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Gotowe bibliografie tematyczne / Senses and sensation / Artykuły w czasopismach

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Artykuły w czasopismach na temat „Senses and sensation”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 29 lipca 2024

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1

TAPKI, Sinem. "SENSATIONS IN URBAN SPACE: SENSATIONAL ANALYSIS OF THE YELDEĞİRMENİ AREA." INTERNATIONAL REFEREED JOURNAL OF DESIGN AND ARCHITECTURE, no. 26 (2022): 0. http://dx.doi.org/10.17365/tmd.2022.turkey.26.03.

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Aim: This research aims to examine the forms and features of understanding and grasping urban space through the senses. In the study, unlike the eye-centred paradigm, it discusses the importance of understanding urban space, not only with the sense of sight, but also with other senses, and its importance in making sense of it. Method: Between January and September 2021, Kadıköy Yeldeğirmeni, Rıhtım Avenue, Karakolhane Street and İskele Street were experienced and sensory analysis of these experienced axes was made.The sensations felt were evaluated using graphical expression in the computer en

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Shakya, Sudha. "COLOR VISION DEFECT: COLOR BLINDNESS." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (December 31, 2014): 1–3. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3619.

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Humans have many types of sensations such as sight, hearing, touch, smell, taste etc. They originate from stimulants, which a person receives from their external environment, stimulate the stimulating senses i.e. eye, ear, skin, nose and tongue, and produce different sensations. According to Eiseneck (1972), "sensation is a mental process that is no longer divisible." It is produced by external stimuli that affect the senses, and its intensity depends on the stimulus, and its properties depend on the nature of the senses. Apart from these five sensations, there are other sensations such as inc

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Goyel, Vinita, Aman Jain, Shivani Mathur, Vinod Sachdev, and Shambhavi Singh. "Exploring the Effect on 5 Senses in Children under Nitrous Oxide Sedation." Journal of Evolution of Medical and Dental Sciences 10, no. 38 (September 20, 2021): 3365–69. http://dx.doi.org/10.14260/jemds/2021/683.

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BACKGROUND Sensation and perception are two separate processes that are very closely related. Sensation is the input about the outside world obtained by our sensory receptors while perception is the difficult system by which the brain selects, organizes and interprets these sensations. Effects of nitrous oxide on the sensation and perception has not been unturned although role in physiological, anxiolytic, behavioural, psychomotor and analgesic parameters have been examined in both children and adults. The human senses have long been unnoticed, despite their responsiveness being of great impor

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Sanders, John T. "Retinae don't see." Behavioral and Brain Sciences 27, no. 6 (December 2004): 890–91. http://dx.doi.org/10.1017/s0140525x04250208.

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Sensation should indeed be understood globally: some infant behaviors do not make sense on the model of separate senses; neonates of all species lack time to learn about the world by triangulating among different senses. Considerations of natural selection favor a global understanding; and the global interpretation is not as opposed to traditional work on sensation as might seem.

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Terada, Kazunori, Akinori Kumazaki, Daisuke Miyata, and Akira Ito. "Haptic Length Display Based on Cutaneous-Proprioceptive Integration." Journal of Robotics and Mechatronics 18, no. 4 (August 20, 2006): 489–98. http://dx.doi.org/10.20965/jrm.2006.p0489.

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When a human recognizes length of an object while exploring it with an index finger, both proprioception and cutaneous sensation provide information for estimating the length of the object. We studied the contribution of cutaneous sensation and proprioception to the subjective estimation of object length, developing an apparatus for investigating the human cutaneous-proprioceptive integration using velocity dependency of cutaneous and proprioceptive length perception. We conducted four experiments. In experiment 1, 12 subjects estimated object length passively, using cutaneous sensation only v

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de Freitas, Elizabeth, David Rousell, and Nils Jäger. "Relational architectures and wearable space: Smart schools and the politics of ubiquitous sensation." Research in Education 107, no. 1 (November 15, 2019): 10–32. http://dx.doi.org/10.1177/0034523719883667.

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This paper undertakes an analysis of the “smart school” as a building that both senses and manages bodies through sensory data. The authors argue that smart schools produce a situation of ubiquitous sensation in which learning environments are continuously sensed, regulated, and controlled through complex sensory ecosystems and data infrastructures. This includes the consideration of ethical and political issues associated with the collection of biometric and environmental data in schools and the implications for the design and operation of learning environments which are increasingly regulate

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Sakai, Nobuyuki. "Sensation and perception of chemical senses." Journal of Japan Association on Odor Environment 37, no. 6 (2006): 397. http://dx.doi.org/10.2171/jao.37.397.

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Dunbar, Maureen E., and Jacqueline J. Shade. "Exploring the Links between Sensation & Perception." American Biology Teacher 83, no. 6 (August 1, 2021): 377–81. http://dx.doi.org/10.1525/abt.2021.83.6.377.

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In a traditional anatomy and physiology lab, the general senses – temperature, pain, touch, pressure, vibration, and proprioception – and the special senses – olfaction (smell), vision, gustation (taste), hearing, and equilibrium – are typically taught in isolation. In reality, information derived from these individual senses interacts to produce the complex sensory experience that constitutes perception. To introduce students to the concept of multisensory integration, a crossmodal perception lab was developed. In this lab, students explore how vision impacts olfaction and how vision and olfa

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Sincar, Cerasela Dorina, Camelia Ana Grigore, Silvia Martu, Liliana Lacramioara Pavel, Alina Calin, Alina Plesea Condratovici, and Bianca Ioana Chesaru. "Chemical Senses Taste Sensation and Chemical Composition." Materiale Plastice 54, no. 1 (March 30, 2017): 172–74. http://dx.doi.org/10.37358/mp.17.1.4810.

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Taste and smell are chemical senses, which means that the receptors (chemoreceptors) of these senses respond to chemical stimuli. In order for a substance to produce a taste sensation, it should be ingested in a solution or subsequently dissolved in saliva; a solid substance put in the mouth perfectly dry is tasteless. Therefore, taste receptors or taste buds occur only on wet surfaces, more precisely in the oral cavity in land vertebrates; however, in aquatic animals, these receptors are scattered all over the body. There are functionally different types of receptors for each of the primary t

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Shimada, Kunio. "Correlations among Firing Rates of Tactile, Thermal, Gustatory, Olfactory, and Auditory Sensations Mimicked by Artificial Hybrid Fluid (HF) Rubber Mechanoreceptors." Sensors 23, no. 10 (May 9, 2023): 4593. http://dx.doi.org/10.3390/s23104593.

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In order to advance the development of sensors fabricated with monofunctional sensation systems capable of a versatile response to tactile, thermal, gustatory, olfactory, and auditory sensations, mechanoreceptors fabricated as a single platform with an electric circuit require investigation. In addition, it is essential to resolve the complicated structure of the sensor. In order to realize the single platform, our proposed hybrid fluid (HF) rubber mechanoreceptors of free nerve endings, Merkel cells, Krause end bulbs, Meissner corpuscles, Ruffini endings, and Pacinian corpuscles mimicking the

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11

MacIsaac, D. Gregory. "Non enim ab hiis que sensus est iudicare sensum.Sensation and Thought in Theaetetus, Plotinus and Proclus." International Journal of the Platonic Tradition 8, no. 2 (August 20, 2014): 192–230. http://dx.doi.org/10.1163/18725473-12341287.

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I examine the relation between sensation and discursive thought (dianoia) in Plato, Plotinus, and Proclus. InTheaetetus, a soul whose highest faculty was sensation would have no unified experience of the sensible world, lacking universal ideas to give order to the sensible flux. It is implied that such universals are grasped by the soul’s thinking. In Plotinus the soul is not passive when it senses the world, but as thelogosof all things it thinks the world through its own forms.Proclus argues against the derivation of universallogoifrom the senses, which alone can’t make the sensible world co

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Kusanagi, Kenta, Daisuke Sato, Yasuhiro Hashimoto, and Norimasa Yamada. "Water Sensation During Passive Propulsion for Expert and Nonexpert Swimmers." Perceptual and Motor Skills 124, no. 3 (April 19, 2017): 662–73. http://dx.doi.org/10.1177/0031512517704341.

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This study determined whether expert swimmers, compared with nonexperts, have superior movement perception and physical sensations of propulsion in water. Expert (national level competitors, n = 10) and nonexpert (able to swim 50 m in > 3 styles, n = 10) swimmers estimated distance traveled in water with their eyes closed. Both groups indicated their subjective physical sensations in the water. For each of two trials, two-dimensional coordinates were obtained from video recordings using the two-dimensional direct linear transformation method for calculating changes in speed. The mean absolu

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Shimizu, Shunji, Shuichi Ino, Takeshi Tsuruga, Tohru Ifukube Yuichi Wakisaka, and Takashi Izumi. "Evaluation of a New Force Display using Metal Hydride Alloys." Journal of Robotics and Mechatronics 9, no. 1 (February 20, 1997): 14–23. http://dx.doi.org/10.20965/jrm.1997.p0014.

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It is an important study subject today to develop the method of realizing harmonious sensation feedback to humans not only in the remote manipulation of robots but also in human interface in general. Many study reports on such sensation feedback are available in the fields of visual and acoustic senses, but very few are available in the fields of force and tactile senses. This paper reports on the design, experimental fabrication and evaluates the usefulness of a new force display using a metal hydride (MH) actuator. The actuator made by the MH alloys is one of a few actuators suitable for put

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Nisa, Akhtar Un, Saifullah Samo, Raheel Ahmed Nizamani, Areesha Irfan, Zuha Anjum, and Laveet Kumar. "Design and Implementation of Force Sensation and Feedback Systems for Telepresence Robotic Arm." Journal of Robotics and Control (JRC) 3, no. 5 (September 1, 2022): 710–15. http://dx.doi.org/10.18196/jrc.v3i5.15959.

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Humans put their own lives aside to save other human’s life and perform risky and dangerous activities. The risk can be reduced by using new technologies. This research study focuses on telepresence and teleoperation systems with motion and force control systems that replace humans in hazardous workspaces. In telepresence, the system helps humans to visualize the environment in real-time. In teleoperation, the system provides sensation to assist human beings in performing out-of-reach and dangerous operations safely as in real, providing a shadow hand to the operator. In this study, a system i

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15

Howes, David. "Multisensory Anthropology." Annual Review of Anthropology 48, no. 1 (October 21, 2019): 17–28. http://dx.doi.org/10.1146/annurev-anthro-102218-011324.

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The senses are made, not given. Multisensory anthropology focuses on the variable boundaries, differential elaboration, and many different ways of combining the senses across (and within) cultures. Its methodology is grounded in “participant sensation,” or sensing—and making sense—along with others, also known as sensory ethnography. This review article traces the sensualization of anthropological theory and practice since the early 1990s, showing how the concept of sensory mediation has steadily supplanted the prior concern with representation. It concludes with a discussion of how the senses

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Costantini, Mariaconcetta. "Science, Sexuality and Sensation Novels: Pleasures of the Senses." Women's Writing 20, no. 2 (March 2013): 268–70. http://dx.doi.org/10.1080/09699082.2013.773785.

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Desmawati, Alina, and Muhammad Hasan. "The Concept of Pain in Orthodontic Care." Crown: Journal of Dentistry and Health Research 1, no. 2 (December 21, 2023): 50–53. http://dx.doi.org/10.59345/crown.v1i2.89.

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Pain is a subjective sensation that plays a crucial role in physiological illnesses. Orthodontic tooth movement frequently results in pain, serving as a major obstacle for individuals contemplating orthodontic treatment. Moreover, it is a key determinant leading to the cessation of treatment. This review aims to elucidate the notion of pain associated with orthodontic therapy. Nociception, a complex neurophysiological process, involves four component processes: transduction, transmission, modulation, and perception. During nociception, the central nervous system (cortex cerebri) senses the sen

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Spence, Charles, Fabiana M. Carvalho, and David Howes. "Metallic: A Bivalent Ambimodal Material Property?" i-Perception 12, no. 5 (September 2021): 204166952110377. http://dx.doi.org/10.1177/20416695211037710.

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Many metallic visual stimuli, especially the so-called precious metals, have long had a rich symbolic meaning for humans. Intriguingly, however, while metallic is used to describe sensations associated with pretty much every sensory modality, the descriptor is normally positively valenced in the case of vision while typically being negatively valenced in the case of those metallic sensations that are elicited by the stimulation of the chemical senses. In fact, outside the visual modality, metallic would often appear to be used to describe those sensations that are unfamiliar and unpleasant as

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Daly, Nicholas. "Railway Novels: Sensation Fiction and the Modernization of the Senses." ELH 66, no. 2 (1999): 461–87. http://dx.doi.org/10.1353/elh.1999.0013.

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Stephens, Elizabeth. "Sensation machine: Film, phenomenology and the training of the senses." Continuum 26, no. 4 (July 27, 2012): 529–39. http://dx.doi.org/10.1080/10304312.2012.698033.

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Larson, Scott. "Histrionics of the Pulpit." TSQ: Transgender Studies Quarterly 6, no. 3 (August 1, 2019): 315–37. http://dx.doi.org/10.1215/23289252-7549428.

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Abstract The eighteenth-century Atlantic world was swept with a radical new form of Christian preaching that aimed to engage the feelings and sensations of mass audiences. In the nineteenth century, this heart-centered preaching became a mainstream form of American Christianity, but in its first hundred years, it was widely regarded as perverse, effeminate, and depraved. Early evangelical Christianity threatened to destabilize social and political orders, to drive the masses “out of their senses,” and to throw gender norms into chaos. This article argues that attention to “trans tonality”—an i

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Liu, Xiaoxiao, Yukari Nagai, Kumi Yabuuchi, and Xiuxia Cui. "USE INTERACTIVE MEDIA TO ENHANCE CREATIVITY OF DESIGNERS BY STIMULATING THE SENSES IN THE CONTEXT OF ART DESIGN EDUCATION." Proceedings of the Design Society 1 (July 27, 2021): 3319–28. http://dx.doi.org/10.1017/pds.2021.593.

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AbstractCreativity is very important for designers, and methods to stimulate designers' creativity are the long-term focus of art design education. The senses are an important channel for designers to receive information and define core issues. Stimulating the designer's senses can help enhance their perception and creativity, and is of great benefit for the quality and efficiency of the design outcome. Today's interactive media technology provides more possibilities and advantages for designers' perception and sensation. The purpose of this research is to explore a way to stimulate the design

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Wortel, Elise. "From history to haecceity." Alphaville: Journal of Film and Screen Media, no. 2 (February 14, 2012): 60–75. http://dx.doi.org/10.33178/alpha.2.05.

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This article investigates the transformation of history into haecceities that allow us to grasp history through a nonlinear, cinematic sensation of pure past. Here, cinema merges classical knowledge of historical facts with the lived reality of the unrecorded past. Experiments with spatial reframings of the past in The Lady and the Duke, The King's Daughters, The White Ribbon and Coco Before Chanel are discussed to create nonlinear sensations of duration that link with Deleuze and Guattari's notions of affect and haecceity, which transform history into cinematic sets of speed, movement, and te

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Vandierendonck, André, and Koen Van Der Goten. "Sensation of Resistor-Induced Warmth in Blind Persons." Perceptual and Motor Skills 78, no. 3 (June 1994): 727–36. http://dx.doi.org/10.1177/003151259407800309.

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It is commonly believed that the human sense of warmth is inferior in spatiotemporal acuity to the tactile senses. However, little or no evidence is available about the active feeling of warmth. We investigated the ability of people to detect in an active way small changes of warmth on very small areas (2-mm × 2-mm resistors). To that end, a new procedure was developed to measure perception of warmth. The results indicate that people who are able to detect the warmth stimuli perceive small incremental changes and that detection performance improves as stimulus intensity increases. Male subject

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Latuny, Marsiano Rocky, and Handry Rochmad Dwi Happy. "Synesthesia and the Experience of the Art of Photography." Jurnal Desain Komunikasi Visual Asia 7, no. 01 (February 28, 2023): 45. http://dx.doi.org/10.32815/jeskovsia.v7i01.913.

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Photography is one branch of a large grouping in the arts, apart from design and painting. As a field of art, photography certainly has its own aesthetic concept, even the aesthetic concept is closely related to "feeling", an abstract concept regarding the process of absorbing something in human beings that cannot even be fully described. Understanding the concept of aesthetics is a dialectical process related to other issues such as philosophy, social, politics, culture, and economics so that the values of goodness and truth often appear in a variety of aesthetic discussions. The developmen

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Lee, Sanghak, Kitae Kim, Yong J. Hyun, and Byungho Park. "From Sensation to Emotion: A Neuromarketing Study of Sport Sponsorship Effects." Sport Marketing Quarterly 33, no. 2 (June 2024): 99–115. http://dx.doi.org/10.32731/smq.2024.a929608.

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Abstract: This study investigated the sport sponsorship effects by applying the traditional response hierarchy models. Measured by a neuromarketing technique (i.e., electroencephalogram [EEG]), the study analyzed how sport fans' sensation and emotion influence sponsorship effects. The Korea Republic National Football Team's A match videos were shown as experiment stimuli to manipulate participants' arousal and emotion in the experiment. Based on alpha blocking and hemispheric laterality theories, the current study found that alpha blocking occurred when participants were exposed to sensational

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Smith, Roger. "“The Sixth Sense”: Towards a History of Muscular Sensation." Gesnerus 68, no. 2 (November 11, 2011): 218–71. http://dx.doi.org/10.1163/22977953-06802004.

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This paper outlines the history of knowledge about the muscular sense and provides a bibliographic resource for further research. A range of different topics, questions and approaches have interrelated throughout this history, and the discussion clarifies this rather than presenting detailed research in any one area. P art I relates the origin of belief in a muscular sense to empiricist accounts of the contribution of the senses to knowledge from Locke, via the idéologues and other authors, to the second half of the nineteenth century. Analysis paid much attention to touch, first in the contex

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Story, Gina M., and Robert W. Gereau. "Numbing the Senses: Role of TRPA1 in Mechanical and Cold Sensation." Neuron 50, no. 2 (April 2006): 177–80. http://dx.doi.org/10.1016/j.neuron.2006.04.009.

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Okumura, Takumi, and Yuichi Kurita. "Cross-Modal Effect of Presenting Visual and Force Feedback That Create the Illusion of Stair-Climbing." Applied Sciences 11, no. 7 (March 26, 2021): 2987. http://dx.doi.org/10.3390/app11072987.

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Image therapy, which creates illusions with a mirror and a head mount display, assists movement relearning in stroke patients. Mirror therapy presents the movement of the unaffected limb in a mirror, creating the illusion of movement of the affected limb. As the visual information of images cannot create a fully immersive experience, we propose a cross-modal strategy that supplements the image with sensual information. By interacting with the stimuli received from multiple sensory organs, the brain complements missing senses, and the patient experiences a different sense of motion. Our system

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Lin, Jingjing. "“Blossoming” Under a Glass: Interpreting the Sensory Depiction of Elizabeth Bishop’s “Poetic Map” from the Humanist-geographical Perspective." BCP Education & Psychology 10 (August 16, 2023): 75–83. http://dx.doi.org/10.54691/bcpep.v10i.5205.

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Elizabeth Bishop (1911-1979) is arguably one of the most outstanding American poets in the 20th century, with a fetish about maps and landscapes as her as poetica. In her literary mapping of the poetic landscapes, a clever operation of human sensorium is notable. To examine the specific roles senses, play in the construction of Bishop’s “poetic map”, this article analyzes the depiction of three couples of senses—sight and hearing, movement and touch, smell and taste—in six of Elizabeth Bishop’s representative poems under the framework of Yi-fu Tuan’s humanist geography. By interpreting in the

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Culbertson, Heather, Samuel B. Schorr, and Allison M. Okamura. "Haptics: The Present and Future of Artificial Touch Sensation." Annual Review of Control, Robotics, and Autonomous Systems 1, no. 1 (May 28, 2018): 385–409. http://dx.doi.org/10.1146/annurev-control-060117-105043.

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This article reviews the technology behind creating artificial touch sensations and the relevant aspects of human touch. We focus on the design and control of haptic devices and discuss the best practices for generating distinct and effective touch sensations. Artificial haptic sensations can present information to users, help them complete a task, augment or replace the other senses, and add immersiveness and realism to virtual interactions. We examine these applications in the context of different haptic feedback modalities and the forms that haptic devices can take. We discuss the prior wor

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Kearney, Richard. "Philosophies of Touch: from Aristotle to Phenomenology." Research in Phenomenology 50, no. 3 (October 14, 2020): 300–316. http://dx.doi.org/10.1163/15691640-12341453.

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Abstract This essay explores Aristotle’s discovery of touch as the most universal and philosophical of the senses. It analyses his central insight in the De Anima that tactile flesh is a “medium not an organ,” unpacking both its metaphysical and ethical implications. The essay concludes with a discussion of how contemporary phenomenology—from Husserl to Merleau-Ponty and Irigaray—re-describes Aristotle’s seminal intuition regarding the model of “double reversible sensation.”

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Chatrian, Gian-Emilio, Mitchel S. Berger, and Adelina L. Wirch. "Discrepancy between intraoperative SSEP's and postoperative function." Journal of Neurosurgery 69, no. 3 (September 1988): 450–54. http://dx.doi.org/10.3171/jns.1988.69.3.0450.

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✓ The authors report a case in which midline myelotomy for the removal of a C4–T4 ependymoma was immediately followed by abolition of short-latency somatosensory evoked potentials (SSEP's) in response to bilateral posterior tibial nerve (PTN) stimulation which proved irreversible intraoperatively. Subsequent intraoperative testing also revealed obliteration of median nerve (MN)-elicited responses. Postoperatively, joint and vibration sensations deteriorated in the lower extremities and there was unchanged very mild impairment of light touch, pinprick, and temperature sensibilities without sign

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Kobayashi, S. "The five senses and fiber.2.Material feeling sensation and its measurement." Sen'i Kikai Gakkaishi (Journal of the Textile Machinery Society of Japan) 44, no. 9 (1991): P403—P409. http://dx.doi.org/10.4188/transjtmsj.44.9_p403.

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Rodriguez, Raul, and Benjamin T. Crane. "Effect of timing delay between visual and vestibular stimuli on heading perception." Journal of Neurophysiology 126, no. 1 (July 1, 2021): 304–12. http://dx.doi.org/10.1152/jn.00351.2020.

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The effect of timing on visual-inertial integration on heading perception has not been previously examined. This study finds that visual headings influence inertial heading perception when timing differences are within 250 ms. This suggests visual-inertial stimuli can be integrated over a wider range than reported for visual-auditory integration and may be due to the unique nature of inertial sensation, which can only sense acceleration while the visual system senses position but encodes velocity.

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Stillman, Jennifer A. "Gustation: Intersensory Experience Par Excellence." Perception 31, no. 12 (December 2002): 1491–500. http://dx.doi.org/10.1068/p3284.

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On the face of it, basic tactile sensation might seem the only essential sensory requirement for the delivery of foods and beverages to the digestive system. In practice, however, the appropriate delivery of raw materials for the maintenance and repair of the body requires complex sensory and cognitive processes, such that flavour sensation arguably constitutes the pre-eminent example of an integrated multicomponent perceptual experience. To raise the profile of the chemical senses amongst researchers in other perceptual domains, I review here the contribution of various sense modalities to th

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Sokouti, Babak, and Siamak Haghipour. "PAIN MANAGEMENT BASED ON SPINAL CORD DORSAL HORN SYSTEM RESPONSE IDENTIFICATION USING ARTIFICIAL NEURAL NETWORKS." Biomedical Engineering: Applications, Basis and Communications 26, no. 03 (March 17, 2014): 1450034. http://dx.doi.org/10.4015/s1016237214500343.

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Pain, depending on its severity, is an uncomfortable and individual sensation for sending a signal being sensed by brain about body harms. The spinal cord and nerves provide the pathway for these messages to travel to and from the brain and other parts of the body. Although most of the patients such as cancerous patients may have pain for a variety of reasons, there is still no common way of controlling the pain. Pain identification mechanisms in the nerve system and modeling its artificial neural network (i.e. ANN) system is required to access the best way of clinical cure. Up to now, no prac

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Ross, R. T. "Dissociated Loss of Vibration, Joint Position and Discriminatory Tactile Senses in Disease of Spinal Cord and Brain." Canadian Journal of Neurological Sciences / Journal Canadien des Sciences Neurologiques 18, no. 3 (August 1991): 312–20. http://dx.doi.org/10.1017/s0317167100031875.

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ABSTRACT:The clinical functions of the posterior columns of the spinal cord and the signs of disease of these structures have been debated for years. Todd in 1847 and Schiff in 1858 knew the functions of the posterior columns and 10 years later Brown-Sequard knew as well. Reynolds, Romberg, and Duchenne, each described a posterior column syndrome based on a disease in which the primary lesion was not in the posterior columns. In the last 150 years almost every white matter structure of the cord has been credited with serving the sensations that we now know are a function of the posterior colum

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Betbeze, Anna. "Touching Feeling Transmission." TDR: The Drama Review 65, no. 1 (March 2021): 2. http://dx.doi.org/10.1017/s1054204320000027.

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Touch Workshop is a multimodal set of experiments that untangle the ideological orientation of the senses, organized around proprioceptive sensation and arriving at inverted performances. The project builds on the tactile research of Czech polymath Jan Švankmajer, his response to the censorship of his work in the 1970s. With Covid-19 a pervasive reality, touch is limited and vision dominates. How can the tactile imagination respond in the absence of tactile freedom? How do we transfer and transmit feeling, touching those outside of our time-space?

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Wu, Chunsheng, Ya-Wen Du, Liquan Huang, Yaron Ben-Shoshan Galeczki, Ayana Dagan-Wiener, Michael Naim, Masha Niv, and Ping Wang. "Biomimetic Sensors for the Senses: Towards Better Understanding of Taste and Odor Sensation." Sensors 17, no. 12 (December 11, 2017): 2881. http://dx.doi.org/10.3390/s17122881.

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Balode, Linda. "THE HEALING GARDENS AND PARKS OF SENSES." Latgale National Economy Research 1, no. 5 (October 21, 2013): 7. http://dx.doi.org/10.17770/lner2013vol1.5.1148.

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Health gardens therapy is a relatively new discipline of landscape science of which many fields of research are still undiscovered. While researching the international scientific literature the more underlying theories of the health gardens need to be considered as well. In Latvia the development of senses gardens has not been enough explored. Purpose: Based on the international sensation, treatment and therapy garden studies establish perspectives for sustainable development of therapy gardens in Latvia. Materials and Methods: Summarize literature on the impact of the Latvian rehabilitation c

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Lua Coello, Jacqueline, Andrea Peñafiel Luna, Gerardo Fernández Soto, and Franklin Cashabamba Padilla. "Sensory stimulation of taste and smell in older adults: a literature review." Sapienza: International Journal of Interdisciplinary Studies 4, SI1 (September 30, 2023): e23045. http://dx.doi.org/10.51798/sijis.v4isi1.706.

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The sensory stimulation of smell and taste are very important. Now is the time to pay more attention to it, since its correct functionality is essential for life, health and safety of people, especially in old age. At this stage, is when these senses are deteriorating, possibly due to decreased production of receptor cells. Therefore, the objective of this article is to identify existing methods for sensory stimulation, physiology and evaluation of the chemo-sensory senses: taste, smell and everything that contributes to the knowledge, approach and intervention of these senses. Documentary des

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Seemungal, Barry M. "The Components of Vestibular Cognition — Motion Versus Spatial Perception." Multisensory Research 28, no. 5-6 (2015): 507–24. http://dx.doi.org/10.1163/22134808-00002507.

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Vestibular cognition can be divided into two main functions — a primary vestibular sensation of self-motion and a derived sensation of spatial orientation. Although the vestibular system requires calibration from other senses for optimal functioning, both vestibular spatial and vestibular motion perception are typically employed when navigating without vision. A recent important finding is the cerebellar mediation of the uncoupling of reflex (i.e., the vestibular-ocular reflex) from vestibular motion perception (Perceptuo-Reflex Uncoupling). The brain regions that mediate vestibular motion and

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Zepke, Stephen. "The Sublime Conditions of Contemporary Art." Deleuze Studies 5, no. 1 (March 2011): 73–83. http://dx.doi.org/10.3366/dls.2011.0008.

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Deleuze's relationship to Kant is intricate and fundamental, given that Deleuze develops his transcendental philosophy of difference in large part out of Kant's work. In doing so he utilises the moment of the sublime from the third Critique as the genetic model for the irruption of the faculties beyond their capture within common sense. In this sense, the sublime offers the model not only for transcendental genesis but also for aesthetic experience unleashed from any conditions of possibility. As a result, sensation in both its wider and more specifically artistic senses (senses that become in

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RENERO, ADRIANA. "NOUS AND AISTHĒSIS: TWO COGNITIVE FACULTIES IN ARISTOTLE." Méthexis 26, no. 1 (March 30, 2013): 103–20. http://dx.doi.org/10.1163/24680974-90000616.

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In disagreement with Claudia Baracchi's controversial thesis that there is a 'simultaneity and indissolubility' if not an 'identity' of intelligence (nous) and perception (aisthēsis) at the core of Aristotle's philosophy, I will argue that Aristotle maintains a fundamental distinction between these cognitive faculties. My goal in this paper is to examine specific parts of two central and complex passages, VI.8, 1142al2-30 and VI. 11, 1143a33-bl5, from the Nicomachean Ethics to show that Baracchi's view is unpersuasive. I will show that Aristotle considers nous to be a different capacity than m

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Heider, Daniel. "The Notitia Intuitiva and Notitia Abstractiva of the External Senses in Second Scholasticism: Suárez, Poinsot and Francisco de Oviedo." Vivarium 54, no. 2-3 (August 19, 2016): 173–203. http://dx.doi.org/10.1163/15685349-12341321.

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This paper analyzes the theories of three representatives of Second Scholasticism, namely Francisco Suárez, sj, John Poinsot, op, and Francisco de Oviedo, sj, on the issue of the intuitive and abstractive cognition of the external senses. Based on a comparison of their theories, linked to the historical starting point of the debate in the first decades of the fourteenth century (Peter Auriol, John Duns Scotus, Francis of Meyronnes, William of Ockham and Walter Chatton), the paper argues that the doctrinal and argumentative matrix of these authors’ texts is significantly ‘present’ in the Second

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Hingston, Kylee-Anne. "“SKINS TO JUMP INTO”: THE SLIPPERINESS OF IDENTITY AND THE BODY IN WILKIE COLLINS'S NO NAME." Victorian Literature and Culture 40, no. 1 (March 2012): 117–35. http://dx.doi.org/10.1017/s1060150311000271.

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Victorian sensation literature was inextricably related to identity and the body: its primary purposes were to elicit a physical response from the senses of readers and to question “the social formation of the self” (Taylor, The Secret 2). Sensation fiction regularly relied on different, deformed, or diseased bodies to provoke fear or unease in its readers, and it created anxiety by juxtaposing the domestic with scandal, crime, and Gothicism to disturb the perceived stability of the home and social identity. Lyn Pykett argues that the genre reproduces the “real mid-nineteenth-century anxiety”

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Howes, David. "Quali(a)tative Methods: Sense-Based Research in the Social Sciences and Humanities." Qualitative Sociology Review 18, no. 4 (October 31, 2022): 18–37. http://dx.doi.org/10.18778/1733-8077.18.4.02.

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This paper begins by tracing the sensory turn in the human sciences—most notably, history and anthropology—which, in turn, gave rise to the interdisciplinary field of sensory studies. The latter field is articulated around the concept of the sensorium (defined as the entire sensory apparatus, including the extension of the senses via diverse media, as an operational complex) and the notion of qualia (defined as those aspects of the material world, such as color and sound, that are contingent on the human perceptual apparatus—in contrast to the inherent or elementary properties of materials, su

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Geary, Paul. "An-aesthetic: Performed philosophies of sensation, confusion, and intoxication." Performance Philosophy 5, no. 2 (February 24, 2020): 293–302. http://dx.doi.org/10.21476/pp.2020.52282.

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In Michel Serres’ The Five Senses: A Philosophy of Mingled Bodies, he establishes an opposition between two mouths: the anaesthetising, speaking mouth of discourse and analysis and the aesthetic, tasting mouth of sensation. This article uses Serres’ model of the two mouths to think about the performance of knowledge and philosophy in a sensory performance event and the potential of intoxication to unveil or reveal through a process of ‘making strange’. The article begins with an outline and reading of Serres, considering his writing on the two mouths and their indicative models of knowledge, b

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Jaffe, Rivke, Eveline Dürr, Gareth A. Jones, Alessandro Angelini, Alana Osbourne, and Barbara Vodopivec. "What does poverty feel like? Urban inequality and the politics of sensation." Urban Studies 57, no. 5 (March 19, 2019): 1015–31. http://dx.doi.org/10.1177/0042098018820177.

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The emergent field of ‘sensory urbanism’ studies how socio-spatial boundaries are policed through sensorial means. Such studies have tended to focus on either formal policies that seek to control territories and populations through a governance of the senses, or on more everyday micro-politics of exclusion where conflicts are articulated in a sensory form. This article seeks to extend this work by concentrating on contexts where people deliberately seek out sensory experiences that disturb their own physical sense of comfort and belonging. While engagement across lines of sensorial difference

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