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Artykuły w czasopismach na temat „Science, renaissance – england”

Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Hanson, Elizabeth. "Torture and Truth in Renaissance England." Representations 34, no. 1 (1991): 53–84. http://dx.doi.org/10.1525/rep.1991.34.1.99p0046u.

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Hanson, Elizabeth. "Torture and Truth in Renaissance England." Representations 34 (1991): 53–84. http://dx.doi.org/10.2307/2928770.

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Lee, Jungyoung. "The Alchemical Imagination in Ben Jonson’s The Alchemist." British and American Language and Literature Association of Korea 145 (June 30, 2022): 41–60. http://dx.doi.org/10.21297/ballak.2022.145.41.

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This paper explores the alchemical imagination in Ben Jonson’s The Alchemist . In the Renaissance, alchemy was a kind of natural philosophy that contributed to the development of modern science. As The Alchemist was a product of widespread alchemical knowledge in Renaissance England, there are multiple symbolic representations of alchemy in the play. Subtle and Face define each other as a homunculus that is created by Paracelsus and looks like a human being but much smaller. Paracelsus, an alchemist and physician in the Renaissance, mentions that a homunculus is created by art (i.e. alchemy),

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Mardock, J. D. "Renaissance Ecology: Imagining Eden in Milton's England." Interdisciplinary Studies in Literature and Environment 16, no. 3 (2009): 652–53. http://dx.doi.org/10.1093/isle/isp042.

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Matar, Nabil I. "THE REPRESENTATION OF MUSLIM WOMEN IN RENAISSANCE ENGLAND." Muslim World 86, no. 1 (1996): 50–61. http://dx.doi.org/10.1111/j.1478-1913.1996.tb03631.x.

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Ziff, Larzer, and Lawrence Buell. "New England Literary Culture: From Revolution through Renaissance." Journal of American History 73, no. 4 (1987): 1024. http://dx.doi.org/10.2307/1904088.

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Somkin, Fred, and Lawrence Buell. "New England Literary Culture: From Revolution through Renaissance." Journal of the Early Republic 7, no. 1 (1987): 95. http://dx.doi.org/10.2307/3123443.

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Stanivukovic, Goran V. "The Renaissance of Lesbianism in Early Modern England (review)." Journal of the History of Sexuality 12, no. 3 (2003): 501–4. http://dx.doi.org/10.1353/sex.2004.0016.

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Shadmanov, K. B. "ETHICS OF LATE RENAISSANCE ENGLAND, ITS PLACE IN HISTORY AND PHILOSOPHY." Al-Farabi 81, no. 1 (2023): 69–84. http://dx.doi.org/10.48010/2023.1/1999-5911.06.

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The purpose of the article is to visually show that the laws, principles, concepts of ethics have been identified and developed over the millennia in different countries, among different peoples. And, I think, one cannot consider oneself an expert in this area without getting acquainted - at least briefly - with the centuries-old course of comprehending the secrets of ethical knowledge. Since antiquity, the largest minds of mankind have contributed to the formation of ethical thought, its philosophy and categorical-conceptual apparatus. They opened for us the depths of morality and the facets

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Stead, Dominic, and Eric Hoppenbrouwer. "Promoting an urban renaissance in England and the Netherlands." Cities 21, no. 2 (2004): 119–36. http://dx.doi.org/10.1016/j.cities.2004.01.005.

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Targoff (book author), Ramie, and Madeline Bassnett (review author). "Posthumous Love: Eros and the Afterlife in Renaissance England." Renaissance and Reformation 38, no. 1 (2015): 204–6. http://dx.doi.org/10.33137/rr.v38i1.22810.

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Gatti (book author), Hilary, and Germaine Warkentin (review author). "The Renaissance Drama of Knowledge: Giordano Bruno in England." Renaissance and Reformation 27, no. 1 (2009): 95–97. http://dx.doi.org/10.33137/rr.v27i1.11737.

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13

Schmidt (book author), Gary A., and Mark Albert Johnston (review author). "Renaissance Hybrids: Culture and Genre in Early Modern England." Renaissance and Reformation 36, no. 4 (2014): 190–92. http://dx.doi.org/10.33137/rr.v36i4.21003.

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Bennett, Kristen Abbott. "Orgel, Stephen. Wit’s Treasury: Renaissance England and the Classics." Renaissance and Reformation 45, no. 2 (2022): 338–40. http://dx.doi.org/10.33137/rr.v45i2.39789.

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15

Weber, Dominique. "Thomas Hobbes's doctrine of conscience and theories of synderesis in Renaissance England." Hobbes Studies 23, no. 1 (2010): 54–71. http://dx.doi.org/10.1163/187502510x496363.

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AbstractIs there a specifically "Hobbesian moment" in the extremely complex history of the idea of conscience? In order to answer this question and to understand why Hobbes's conception of conscience was so innovative, one needs to look at the materials he used to build his system, including the medieval doctrine of synderesis. The article examines the way this doctrine was both perpetuated and altered in Renaissance England.

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16

Monga, Luigi. "Crime and the Road: A Survey of Sixteenth-Century Travel Journals." Renaissance and Reformation 34, no. 2 (1998): 5–17. http://dx.doi.org/10.33137/rr.v34i2.10832.

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This article is a journey through the lesser known travel diaries of the sixteenth and seventeenth centuries. Its intent is to underline the occurence of violent images along the European roads, particularly in Italy, Spain, France, and England. Criminality, danger, and violence are all common phenomenons in the Renaissance. Travelling allows one to discover the foreign but not without hardship: avoiding bandit and corsair traps, travellers are then welcomed at the entrance of the cities by gallows adorned with corpses and are entertained, if they so desire, with executions and autodafés

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17

Helgerson, Richard. "The Land Speaks: Cartography, Chorography, and Subversion in Renaissance England." Representations 16, no. 1 (1986): 50–85. http://dx.doi.org/10.1525/rep.1986.16.1.99p0157n.

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Helgerson, Richard. "The Land Speaks: Cartography, Chorography, and Subversion in Renaissance England." Representations 16 (1986): 50–85. http://dx.doi.org/10.2307/2928513.

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Brienza, Casey. "William H. Sherman: Used Books: Marking Readers in Renaissance England." Publishing Research Quarterly 26, no. 4 (2010): 301–2. http://dx.doi.org/10.1007/s12109-010-9185-0.

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Smuts, Malcolm, and Bruce Thomas Boehrer. "Monarchy and Incest in Renaissance England: Literature, Culture, Kinship, and Kingship." Journal of Interdisciplinary History 25, no. 3 (1995): 472. http://dx.doi.org/10.2307/205707.

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North, Marcy L., and Elizabeth Clarke (review author). "The Anonymous Renaissance: Cultures of Discretion in Tudor-Stuart England." Renaissance and Reformation 39, no. 4 (2003): 114–16. http://dx.doi.org/10.33137/rr.v39i4.8931.

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22

Hall, John R., and Steven Mullaney. "The Place of the Stage: License, Play, and Power in Renaissance England." Contemporary Sociology 18, no. 4 (1989): 603. http://dx.doi.org/10.2307/2073119.

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Eggert (book author), Katherine, and Dan Breen (review author). "Disknowledge: Literature, Alchemy, and the End of Humanism in Renaissance England." Renaissance and Reformation 40, no. 3 (2017): 296–99. http://dx.doi.org/10.33137/rr.v40i3.28750.

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Stepanova, Olga. "Fehrenbach, R. J., gen. ed. PLRE.Folger: Private Libraries in Renaissance England." Renaissance and Reformation 42, no. 4 (2020): 176–79. http://dx.doi.org/10.7202/1068583ar.

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Stepanova, Olga. "Fehrenbach, R. J., gen. ed. PLRE.Folger: Private Libraries in Renaissance England." Renaissance and Reformation 42, no. 4 (2020): 176–79. http://dx.doi.org/10.33137/rr.v42i4.33716.

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Meron, Theodor. "Shakespeare’s Henry the Fifth and the Law of War." American Journal of International Law 86, no. 1 (1992): 1–45. http://dx.doi.org/10.2307/2203137.

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William Shakespeare wrote during the Elizabethan Renaissance, a period of revived and intense interest in history. The Life of Henry the Fifth, written in 1599, one of Shakespeare’s histories, is a patriotic, epic portrayal of a phase in the bloody Hundred Years’ War (1337-1453) between England and France. It describes a medieval campaign led by a chivalrous and virtuous king, who could perhaps do wrong but not a great deal of wrong, and in which the few acting in a just cause defeat the many. In this play, Shakespeare relives past glories.

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BROWN, CHRISTOPHER. "The Renaissance of Museums in Britain." European Review 13, no. 4 (2005): 617–36. http://dx.doi.org/10.1017/s1062798705000840.

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In this paper – given as a lecture at Netherlands Institute for Advanced Study in the summer of 2003 – I survey the remarkable renaissance of museums – national and regional, public and private – in Britain in recent years, largely made possible with the financial support of the Heritage Lottery Fund. I look in detail at four non-national museum projects of particular interest: the Horniman Museum in South London, a remarkable and idiosyncratic collection of anthropological, natural history and musical material which has recently been re-housed and redisplayed; secondly, the nearby Dulwich Pic

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28

Matz (book author), Robert, and William Shullenberger (review author). "Defending Literature in Early Modern England: Renaissance Literary Theory in Social Context." Renaissance and Reformation 38, no. 1 (2002): 78–81. http://dx.doi.org/10.33137/rr.v38i1.8757.

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MacFaul (book author), Tom, and Lisa Celovsky (review author). "Poetry and Paternity in Renaissance England: Sidney, Spenser, Shakespeare, Donne and Jonson." Renaissance and Reformation 34, no. 3 (2012): 244–46. http://dx.doi.org/10.33137/rr.v34i3.17042.

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Lustig, A. J. "Cultivating Knowledge in Nineteenth-Century English Gardens." Science in Context 13, no. 2 (2000): 155–81. http://dx.doi.org/10.1017/s0269889700003781.

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The ArgumentThe popularity of botany and natural history in England combined with the demographic changes of the first half of the nineteenth century to bring about a new aesthetics of gardening, fusing horticultural practice with a connoisseurship of botanical science. Horticultural societies brought theoretical botany into the practice of gardening. Botanical and horticultural periodicals disseminated both science and prescriptions for practice, yoking them to a progressive social agenda, including the betterment of the working class and urban planning. Finally, botany was incorporated into

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HUTSON, LORNA. "Rethinking the ““Spectacle of the Scaffold””: Juridical Epistemologies and English Revenge Tragedy." Representations 89, no. 1 (2005): 30–58. http://dx.doi.org/10.1525/rep.2005.89.1.30.

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ABSTRACT Michel Foucault's analysis of penal torture as part of a regime of truth production continues to be routinely applied to the interpretation of English Renaissance drama. This paper argues that such an application misleadingly overlooks the lay participation that was characteristic of English criminal justice. It goes on to explore the implications of the epistemological differences between continental inquisitorial models of trial and the jury trial as it developed in sixteenth-century England, arguing that rhetorical and political differences between these two models are dramatized i

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32

Nothaft, C. Philipp E. "A Reluctant Innovator: Graeco-Arabic Astronomy in the Computus of Magister Cunestabulus (1175)." Early Science and Medicine 22, no. 1 (2017): 24–54. http://dx.doi.org/10.1163/15733823-00221p02.

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This article is dedicated to the obscure Computus of Magister Cunestabulus (England, 1175), which offers a unique spotlight on the way the twelfth-century ‘Renaissance’ in mathematical astronomy impacted the Latin computistical tradition. Armed with an unusually broad array of sources newly translated from Arabic, among them Ptolemy’s Almagest, Cunestabulus applied his advanced knowledge in the service of traditional Latin learning and established Church doctrine, defending the non-existence of Antipodeans in the southern hemisphere as well as the astronomical foundations of the ecclesiastical

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33

Walter, Melissa. "Constructing Readers and Reading Communities: Marguerite de Navarre's Heptaméron 32 in England." Renaissance and Reformation 39, no. 1 (2003): 35–59. http://dx.doi.org/10.33137/rr.v39i1.8879.

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En général, les collections de nouvelles françaises et italiennes de la Renaissance montrent une pratique de lecture active et réfléchie à laquelle les femmes et les hommes participent. Heptaméron 32 de Marguerite de Navarre donne au lecteur le rôle d’un témoin responsable à travers le personnage de Bernage. Dans leurs versions anglaises de cette nouvelle, William Painter et George Whetstone transforment le cadre et modifient le role du lecteur, tout en s’appropriant l’idée que lire et interpréter sont des processus sociaux qui peuvent refaçonner l’individu.

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Tribe, John. "Nietzsche's ‘Eternal Recurrence’ and the renaissance of English and Welsh insolvency law reform." Legal Studies 40, no. 3 (2020): 419–41. http://dx.doi.org/10.1017/lst.2020.8.

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AbstractFriedrich Nietzsche proposed the ‘Eternal Recurrence’ thought experiment in his book, The Gay Science (1882). Drawing on ancient Greek and Indian philosophy, Eternal Recurrence is the idea that with infinite time and matter events will occur again and again without end. While not (quite) infinite, English and Welsh insolvency law does have a sufficient and significant history that reveals numerous examples of this phenomenon of repetition. This paper examines some of the patterns of repetition within the law and reform processes and how ‘broad’, ‘narrow’, and ‘deep’ Eternal Recurrence

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Travitsky (book editor), Betty S., Anne Lake Prescott (book editor), and Elizabeth Sauer (review author). "Female and Male Voices in Early Modern England: An Anthology of Renaissance Writing." Renaissance and Reformation 36, no. 2 (2000): 105. http://dx.doi.org/10.33137/rr.v36i2.8618.

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Bârlea, Gheorghe. "Leonidas Donskis – an encyclopedic Renaissance-like figure." Romanian Journal for Baltic and Nordic Studies 6, no. 2 (2014): 241–54. http://dx.doi.org/10.53604/rjbns.v16i2_16.

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This report was made at the Doctor Honoris Causa conferred to Prof. Leonidas Donskis by Valahia University of Târgoviște on November 6th, 2014. The editors express their gratitudeto Vlad-Gabriel Ghiorghiu, a CoolPeace graduate, for the admirable translation of this report. The publication of this report is supported by EEA Grants, contract no 4/22.07.2014. Currently a professor of advanced studies and academic development at the ISM University of Management and Economics of Kaunas and Vilnius, Lithuania, and a former member of the European Parliament, Leonidas Donskis was born on the 13th of A

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Busse, Ulrich. "German Loans in Early English." Anglica. An International Journal of English Studies, no. 32/4 (October 2023): 23–41. http://dx.doi.org/10.7311/0860-5734.32.4.02.

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The paper outlines the contribution of German to the word stock of English in the three periods of Old English, Middle English, and Early Modern English, or, in other words, from the early Middle Ages up to 1700, and relates these words to major cultural events, such as the Christianisation of England, the Norman Invasion, the Reformation and to the beginnings of science and technology during the Renaissance. Methodologically, the term German will be used in the sense of High German and its antecedents rather than Low German or Low Dutch. As a consequence of this approach, the impact of German

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Dina, Yasavievna Shigabutdinova. "The Concept of Culture in English Philosophy." INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH AND ANALYSIS 04, no. 05 (2021): 513–19. https://doi.org/10.47191/ijmra/v4-i5-03.

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The culture is the dominant concept in English philosophy making it one of the most spreaded carriers of culture in the world. The representatives of British (mainly English) still continue to lead the global tendencies of literature, culture, arts and science. The Victorian Britain was the initiator of the first trends of the concept which is now named as the globalization. This epoch is characterized by the rapid changes in Iron, Ornament and Architecture in Victorian Britain. Despite its underrepresentated in the population of the world the people from England hold second number after the r

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ABBRI, FERDINANDO. "ALAN BRAY, Homosexuality in Renaissance England, 2nd ed., London, The Gay Men's Press 1988, 156 pp." Nuncius 5, no. 1 (1990): 346–47. http://dx.doi.org/10.1163/182539190x01218.

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Wenjia, Zhu. "Ideas of Statecraft in Philip Sidney’s <i>The Defense of Poesy</i>." Humanities and Social Sciences 12, no. 2 (2024): 29–34. http://dx.doi.org/10.11648/j.hss.20241202.12.

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Philip Sidney was a famous courtier, soldier, poet and patron in Elizabethan England. As the best work of literary criticism in the English Renaissance, Sidney’s &lt;i&gt;The Defense of Poesy&lt;/i&gt; not only contains rich poetic, philosophical and aesthetic values, but also permeates with comments and suggestions on current politics, implying advanced ideas of statecraft. Studying &lt;i&gt;The Defense of Poesy&lt;/i&gt; in the context of social, political and cultural anxiety in England in the late 1570s and early 1580s, this article attempts to reveal Sidney

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Sohn, Ilsu. "Lewis Grassic Gibbon’s A Scots Quair: Ecological Imagination and Historical Consciousness." Institute of British and American Studies 56 (October 31, 2022): 77–100. http://dx.doi.org/10.25093/ibas.2022.56.77.

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This essay aims at two academic goals by analyzing Scottish writer Lewis Grassic Gibbon’s A Scots Quair. First, a study of Scottish literature, especially the Scottish Renaissance during the early twentieth century, will help to rethink England-oriented studies of British literature in South Korea and to widen the horizon of studying twentieth-century English literature and modernism. It is only recently that scholars began to appreciate how the primary writers associated with the Scottish Renaissance resisted regressive nationalism or idyllic regionalism. Although the Scottish Renaissance rar

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42

Saad, Tlili. "A Critical Discourse Study of Shakespeare’s Theological Conceptions in Acts IV and V of Richard II: The ‘Divine Mandate’ of Richard Kingship Falls Apart." Studies in Pragmatics and Discourse Analysis 4, no. 1 (2023): 14–31. http://dx.doi.org/10.48185/spda.v4i1.732.

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This article studies the rebellious Shakespeare’s politico-religious discourse in the Renaissance England. An appropriated interdisciplinary blend of Critical Discourse Analysis (henceforth CDA) is employed to lay bare the discursive strategies appropriated by William Shakespeare to safely express his pragmatic philosophy of politics and religiosity in Acts 4 and 5 of Richard II. This study attempts to bring together linguistic, sociocognitive, and critical metaphorical aspects in one single CDA framework. Serving methods and tools of analysis from various well-known CDA approaches such as Fai

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43

Gaston, Bruce. "Brecht's Pastiche History Play: Renaissance Drama and Modernist Theatre in Leben Eduards Des Zweiten Von England." German Life and Letters 56, no. 4 (2003): 344–62. http://dx.doi.org/10.1111/1468-0483.00261.

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Davies, Anna. "What Silence Knows – Planning, Public Participation and Environmental Values." Environmental Values 10, no. 1 (2001): 77–102. http://dx.doi.org/10.1177/096327190101000106.

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While fraught with ambiguities, support for greater public participation in environmental policy making is experiencing a renaissance amongst sections of government and academia, particularly within the field of land-use planning. There is concern within this cohort that the planning system silences public voices through its current mechanisms for community involvement. Proponents of participation often presuppose that more public participation will produce both ‘better’ decisions and environmental benefits, but to date research has focused on the front-end, or ‘processes’, of participation ra

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Coquillette, Daniel. "Past the Pillars of Hercules: Francis Bacon and the Science of Rulemaking." University of Michigan Journal of Law Reform, no. 46.2 (2016): 549. http://dx.doi.org/10.36646/mjlr.46.2.past.

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The parallels between Bacon's career and that of Edward H. Cooper are, of course, obvious. Bacon was one of the great legal minds of his day. Unlike the common-law judges who formed the law by deciding cases, Bacon expressed his greatness in writing brilliant juristic treatises and, as Lord Chancellor, drafting one of the first modern rule systems, the Ordinances in Chancery (1617-1620). Indeed, my thesis is that Bacon invented modern, scientific rulemaking by fusing his new theories of inductive, empirical research with the traditions of equitable pleading and is, in fact, the intellectual fo

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Werth, Tiffany Jo. "The Nature of the Page: Poetry, Papermaking, and the Ecology of Texts in Renaissance England. By Joshua Calhoun." ISLE: Interdisciplinary Studies in Literature and Environment 28, no. 2 (2021): 793–94. http://dx.doi.org/10.1093/isle/isab038.

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Liciu, Alexandru. "Robert Hooke’s Science of ‘Petrifaction’, the Trattato del Legno Fossile, and the Republic of Letters." Erudition and the Republic of Letters 8, no. 3 (2023): 279–306. http://dx.doi.org/10.1163/24055069-08030003.

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Abstract This paper is part of a larger project of investigating the reception of the Accademia dei Lincei at the Royal Society. Perhaps due to the Lincei’s hesitancy to make more use of print, they constituted somewhat of a mystery for the subsequent generations of scientific communities. This is to say that the members of Royal Society were open to or perhaps even actively searching for knowledge related to the Lynxes. In this work, I trace this through a particular case-study in the transmission of knowledge: the arrival at the Royal Society of Federico Cesi and Francesto Stelluti’s Trattat

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Stogova, Anna. "Men’s Fashion and Self–Fashioning in The Diary of an English Navy Clerk Samuel Pepys (1660–1669)." Adam & Eve. Gender History Review, no. 30 (2022): 237–96. http://dx.doi.org/10.32608/2307-8383-2022-30-237-296.

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In introducing the concept of self–fashioning, Stephen Greenblatt appealed to the idea of fashion and costume being able to turn the aristocrats of Renaissance England into a work of art. It is easy enough to draw parallels between fashion and self–fashioning when by "fashionable" we mean a type of costume and lifestyle that can become prestigious and popular for some period of time, which can be adopted and then abandoned in favour of a new one, thereby creating a certain public image for oneself. Early modern fashion is associated primarily with the court society. How could an official be fa

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Denizarslani, Yonca. "A Prologue to apology and futurism: Projections of nineteenth-century American Historicism in Nathaniel Hawthorne’s “The Custom-House”." JOURNAL OF AWARENESS 8, no. 4 (2023): 525–44. http://dx.doi.org/10.26809/joa.2144.

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Distracted by the contesting political debates between aristocratic republicanism of the Revolutionary era and democratic republicanism of the Antebellum; Nathaniel Hawthorne’s narrative tone in his prologue, “The CustomHouse” carries out the ideological assets of nineteenth-century American historicism in accord with which he laid ahistorical fictional elements failing to portray the entirety of early colonial New England in his 1850 novel, The Scarlet Letter. In this respect, “The Custom-House” portrays Nathaniel Hawthorne’s Romantic projections aimed at consoling the contemporaneous polariz

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Nurhadi, Nurhadi. "Debat Pemikiran dan Pergulatan Filsafat Moderen." YASIN 2, no. 3 (2022): 408–27. http://dx.doi.org/10.58578/yasin.v2i3.480.

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The configuration of the development of modern philanthropy has a long and tumultuous history, emerging as a symbol of the thesis and antithesis, resistance and struggle, rebellion and counter-aggression and rejection of what is past and traditional. In modern times a philosophy emerged from various schools emerged. Basically the overall pattern of modern philosophy takes on the color of Greek philosophical Sufism. The development of human thought in the Middle Ages gave rise to thoughts oriented to the advancement of technology (modern philosophy), this was marked by the emergence of the Rena

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