Gotowe bibliografie tematyczne / Sculpture

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Gotowa bibliografia na temat „Sculpture”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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Artykuły w czasopismach na temat "Sculpture"

Li, Zepeng, and Mykhailo Opaliev. "Abstract monumental metal sculpture: development of expressive means." Bulletin of Lviv National Academy of Arts, no. 53 (November 27, 2024): 50–61. https://doi.org/10.37131/2524-0943-2024-53-5.

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The paper focuses on the new types of artistic expression in the form of monumental sculptures of the modernist period. At the beginning of the 20th century, new types of symbolic associations of sculpture appeared. The significance of this work is determined by the great attention of contemporary sculptors to abstraction in their work and the powerful social resonance of abstract monumental sculpture. The aim of the article was also to identify new messages that were embedded in the concept of significant monumental works. The focus was on abstract sculpture of the modernist and contemporary

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Ozokeraha, Akpowowo Bensandy. "Mind-Building Sculpture: Forging Thought Through Form." International Journal of Art and Design 2, no. 1 (2025): 47–54. https://doi.org/10.69648/ligb7560.

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This article explores the concept of mind-building sculpture—a sculptural approach that transcends aesthetics and function to engage with the intellectual, emotional, and psychological landscapes of the observer. It examines how contemporary and classical sculptors embed cognitive frameworks within form, material, and spatial interaction, transforming sculpture into a catalyst for reflection, learning, and internal transformation. Drawing on examples from art history, phenomenology, and neuroscience, the study underscores sculpture’s profound capacity to shape not only physical space but the h

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Mammadova, L. "TOKAY MAMEDOV - THE UNRIVALED MASTER OF PORTRAIT AND MONUMENTAL SCULPTURE." Slovak international scientific journal, no. 86 (August 12, 2024): 27–29. https://doi.org/10.5281/zenodo.13299410.

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The article discusses the work of outstanding Azerbaijan sculptor Tokay Mamedov, as well as an analysis of the artist's sculptural works. At the beginning of the 20th century, a large national school of sculpture was formed in Azerbaijan with its own traditions and themes. The wide and multifaceted creative search of sculptors not only contributed to the birth of these traditions but also created the preconditions for the development of new characteristics and qualities of modern Azerbaijani plastic art. This is the most acute sense of modernity and aspiration to monumentality. Among the works

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Luecking, Stephen. "Sculpture from Patchwise Modules." Mathematics 7, no. 2 (2019): 197. http://dx.doi.org/10.3390/math7020197.

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The sculptor adapts the geometry of spline surfaces commonly used in 3D modeling programs in order to translate some of the topological nature of these virtual surfaces into his sculpture. He realizes the patchwise geometry of such surfaces by gluing square modules of neoprene rubber edge to edge to define the surface which he then torques and bends into sculptures. While limited by the nature of actual materials, the finished sculptures successfully incorporate the expressive tension and flow of forms sought by the sculptor. He presents images of finished works and provides an analysis of the

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Fang, Zhiyu. "Contemporary Chinese Sculpture Promoting the “Idea of China” (the case of Cao Chunsheng and Deng Ke)." Scientific and analytical journal Burganov House. The space of culture 18, no. 6 (2022): 95–100. http://dx.doi.org/10.36340/10.36340/2071-6818-2022-18-6-95-100.

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Ever since the beginning of the Reform Era, China rapidly and steadily walks the path of socialism with Chinese characteristics. Moving towards the new era, the Chinese government and society do not forget about their values and guidelines, the "Idea of China" is developed in art. Art pieces aim to promote Chinese cultural traditions, patriotism, the fighting spirit of Chinese nation. Sculpture is actively involved in this process as one of the art forms that allows broadcasting ideas about beauty and justice. Over the years, sculptors have persisted in exploring different genres and styles, w

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Putney, Dani. "Sino-Filipino Artistic Collaboration." Athanor 39 (November 22, 2022): 35–52. http://dx.doi.org/10.33009/fsu_athanor130974.

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   The Hispano-Philippine style of ivory sculpture production in colonial Manila is almost synonymous with the growth of Spain’s global empire from the sixteenth century onward. These sculptures have been studied by historians and art critics alike in terms of Latin American consumer demand, marketability, Catholic devotion and conversion, and “Chineseness,” among other veins of inquiry. Common across these investigations is discussion of the significance of Chinese immigrants within the Spanish colony, who have been consistently identified as the creators of these sculptures

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Yang, Zeyin. "Interoperability Analysis between Traditional Chinese Sculpture and Painting Modeling from the Perspective of Big Data Management." Mathematical Problems in Engineering 2022 (August 8, 2022): 1–9. http://dx.doi.org/10.1155/2022/3237282.

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Chinese traditional sculpture and painting have strong interoperability in terms of patterns, colors, and lines. Chinese sculpture and painting art are traditional Chinese works of art. The art of painting is often the basis for sculptural art. A good sculptural work of art often requires the pattern and color foundation of the painting. Moreover, Chinese traditional sculpture artworks often reflect certain historical information and humanistic spirit. Traditional artificial methods are often difficult to discover the intercommunication between cultural information between Chinese sculpture an

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Khattri, Om. "Art in nature: Shifting trends in Nepali sculpture." Journal of Fine Arts Campus 3, no. 1 (2021): 35–43. http://dx.doi.org/10.3126/jfac.v3i1.42494.

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Art has its environment and meaning, and it can exist free from a pedestal. Different approaches have sprung up with current environmental impacts, including other outdoor sculptures in Nepal as a modern movement. This form of activity has given new meaning to local indigenous values, art, and crafts. The transition started after some naturalistic sculptures, including equestrian statues, were brought from Europe and installed in the open environment. Environmental sculpture is a type of public art that creates or changes the spectators' surroundings. Nepalese sculptors have practiced a new ge

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van Broekhuizen, Dick. "The Plaster Trace: Reading Creative Processes." Amsterdam Museum Journal 2, no. 2 (2024): 46–65. https://doi.org/10.61299/re874vhe.

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One can read the creative and making processes in the plaster models left by the sculptor. Hans/Jean Arp and Mari Andriessen provide excellent examples in the Gipsotheek collection (Museum Beelden aan Zee). Although Andriessen and Arp had very different sculptural ideas, their creative and making methods were sometimes similar: working in models, reworking, taking parts they liked and reintegrating them into other models. Of course, they ended up with very different results. The plaster sculptures are mostly steppingstones on the way to a final sculpture. This emphasizes the flexibility of pla

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Alam, Habib, and Samina Nasim. "A Journey of Non-Figurative Sculpture in Pakistan Developmental Course of Sculpture in Pakistan." Human Nature Journal of Social Sciences 4, no. 4 (2023): 89–110. https://doi.org/10.71016/hnjss/8jdpgp14.

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Aim of the Study: The objective of this research is to provide information on the development, relevance, and specific artists who have contributed to the non-figurative sculpting trend in the nation. This study tries to answer questions: What has been historical development of non-figurative sculpture in Pakistan, and how does it relate to contemporary art movements around the world? Methodology: The context, content, and form of the non-figurative sculptures are examined in order to comprehend their communicative potential and visual language. Additionally, the works are placed within the ba

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Rozprawy doktorskie na temat "Sculpture"

Lindberg, Siri. "Embodied sequences : Sculptural architecture, architecture for sculpture." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223745.

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For the last decade many spaces of museums have meet new demands; the spaces are getting less specific to the art it is displaying as the need of flexibility, total control or alteration of light e.g. has increased due to various reasons. For many art forms those conditions can be beneficial. But how one perceive the three-dimensional art of sculpture is something different, than two dimen-sional art such as painting, and there for the demands on the architectural spaces and its qualities are different. A museum exclusively for the art of sculpture does not exist in Stockholm, without it being

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Dubrion, Véronique. "Sculptures membranes : de la sculpture comme objet de désir." Paris 1, 2008. http://www.theses.fr/2008PA010705.

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Cette recherche allie pratique artistique et réflexion théorique. Elle concerne un ensemble de sculptures en matériaux souples assembles par couture, s'insérant dans une perspective ouverte par les avatars de la sculpture contemporaine. La diversité des suspensions pour les accrochages, souvent en extérieur, favorise le déploiement des sculptures durant un court instant. Le recours au médium photographique intervient en contrepoint de cette recherche, comme continuum, capture, suspension de la furtivité des formes. Les matériaux, le rituel de création et de mise en scène photographique, la sus

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Perotto, Émilie. "La sculpture contemporaine envisagée comme une situation : modes de production, usages et objets." Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3052.

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Ce travail de recherche doctorale tend à définir précisément ce que j’appelle une situation sculpturale, en envisageant le médium de la sculpture, historiquement immobile et pérenne, comme le médium de la rencontre tributaire de temporalités diverses. Pour ce faire, ma pratique plastique a été mon terrain premier d’investigation, au sein duquel j’ai pu tester un certain nombre d’hypothèses, dont certaines se sont concrétisées dans mes sculptures les plus récentes, citées dans ce texte. Aussi, une attention particulière à la sculpture contemporaine m’a permis d’ouvrir plus larg

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Kueny, Claire. "Sculptures d’ombres : l’ombre projetée dans la sculpture à partir des années 1980." Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080064.

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Les sculptures d’ombres sont des œuvres pour lesquelles les artistes font un usage conscient de l’ombre projetée comme d’un matériau essentiel de l’œuvre, par la mise en place de dispositifs de projection. Ces derniers se composent au minimum d’un projecteur lumineux et d’un écran sur lequel apparaissent les ombres, fixes ou en mouvement, créées par l’interception de la lumière par un objet central. On observe à partir des années 1980, une multiplication de l’usage des ombres projetées dans la sculpture, qui va de pair avec un usage renouvelé de celles-ci pour leur qualité d’images. Inspirées

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Kueny, Claire. "Sculptures d’ombres : l’ombre projetée dans la sculpture à partir des années 1980." Electronic Thesis or Diss., Paris 8, 2017. http://www.theses.fr/2017PA080064.

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Charvet, Célia. "Sculpter l'habitat : les dimensions de l'habiter dans la sculpture contemporaine." Besançon, 2010. http://www.theses.fr/2010BESA1010.

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Penser l’habiter du point de vue de l’art contemporain – et plus précisément de la sculpture contemporaine – c’est engager la réflexion dans une analyse des formes tridimensionnelles. C’est donc envisager l’habiter dans ses dimensions visibles et tangibles, dans une concrétisation de ses implications et dans une cristallisation des notions de corps, d’espace et de temps. Donner forme(s) à l’habiter, ce n’est pas seulement mettre au jour les phénomènes de l’habiter, c’est également en fabriquer les dimensions spatio-temporelles à la mesure de l’existence humaine. C’est structurer, orienter, qua

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Ferley, Eric. "Sculpture virtuelle." Phd thesis, Grenoble INPG, 2002. http://tel.archives-ouvertes.fr/tel-00004393.

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Cette thèse concerne la construction de formes tridimensionnelles. Nous utilisons une métaphore de sculpture virtuelle, c'est à dire une manipulation directe de la surface, sans structure de contrôle et où la représentation utilisée pour la surface demeure invisible. Notre travail est basé sur une représentation volumique. La surface modelée est représentée comme l'iso-surface d'un champ potentiel scalaire tridimensionnel échantillonné, qui permet de gérer de manière transparente les connexions et déconnexions. Un premier prototype, utilisant un échantillonnage régulier, nous a permis de valid

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Moulton, Marc. "Making sculpture." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1303236154.

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Teneul, Thierry. "La sculpture intouchable : méditation sur la sculpture "ennemie" du toucher !" Paris 1, 1995. http://www.theses.fr/1995PA010606.

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Le but de cette these est de reflechir au statut du toucher dans ma pratique de la sculpture. Dans un premier temps, j'ai repere en quelles circonstances il se manifestait dans ma production et dans celle de quelques sculpteurs. J'ai egalement analyse le fonctionnement physiologique du toucher et propose d'echapper a son pouvoir par le regard. La nature et le vegetal etant a l'origine de mes sculptures, celles-ci ne sont plus destinees a etre vues pour elles-memes mais a faire voir ce qui en est la cause. Apres des recherches sur l'interdit virtuel du toucher, j'ai ensuite explore les ressourc

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Hannold, Allan. "Sculpture and environment." Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/724982.

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The purpose of this creative project was to further the development of the artist's personal style. Also to produce an exhibition of sculpture that relate to each other through common themes and techniques. The exhibition would become a unique environment for the viewer.The artist used steel as a medium in the creation of his sculptures. Various types of steel where cut, forged, welded, and fabricated in order to produce and extend the vocabulary of the sculptures. Steel was used experimentally with line, texture, and bright color. The exhibited works were successful because they concentrated

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Książki na temat "Sculpture"

Helen, Shiner, and Kunsthal Rotterdam, eds. André Derain: Sculpture = sculptuur. Terra, 2004.

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Geelen, Guido. Sculptuur = sculpture: 1986-2000. NAi Publishers, 2003.

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Jooren, Marieke, and Eva van Diggelen. Hyperrealisme sculptuur: Hyperrealism sculpture. Waanders Uitgevers, 2018.

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Dupré, Michel. Sculptures, sculpture: Rodin, Giacometti, Picasso. EC, 2006.

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1957-, Sander Karin, and Museion (Bolzano, Trentino-Alto Adige, Italy), eds. Karin Sander: Skulptur = Sculpture = Sculptura. Museion Bozen, 2020.

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Isacker, Philip van. De sculptura: Reflections on sculpture. Mer. B&L, imprint of Borgerhoff & Lamberigts, 2021.

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Ioan, Florica. Florica Ioan: Sculptură, desen = sculpture, drawing. Muzeul Național de Artă al României, 1998.

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Lefftz, Michel. Sculpture en Belgique = Sculptuur in Belgi = Sculpture in Belgium: 1000-1800. Racine, 2001.

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ICOM Congress. (1993 Washington, D.C.). Polychrome sculpture = Sculpture polychrome. ICOM, 1993.

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Cornel, Bierens, Hefting Paul, and Amsterdam (Netherlands) Stedelijk Museum, eds. Guido Geelen: Sculptuur = sculpture 1986/2000. NAi Uitg., 2000.

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Części książek na temat "Sculpture"

Borella, Walter. "Le forme che non ti aspetti. Meraviglie formali nella scultura africana." In Silhouettes africaines. Éditions de l’Université de Lorraine, 2016. https://doi.org/10.4000/13nt9.

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This contribution intends to highlight a fact about traditional sub-Saharan African sculpture: in it you can find such unusual, surprising and highly beautifully shapes and forms to make you think that those specific sculptors have an edge on others. In the whole world, small or large organised societies - African included - have been encoding iconographic elements in order to represent themselves. From here the intrinsic difference of the African sculpture was born.The contribution is divided in three parts. The first one deals with some examples of the above mentioned kind of Works; the seco

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Peng, Lü. "Contemporary Sculpture and Sculptors." In A History of Chinese Art in the 20th and 21st Century. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-97-5327-7_28.

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Hartwig, Melinda K. "Sculpture." In A Companion to Ancient Egyptian Art. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118325070.ch11.

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Heppner, John B., David B. Richman, Steven E. Naranjo, et al. "Sculpture." In Encyclopedia of Entomology. Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6359-6_4089.

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Sherwood, Andrew N., Milorad Nikolic, John W. Humphrey, and John P. Oleson. "Sculpture." In Greek and Roman Technology. Routledge, 2019. http://dx.doi.org/10.4324/9781315682181-8.

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Snider, Arthur David. "Sculpture." In From STEM to STEAM. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-57316-3_2.

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Davies, David. "Sculpture." In The Routledge Companion to the Philosophies of Painting and Sculpture. Routledge, 2023. http://dx.doi.org/10.4324/9781003312727-4.

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Green, Susan L. "Sculpture." In An Introduction to the Making of Western Art. Routledge, 2024. http://dx.doi.org/10.4324/9781003354840-4.

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Xingbo, Luo. "Sculpture." In Chinese Handicrafts. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5379-8_7.

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Bährle-Rapp, Marina. "sculpture." In Springer Lexikon Kosmetik und Körperpflege. Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_9218.

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Streszczenia konferencji na temat "Sculpture"

Gallagher, W. Patrick. "The Performance of Weathering Steel in Sculpture." In CORROSION 2000. NACE International, 2000. https://doi.org/10.5006/c2000-00448.

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Abstract Sculptors have taken advantage of weathering steel’s corrosion resistance, availability, fabricability, and appearance to create many striking and appealing works of art. The appearance of weathering steel in sculptures can be quite varied, even in the same work. In general, as weathering steel’s rust film ages its appearance changes from a matte red-orange color typical of newly-rusted steel to darker colors ranging from dark brown to blackish purple. This and other aspects of the appearance of weathering steel can be explained by an understanding of the intrinsic behavior of the ste

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Marian, Ana. "Anatomical constructions in the making of the nude moldovan sculpture. Approaches in the realm of realism." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.07.

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In Moldovan sculpture, there are two types of the introduction of anatomical structures in the creation of sculptural nudity: based on realism and stylized ones. The pioneer in the study of sculptural nudity was Alexander Plamadeala. Although his studies at the Imperial Academy of Art, Sculpture and Architecture allowed him to comprehensively approach the depiction of sculptural nude, the sculptor still continued to experiment and seek new ways in the description of nude. “Nude” in Yuri Kanashin’s interpretation is an integral part of thematic compositions and has a separate logic, subordinate

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Marian, Ana. "Female images in Moldovan sculpture." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.11.

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Alexander Plamadeala was the first who created sculptural female images, among which were not only members of the sculptor's family and his colleagues in the workshop, but also other modern women that attracted his attention with the beauty of their external forms. The female sculptural portrait performed by Lazar Dubinovsky contains romantic, harmonious and gentle images. The women’s sculptural portrait in the work of Klavdia Kobizeva focuses on everyday life and the images created by her are deep ones. The sculptor Brunghilda Epelbaum-Marchenko makes portraits in color, opening a new approac

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Zhu, Jie. "Integrating Urban Sculptures into the Urban Planning System in China: Origin, Transition and Breakthrough, 1982-2003." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5051pspxz.

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The integration of urban sculptures into the urban planning system requires cross-disciplinary cooperation. Since 2003, many cities in China have mapped out all urban sculptures and formulated related regulations and overall urban plans. In fact, as early as 1982, the government established the Urban Sculpture Planning Group (USPG) to guide the development of urban sculptures. So why did it take so long to integrate urban sculptures into the urban planning system? Through analysing the changes in the USPG as well as related policies and regulations, this research shows that the development of

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Садовникова, Н. В. "Sculptures in Russian Manor Gardens." In Сохранение культурного наследия. Изобразительные искусства. Исследования и реставрация. Материалы V Международной научно-практической конференции. Crossref, 2024. https://doi.org/10.62625/2053.2024.74.87.032.

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Статья представляет собой обзорное исследование скульптурного оформления русских усадебных парков конца XVIII — начала XX в., проведенное по иконографическим материалам 43 усадеб Центральной и Северо-Западной России. Определены три категории садово-парковой скульптуры согласно ее расположению: скульптура как часть архитектуры, скульптура в регулярной части усадебного парка и в пейзажной части. Выявлено, что наиболее многочисленны примеры скульптуры, являющейся продолжением архитектуры усадебного дома, а скульптура в пейзажной части была редким явлением. This paper is an overview study of the s

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Dobrovolschi, Oleg, and Teodora Hubenco. "Materials specific to sculpture and methods of processing them." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.30.

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The content of the article refers to the materials used in sculpture overtime. The material of the sculpture stimulates the artist's imagination, suggesting certain forms created by nature. That is why artistic determination in sculpture is linked to the choice of the material that rediscovers natural beauty. In many cases, the originality of expression of the sculpture depends on the correspondence of the idea and the material. Therefore, each material for sculpture has its own qualities and unique processing possibilities. Due to the specific characteristics of the materials used in sculptur

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Jaurégui, Léa. "La sculpture chimérique, la sculpture confisquée." In Les chefs-d'œuvre inconnus au XIXe siècle. Fabula, 2021. http://dx.doi.org/10.58282/colloques.6912.

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MARIAN, Ana. "Lion statues – the manifestation of the animalistic sculptural genre during the interwar period." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p184-187.

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The lion’s appearance as an animal-king was attested in the sculpture of ancient civilizations in Ancient Egypt and Anatolia, in Ancient Greece. The image of lions is also certified in the field of heraldry and occasionally appeared in the creativity of artists of the Renaissance and Classicism. Many figures of sculptural lions are in the modern St. Petersburg. In the art of interwar Bessarabia, the most significant lion sculptures are located at the entrance to the Organ Hall of Chisinau. These lions amaze with calmness and elegance. The sculptures of these animals are also on the facade of t

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Misawa, Daichi. "Transparent sculpture." In the 7th International Conference. ACM Press, 2013. http://dx.doi.org/10.1145/2460625.2460707.

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Hashida, Tomoko, Yasuaki Kakehi, and Takeshi Naemura. "Photochromic sculpture." In ACM SIGGRAPH 2011 Emerging Technologies. ACM Press, 2011. http://dx.doi.org/10.1145/2048259.2048270.

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Raporty organizacyjne na temat "Sculpture"

Ikeda, Kanetaka. Construction-sculpture. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2740.

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Bogdan, Laura. Stone sculpture. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.5373.

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Rottle, Nancy, Pam Emerson, and Delia Lacson. Olympic Sculpture Park. Landscape Architecture Foundation, 2012. http://dx.doi.org/10.31353/cs0380.

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Franz, Evelyn. Three-Dimensional Wall Sculpture. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2345.

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Helzer, Richard. Teaching Sculpture in High Schools. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.1501.

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Peekema, Joanne. Sculpture for the Secondary Level. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.1762.

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Gallegos de Donoso, Magdalena. The Development of Sculpture in the Quito School. Inter-American Development Bank, 1994. http://dx.doi.org/10.18235/0007914.

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Buell, Krista. Aphrodite of Knidos, Trendsetter: Depictions of the Female Nude and Sexuality in Ancient Greek Sculpture. Portland State University Library, 2016. http://dx.doi.org/10.15760/honors.265.

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Turner, B., M. Quat, M. Boiridy, R. Debicki, and P. Thurston. Dynamic Earth, Greater Sudbury: ancient seafloor, meteorite-blasted rock, ice age sculpture and Greater Sudbury's smelter. Natural Resources Canada/CMSS/Information Management, 2015. http://dx.doi.org/10.4095/329900.

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Healey, Patrick. The Social Sculpture in Practice: Joseph Beuys, Waldo Bien and the Free International University World Art Collection, A Report. Edited by Gerhard Bruyns. FIUWAC, 2020. http://dx.doi.org/10.31182/001.

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