” by M. N. Makarov) and fiction sources (“Russian Women of New

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Matusov, Eugene. "A student's right to freedom of education and a teacher's fiduciary obligation to support it." Dialogic Pedagogy: An International Online Journal 8 (September 24, 2020): SF97—SF114. http://dx.doi.org/10.5195/dpj.2020.357.

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I feel honored to receive so many deep, critical, supportive, expanding, and thought-provoking commentaries on my original paper “A student’s right to freedom of education” from undergraduate university students, educators, and educational researchers. These commentaries involve different genres: on-the-margin contextual comments, theoretical essays, ethnographies of their pedagogical practices, reflective sharing of good and bad personal educational experiences, personal authorial opinions, critiques, students’ course evaluations, analysis of science-fiction literature, investigation of Bakht

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Braga, Carla. "Scientific misconduct (Fraud, falsification, fabrication and plagiarism)." Brazilian Journal of Clinical Medicine and Review 1, Suppl.1 (April 17, 2023): 31. http://dx.doi.org/10.52600/2965-0968.bjcmr.2023.1.suppl.1.31.

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We live in a historic moment in which the boundaries between true and false become porous and the differentiation between fact and fiction is destabilized, for example, in the context of the so-called “fake news”. At a global level, social movements and in some cases even governments, have assumed denialist and even “anti-science” positions, as occurred during the COVID-19 pandemic or in the face of climate change. We also see a reduction in funding for research in several countries. Trust in science, as well as the credibility of the knowledge production process, has been called into question

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Sasor, Rozalia. "Reguły stanu rycerskiego w Siete Partidas Alfonsa X Mądrego. Tekst i kontekst." Terminus 24, no. 3 (64) (November 30, 2022): 287–326. http://dx.doi.org/10.4467/20843844te.22.015.16052.

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Knightly Code of Conduct in Alonso the Wise’s Siete Partidas: Text and Context Alfonso X of Castile, also known as Alfonso the Wise was one of the most eminent Medieval rulers of the Kingdom of Castile and León. This paper presents selected facts from his life, especially highlighting his achievements as a patron of science and literature, as well as propagator of the vernacular language, i.e. Castilian. A special focus herein will be on the code Siete Partidas. Written under Alfonso’s auspices, this text describes knightly customs and combines the features of fiction and legal documents. The

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VANDOME, ROBIN. "American Scientists and Their Fictions: Professional Authorship and Intellectual Identity, 1870–1900." Journal of American Studies 53, no. 2 (December 13, 2017): 478–506. http://dx.doi.org/10.1017/s0021875817001852.

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Writers and critics in the Gilded Age United States frequently debated the relations between literature and science. A common contemporary interpretation of this relationship held that these two ways of knowing and writing were fundamentally opposed and that the advancement of science in American culture came at the expense of literary sensibilities. Nevertheless, and often as an effort to challenge this supposed opposition, many scientists also cultivated reputations as literary figures, and produced or planned diverse works ranging from travel writing and novels to verse drama. Such authors

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Hughes, Linda K. "Constructing Fictions of Authorship in George Eliot's Middlemarch, 1871-1872." Victorian Periodicals Review 38, no. 2 (2005): 158–79. http://dx.doi.org/10.1353/vpr.2005.0022.

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Shurbutt, S. B. "Margaret Drabble'sThe Waterfall:The writer as fiction, or overcoming the dilemma of female authorship." Women's Studies 16, no. 3-4 (October 1989): 283–92. http://dx.doi.org/10.1080/00497878.1989.9978770.

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Weightman, Frances. "Authoring the Strange: The Evolving Notions of Authorship in Prefaces to Classical Chinese Supernatural Fiction." East Asian Publishing and Society 8, no. 1 (April 5, 2018): 34–55. http://dx.doi.org/10.1163/22106286-12341316.

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Abstract This article considers the ways in which ideas of authorship have been portrayed in the authorial prefaces (zixu) to a selection of classical Chinese tales of the supernatural (zhiguai). It posits that the authorial preface is a unique forum for exploring the interplay between the author, reader and text. Within the controversial and contested tradition of writings about strange and otherworldly phenomena, it argues that over time the zixu provided a platform for the emergence of an increasingly individualised authorial persona.

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Bianchi, Alessandro. "Introduction to Medicine or Satire on Doctors." East Asian Publishing and Society 4, no. 1 (February 6, 2014): 65–114. http://dx.doi.org/10.1163/22106286-12341256.

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AbstractThis article aims to shed light on the multifarious relationship between medicine and literature in Tokugawa Japan (1603-1867) by focusing on a humorous-informative work of popular fiction entitledYōjō kyōkun isha dangi(1759). Firstly, this essay provides an overview ofIsha dangiexplaining how medical knowledge is grafted onto narrative structure. Secondly, it analyses the didactic and entertaining aspects of this text and describes howIsha dangiwas influenced both by works of comic literature and by instructive medical manuals produced during the Tokugawa period. In doing so, this stu

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Rosenberg, Anat. "The History of Genres: Reaching for Reality in Law and Literature." Law & Social Inquiry 39, no. 04 (2014): 1057–79. http://dx.doi.org/10.1111/lsi.12096.

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Genres are historical formations; their ability to generate knowledge depends on their interrelationships within a culture. Since law, too, can be viewed as a genre, studies of specific historical relationalities between law and other genres are necessary for law's own history and theory. This essay discusses differentiations between Victorian law and literature, starting out from the recent publication of Ayelet Ben‐Yishai'sCommon Precedents: The Presentness of the Past in Victorian Law and Fiction(2013), which reveals some of that history. I examine two points: differentiations in legal and

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Hedberg, William C. "Chinese Fiction as a ‘Signal Bell of the Revolution’ and the Transregional Birth of an Author." East Asian Publishing and Society 9, no. 2 (October 29, 2019): 125–50. http://dx.doi.org/10.1163/22106286-12341333.

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Abstract This essay examines late nineteenth- and early twentieth-century interest in Shi Nai’an, the putative author of the traditional Chinese novel, The Water Margin. Despite the paucity of reliable evidence attesting to Shi Nai’an’s composition of The Water Margin, Japanese writers of the Meiji period were keenly interested in Shi on the basis of his alleged stature as a pioneering author of Oriental or East Asian (Tōyō) fiction. This characterization of Shi Nai’an was a byproduct of the recently established academic discipline of literary history in Japan, and the concomitant desire by Me

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Barany, Michael J. "Impersonation and personification in mid-twentieth century mathematics." History of Science 58, no. 4 (June 26, 2020): 417–36. http://dx.doi.org/10.1177/0073275320924571.

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Pseudonymous mathematician Nicolas Bourbaki and his lesser-known counterpart E.S. Pondiczery, devised respectively in France and in Princeton in the mid-1930s, together index a pivotal moment in the history of modern mathematics, marked by international infrastructures and institutions that depended on mathematicians’ willingness to play along with mediated personifications. By pushing these norms and practices of personification to their farcical limits, Bourbaki’s and Pondiczery’s impersonators underscored the consensual social foundations of legitimate participation in a scientific communit

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Färnlöf, Hans. "Lieux ludiques: « Les Prisonniers » de Maupassant." Romanica Silesiana 16, no. 2 (February 15, 2021): 82–92. http://dx.doi.org/10.31261/rs.2019.16.08.

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This study examines the role of topoi in the short story “Les Prisonniers” (The Prisoners) by Maupassant. For historical reasons, the notion of topos is preferred to that of the stereotype, as the latter indicates a manner of conceiving reality from a 20th century perspective (and thus posterior to Maupassant’s authorship). The analysis of the topoi shows that the author brings to play intertextual references linked to the tradition of the folktale and the short story. In foregrounding the story, Maupassant prepares two opposing scenarios. Following the transgressive plot, the initially domina

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Hufton, Olwen, Ed Rugemer, Clare Elliott, Simon James, Heather Worthington, Patricia Zakreski, Deaglán Ó. Donghaile, et al. "Reviews: Social History, Local History and Historiography, Receptions and Revisitings: Review Articles, 1978–2011, Slavery and the Culture of Taste, Transatlantic Literary Exchanges, 1790–1870: Gender, Race and Nation, the Vulgar Question of Money: Heiresses, Materialism and the Novel of Manners from Jane Austen to Henry James, the Mysteries of the Cities: Urban Crime Fiction in the Nineteenth Century, Translation, Authorship and the Victorian Professional Woman: Charlotte Bronte, Harriet Martineau and George Eliot, the Lost Ireland of Stephen Gwynn: Irish Constitutional Nationalism and Cultural Politics, 1864–1950, Purity and Contamination in Late Victorian Detective Fiction, the Spectre of Utopia: Utopian and Science Fictions at the Fin de Siècle, Middlebrow Literary Cultures, the Masculine Middlebrow, 1880–1950: What Mr Miniver Read, Accented America: The Cultural Politics of Multilingual Modernism, a Sense of Shock: The Impact of Impressionism on Modern British and Irish Writing, Marianne Moore and the Cultures of Modernity, British Social Realism in the Arts since 1940, American Postmodern Fiction and the Past, the Second World War in Contemporary British Fiction: Secret Histories, 9/11 and the Literature of Terror." Literature & History 21, no. 2 (September 2012): 78–111. http://dx.doi.org/10.7227/lh.21.2.6.

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Willer, Stefan. "Dietmar Daths enzyklopädische Science Fiction." Arcadia 48, no. 2 (November 1, 2013). http://dx.doi.org/10.1515/arcadia-2013-0026.

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AbstractIn contemporary German literature, Dietmar Dath (born 1970) is arguably the most prolific encyclopaedic author – a designation that refers not only to the amount of scientific, discursive and popular knowledge included in his books, but also to their shere volume. Since the mid-1990s, Dath has published a huge amount of fiction and non-fiction, with manifold transitions between these two categories. I propose to read Dath’s novels – especially „Für immer in Honig“ (2005, revised edition 2008) and „Die Abschaffung der Arten“ (2008) – as encyclopaedic Science Fiction: a kind of literary

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DeJaynes, Tiffany. "Composing as play: a vision for collaborative, multimodal authorship." International Journal of Information and Learning Technology, June 14, 2022. http://dx.doi.org/10.1108/ijilt-09-2021-0142.

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PurposeThe following article examines the playful composing practices of two youth who built on their backgrounds as fan fiction writers, role-players, visual artists and gamers to co-author a multimodal novel across mediated spaces for composing throughout their high school careers.Design/methodology/approachThe study draws on “connected ethnography” and qualitative practitioner inquiry to examine the playful composing practices of two urban youth.FindingsThe study demonstrates the playful, multimodal composing practices of youth – for learning, affiliation and leisure. Participants’ creative

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Langbauer, Laurie. "Juvenile Tradition and the Fiction Factory, Part I." Journal of Juvenilia Studies 6, no. 1 (December 27, 2023). http://dx.doi.org/10.29173/jjs93.

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This first in a series of two essays considers the relation of the juvenile tradition to cheap, mass-produced dime fiction in America from the 1860s on. Part One provides a survey of fiction-factory writing by now-unrecognized young writers in the latter half of the nineteenth century; my interest lies in recovering what juvenile writers who worked in that industry thought about it. This essay focuses on how they embraced new opportunities for authorship that mass-market publication provided. Such an assembly-line mode of literary production carried a new understanding of its authors as worker

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Thompson, Jeffrey R., and John Rasp. "Did C. S. Lewis write The Dark Tower?: An Examination of the Small-Sample Properties of the Thisted-Efron Tests of Authorship." Austrian Journal of Statistics 38, no. 2 (April 3, 2016). http://dx.doi.org/10.17713/ajs.v38i2.262.

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The Dark Tower is a fragment of a science fiction novel, attributed to C.S. Lewis and published posthumously. Shortly after its publication controversy arose, questioning the work’s provenance and authenticity. This controversy still continues. We apply and extend procedures developed by Thisted and Efron (1987) to investigate whether word usage in The Dark Tower is similar to that in Out of the Silent Planet and Perelandra, two worksof the same genre and period known to be by Lewis. We further examine the validity and limitations of these procedures in the case at hand. Our results show vocab

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Hunt, Eileen M. "Mary Shelley's The Last Man: Existentialism and IR meet the post-apocalyptic pandemic novel." Review of International Studies, June 21, 2022, 1–23. http://dx.doi.org/10.1017/s0260210522000250.

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Abstract Mary Shelley mined the ideas of international thought to help develop three new subgenres of modern political science fiction (‘poliscifi’): post-apocalyptic, existential, and dystopian. Her two great works of poliscifi, Frankenstein (1818), and The Last Man (1826) – confront the social problems that arise from humanity's technological and cultural interventions in the wider environment. This article recovers The Last Man not only as the first modern post-apocalyptic pandemic novel, but also as an important source for the existentialist tradition, dystopian literature, and their inter

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Místecký, Michal, and Tomi S. Melka. "Literary “higher dimensions” quantified: a stylometric study of nine stories." Glottotheory, September 27, 2021. http://dx.doi.org/10.1515/glot-2021-2021.

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Abstract The study will focus on the quantitative assessment of nine stories, considered important contributions in the supernatural and in the early and modern science-fiction prose. Besides the two treatments of the topic of imaginary Flatland – penned by E. A. Abbott and C. H. Hinton –, the corpus includes writings by H. G. Wells, A. Blackwood, M. Leinster, G. Waldeyer, R. A. Heinlein, L. Padgett, and A. C. Clarke. Texts are researched on the bases of four analyses (moving-average type-token ratio, average tokens length, Busemann’s coefficient, and collocation associativity), with the resul

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O'Meara, Radha, and Alex Bevan. "Transmedia Theory’s Author Discourse and Its Limitations." M/C Journal 21, no. 1 (March 14, 2018). http://dx.doi.org/10.5204/mcj.1366.

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As a scholarly discourse, transmedia storytelling relies heavily on conservative constructions of authorship that laud corporate architects and patriarchs such as George Lucas and J.J. Abrams as exemplars of “the creator.” This piece argues that transmedia theory works to construct patriarchal ideals of individual authorship to the detriment of alternative conceptions of transmediality, storyworlds, and authorship. The genesis for this piece was our struggle to find a transmedia storyworld that we were both familiar with, that also qualifies as “legitimate” transmedia in the eyes of our prospe

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Lawrenson, Sonja. "Florence and the Machine: Female Authorship, Popular Culture and Technological Modernity in Sydney Owenson, Lady Morgan’s <em>Florence Macarthy</em> (1818)." Romantic Textualities: Literature and Print Culture, 1780–1840, no. 24 (June 24, 2023). http://dx.doi.org/10.18573/romtext.104.

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While the critical establishment baulked at the rapid expansion of the literary marketplace in the early nineteenth century, Lady Morgan’s Florence Macarthy boldly declared its allegiance to the precariously feminised domain of popular romance. Embracing its own synthetic and syncretic modernity, Morgan’s seventh novel revels in the spectacle, sensation and simulation so vociferously denounced by reviewers of her earlier works. Moreover, in its self-reflexive scrutiny of the material processes of Romantic literary production, Morgan’s fiction interrogates its own position within an increasingl

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Rogers, Ian Keith. "Without a True North: Tactical Approaches to Self-Published Fiction." M/C Journal 20, no. 6 (December 31, 2017). http://dx.doi.org/10.5204/mcj.1320.

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IntroductionOver three days in November 2017, 400 people gathered for a conference at the Sam’s Town Hotel and Gambling Hall in Las Vegas, Nevada. The majority of attendees were fiction authors but the conference program looked like no ordinary writer’s festival; there were no in-conversation interviews with celebrity authors, no panels on the politics of the book industry and no books launched or promoted. Instead, this was a gathering called 20Books2017, a self-publishing conference about the business of fiction ebooks and there was expertise in the room.Among those attending, 50 reportedly

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Campanioni, Chris. "How Bizarre: The Glitch of the Nineties as a Fantasy of New Authorship." M/C Journal 21, no. 5 (December 6, 2018). http://dx.doi.org/10.5204/mcj.1463.

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As the ball dropped on 1999, is it any wonder that No Doubt played, “It’s the End of the World as We Know It” by R.E.M. live on MTV? Any discussion of the Nineties—and its pinnacle moment, Y2K—requires a discussion of both the cover and the glitch, two performative and technological enactments that fomented the collapse between author-reader and user-machine that has, twenty years later, become normalised in today’s Post Internet culture. By staging failure and inviting the audience to participate, the glitch and the cover call into question the original and the origin story. This breakdown of

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Busse, Kristina, and Shannon Farley. "Remixing the Remix: Fannish Appropriation and the Limits of Unauthorised Use." M/C Journal 16, no. 4 (August 11, 2013). http://dx.doi.org/10.5204/mcj.659.

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In August 2006 the LiveJournal (hereafter LJ) community sga_flashfic posted its bimonthly challenge: a “Mission Report” challenge. Challenge communities are fandom-specific sites where moderators pick a theme or prompt to which writers respond and then post their specific fan works. The terms of this challenge were to encourage participants to invent a new mission and create a piece of fan fiction in the form of a mission report from the point of view of the Stargate Atlantis team of explorers. As an alternative possibility, and this is where the trouble started, the challenge also allowed to

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Hollis, Helena. "Readers’ experiences of fiction and nonfiction influencing critical thinking." Journal of Librarianship and Information Science, October 21, 2021, 096100062110530. http://dx.doi.org/10.1177/09610006211053040.

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This study investigated readers’ experiences of critical thinking and reading, comparing fiction and nonfiction. As previous research has shown links between fiction reading and increased social and cognitive capacities, and such capacities are argued to be necessary for critical thinking, this study sought to explore a potentially unique relationship between reading fiction and critical thinking, as distinct from nonfiction. In depth interviews were conducted with participants who self-identified as readers ( N = 12). Each reader was interviewed twice, first in a general discussion of their r

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Novitz, Julian. "“Too Broad and Deep for the Small Screen”: Doctor Who's New Adventures in the 1990s." M/C Journal 21, no. 5 (December 6, 2018). http://dx.doi.org/10.5204/mcj.1474.

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Introduction: Doctor Who's “Wilderness Years”1989 saw the cancellation of the BBC's long-running science fiction television series Doctor Who (1965 -). The 1990s were largely bereft of original Doctor Who television content, leading fans to characterise that decade as the “wilderness years” for the franchise (McNaughton 194). From another perspective, though, the 1990s was an unprecedented time of production for Doctor Who media. From 1991 to 1997, Virgin Publishing was licensed by the BBC's merchandising division to publish a series of original Doctor Who novels, which they produced and marke

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Dean, Gabrielle. "Portrait of the Self." M/C Journal 5, no. 5 (October 1, 2002). http://dx.doi.org/10.5204/mcj.1991.

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Let us work backwards from what we know, from personal experience: the photograph of which we have each been the subject. Roland Barthes says of this photograph that it transforms "the subject into object": one begins aping the mask one wants to assume, one begins, in other words, to make oneself conform in appearance to the disguise of an identity (Camera Lucida 11). A quick glance back at your most recent holiday gathering will no doubt confirm his diagnosis. Barthes gives to this subject-object the title of Spectrum in order to neatly join the idea of spectacle with the fearsome spectre, wh

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Lawrence, Julian. "The Ninth Art Versus The Tenth Art: Visualizing Conflicting Worldviews Between Comics and Screens." Journal of Cultural Research in Art Education 34, no. 1 (September 1, 2017). http://dx.doi.org/10.2458/jcrae.4886.

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In this article, I argue that deficient and declining opportunities for art in schools coupled with initiatives to incorporate computer literacy, coding and STEM (Science, Technology, Engineering, Mathematics) as priorities forecast a dire future for the comics medium as pedagogical tool. Additionally, one result of the medium’s historical debasement is that most educators are unfamiliar with ways to use comics and cartooning; thus classroom opportunities for students to engage in a medium they love are rare. In this study, I investigate integrating the language of comics into classroom learni

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Moner, Laia Manonelles. "Xiao Lu: asserting her voice through artistic practice." Revista Brasileira de Estudos da Presença 13, no. 2 (2023). http://dx.doi.org/10.1590/2237-2660126872vs02.

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ABSTRACT At the opening of the iconic exhibition China/Avant-Garde (1989, Beijing), the artist Xiao Lu fired two shots at her installation Dialogue and handed the gun to the artist Tang Song, who would later become her boyfriend. From that moment on, the artworld attributed the piece to Tang Song and Xiao Lu. Two decades after the event, Xiao Lu disputed the unique authorship of the artwork in a fictional memoir, Dialogue (2010). In this text, she presented a historiography of her art, reflecting on the performance and challenging Tang Song’s appropriation of the work. This article explores Xi

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Kustritz, Anne. "Transmedia Serial Narration: Crossroads of Media, Story, and Time." M/C Journal 21, no. 1 (March 14, 2018). http://dx.doi.org/10.5204/mcj.1388.

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The concept of transmedia storyworlds unfolding across complex serial narrative structures has become increasingly important to the study of modern media industries and audience communities. Yet, the precise connections between transmedia networks, serial structures, and narrative processes often remain underdeveloped. The dispersion of potential story elements across a diverse collection of media platforms and technologies prompts questions concerning the function of seriality in the absence of fixed instalments, the meaning of narrative when plot is largely a personal construction of each au

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Michele Guerra. "Cinema as a form of composition." TECHNE - Journal of Technology for Architecture and Environment, May 25, 2021, 51–57. http://dx.doi.org/10.36253/techne-10979.

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Technique and creativity Having been called upon to provide a contribution to a publication dedicated to “Techne”, I feel it is fitting to start from the theme of technique, given that for too many years now, we have fruitlessly attempted to understand the inner workings of cinema whilst disregarding the element of technique. And this has posed a significant problem in our field of study, as it would be impossible to gain a true understanding of what cinema is without immersing ourselves in the technical and industrial culture of the 19th century. It was within this culture that a desire

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Hassler-Forest, Dan. "“Two Birds with One Stone”: Transmedia Serialisation in Twin Peaks." M/C Journal 21, no. 1 (March 14, 2018). http://dx.doi.org/10.5204/mcj.1364.

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It happened 27 years ago, in the autumn of 1990, but I remember it as if it were yesterday. Having set apart some of the cash I’d been given for my seventeenth birthday, I caught a train into the city with only one thing in mind: buying a copy of the newly-released book The Secret Diary of Laura Palmer. Having breathlessly devoured the eight-episode first season of Twin Peaks as it was broadcast on BBC2 from 23 October until 11 December 1990 (BBC), acquiring a copy of the “actual” diary that potentially held vital clues to the series’ central mystery—who killed Laura Palmer?—offered a temptati

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"Reading & Writing." Language Teaching 38, no. 4 (October 2005): 216–29. http://dx.doi.org/10.1017/s0261444805253144.

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05–486Balnaves, Edmund (U of Sydney, Australia; ejb@it.usyd.edu.au), Systematic approaches to long term digital collection management. Literary and Linguistic Computing (Oxford, UK) 20.4 (2005), 399–413.05–487Barwell, Graham (U of Wollongong, Australia; gbarwell@uow.edu.au), Original, authentic, copy: conceptual issues in digital texts. Literary and Linguistic Computing (Oxford, UK) 20.4 (2005), 415–424.05–488Beech, John R. & Kate A. Mayall (U of Leicester, UK; JRB@Leicester.ac.uk), The word shape hypothesis re-examined: evidence for an external feature advantage in visual word recognition

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Horrigan, Matthew. "A Flattering Robopocalypse." M/C Journal 23, no. 6 (November 28, 2020). http://dx.doi.org/10.5204/mcj.2726.

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RACHAEL. It seems you feel our work is not a benefit to the public.DECKARD. Replicants are like any other machine. They're either a benefit or a hazard. If they're a benefit it's not my problem.RACHAEL. May I ask you a personal question?DECKARD. Yes.RACHAEL. Have you every retired a human by mistake? (Scott 17:30) CAPTCHAs (henceforth "captchas") are commonplace on today's Internet. Their purpose seems clear: block malicious software, allow human users to pass. But as much as they exclude spambots, captchas often exclude humans with visual and other disabilities (Dzieza; W3C Working Group). Wo

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May, Lawrence. "Confronting Ecological Monstrosity." M/C Journal 24, no. 5 (October 5, 2021). http://dx.doi.org/10.5204/mcj.2827.

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Introduction Amidst ecological collapse and environmental catastrophe, humankind is surrounded by indications that our habitat is turning against us in monstrous ways. The very environments we live within now evoke existential terror, and this state of ecological monstrosity has permeated popular media, including video games. Such cultural manifestations of planetary catastrophe are particularly evident in video game monsters. These virtual figures continue monsters’ long-held role in reflecting the socio-cultural anxieties of their particular era. The horrific figures that monsters present pl

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Bourdaa, Mélanie. "From One Medium to the Next: How Comic Books Create Richer Storylines." M/C Journal 21, no. 1 (March 14, 2018). http://dx.doi.org/10.5204/mcj.1355.

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Transmedia storytelling, as defined by Henry Jenkins in 2006 in his book Convergence Culture, highlights a production strategy that aims to augment the narration of a cultural work by scattering it across several media platforms—digital or non-digital. The term is certainly quite recent, but the practices are not new and allow us to understand the evolution of the cultural industries and the creation of a new media ecosystem. As Matthew Freeman states, transmedia storytelling always relies on industrial changes, the narration adapting itself to new media synergies and novelties to create engag

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Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (June 1, 2005). http://dx.doi.org/10.5204/mcj.2345.

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   From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha

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Mallan, Kerry Margaret, and Annette Patterson. "Present and Active: Digital Publishing in a Post-print Age." M/C Journal 11, no. 4 (June 24, 2008). http://dx.doi.org/10.5204/mcj.40.

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At one point in Victor Hugo’s novel, The Hunchback of Notre Dame, the archdeacon, Claude Frollo, looked up from a book on his table to the edifice of the gothic cathedral, visible from his canon’s cell in the cloister of Notre Dame: “Alas!” he said, “this will kill that” (146). Frollo’s lament, that the book would destroy the edifice, captures the medieval cleric’s anxiety about the way in which Gutenberg’s print technology would become the new universal means for recording and communicating humanity’s ideas and artistic expression, replacing the grand monuments of architecture, human engineer

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