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Artykuły w czasopismach na temat „Screen print dopant sources”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 15 lutego 2022

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Sprawdź 21 najlepszych artykułów w czasopismach naukowych na temat „Screen print dopant sources”.

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1

Drabczyk, Kazimierz, Edyta Wróbel, Grazyna Kulesza-Matlak, Wojciech Filipowski, Krzysztof Waczynski, and Marek Lipinski. "Comparison of diffused layer prepared using liquid dopant solutions and pastes for solar cell with screen printed electrodes." Microelectronics International 33, no. 3 (August 1, 2016): 167–71. http://dx.doi.org/10.1108/mi-03-2016-0031.

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Purpose The purpose of this study is comparison of the diffusion processes performed using the commercial available dopant paste made by Filmtronics and the original prepared liquid dopant solution. To decrease prices of industrially produced silicon-based solar cells, the new low-cost production processes are necessary. The main components of most popular silicon solar cells are with diffused emitter layer, passivation, anti-reflective layers and metal electrodes. This type of cells is prepared usually using phosphorus oxychloride diffusion source and metal pastes for screen printing. The dif
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Wille, Wolfgang, Ralph Rothemund, Gerald Meinhardt, and Wolfgang Jantsch. "Implementation of Highly Resistive Emitter Solar Cells in a Production Environment using an Inline Doping System." Solid State Phenomena 178-179 (August 2011): 441–45. http://dx.doi.org/10.4028/www.scientific.net/ssp.178-179.441.

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Instead of selective emitter technology we investigate an alternative way to optimize contact formation and increased blue responsivity of highly resistive emitter solar cells using screen print technology for the deposition of the frontside metallization grid. We show with the aid of an inline doping/diffusion set-up at Blue Chip Energy that tuning the emitter doping profile is an alternative way to reduce the effect of Auger recombination in the spectral range from 300 nm to 600 nm. By properly choosing the process conditions we were able to minimize the detrimental effect of the low surface
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Tenopir, Carol, Elina Late, Sanna Talja, and Lisa Christian. "Changes in Scholarly Reading in Finland Over a Decade: Influences of E-Journals and Social Media." Libri 69, no. 3 (September 25, 2019): 169–87. http://dx.doi.org/10.1515/libri-2018-0120.

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Abstract Nationwide surveys of researchers in Finland in 2007 and 2016 distributed with the assistance of FinELib, the Finnish national consortium, show that researchers use a growing range of sources to find and access scholarly articles and that some reading patterns are changing. The percentage of articles found by searching and browsing are decreasing, while researchers are using more social ways to locate articles. Research social networking sites are rated as important to their work. They read more on-screen, although still print some material out for final reading. Reading patterns for
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Carter, Christina E. "Undergraduate Science Students are Uncertain of How to Find Facts in E-books Compared to Print Books." Evidence Based Library and Information Practice 6, no. 2 (June 24, 2011): 48. http://dx.doi.org/10.18438/b8hk89.

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Objective – To observe and compare the strategies that undergraduate science students use to perform information retrieval tasks in e-books and in print books.
 
 Design – Qualitative analysis, employing a “prompted think-aloud” methodology and thematic analysis.
 
 Setting – Taylor Library (serving the Faculty of Science), University of Western Ontario, London, Ontario, Canada.
 
 Subjects – Twenty undergraduate science students (11 females, 9 males) who had completed at least two years of study in Faculty of Science programs at the University of Western Ontario.
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Lewis, Suzanne. "E-Book Discovery and Use Behaviour is Complex." Evidence Based Library and Information Practice 3, no. 2 (June 17, 2008): 38. http://dx.doi.org/10.18438/b8d040.

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A review of:
 Rowland, Ian, David Nicholas, Hamid R. Jamali, and Paul Huntington. “What do Faculty and Students Really Think about E-books?” Aslib Proceedings: New Information Perspectives; 59.6 (2007): 489-511.
 
 Objective – To assess academic users’ awareness, perceptions and levels of use of e-books. Also to discover the purposes for which e-books were used and identify the most effective library marketing strategies for e-books.
 
 Design – Survey.
 
 Setting – University College London (UCL).
 
 Subjects – 1,818 UCL staff and students.
 &
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Young, Jackie. "A study of print and computer-based reading to measure and compare rates of comprehension and retention." New Library World 115, no. 7/8 (July 8, 2014): 376–93. http://dx.doi.org/10.1108/nlw-05-2014-0051.

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Purpose – This paper aims to observe, measure and record comparative cognitive processes in print and online to explain the differences, if any, in the readers’ information-gathering processes and their subsequent comprehension and retention of information. It also examined the strategies that readers adopt that differ from print when reading online. Standardized reading comprehension scores were also collected. The results indicated that the participants demonstrated functional equivalency in both media, but they had a preference for print. The linear individualistic mentality learned through
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Hamilton, B. "Comparison of the different electronic versions of the Encyclopaedia Britannica: a usability study." Electronic Library 21, no. 6 (December 1, 2003): 546–54. http://dx.doi.org/10.1108/02640470310509108.

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Over the years, Encyclopaedia Britannica has undergone a number of revisions and has been provided in a number of formats other than print. The different electronic formats include a CD‐ROM version, a subscription online version, a free online version that was recently changed to a subscription version, and a DVD‐ROM version. The purpose of this study was to evaluate the usability and effectiveness of the different electronic versions of the Encyclopaedia Britannica. The objectives of this study were to find out if one of the electronic versions of the Encyclopaedia Britannica is easier to use
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Usherwood, Bob, and Margaret Usherwood. "Culture wars, libraries and the BBC." Library Management 42, no. 4/5 (January 21, 2021): 291–301. http://dx.doi.org/10.1108/lm-12-2020-0175.

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PurposePublic libraries and public service broadcasters are threatened by political developments in the UK and USA. They are targets in a divisive culture war waged by ideological organisations that disseminate misleading and false information about social and political matters on line, on screen and in print. The purpose of this paper is to alert information professionals to this issue and suggests that, although they should not engage in this war, they must be prepared to use their professional expertise to identify and correct unreliable material. Further, they should cooperate with other t
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Cukier, Wendy, Samantha Jackson, Mohamed A. Elmi, Erin Roach, and Darren Cyr. "Representing women? Leadership roles and women in Canadian broadcast news." Gender in Management: An International Journal 31, no. 5/6 (July 4, 2016): 374–95. http://dx.doi.org/10.1108/gm-04-2015-0035.

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Purpose The purpose of this paper is to examine the representation of women in Canadian broadcast news coverage, exploring the notion of substantive representation as it relates to gender, leadership and framing. Design/methodology/approach Using computer-aided text analysis software, the authors analyzed the frequency of women appearing in on-air roles, the way in which they are framed, as well as technical and expressive details, such as how they are featured. In total, the authors analyzed representation of 2,031 individuals in the four suppertime local news broadcasts from 6 p.m. to 7 p.m.
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Goertzen, Melissa. "Longitudinal Analysis of Undergraduate E-book Use Finds that Knowledge of Local Communities Drives Format Selection and Collection Development Activities." Evidence Based Library and Information Practice 12, no. 1 (March 15, 2017): 112. http://dx.doi.org/10.18438/b8bw5q.

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A Review of:
 Hobbs, K., & Klare, D. (2016). Are we there yet?: A longitudinal look at e-books through students’ eyes. Journal of Electronic Resources Librarianship, 28(1), 9-24. http://dx.doi.org/10.1080/1941126X.2016.1130451
 
 Abstract
 
 Objective – To determine undergraduate students’ opinions of, use of, and facility with e-books.
 
 Design – A qualitative study that incorporated annual interview and usability sessions over a period of four years. The protocol was informed by interview techniques used in prior studies at Wesleyan University. To supp
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Bench, Harmony, and Simon Ellis. "IJSD Volume 8 2017 Solo/Screen: Full Issue." International Journal of Screendance 8 (June 7, 2017). http://dx.doi.org/10.18061/ijsd.v8i0.5892.

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Lobo, Velita Sibon, and K. Shivshankar Bhat. "An Analysis of Indian Entertainment Industry – Past, Present, and Future." International Journal of Management, Technology, and Social Sciences, September 16, 2021, 88–99. http://dx.doi.org/10.47992/ijmts.2581.6012.0155.

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Purpose: The entertainment industry (casually known as Show Business) is included in the tertiary sector of the economy and embraces fields so theater, films, fine arts, dance, music, television, radio, media, sports, cultural events, etc. This industry is continuously evolving with innovations and ideas for the industry. It is developing dynamically in terms of revenue and volumes employing creative and technical people. It witnessed explosive growth during post liberalization that led to internationalization and expansion of the market. This study explores the evolution, growth, threats, cha
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Mallan, Kerry Margaret, and Annette Patterson. "Present and Active: Digital Publishing in a Post-print Age." M/C Journal 11, no. 4 (June 24, 2008). http://dx.doi.org/10.5204/mcj.40.

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At one point in Victor Hugo’s novel, The Hunchback of Notre Dame, the archdeacon, Claude Frollo, looked up from a book on his table to the edifice of the gothic cathedral, visible from his canon’s cell in the cloister of Notre Dame: “Alas!” he said, “this will kill that” (146). Frollo’s lament, that the book would destroy the edifice, captures the medieval cleric’s anxiety about the way in which Gutenberg’s print technology would become the new universal means for recording and communicating humanity’s ideas and artistic expression, replacing the grand monuments of architecture, human engineer
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Hill, Benjamin Mako. "Revealing Errors." M/C Journal 10, no. 5 (October 1, 2007). http://dx.doi.org/10.5204/mcj.2703.

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 Introduction
 
 In The World Is Not a Desktop, Marc Weisner, the principal scientist and manager of the computer science laboratory at Xerox PARC, stated that, “a good tool is an invisible tool.” Weisner cited eyeglasses as an ideal technology because with spectacles, he argued, “you look at the world, not the eyeglasses.” Although Weisner’s work at PARC played an important role in the creation of the field of “ubiquitous computing”, his ideal is widespread in many areas of technology design. Through repetition, and by design, technologies blend into our lives. W
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Bruns, Axel. "The Knowledge Adventure." M/C Journal 3, no. 5 (October 1, 2000). http://dx.doi.org/10.5204/mcj.1873.

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In his recent re-evaluation of McLuhanite theories for the information age, Digital McLuhan, Paul Levinson makes what at first glance appears to be a curious statement: he says that on the Web "the common denominator ... is the written word, as it is and has been with all things having to do with computers -- and will likely continue to be until such time, if ever, that the spoken word replaces the written as the vehicle of computer commands" (38). This, however, seems to directly contradict what any Web user has been able to experience for several years now: Web content has increasingly come
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Walker, Ruth. "Double Quote Unquote: Scholarly Attribution as (a) Speculative Play in the Remix Academy." M/C Journal 16, no. 4 (August 12, 2013). http://dx.doi.org/10.5204/mcj.689.

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Many years ago, while studying in Paris as a novice postgraduate, I was invited to accompany a friend to a seminar with Jacques Derrida. I leapt at the chance even though I was only just learning French. Although I tried hard to follow the discussion, the extent of my participation was probably signing the attendance sheet. Afterwards, caught up on the edges of a small crowd of acolytes in the foyer as we waited out a sudden rainstorm, Derrida turned to me and charmingly complimented me on my forethought in predicting rain, pointing to my umbrella. Flustered, I garbled something in broken Fren
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Piper, Melanie. "Blood on Boylston: Digital Memory and the Dramatisation of Recent History in Patriots Day." M/C Journal 20, no. 5 (October 13, 2017). http://dx.doi.org/10.5204/mcj.1288.

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IntroductionWhen I saw Patriots Day (Berg 2016) at my local multiplex, a family entered the theatre and sat a few rows in front of me. They had a child with them, a boy who was perhaps nine or ten years old. Upon seeing the kid, I had a physical reaction. Not quite a knee-jerk, but more of an uneasy gut punch. ‘Don't you know what this movie is about?’ I wanted to ask his parents; ‘I’ve seen Jeff Bauman’s bones, and that is not something a child should see.’ I had lived through the 2013 Boston Marathon bombing and subsequent manhunt, and the memories were vivid in my mind as I waited for the m
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Fredericks, Bronwyn, and Abraham Bradfield. "Revealing and Revelling in the Floods on Country: Memory Poles within Toonooba." M/C Journal 23, no. 4 (August 12, 2020). http://dx.doi.org/10.5204/mcj.1650.

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In 2013, the Capricornia Arts Mob (CAM), an Indigenous collective of artists situated in Rockhampton, central Queensland, Australia, successfully tendered for one of three public art projects that were grouped under the title Flood Markers (Roberts; Roberts and Mackay; Robinson and Mackay). Commissioned as part of the Queensland Government's Community Development and Engagement Initiative, Flood Markers aims to increase awareness of Rockhampton’s history, with particular focus on the Fitzroy River and the phenomena of flooding. Honouring Land Connections is CAM’s contribution to the project an
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Losh, Elizabeth. "Artificial Intelligence." M/C Journal 10, no. 5 (October 1, 2007). http://dx.doi.org/10.5204/mcj.2710.

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 On the morning of Thursday, 4 May 2006, the United States House Permanent Select Committee on Intelligence held an open hearing entitled “Terrorist Use of the Internet.” The Intelligence committee meeting was scheduled to take place in Room 1302 of the Longworth Office Building, a Depression-era structure with a neoclassical façade. Because of a dysfunctional elevator, some of the congressional representatives were late to the meeting. During the testimony about the newest political applications for cutting-edge digital technology, the microphones periodically malfunctione
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Ware, Ianto. "Andrew Keen Vs the Emos: Youth, Publishing, and Transliteracy." M/C Journal 11, no. 4 (July 1, 2008). http://dx.doi.org/10.5204/mcj.41.

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This article is a comparison of two remarkably different takes on a single subject, namely the shifting meaning of the word ‘publishing’ brought about by the changes in literacy habits related to Web 2.0. One the one hand, we have Andrew Keen’s much lambasted 2007 book The Cult of the Amateur, which is essentially an attempt to defend traditional gatekeeper models of cultural production by denigrating online, user-generated content. The second is Spin journalist Andy Greenwald’s Nothing Feels Good, focusing on the Emo subculture of the early 2000s and its reliance on Web 2.0 as an integral med
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Dieter, Michael. "Amazon Noir." M/C Journal 10, no. 5 (October 1, 2007). http://dx.doi.org/10.5204/mcj.2709.

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 There is no diagram that does not also include, besides the points it connects up, certain relatively free or unbounded points, points of creativity, change and resistance, and it is perhaps with these that we ought to begin in order to understand the whole picture. (Deleuze, “Foucault” 37) Monty Cantsin: Why do we use a pervert software robot to exploit our collective consensual mind? Letitia: Because we want the thief to be a digital entity. Monty Cantsin: But isn’t this really blasphemic? Letitia: Yes, but god – in our case a meta-cocktail of authorship and copyright –
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