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Artykuły w czasopismach na temat „Scientific interpretation of the artistic heritage”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Lysenko, S. Yu. "Studying Problems of Art Interpretation in Music at University of Culture." Higher Education in Russia 27, no. 7 (2018): 124–29. http://dx.doi.org/10.31992/0869-3617-2018-27-7-124-129.

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The necessity of scientific understanding of the problem of the classical heritage representation and interpretation in contemporary artistic practice has now become particularly relevant. There are certain difficulties in studying the problem of artistic interpretation closely connected with creation of categorical apparatus. It became clear that traditional Art studies using conventional conceptual system are not ready for up-to-date reading of the classical heritage and there are no clear criteria for assessment of the topical artistic solutions for classics, especially in musical theatre.

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Malinovskaya, Yana V. "Interdisciplinary Creative Laboratories for “Sustainable” Heritage Actualization." Observatory of Culture 22, no. 1 (2025): 65–75. https://doi.org/10.25281/2072-3156-2025-22-1-65-75.

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Actualization of natural and cultural heritage is considered in an integrated approach: preservation/archiving and presentation through museum institutions (archives), including protected areas, and “transfer” of tangible objects and intangible values into real life to include them in the modern meaningful context. While the preservation and presentation of heritage has an extensive tradition and practice in museology, the methods and approaches of incorporating heritage into the contemporary context are constantly changing and being updated to reflect the current situation. The appeal to cont

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Sadykov, E. T., N. K. Zhusupov, and S. Y. Tokmukhamedov. "HISTORICAL HERITAGE OF MASHKHUR ZHUSIP." History of the Homeland 99, no. 3 (2022): 44–51. http://dx.doi.org/10.51943/1814-6961_2022_3_44.

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Mashkhur Zhusip Kopeyuly is a poet born in the era of historical socio-economic and socio-political transformations. He made a huge contribution to the formation, development and expansion of the artistic space of Kazakh written literature. The relevance of the idea of the younger generation about the cultural and literary heritage and the personality of the folklorist, who reliably described the socio-political state of Kazakh society, who managed to capture the breath of the era, is undeniable.The scientific problems of the article are related to the study of the cultural and literary herita

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4

Vinogradov, Igor' A. "Time to rehabilitate. A new reading of Nikolai Gogol." Vestnik of Kostroma State University 28, no. 2 (2022): 84–92. http://dx.doi.org/10.34216/1998-0817-2022-28-2-84-92.

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The article raises the problem of adequate understanding of the heritage of Nikolai Gogol. With regard to Nikolai Gogol’s works, the main problems of interpretation of the artistic image are analysed. The principles of text interpretation developed during the theological interpretation of the gospel parables in patristic practice, and certain provisions of the modern theory of the symbol of Aleksei Losev are formulated as basic ones. It is emphasised that the understanding of the ambiguity of the image does not contradict the idea of the presence in the work of art of the target “vector of mea

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5

Zolotarchuk, Nataliia. "Peculiarities of Decoration and Form of Church Objects: Comparative Aspect." Bulletin of KNUKiM. Series in Arts, no. 42 (July 14, 2020): 20–28. https://doi.org/10.31866/2410-1176.42.2020.207628.

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The purpose of the study is to analyse the development trends of the church objects and to draw a parallel between the main artistic focus principles of the ornamental elements’ employment and their various motifs established by the church canons. The research methodology is to apply the methods of analysis and synthesis, methods’ systematisation and generalisation. In particular, the comparative method of analysis was applied in order to compare and opposite the church objects, and the method of artistic analysis was necessary for the interpretation of creative processes and compo

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6

Dutchak, Violetta. "The Art of Kobzar Ostap Veresai: from Mykola Lysenko’s Folklorе Recordings to Modern Representation and Interpretation". Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 8, № 1 (2025): 108–22. https://doi.org/10.31866/2616-7581.8.1.2025.331211.

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The purpose of the research is comprehensive research of the evolution of the artistic phenomenon of the Ukrainian kobzar Ostap Veresai – both in its original context and public presentation in the 19th century, as well as its subsequent influence on the performance practices of kobzars and academic bandura artists in Ukraine and diaspora from the 20th century to the early 21st century. Research methodology. To achieve the research objectives, the study employs methodological principles of historical, cultural, textual, axiological and terminological analysis, alongside corresponding scientifi

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7

Studenets, Nataliia. "Traditional Practice of Home Wall Painting in Modern Scientific Comprehension and Interpretation." Folk art and ethnology, no. 3 (September 30, 2022): 78–85. http://dx.doi.org/10.15407/nte2022.03.078.

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Starting from the middle of the 19th century a great deal of materials is dedicated to the home wall painting as an original traditional practice. These works are diverse according to the level of comprehension. The investigations are summarized partly in the studies of the second half of the 20th century. Hence longstanding researches of a wall painting have required systematization, considerable revaluation through the lens of time and realities of the Ukrainian culture of postmodernity. The culturological, ethnological and Art Studies investigations of the wall paintings are analyzed in the

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Meretskaya, Yulia Sergeevna. "The analysis of artistic heritage of Anton Ažbe in light of the new facts." Человек и культура, no. 1 (January 2020): 149–60. http://dx.doi.org/10.25136/2409-8744.2020.1.29726.

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The object of this research is the artistic heritage of Slovenian painter and teacher of painting Anton A&#382;be (1862-1905) and its interpretation in the works of art historians and testimonies of his students and contemporaries. The subject of this research is the graphic and painting works of Anton A&#382;be. The goal consists in reconsideration of the existing within modern art history understanding of the vector of creative path of the painter. Particular attention is given to his painting &ldquo;The Black Girl&rdquo; and clarification of the date of its creation. In the

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9

Pavlova, M. "Problems of Preservation and Interpretation of Soviet Memorial Heritage in Lithuania." Analysis and Forecasting. IMEMO Journal, no. 1 (2025): 27–36. https://doi.org/10.20542/afij-2025-1-27-36.

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The article is based on the author’s report ‘Soviet/Russian memorial heritage in the Baltic countries: the limits of reinterpretation and dialogue’ at the conference of international dialogue platform for interaction of the scientific and expert community ‘Baltic Platform’ in December 2024 in St. Petersburg. The author examined the processes of struggle against the Soviet memorial heritage in Lithuania using the example of the discussion around sculptural compositions in the public space of Vilnius. The first wave of ‘wars with monuments’ in the 1990s did not touch that part of the Soviet memo

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10

Сергій Твердохліб. "INTEGRATION OF DIFFERENT ART TYPES IN THE PROCESS OF FORMATION OF FUTURE TEACHERS OF CHOREOGRAPHY INTERPRETATION COMPETENCE." Collection of Scientific Papers of Uman State Pedagogical University, no. 4 (September 4, 2020): 52–60. http://dx.doi.org/10.31499/2307-4906.4.2020.224094.

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The aim of the article is to actualize the integration of different arts in the process of forming the interpretive competence of future teachers of choreography, based on the functional model of art, namely its hedonistic, aesthetic, cognitive, educational, social-transforming and information-communicative functions. The process of interpretation of the artistʼs creative concept in the plane of choreographic art is determined by the ability of the teacher-choreographer to integrate the universal artistic heritage. At the heart of any movement there is always a relationship with the musical ac

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11

Tylyk, Ihor, and Vladyslav Lysenko. "Specificity of Artemii Vedel’s Performing Interpretation of Liturgical Works on the Example of the Liturgy of St. John Chrysostom’s (C-Dur) Artistic Presentation." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 7, no. 1 (2024): 53–64. http://dx.doi.org/10.31866/2616-7581.7.1.2024.303766.

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The purpose of the research is to highlight the peculiarities of the artistic interpretation of A. Wedel’s liturgical works, on the example of the artistic presentation of the Liturgy of St. John Chrysostom (C-dur). The research methodology is based on the universal methods of scientific knowledge: induction, deduction, synthesis, structural and comparative analysis, cultural reconstruction, principles of objectivity and historicism. The scientific novelty of the research lies in the formation of a clear idea of artistic and interpretive approaches to the performance presentation of A. Vedel’s

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12

Nafisa Saidnazarovna, Yuldasheva. "IMPROVING THE DIDACTIC SYSTEM OF USE OF HISTORICAL, SCIENTIFIC AND PEDAGOGICAL VALUES OF GREAT IMAGES IN HIGHER EDUCATIONAL INSTITUTIONS." Psychology and Education Journal 58, no. 1 (2021): 2072–81. http://dx.doi.org/10.17762/pae.v58i1.1084.

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Thanks to independence, we have been able to study our rich history, especially the comparative technologies of studying the historical, scientific and pedagogical values, heritage, genesis of great figures in the educational process, without any changes. Systematic work is being carried out to train spiritually and morally developed qualified personnel on the basis of the use of historical, scientific and pedagogical values of great figures, to accelerate the spiritual development of society, to strengthen the creative cooperation between literary and artistic creators. Improving the system

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13

Bondarchuk, Viktor. "Mykola Lysenka’s Opera "Taras Bulba" in the Director’s Interpretation by Dmitro Hnatiuk." Ukrainian musicology 47 (October 21, 2021): 7–16. http://dx.doi.org/10.31318/0130-5298.2021.47.256707.

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The author explored the peculiarities of the director's interpretation of Mykola Lysenko's opera "Taras Bulba" produced by Dmytro Hnatiuk. The purpose of the article is to reveal little-known pages of D. Hnatiuk's creative biography, in particular his directing practice. Analyzing the production of the opera "Taras Bulba", we have the opportunity to fill significant gaps in the history of Ukrainian opera, to analyze the trends generated by the realities of challenging times. The research methodology is based on the application of historical, comparative, art history and culturological methods,

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14

Tylyk, Ihor, and Vladyslav Lysenko. "Specificity of Artemii Vedel's Performing Interpretation of Liturgical Works on the Example of the Liturgy of St. John Chrysostom's (C-Dur) Artistic Presentation." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 7, no. 1 (2024): 53–64. https://doi.org/10.31866/2616-7581.7.1.2024.303766.

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<strong>The purpose of the research </strong>is to highlight the peculiarities of the artistic interpretation of A. Wedel’s liturgical works, on the example of the artistic presentation of the Liturgy of St. John Chrysostom (C-dur). <strong>The research methodology </strong>is based on the universal methods of scientific knowledge: induction, deduction, synthesis, structural and comparative analysis, cultural reconstruction, principles of objectivity and historicism. <strong>The scientific novelty </strong>of the research lies in the formation of a clear idea of

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15

Krylova, Victoria Igorevna, and Larisa Ivanovna Nekhviadovich. "The Altai ornament as an element of the image structure in the book graphics of V. A. Ramensky." Manuscript 17, no. 3 (2024): 381–89. http://dx.doi.org/10.30853/mns20240054.

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The article discusses the graphic heritage of the Altai book artist V. A. Ramensky in terms of the use of the traditional Altai ornament as an element of the image structure of works of fiction. The problematics of the article lie in the field of transformation of the traditional ornament in the space of the author’s artistic interpretation. The aim of the study is to identify the special features of the use of ornamental tradition by the artist V. A. Ramensky. The scientific novelty of the study consists in identifying and formulating the main principles of interpretation of the Altai ornamen

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16

Janeczko, Karolina. "INTERPRETATION OF SYMBOLIC REPRESENTATIONS AS A METHOD OF PERSONALISING GUIDE NARRATION (on the Example of Analysis Regarding Zoomorphic Symbols in the Selected Emblems of Tenement Houses in Kraków)." Folia Turistica 52 (September 30, 2019): 139–67. http://dx.doi.org/10.5604/01.3001.0013.2647.

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Purpose. Identification of the author's interpretation of the symbolic representations of zoomorphic character as a developmental and attractive method of enriching the interpretation of historical heritage in the work of a city tour-guide and the independent planning of thematic sightseeing routes for various groups of the customers. Methods. Historical and cultural analysis of the function and essence of selected semantic symbols as a scientific interpretation of the semiological and pragmatic pattern. Findings. The analysis showed rich, symbolic “capacity” and attractiveness of the zoomorph

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17

Zhukova, Olga A. "O.E. Mandelstam’s Works in the Context of Russian Modernist Philosophy and Artistic Practice." Russian Journal of Philosophical Sciences 64, no. 2 (2021): 7–20. http://dx.doi.org/10.30727/0235-1188-2021-64-2-7-20.

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The article proposes a philosophical interpretation of the poetic heritage of O.E. Mandelstam. The approach to characterizing the artistic experience of the Russian poet, through the prism of the philosophy of creativity and the philosophy of culture, seems to be significant and productive. This position is substantiated by the fact that in modern scientific literature there are still few works in which Mandelstam’s poetry would be elucidated within the framework of the philosophy of Russian culture and the ontology of creativity. In the article, Mandelstam’s creative phenomenon is shown in co

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18

Lubimova, Anastasiya Igorevna, and Anna Yuryevna Demshina. "Actual problems of studying the interaction of Soviet unofficial art of the 1960s and 1980s with the heritage of the avant-garde." Manuscript 17, no. 4 (2024): 598–602. https://doi.org/10.30853/mns20240090.

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The aim of the study is to analyze the actual problems of studying the succession of creativity of unofficial artists with the legacy of avant-garde in the artistic culture of the USSR in the 1960s and 1980s. The article notes the modern concepts of domestic researchers, considering the general patterns of development of the creative method of unofficial artists and avant-garde representatives, points out the issues of terminology, periodization and regional aspects of unofficial art, without which understanding the interrelations between tradition and modernity in the artistic culture of the

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19

Zvonareva, Lola U., and Oleg V. Zvonarev. "Russian fairy tales in the USA: Alexander Alexeieff’s graphic interpretation and Roman Jacobson’s scientific comprehension." Neophilology, no. 25 (2021): 165–79. http://dx.doi.org/10.20310/2587-6953-2021-7-25-165-179.

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We analyze the graphic commentaries of Alexander Alexeieff, the illustrator and the first wave emigrant, made for The Russian Fairy tales published in the USA in 1946. We believe A. Alexeieff to have been the second to illustrate The Russian Fairy tales in the USA as Ivan Bilibin, the eminent Russian painter and book illustrator had preceded him. A. Alekseev brought his vision of artistic images to the illustration of The Russian Fairy tales, combining ancient Slavonic motives with Christian symbolism. We assume the publication also to be unique as Roman Jakobson, the well-known philologist an

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20

Sokhatskaya, Daria. "Urban space: archetypal models, morphological properties, mythological plots. The methodology of comprehensive study." Культура и искусство, no. 1 (January 2024): 1–16. http://dx.doi.org/10.7256/2454-0625.2024.1.69568.

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The object of the study is the cultural space of the city. The subject of the study is the morphological properties and mythological plots of the cultural space of the city (using the example of Komsomolsk-on-Amur). The author examines in detail the complex study of the cultural space of the city in the prism of historical-cultural, philosophical-cultural, psychoanalytic, symbolic, linguistic and semiological approaches. The author's method of exploring urban space has been formed, based on the line of myth (lemniscata Bernoulli). Literary and artistic works have been studied and reviewed to i

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21

Arutyunyan, Julia I. "The concept of historical memory in the Russian graphics of the 21st century: methods of interpreting the heritage of the past." Vestnik of Saint Petersburg State University of Culture, no. 4 (61) (2024): 104–9. https://doi.org/10.30725/2619-0303-2024-4-104-109.

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Historical memory in modern art can be embodied based on a complex system of creative approaches to the interpretation of the past. The principles of stylization of the epochs of historicism and eclecticism and postmodern citation rework the aesthetics and ideological foundations of the art of the past, subordinating the very understanding of history to modern, often anachronistic adaptation. In the art of the XXI century, the method of mastering the artistic heritage of past eras is preserved based on interpretation of styles and creative rethinking of historical realities. Aestheticization o

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Gorban, Vladimir Sergeevich. "Qualified reader or interpreter: on the attitude of the researcher towards the sources of cognition of legal and political doctrines." Право и политика, no. 9 (September 2021): 133–42. http://dx.doi.org/10.7256/2454-0706.2021.9.36491.

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This article determines and analyzes certain characteristics of modern approaches towards the problem of attitudes to the sources of study on the history of political and legal thought. The attempts to speculate on hermeneutic practices as the constitutive method in analyzing the political and legal views of the philosophers of the past and modernity are subject to critical evaluation; and, on the other hand, the importance of qualified interpretation and analysis of the classical legal heritage is emphasized. It is demonstrated how conventional, shallow, or ideologized attitude towards the so

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23

Molchko, U. "Genre-stylistic Features of Bohdan Siuta’s “Preludes”." Culture of Ukraine, no. 88 (March 20, 2025): 90–95. https://doi.org/10.31516/2410-5325.088.09.

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The scientific relevance. In contemporary realities, the Ukrainian cultural and musicological space has been developing both under the influence of the progress of globalization processes and evolving in line with the pace of national art. During the Russian-Ukrainian war of 2014–2025, society acquired a deep understanding of the value of the compositional heritage of contemporary national artists, as most of them are deeply based on the folk song heritage of our nation as much as on contemporary world artistic trends. Precisely for this reason, it is at present vital to constantly enrich the

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Astalosh, Gabriella. "Instrumental Heritage of Ignacy Paderewski in Terms of National Character." Bulletin of Kyiv National University of Culture and Arts. Series in Arts, no. 46 (May 22, 2022): 63–68. https://doi.org/10.31866/2410-1176.46.2022.258616.

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The purpose of the article is to highlight the stylistic and artistic paradigms of I. J. Paderewski’s instrumental work through the prism of the national identity of the artist's creative role. Methods.In the research process, the following methods were used to reveal the presented issues: biographical (the study of the life path); source studies (the study of the scientific papers on related issues); historical (determining the role of political and cultural circumstances of the era in the formation and development of the personality); analytical, structural and logical (highlightin

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25

KRAVETS, Larysa. "ARTISTIC INTERPRETATION OF THE CONCEPT OF THE WORD IN THE WORK OF MYROSLAV DOCHYNЕTS". Culture of the Word, № 101 (грудень 2024): 139–51. https://doi.org/10.37919/0201-419x-2024.101.11.

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The concept of a word has a wide verbal representation and aestheticized expression in modern Ukrainian literature. In the process of active use, the semantic scope of the word is constantly changing, existing ones disappear and new associative connections arise, which serve as the basis for the formation of metaphors, metonymies, and comparisons. Artistic texts most fully reveal all the overtones of the word, its individual authorial interpretations. The features of the artistic understanding of the word in different time frames have repeatedly become the subject of scientific research. Howev

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26

Turley, Egor Vladimirovich. "The ideas of Eurasian philosophers through the prism of Roerich's heritage." Философия и культура, no. 10 (October 2021): 56–79. http://dx.doi.org/10.7256/2454-0757.2021.10.36566.

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This article draws parallels between the representations of the classics of Eurasianism and their contemporaries, namely N. K. Roerich, H. I. Roerich and Y. N. Roerich, on the peculiar mid-world that is formed by Russia within and around it. It is indicated that the concept of interrelation of biogeosystems with peoples and civilizations inhabiting them, defined by the Eurasian term &ldquo;developmental site&rdquo;, is familiar from natural-philosophic concepts of the earlier period. In the era of the development of the ideas of noospherism, it obtained natural-scientific substantiatio

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27

Pryshchenko, Svitlana Valeriivna. "CULTURAL HERITAGE OF A POSTER: COMMUNICATIVE AND CREATIVE EXPERIENCE." Creativity Studies 14, no. 1 (2021): 18–33. http://dx.doi.org/10.3846/cs.2021.12605.

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This study contributes to the history of poster connected with interdisciplinary conceptualization, where poster is examined as a design object and core advertising medium in the context of cross-cultural interaction, cultural integration and national identification. Artistic and stylistic features of famous poster schools (Swiss, German, Austrian, Polish, Japanese, French, Italian, Baltic, Ukrainian, etc.) are analyzed and theoretically summarized on the example of cultural-imagery and tourist posters from different countries. Communicative and aesthetic aspects of image creation are presente

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28

Slavina, Valentina A., and Yanina V. Soldatkina. "Media Culture as the Information Age Phenomenon." RUDN Journal of Studies in Literature and Journalism 26, no. 2 (2021): 286–93. http://dx.doi.org/10.22363/2312-9220-2021-26-2-286-293.

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The article raises the issues of scientific reception of such a phenomenon as media culture. The authors offer their interpretation of media culture as a special type of culture of the information society in the broadest understanding of this phenomenon. The authors consider the concepts of media and culture and establishes their functional corresponddence. The contemporary stage of media development is characterized by a combination of communication and information intentions: classical media and mass communication media, including new media, blogs, social networks, as well as digital copies

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Imanbayeva, Zhanerke, Lyazzat Nurkusheva, and Lyazzat Smagulova. "Arte nacional e ideas futuristas en la formación del diseño moderno kazajo del entorno arquitectónico." Innovaciencia 10, no. 1 (2022): 1–10. http://dx.doi.org/10.15649/2346075x.2969.

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Introduction: The main focus of this article is reimagining national heritage in shaping the architectural environment with contemporary interpretation and transformation techniques using computer technologies. The aim is to study the symbiosis of the use of folklore culture texts and modern trends in architecture and design. Materials and Methods: The research methodology is based on modern general scientific methods such as the structural-systematic method, which is fundamental for determining the originality of the semantics of the works of professionals of modern design. The study also use

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30

Edakina, Daria A., and Eduard I. Chernyak. "ARCHITECTURAL HERITAGE PHENOMENON." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 215–24. http://dx.doi.org/10.17223/22220836/41/18.

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This article is dedicated to the urgency topic of preservation and study of cultural heritage. Because of the limitlessness of the cultural heritage area, the authors took the opportunity to structure the cultural space. They singled out the complex of architecture and urban planning and defined it as an architectural heritage. The named complex includes buildings and structures that incorporate the high construction and artistic skills of their creators and form the surrounding inhabited space. Using the scientific works of N.M. Karamzin, D.S. Likhachev and other investigators, some written a

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31

Turchak, Lesia. "Nestor Horodovenko's Creative Work in Ukraine and Abroad." Issues in Cultural Studies, no. 37 (May 28, 2021): 80–92. https://doi.org/10.31866/2410-1311.37.2021.236002.

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The purpose of the article is to define Nestor Horodovenko’s contribution not only to the music art of Ukraine but also to world culture. The research methodology is based on the principles of consistency and historicism. The following methods of scientific research are applied in the article: research and searching, source studies, system-analytical, biographical, and typological analysis, as well as cultural and art studies theories and developments (theory of modern choral art, theory of interpretation). The scientific novelty lies in the study of the creative work of the teacher, pub

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Komarnitskyi, Yaroslav. "The Role of the Tenor in Giacomo Puccini’s Musical Theatre (Interpretive Models of the Rudolf Image in the Opera La Boheme)." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 7, no. 1 (2024): 29–43. http://dx.doi.org/10.31866/2616-7581.7.1.2024.303758.

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The purpose of the article is to identify the defining aspects of the artistic and figurative performance interpretation of the part of Rudolf in the opera La Boheme by G. Puccini – a lyrical hero embodied in the tenor timbre. The research methodology is based on the following methods: analytical (study of art and musicological literature on the subject); method of performance analysis (analysis of Rudolf’s part in the context of identifying genre and style features, characteristic musical and expressive means, and place in the drama of the performance); comparative method (comparison of inter

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33

Petryk, Oleh. "Interpretations of Classic Heritage Ballets on the Stage of the Lviv Opera and Ballet Theater in the Middle 20th – the Beginning of the 21st Century." Dance Studies 3, no. 1 (2020): 46–57. https://doi.org/10.31866/2616-7646.3.1.2020.203938.

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The purpose of the article is to analyze the ballets of the classical heritage in the repertoire of the Lviv Opera and Ballet Theater of the mid-twentieth – early 21st century. Methodology. Based on the analysis of theatrical reviews, scientific articles and monographs, using the historical and chronological principle, the panorama of the classical heritage ballets on the stage of the Lviv Opera and Ballet Theater is reproduced. The scientific novelty lies in the introducing into the scientific circulation of new materials that significantly complement the picture of

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Kordovska, Polina. "Salvatore Sciarrino’s music at the Beethoven Festival in Bonn: actualization of the classical heritage in conteporary art projects." Aspects of Historical Musicology 23, no. 23 (2021): 209–23. http://dx.doi.org/10.34064/khnum2-23.14.

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Problem statement. Contemporary art space creates special conditions for the functioning of the classical musical heritage. The principle of the classics, which results in the formation of certain ideas about the criteria of the “reference” work and the ways of interaction with it undergoes a radical transformation. The turn of the XX and XXI centuries became a time of experiments, including experimental dialogues of the contemporary artists with the classical artistic artifacts. The relevance of the study is due to the growing scientific interest in the specifics of the implementation of cont

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Zakic, Mirjana, and Sanja Rankovic. "”Kosovo cycle” of composed songs by Dragan Nikolic." Glasnik Etnografskog instituta 73, no. 1 (2025): 85–105. https://doi.org/10.2298/gei2501085z.

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This paper focuses on the examining of the compositional work of Dragan Nikolic from Pancevo, whose artistic output includes a specific thematic unit referred to as the ?Kosovo Cycle,? inspired by the musical-folkloric heritage of Kosovo and Metohija. Aiming to gain a more comprehensive insight into Nikolic?s work, interactive conversations in the form of semi-structured and freeform interviews were conducted with the author himself, as well as with his friend and lyricist, Ivan Karaklic. Considering that Dragan Nikolic refers to his own work within the ?Kosovo Cycle? as ?ethnomodern?, the sci

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Korol’kova, Ol’ga A. "The work of Pieter Post in the context of the development of classicism in Dutch painting of the 17th century." Vestnik of Saint Petersburg State University of Culture, no. 2 (47) (2021): 164–68. http://dx.doi.org/10.30725/2619-0303-2021-2-164-168.

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The author studied the pictorial heritage of the Dutch artist and architect of the 17th century Pieter Post. In the scientific works of Russian art critics, the master’s work is mentioned in the context of his collaboration with the famous architect Jacob van Campen, even though Post is no less significant in the history of art. This article proposes to concentrate on the analysis of the artist’s canvases, tracing the evolution of his creative manner, which was formed under the influence of the art of the Italians and landscape painters of Holland, which is especially noticeable in the first p

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Ermakhanova, R. "Sherkhan Murtaza: the Narrative of Intellectual Biography." Bulletin of the Karaganda university History.Philosophy series 118, no. 2 (2025): 50–57. https://doi.org/10.31489/2025hph2/50-57.

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The article is devoted to the study of intellectual biography of oneof the people’s writer, journalist, public figure and honoredworker of culture of the Republic of Kazakhstan, a native of Zhambyl region (villageTalapty) Sherkhan Murtaza. In the article the main stages and earlierunknown subjects from Sh.Murtaza’s intellectual life were marked,peculiarities and creative originalityof Sh.Murtaza’s publicism wereanalyzed, andalso influence of these publicisticmaterials on formation of Kazakhstan’sstatehood, on national self-consciousness of Kazakh people wasanalyzed.His main ideas and motives o

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Tsurkan, Ivan. "SYMBOLISM IN POETRY OF OLEKSANDR OLES AND CREATIVITY OF POLISH MODERNISTS." Polish Studies of Kyiv, no. 35 (2019): 389–96. http://dx.doi.org/10.17721/psk.2019.35.389-396.

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This article has investigated the development of Ukrainian symbolism, argued the reception of the aesthetic and conceptual foundations of the Polish symbolists in Oleksandr Oles’s works. Oleksandr Oles, as well as Polish symbolists, was affected with emotionally unstable atmosphere of national and revo- lutionary renaissance, which explains the pessimism, feeling of weakness and helplessness in their philosophy – on one hand, and vital, extremely optimistic point of view – on the other. This article is devoted to analyze an aesthetic heritage of European symbolists and it’s reflection in Oleks

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Dmytrenko, Mykola. "Terminological Arsenal of Ukrainian Folkloristics: the Contribution of Oleksii Dei (On the Occasion of the 100th Anniversary of the Scholar’s Birthday)." Materìali do ukraïnsʹkoï etnologìï, no. 20 (23) (December 20, 2021): 31–37. http://dx.doi.org/10.15407/mue2021.20.031.

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The article is dedicated to the centenary of birthday of an outstanding Ukrainian scholar Oleksii Dei. His biography, contribution to the research of folklore are reflected. It is emphasized on the formation of a young scientist as a researcher of I. Franko’s folkloristic activity. The significance of O. Dei as an organizer of scientific studies, instructor of projects, head of the Folkloristics Department of IASFE, editor-in-chief of the journal Folk Art and Ethnography is described briefly. Such aspects of scientist’s activity are called, as participation in international symposiums, forums

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Cazac, V., and L. Adascaliţa. "SIGNIFICANCE AND MULTIPLE VALUES OF THE RHOMBUS IN TRADITIONAL ROMANIAN ART." Art and Design, no. 2 (January 31, 2023): 19–28. http://dx.doi.org/10.30857/2617-0272.2022.2.2.

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The purpose of the study is related to the identification and analysis of the significance and multiple values of the rhombus in the Romanian art, considering from its frequent perpetuation in the traditional art. Methodology. The study is founded by the application of direct-descriptive observation methods, exploratory methods, structural, comparative, culturological-historical, artistic, inductive and deductive analysis. The substantiation of the arguments was based on the multicriterial analysis of the bibliographic sources of reference published on this subject. Results. There were analyze

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Nikitina, Natalia, and Natalia Tuliakova. "Genre Studies in Russian Literary Research: Achievements and Challenges." Interlitteraria 25, no. 2 (2020): 319–31. http://dx.doi.org/10.12697/il.2020.25.2.5.

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Genre has been one of the key categories for Russian literary studies ever since the late nineteenth century, creating a long tradition of artistic, critical and scientific interpretation. The present paper aims to outline major findings of Russian scholars in the field of genre studies and to account for current pitfalls, suggesting a solution. Russian scholars have contributed noticeably to both constructing the theory of genre in general and establishing the laws and genesis of many separate genres. Historical poetics, the Russian Formalists, Bakhtin’s school and structuralism worked out th

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Nikitina, Natalia, and Natalia Tuliakova. "Genre Studies in Russian Literary Research: Achievements and Challenges." Interlitteraria 25, no. 2 (2020): 319–31. http://dx.doi.org/10.12697/il.2020.25.2.5.

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Genre has been one of the key categories for Russian literary studies ever since the late nineteenth century, creating a long tradition of artistic, critical and scientific interpretation. The present paper aims to outline major findings of Russian scholars in the field of genre studies and to account for current pitfalls, suggesting a solution. Russian scholars have contributed noticeably to both constructing the theory of genre in general and establishing the laws and genesis of many separate genres. Historical poetics, the Russian Formalists, Bakhtin’s school and structuralism worked out th

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Litvynchuk, Taisa. "VIEW OF THE UKRAINIAN DIASPORA: TARAS SHEVCHENKO ON THE PAGES OF "KRYLATI" PUBLICATION." Shevchenko Studies, no. 1 (27) (2024): 282–302. https://doi.org/10.17721/2410-4094.2024.1(27).1/282-302.

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Background. With the achievement of independence, there is a growing interest in the humanities in the life of Ukrainians forced to leave abroad, their activities, connections with the historical heritage, the culture of the people, their traditions and literature. One of the key figures who united the diaspora with Ukraine, who inspired unity, was Taras Shevchenko, who is given one of the leading places on the pages of the "Krylatye" publication. Methods. The study of the peculiarity of the reception and interpretation of the figure of the artist on the pages of the patriotically directed "Th

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Гамалія, К. М., та Я. Є. Гальчук. "ХУДОЖНЬО-КОМПОЗИЦІЙНІ ЗАКОНОМІРНОСТІ ОФОРМЛЕННЯ КАЛЕНДАРНОЇ СИСТЕМИ В ПАМ’ЯТКАХ КУЛЬТУРИ І МИСТЕЦТВА ДАВНІХ ЦИВІЛІЗАЦІЙ". Art and Design, № 4 (15 лютого 2021): 81–90. http://dx.doi.org/10.30857/2617-0272.2020.4.6.

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The purpose of the article is to study and create general comparative analysis of the formation and compositional techniques of complex calendar structures in the culture of Ancient Egypt, Ancient Greece and Ancient Rome, to study the connection and interaction between their sign systems. Methodology. The study of the principles of the representation of ancient calendar systems is based on historical-cultural, comparative, hypothetical-deductive and logical methods. Analytical method allowed to compare font compositions and artistic, figurative, formal and formal integrity of calendars. The re

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Wu, Hanpeng. "A study of watercolor art on the theme of Qin Shihuang's terracotta army." Философия и культура, no. 10 (October 2022): 92–104. http://dx.doi.org/10.7256/2454-0757.2022.10.38979.

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This work is devoted to the terracotta army of Qin Shihuang and its reflection in the works of modern Chinese masters of watercolor. The article consists of three parts. The first part analyzes the genesis and history of Qin Shihuang's clay army. In the second, the terracotta army is regarded as a cultural and artistic symbol of China, which stimulated humanitarian contacts between Russia and China and contributed to mutual understanding between the two peoples. In the third part, through the prism of the artistic experience and creative process of three watercolor artists, the current state o

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Pidlypska, Alina. "Repertoire of the Ballet Theater of Ukraine of the End of the XX –Beginning of the XXI Century: Typology and Problems." Bulletin of KNUKiM. Series in Arts, no. 36 (June 10, 2017): 86–94. https://doi.org/10.31866/2410-1176.36.2017.157682.

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The purpose of the research is to systematize the repertoire of the ballet theater of Ukraine in the late twentieth and early twenty-first centuries and identify the main artistic problems of its formation. The research methodology combines the analysis of the repertory policy of ballet theaters and typologization in the process of ballet ordering from the repertoire into groups. The scientific novelty of the article lies in the proposed typology of works from the repertoire of the ballet theater of modern Ukraine and the identification of problems of its formation. Conclusions. The repertoire

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Sapfirova, N. "AN ECLECTIC TREND IN PRODUCTS OF JOZEPH MARSHAK'S JEWELRY FACTORY ON EXAMPLE OF A SILVER TEA AND COFFEE SET, EXIBITED AT THE ALL-RUSSIAN EXIBITION IN KIEV IN 1913." Innovative Solution in Modern Science 6, no. 42 (2021): 204. http://dx.doi.org/10.26886/2414-634x.6(42)2020.12.

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The subject of research is the legacy of Joseph Abramovich Marshak – famous Kiev jeweler and owner of a jewelry enterprise, whose period of activity covers 1878–1918. Among the large number of jewelry made during the forty years of the factory's operation, it should be noted products that correspond to the stylistic trends of the era of historicism, in particular, the silver tea and coffee set, exhibited at the All-Russian Exhibition in Kiev in 1913. The main task of this work is to investigate artful language of eclecticism, expressiveness of which allowed artists of J. Marshak's era to combi

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Hilje, Emil. "Životopis i bibliografija prof. dr. sc. Pavuše Vežića." Ars Adriatica 7, no. 1 (2017): 9. http://dx.doi.org/10.15291/ars.1380.

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Pavuša Vežić, eminent Zadar art historian and heritage conservationist was born in 1947 in Makarska. After graduating art history at former Faculty of Philosophy in Zadar, he worked on a number of important conservationist campaigns in Zadar, such as the rotund of St. Donatus, basilica of St. Thomas', Nassis, house, Citadel fort, St. Stephen's basilica, Zadar cathedral as well as on a number of important mediaeval and early modern buildings in Zadar region. These conservation and protection campaigns were accompanied by a number of academic achievements since direct contact with heritage had b

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Kaloev, Alan Tarielovich, and Elena Vladimirovna Lashcheva. "Academic and mass genres in the works of M. Magomayev." Культура и искусство, no. 2 (February 2023): 43–54. http://dx.doi.org/10.7256/2454-0625.2023.2.37826.

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This article examines academic and mass genres in the work of the legendary singer of the Soviet pop music Muslim Magomayev. The subject of study is the musical creativity of M. Magomayev. The purpose of the study is the role of the creative heritage of a gifted singer, as well as understanding the value of his concert and artistic activities in the process of formation of the musical and artistic layer of the second half of the twentieth century, identifying the features of his musical language. The theoretical basis of the research was the works of M. Magomayev [16, 17, 22, 23], V. I. Antono

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Komarnitskyi, Yaroslav. "The Role of the Tenor in Giacomo Puccini's Musical Theatre (Interpretive Models of the Rudolf Image in the Opera La Boheme)." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 7, no. 1 (2024): 29–43. https://doi.org/10.31866/2616-7581.7.1.2024.303758.

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<strong>The purpose of the article </strong>is to identify the defining aspects of the artistic and figurative performance interpretation of the part of Rudolf in the opera <em>La Boheme </em>by G. Puccini – a lyrical hero embodied in the tenor timbre. <strong>The research methodology </strong>is based on the following methods: analytical (study of art and musicological literature on the subject); method of performance analysis (analysis of Rudolf’s part in the context of identifying genre and style features, characteristic musical and expressive means, and

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