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Artykuły w czasopismach na temat „Series:The Warrior”

Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Greenspoon, Leonard. "The Warrior God, or God, the Divine Warrior." Analele Universităţii "Dunărea de Jos" din Galaţi Fascicula XIX Istorie 3 (November 30, 2004): 189–210. http://dx.doi.org/10.35219/history.2004.08.

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In the year 31 B.C. the land of Judea experienced a natural phenomenon with which residents of California are all too familiar-an earthquake. It was of enormous severity, "such as had not been seen before", according to the first-century Jewish historian Josephus, to whom we are indebted for this account (Antiquities 15.108-160). Approximately 30,000 people were killed, not to mention the lost of countless head of cattle. At this very time Herod was engaged in a series of battles against Nabataean Arabs, who had temporarily gained the upper hand and then gone so far as to slay Herod's envoys s

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Mondal, Krishna Chatur Sow. "Tripathi's Sita: A Symbol of Feminist Revisionist Nationhood." International Research Journal of Multidisciplinary Scope 05, no. 02 (2024): 830–45. http://dx.doi.org/10.47857/irjms.2024.v05i02.0661.

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Amish Tripathi's novel Sita: Warrior of Mithila (2017) is the second installment in the Rama Chandra Series, offering a reimagined portrayal of Lord Rama and other key figures from the Ramayana in a modernized context. Through its exploration of human nature, politics, and morality, the series captivates readers both in India and internationally. Tripathi's adept fusion of Indian mythology and history has garnered widespread acclaim, with his books consistently ranking as bestsellers. The title, Sita: Warrior of Mithila, aptly reflects the central character's portrayal as a formidable female w

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Bednar, Michael Boris. "Mongol, Muslim, Rajput: Mahimāsāhi in Persian Texts and the Sanskrit Hammīra-Mahākāvya." Journal of the Economic and Social History of the Orient 60, no. 5 (2017): 585–613. http://dx.doi.org/10.1163/15685209-12341434.

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The life of a Mongol named Mahimāsāhi underwent a series of transformations in Persian and Sanskrit texts. Mahimāsāhi was born a Mongol, became a New Muslim, and died a Kshatriya Rajput warrior in 1301. With time, he moved from history into historical memory. This historical memory was further transformed by literary conventions in Sanskrit and Persian texts. While Mahimāsāhi represents a Mongol threat in Persian texts, he embodies the warrior’s duty in the Sanskrit Hammīra-Mahākāvya and serves as an example for others on how to become Rajput.

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Meshcheriakov, Sergey. "Stanislav Krakov: Writer and Warrior." Stephanos Peer reviewed multilanguage scientific journal 54, no. 4 (2022): 17–25. http://dx.doi.org/10.24249/2309-9917-2022-54-4-17-25.

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Stanislav Krakov, writer and warrior, hero of the Balkan Wars and First World War, who worked for the Serbian government from 1942 to 1944, was rediscovered in the late 20th century and became vastly popular in Serbia. His masterpiece “Wings” (1922), an Expressionist war novel, features the last year on the Salonika front as a series of fi lm shots selected from the footage. The life of Krakov’s characters is totally under the control of Eros and Thanatos. The novel contains both romantic and naturalistic scenes, as well as dramatic and lyrical features.

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Chivers, Marian, Lesley Speed, and Meg Tasker. "The warrior woman in Harlequin’s Bombshell Athena Force series." Australasian Journal of Popular Culture 3, no. 3 (2014): 335–49. http://dx.doi.org/10.1386/ajpc.3.3.335_1.

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Yao, Wenmin, Tong Chu, Wenlong Tang, et al. "SPPD: A Novel Reassembly Method for 3D Terracotta Warrior Fragments Based on Fracture Surface Information." ISPRS International Journal of Geo-Information 10, no. 8 (2021): 525. http://dx.doi.org/10.3390/ijgi10080525.

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As one of China′s most precious cultural relics, the excavation and protection of the Terracotta Warriors pose significant challenges to archaeologists. A fairly common situation in the excavation is that the Terracotta Warriors are mostly found in the form of fragments, and manual reassembly among numerous fragments is laborious and time-consuming. This work presents a fracture-surface-based reassembling method, which is composed of SiamesePointNet, principal component analysis (PCA), and deep closest point (DCP), and is named SPPD. Firstly, SiamesePointNet is proposed to determine whether a

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Sweeney, Meghan M. "“How Are YOU Going to Save the Planet?”: The Trope of the Eco-Warrior Girl in Mini Biographies for Children." Children's Literature Association Quarterly 49, no. 3 (2024): 239–56. https://doi.org/10.1353/chq.2024.a959002.

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Abstract: This article examines the way that the increasingly popular subgenre of mini biography aims to introduce children, and particularly girls, to key figures in environmental activism. As evidenced in profiles of activist Mari Copeny, the subgenre frequently elevates the trope of a young “eco-warrior” who will “save” the earth rather than emphasizing the importance of empowered communities. Many mini eco-biographies are found within collective biographies, such as the popular Rebel Girls series, that hail child readers directly, suggesting they too can effect change. Yet the peritexts of

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Komorowska, Joanna, and Aneta Kliszcz. "Unending War: Combat Trauma in Joss Whedon’s "Firefly"." Załącznik Kulturoznawczy, no. 10 (December 31, 2023): 449–67. http://dx.doi.org/10.21697/zk.2023.10.21.

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The article discusses the long-term effects of combat trauma as portrayed in Joss Whedon’s Firefly series, focusing on the issues of trust, identity, and belonging. In doing so, it highlights the image of warrior and war in popular culture.

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Flynn, Catherine. "OPERANT: …(IPHIGENIA) AT BERKELEY." Ramus 52, no. 1 (2023): 65–68. http://dx.doi.org/10.1017/rmu.2023.3.

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Speaking by phone to a critic several weeks before the premiere of …(Iphigenia), director Lileana Blain-Cruz announced: ‘esperanza challenges the absurdity of this myth… Men must kill a young woman so they can go to war. Why repeat what does not work? What does it feel like to be a young woman thrust into this absurd story?’ In fact, the Wayne Shorter-esperanza spalding production exaggerates the myth's absurdity, minimizing the pain of Agamemnon and flattening the familial calamity at the heart of Euripides’ play until it becomes a conflict between aggressive men and suffering women. It is ea

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Mironova, Olga A., Alexander P. Lesnov, and Anton P. Karmazin. "Horizons of biotechnology in Russia’s animal husbandry." RUDN Journal of Ecology and Life Safety 32, no. 1 (2024): 77–86. http://dx.doi.org/10.22363/2313-2310-2024-32-1-77-86.

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This study opens a series of articles on current trends in the development of innovative biotechnologies. They consistently describe the unlimited possibilities of the world of microorganisms - the microcosm, the mechanisms of which humanity can use for creative purposes, control and manage existing biotechnologies, applying them for the benefit of humanity. Adhering to the unshakeable opinion that the Microcosm is not a Warrior, the Microcosm is a worker…

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Kezia Clarissa Langi, Setiawan Sabana, and Hafiz Aziz Ahmad. "Kezia Clarissa Langi STUDI LAPANGAN: TRADISI BAJU PERANG NIAS MASA KINI DI KOTA GUNUNGSITOLI DAN DESA BAWOMATALUO." PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT 2 (January 24, 2020): 8–13. http://dx.doi.org/10.33153/semhas.v2i0.95.

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For centuries the title ‘warrior’ is embedded in Nias society. As a warrior, the person, their duty, and its costumecannot be separated. To become the protector of a village, a series of task are needed. Therefore, being awarrior is a prestigious status. Today, Nias and its war costume are on the edge of modernity. The thin linebetween tradition and attraction is created due to globalization and its tourism purpose. To understand theimportance of the tradition of Nias war costume, it is crucial to analyze the history through literature and theimpact of globalization in Nias today. The result o

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Patricia, Yolanda, and Altobeli Lobodally. "Femme-Masculinity in The Marjan Ramadan Advertising Series." CONTENT: Journal of Communication Studies 2, no. 02 (2024): 28–37. https://doi.org/10.32734/cjcs.v2i02.16335.

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Femme-masculinity is a gender terminology to describe a woman who identifies herself between the feminine and masculine genders. This femme-masculine gender is represented in the Marjan Ramadan 2022 Ad Series Versions â€œMarjan, Bangkitkan Harapanâ€, â€œMarjan, Berbuka Penuh Harapanâ€, dan â€œMarjan, Rayakan Kemenanganâ€. This study aims to dismantle the representation of femme-masculinity in the Marjan Ramadan 2022 Ad Series Versions â€œMarjan, Bangkitkan Harapanâ€, â€œMarjan, Berbuka Penuh Harapanâ€, and â€œMarjan, Rayakan Kemenanganâ€. The theory used is Stuart Hallâ€™s Representation

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Jørgensen, Lea Grosen. "Vikingens udødelige sang." Passage - Tidsskrift for litteratur og kritik 34, no. 81 (2019): 54–70. http://dx.doi.org/10.7146/pas.v34i81.114430.

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Lea Grosen Jørgensen: “The Viking’s Undying Song – A Comparison of Old Norse Poems and Heroic Portrayals in Vikings (2013-) and Oehlenschläger’s Regnar Lodbrok (1849)” This article discusses the portrayal of the legendary Viking Regnar Lodbrok in Michael Hirst’s TV series Vikings and Adam Oehlenchläger’s Romantic poem Regnar Lodbrok. Focusing on the incorporation of the Old Norse death song “Krákumál” in both the series and the poem, the article shows that the reinterpretations of the death song determine the versions of the Viking hero. Reinventing the hero after the fashion of their ow

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Amstein, Walter L. "The Warrior Queen: Reflections on Victoria and Her World." Albion 30, no. 1 (1998): 1–28. http://dx.doi.org/10.2307/4052381.

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The subject of monarchy remains more fashionable in the pages of People and the National Inquirer than among NEH peer review panelists or professional historians generally. To a surprising degree, indeed, the subject has been left to non-professionals or to non-historians. Yet, when one reflects on the fact that the best-known wedding and the most traumatic funeral of the twentieth century both involved the British monarchy in a very immediate fashion, then one can hardly contend that that institution is of no account in modern cultural history. In the course of the past decade, I have drafted

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Seregin, N. N., A. A. Tishkin, S. S. Matrenin, and T. S. Parshikova. "Burial of a warrior of the Rouran period from Northern Altai." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 2(61) (June 15, 2023): 80–94. http://dx.doi.org/10.20874/2071-0437-2023-61-2-7.

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The article introduces into scientific discourse cultural, chronological and social interpretation of the warrior burial, investigated during the excavations of the necropolis of the Bulan-Koby Culture of the Choburak-I funerary and ritual complex. The site is located on the right bank of the Katun River, to the south from the Elanda village of Chemal district, Altai Republic. During the research, a burial of a man with a horse and accompanying equipment, including a representative set of weapons (bow, a large number of arrows with iron tips, a sword, two combat knives), a belt decorated with

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16

Quinn, John M., Vladimír Bencko, Alexander V. Bongartz, et al. "NATO and evidence-based military and disaster medicine: case for Vigorous Warrior Live Exercise Series." Central European Journal of Public Health 28, no. 4 (2020): 325–30. http://dx.doi.org/10.21101/cejph.a6045.

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Silvina, Silvina, Rizka Khairiza, and Muhammad Rizqy Setyarto. "Apert Syndrome: Case Series and Review of The Literature." Jurnal Plastik Rekonstruksi 8, no. 1 (2021): 1–5. http://dx.doi.org/10.14228/jprjournal.v8i1.316.

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Summary: Apert syndrome is a type 1 acrocephalosyndactyly, a rare syndrome characterized by the presence of multiple craniosynostoses, dysmorphic facial manifestations, and syndactyly of hand and feet. It affects 1:100.00 of birth and the second most common of syndromic craniosynostosis. Molecular genetic tests that identify the heterozygous pathogenic variant in FGFR2 genes - identical with Apert syndrome cost too high to be applicable in developing countries. Therefore, the diagnosis of Apert syndrome should be suspected from the clinical findings. Three cases from the Community of Indonesia

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Šmidchens, Guntis. "National Heroic Narratives in the Baltics as a Source for Nonviolent Political Action." Slavic Review 66, no. 3 (2007): 484–508. http://dx.doi.org/10.2307/20060298.

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The national heroes of Estonia, Latvia, and Lithuania that emerged in literary culture during the nineteenth century were warrior heroes. In the twentieth century, a series of interpretations and adaptations by leading authors disarmed and desacralized Kalevipoeg, Bearslayer (Lāčplēsis), and King Mindaugas, tempering or rejecting their violent actions and recasting these central allegories of national myth into a nonviolent mold. These heroes are part of the cultural context in which the nonviolent Baltic “Singing Revolution” emerged; they offer an intriguing example of evolving (or devolving)

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Kuś, Rafał. "“Roots”: The Significance, Impact, and Legacy of an ABC Miniseries." Zarządzanie Mediami 12, no. 3 (2024): 183–97. https://doi.org/10.4467/23540214zm.24.010.20935.

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This paper explores the cultural, historical, and social significance of the 1977 ABC miniseries Roots. Based on Alex Haley’s acclaimed yet controversial book, the series recounts the generational saga of Kunta Kinte, a Mandinka warrior enslaved and brought to America, and his descendants. Employing a qualitative case study methodology, the study analyzes the series’ content, critical reception, and its profound influence on racial discourse, historical awareness, and television as a medium. Roots pioneered new standards for American television, introducing complex African American protagonist

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Ляхов, С. В., В. Е. Маслов та Ю. С. Половинкина. "ВОИНСКОЕ ПОГРЕБЕНИЕ У с. КИТАЕВСКОЕ". Краткие сообщения Института археологии (КСИА), № 278 (14 червня 2025): 176–95. https://doi.org/10.25681/iaras.0130-2620.278.176-195.

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Заметка посвящена публикации воинского погребения кочевника кон ца IV в. до н. э. в курган эпохи бронзы могильника Китаевское-2 в Центральном Ставрополье. Рассматривается небольшая серия синхронных воинских захоронений с подобными мечами, которые появляются на рубеже двух больших эпох: «скиф ской» и «сарматской». Предметы вооружения и сопутствующий инвентарь погребений имеют широкий круг аналогий среди скифоидных и меотских древностей, а керамика – предкавказское происхождение. Погребальный обряд имеет сходство с памятниками нижневолжских кочевников и кочевыми группами Прикубанья, но отличен о

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Embleton, Sheila. "Names and Their Substitutes." Target. International Journal of Translation Studies 3, no. 2 (1991): 175–206. http://dx.doi.org/10.1075/target.3.2.04emb.

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Abstract The Astérix comic-book series, originally in French, is well-known and widely translated. Each book relates an adventurous episode in which the principal character is Astérix, a small, witty warrior from a fictional Gaulish village, the only village to have successfully resisted the Roman occupation. The series relies on many humorous techniques, but word-play and puns form an integral part. Much humour derives from the names used, combining various comic effects, particularly puns and double entendres. Thus the translator faces not only the usual problems in translating literary name

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Brown, Alan S. "Viking vs. Samurai." Mechanical Engineering 132, no. 03 (2010): 44–45. http://dx.doi.org/10.1115/1.2010-mar-5.

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This article discusses the application of mechanical engineering concepts in a day-to-day TV serial world. Instrumenting weapons and armor showed that Viking chain mail could withstand the slashing attack of a Samurai katana in the TV series named Deadliest Warrior. The show pits fighters with different styles of fighting who never met—Spartan vs. Ninja or Apache vs. Gladiator —against one another. The show’s experts include a doctor, a computer programmer, and Desmoulin, the go-to guy for figuring out the impact of ancient arms. They feed their findings into a Monte Carlo simulation that runs

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Hampshire, Kathryn. ""Who Killed the World?": Monstrous Masculinity and Mad Max." Digital Literature Review 4 (January 13, 2017): 177–90. http://dx.doi.org/10.33043/dlr.4.0.177-190.

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In a futuristic, dystopian Australia, Max Rockatansky is a lone warrior struggling against the forces that have ripped his family, and society as a whole, to shreds. From rogue motorcycle gangs to violencebased legal systems, the Mad Max films depict a world in which the most toxic aspects of masculinity have poisoned society, mutating into something far more dangerous — something monstrous. The series presents a version of monstrosity that has sunk its claws into the very masculinity it usually serves to validate; in light of these subversions, this analysis utilizes monster theory in conjunc

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Golubov, Nattie. "Female Warriors, Social Injustice and the Transformational Force of Anger in Jaye Wells' Sabina Kane Series." Esferas Literarias, no. 6 (December 21, 2023): 21–37. http://dx.doi.org/10.21071/elrl.vi6.16293.

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Urban fantasy heroines tend to be highly trained supernatural or magical beings who unapologetically use violence to achieve their goals. Their stories, often plotted as revenge narratives, are in many cases driven by anger, a key force of good in the quest for justice. Heroines are transformed into protectors when their personal trajectories, often motivated by complicated family bonds, become entangled with the fate of specific cities. Rereading Jaye Wells’ Sabina Kane series in the context of recent feminist reinterpretations of women’s anger, I will argue that anger is a source of social r

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Jones, Rebecca. "A Game of Genders: Comparing Depictions of Empowered Women between A Game of Thrones novel and Television Series." Journal of Student Research 1, no. 3 (2012): 14–21. http://dx.doi.org/10.47611/jsr.v1i3.100.

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The main women in George R. R. Martin's novel Game of Thrones, first published in 1996, and the adapted television series in 2011, are empowered female figures in a world dominated by male characters. Analyzing shifts in the characters’ portrayals between the two mediums conveys certain valences of the cultures for which they are intended. While in the novel the characters adhere to a different set of standards for women, the television series portrays these women as more sympathetic, empowered, and realistic with respect to contemporary standards. Using literary archetypes of queen, hero, mot

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O'Donnell, Marcus. "Jack Bauer: The Smart Warrior's Faustian Gift." Media International Australia 129, no. 1 (2008): 33–45. http://dx.doi.org/10.1177/1329878x0812900105.

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Jack Bauer of the television series 24 is a highly charged contemporary mythic character who exists in powerful relationship to past and present real-world and fictional figures. If Rambo was a classic Reagan era cinematic ‘hard body’ (Jeffords, 1994), Jack is the archetypal Bush ‘smart warrior’ in a post -Patriot Act era. Like Rambo, Reagan's displays of bravado were decisive and successfully staged; however, George Bush has faced a multiplying set of uncertainties. This sets up a more complex set of relations between Jack, George W. Bush and contemporary masculinities than those presented by

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Wade, Harry. "Wood, Churchill." Teaching History: A Journal of Methods 29, no. 1 (2004): 50–51. http://dx.doi.org/10.33043/th.29.1.50-51.

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This new title in the British History in Perspective series by Ian S. Wood, Lecturer in History at Napier University in Edinburg, is not a conventional biography of Churchill- adding another seemed superfluous to the author- but rather a thematic study of the major and sometimes overlapping issues in the long and exceptional career of Winston Churchill. After a short preface in which Churchill's political career is divided into three phases- 1900-1915, 1915-1939, and 1939-1955- the author investigates Churchill's career through nine themes that make up the nine chapters of the book. Among the

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Yatsenko, Sergey. "Artistic Bone Wares of the Ancient Kangju and the Neighboring Countries." Stratum plus. Archaeology and Cultural Anthropology, no. 4 (September 5, 2024): 311–35. http://dx.doi.org/10.55086/sp244311335.

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The Kangju artistic narrative bone wares can be productively considered only against the background of earlier and synchronous Xiongnu, Khwarezmian and Bactrian Yuezhi artifacts. Apparently, this range of products and subjects took shape after a series of migrations from the turn of the 2nd—1st centuries BC. Such items were elements of the military male elite subculture, found on nomadic artifacts — belts, bows, boxes for valuable small items. In form, they are related to the traditions of the more eastern Xiongnu, from which the Yuezhi fled to Western Turkestan. They depicted only men, and th

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Sengupta, Sohini. "Empowering Girlhood Journeys: Feminist Mythic Revision in Contemporary Indian Diaspora Children’s Fiction." International Journal of English Literature and Social Sciences 7, no. 3 (2022): 248–52. http://dx.doi.org/10.22161/ijels.73.37.

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There had been relatively little interest in a narrative of female individuation within mythology. Revisionist myths and legends in contemporary literaturehave thus addressed issues of women’s identity and autonomy while redesigningthe gendered spaces in these cultural narratives. The need for alternative mobility arcs within the cultural imaginary was also recognized for adolescent girls in their quest for subjectivity.This paper thus explores two works of children’s fiction, viz. Sayantani Dasgupta’s Game of Stars(2019) from the Kiranmala and the Kingdom Beyond series and Roshani Chokshi’s A

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Ben, Yehuda Omri. "Shooting, Not Crying: Reckoning with Violence in Prisoners of War, Homeland and Fauda." Postcolonial Interventions: An Interdisciplinary Journal of Postcolonial Studies Volume VIII, Issue 2 (June 30, 2023): 175–220. https://doi.org/10.5281/zenodo.8171817.

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Israeli television series have received remarkable international acclaim in recent years. In this article I examine the political implications of this success in terms of the West’s suspicious and hostile imagining of Islam, and the way in which the Jew – and the Israeli as the embodiment of a new Jew – performs the role of a liminal figure of mediation. I seek to unravel these tensions while arguing that during the last decade – a period defined by Prime Minister Benjamin Netanyahu’s rule – Israeli cultural representation experienced a significant paradigma

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Gimpl, Ádám. "The Representation of the Scottish Accent in Hollywood Movies and TV Series." Folia Humanistica et Socialia 1, no. 2 (2024): 47–64. http://dx.doi.org/10.69705/fhs.2023.1.2.5.

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Both Scottish culture and the Scottish accent have been oft misrepresented in Hollywood movies and TV series starting in the 20th century and continuing into the 21st. The purpose of this paper is to analyse said misrepresentations, determine why characters are given Scottish accents, how that accent contributes to their characterisation and what kind of character types tend to receive the Scottish accent. The paper concludes that the Scottish accent is selected for certain characters because the previous success of Scotland-based Hollywood movies has made the accent popular among audiences, t

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Renardy Reza, Razali, and Lubis Munawar Adhar. "Apert Syndrome: A Case Report." Clinical Journal of Obstetrics and Gynecology 6, no. 4 (2023): 233–35. http://dx.doi.org/10.29328/journal.cjog.1001154.

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Background: Apert syndrome is a type 1 acrocephalosyndactyly, a rare syndrome characterized by the presence of multiple craniosynostoses, dysmorphic facial manifestations, and syndactyly of hand and feet. It affects 1:100.00 of birth and is the second most common of syndromic craniosynostosis. Molecular genetic tests that identify the heterozygous pathogenic variant in FGFR2 genes - identical with Apert syndrome cost too high to be applicable in developing countries. Therefore, the diagnosis of Apert syndrome should be suspected from the clinical findings. Three cases from the Community of Ind

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Sheets, Kevin B. "Antiquity Bound: The Loeb Classical Library as Middlebrow Culture in the Early Twentieth Century." Journal of the Gilded Age and Progressive Era 4, no. 2 (2005): 149–71. http://dx.doi.org/10.1017/s1537781400002553.

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Armed with volumes of Greek and Latin classics, James Loeb waged a gentleman's war. He took aim at what the modern world prized and with the ammunition of antiquity he sought to defeat it. Specifically, in 1912, he inaugurated the publication of his eponymous classical library of ancient texts and facing-page English translations. The Loeb Classical Library, numbering in the hundreds of volumes, collected into one series all the important works and many obscure texts from antiquity. With the same popularizing instinct that guided other purveyors of middlebrow culture, Loeb aimed to connect a g

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de Castro, Eduardo Viveiros. "Exchanging Perspectives." Common Knowledge 25, no. 1-3 (2019): 21–42. http://dx.doi.org/10.1215/0961754x-7299066.

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Originally published in 2004 in the Common Knowledge symposium “Talking Peace with Gods,” this article elaborates the nature and consequences of the perspectivist cosmologies of Amerindian societies. Contemporary Western cosmologies regard humans as ex-animals who became differentiated from other nonhuman species through the acquisition of advanced cognitive capacities. Amerindian cultures, by contrast, regard animals as ex-humans who became differentiated from both modern humans and other animal species via a series of physical adaptations. Underneath these physical differences, both humans a

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Seregin, N. N., and S. S. Matrenin. "An experience of social interpretation of the materials from the pre-Turkic necropolis of Choburak-I (Northern Altai)." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 3(66) (September 15, 2024): 31–41. http://dx.doi.org/10.20874/2071-0437-2024-66-3-3.

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The paper concerns the main aspects of social interpretation of a series of burials excavated as part of the pre-Turkic period necropolis at the site of Choburak-I. This complex, investigated by the expedition of the Altai State University, is located in Chemalsky District of the Altai Republic. The burial ground of the Bulan-Koba Cul-ture comprises 12 burial mounds arranged in a compact group. Each of these contained an undisturbed human burial with or without a horse. The analysis of the retrieved accompanying inventory, involving the results of radio-carbon dating, allowed it to determine t

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LaGrand, James B. "Clyde Warrior: Tradition, Community, and Red Power. New Directions in Native American Studies Series. By Paul R. McKenzie-Jones." Western Historical Quarterly 47, no. 4 (2016): 484–85. http://dx.doi.org/10.1093/whq/whw139.

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Domínguez, Adolfo J. "Not Only “invincible in arms, a glorious warrior” (Plut. Pyrrh. 11.8). Pyrrhus and the Administration of the Epirote Kingdom." Klio 104, no. 2 (2022): 550–86. http://dx.doi.org/10.1515/klio-2021-0033.

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Summary In relation to King Pyrrhus of Epirus, a great number of studies have analysed his different military campaigns, but very few have focused on the political and economic aspects of his reign. Based on a series of references taken from literary accounts, we seek to demonstrate how the internal organisation of the Kingdom of Epirus under Pyrrhus was similar to that of other contemporaneous Hellenistic kingdoms, replete with a Court consisting of a large number of the king’s friends and companions. Using certain archaeological evidence, especially funerary remains, we seek to reflect the e

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Li, Feng, Yongli Gao, António José Estêvão Grande Candeias, and Yao Wu. "Virtual Restoration System for 3D Digital Cultural Relics Based on a Fuzzy Logic Algorithm." Systems 11, no. 7 (2023): 374. http://dx.doi.org/10.3390/systems11070374.

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This research proposes a virtual restoration system and method for 3D digital cultural relics based on a fuzzy logic algorithm, aiming to solve the problems of the low classification accuracy and poor splicing effect of Terra Cotta Warrior fragments. This method adopts a series of steps to improve the efficiency and accuracy of fragment splicing. Firstly, features such as curvature, torsion, and left and right chord lengths were extracted from the fracture surface contour lines of the cultural relic fragments to form feature vectors. Then, the feature vector was fused and compressed by using t

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Cooper, Daniel E., and James D. Heckman. "The Heel of Achilles: Calcaneal Avulsion Fracture from a Gunshot Wound." Foot & Ankle 9, no. 4 (1989): 204–6. http://dx.doi.org/10.1177/107110078900900411.

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Greek mythology relates that the legendary warrior Achilles was made invincible by his mother Thetis, who dipped him in the River Styx while holding him by his heel. Because his heel was never immersed, it remained his one area of vulnerability. After the fall of Troy, Achilles met his demise when he was shot in the heel by Paris, whose arrow was guided by the Greek god Apollo. This is the derivation of the term “Achilles tendon.” Avulsion fractures of the tuberosity of the calcaneus are rare injuries. 1 , 2 , 3 , 6 , 7 , 12 Schonbauer 14 reviewed a series of 870,000 accident cases treated at

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Veldman, Meredith. "“Dressed in an Angel's Nightshirt”: Jesus and the BBC." Journal of British Studies 56, no. 1 (2017): 117–37. http://dx.doi.org/10.1017/jbr.2016.117.

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AbstractThis article examines images of Jesus broadcast on the BBC from the 1930s through the 1950s. During these years, the BBC sought to use its cultural influence to replace popular religiosity with what the clerics who staffed its Religious Broadcasting Department (RBD) regarded as a more masculine, modern, and vigorous national religious faith. To achieve this aim, the RBD marshaled the might of British New Testament scholarship and its image of a warrior-like, apocalyptic historical Jesus. Yet the RBD's hopes of bridging the gap between popular religiosity and its own vision of Christian

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Drawnel, Henryk. "The Mesopotamian Background of the Enochic Giants and Evil Spirits." Dead Sea Discoveries 21, no. 1 (2014): 14–38. http://dx.doi.org/10.1163/15685179-12341263.

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Abstract In the myth of the fallen Watchers (1 En. 6–11) the giants, illegitimate offspring of the fallen angels, are depicted as exceedingly violent beings that consume the labour of all the sons of men. They also kill men, devour them, and drink blood. Finally, they sin against all the animals of the earth. The violent behaviour of the giants in 1 En. 7:2–5 continues in 1 En. 15:11 where the spirits of the giants attack humanity, thus it appears that the spirits behave in a manner similar to that of the giants. The present article argues that the description of the giants in 1 En. 7:2–5 and

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Balfour, Robert. "Victim–Survivor–Warrior–Healer: An autoethnographic account of a male childhood sexual violence survivor’s activist journey." Social Work and Social Sciences Review 23, no. 2 (2022): 103–25. http://dx.doi.org/10.1921/swssr.v23i2.2086.

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It has been argued that stories inform our perceptions of reality and social change is driven by stories (Sarbin, 1986; Bochner, 2012; Frank, 2011/2013). Sexual violence is a complex cultural challenge for societies (Rape Crisis, 2020). Individual survivor identity is formed in that complexity and personal posttraumatic growth (PTG) can be forged in such challenges (Tedeschi & Calhoun, 2004). Activism is one way the survivor can help forge social change both for themselves and the ‘community of interest’ they belong to (Raskovic, 2020; Herman, 1992). This article uses autoethnography to ex

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Lu, Su-Ju, Yu-Chiao Lin, Kim Hua Tan, and Ying-Chieh Liu. "Revolutionizing elementary disaster prevention education and training via augmented reality-enhanced collaborative learning." International Journal of Engineering Business Management 14 (January 2022): 184797902110673. http://dx.doi.org/10.1177/18479790211067345.

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In light of a recent spike in natural and man-made disasters, there has been an increase in interest in disaster prevention education and training. The effectiveness of both publicly-funded and voluntarily organized disaster education (DE) has attracted wide attention. More studies are needed to understand the innovative pedagogical practice and the impact of technological advances on disaster learning content development, effectiveness and motivation. This study investigates the application of augmented reality (AR) in DE and training. An AR-enhanced tool named ‘disaster-proof warrior’ was de

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OROSINA, Nadezhda. "Images of the hero's celestial patrons in the Yakut olonkhos about the bogatyrs Nyurguns." Epic studies 4, no. 36 (2024): 95–104. https://doi.org/10.25587/2782-4861-2024-4-95-104.

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The relevance of the topic is due to the need for a systematic study of the character series of the Yakut epic olonkho, including previously unstudied mythological images. The article for the first time examines the images of the hero's heavenly patrons in five olonkho texts about the Nyurgun heroes, representing various epic traditions of Central Yakutia. The purpose of the article is to study the images of the hero's heavenly patrons in the context of the figurative system of the olonkho about the Nyurguns, to clarify their role and functions in the plot structure. To achieve the goal, the f

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Kozlenko, Roman, and Olha Puklina. "Roman Terracottas From the Lower City of Olbia from the collection of the National Museum of the History of Ukraine." Archaeology, no. 1 (March 16, 2021): 108–17. http://dx.doi.org/10.15407/archaeologyua2021.01.108.

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The article introduces clay figurines of eagles and terracotta of a Roman soldier, which were found during excavations at the Lower City of Olbia in the 1930—1940-ies, and are kept in the National Museum of the History of Ukraine. The iconography of the eagles is similar to the terracotta statuette of an eagle found in the praetorium building in the Upper City of Olbia. The series of rooms, in which the eagle figurines were found, belong to the Roman garrison structures, which were located in the port area of the city. Terracotta eagle figurines could be used in military sanctuaries, and imita

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Kirişçi, Kemal. "The transformation of Turkish foreign policy: The rise of the trading state." New Perspectives on Turkey 40 (2009): 29–56. http://dx.doi.org/10.1017/s0896634600005203.

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AbstractRecently, Turkish foreign policy, compared to the 1990s, has manifested a number of puzzlements. They range from the rapprochement with Greece, the turnabout over Cyprus, mediation efforts involving a series of regional conflicts to a policy seeking an improvement in relations with Armenia and Kurds of Northern Iraq. These puzzlements have increasingly transformed Turkey from being cited as a “post-Cold War warrior” or a “regional coercive power” to a “benign” if not “soft” power. Academic literature has tried to account for these puzzlements and the accompanying transformation in Turk

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Ramola, Tanya. "Fusing the Mythological with the Contemporary: A Study of the Revisionist Version of Sita in Amish Tripathis Sita: Warrior of Mithila." International Journal for Research in Applied Science and Engineering Technology 9, no. 10 (2021): 884–86. http://dx.doi.org/10.22214/ijraset.2021.38547.

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Abstract: Sita: Warrior of Mithila (2017), the second book in the Ramachandra series by Amish Tripathi, is a true representative of the genre of revisionist writings. Using the technique of hyperlink, the author portrays Valmiki’s leading lady as a fierce woman unlike other versions of the classical text wherein the character of Sita is docile and much more suppressed without a voice of her own. She is practical and intelligent and has the habit of taking decisions on her own during her adolescence. She is completely opposed to the caste system practised in India that acts as a hindrance in th

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Fialko, O. Ye, and V. V. Neroda. "SCYTHIAN AMAZON BURIAL IN CHERKASY REGION." Archaeology and Early History of Ukraine 31, no. 2 (2019): 364–74. http://dx.doi.org/10.37445/adiu.2019.02.29.

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The burial complex of an armed woman was investigated in 1988 on the outskirts of the town Gorodyshche in Cherkasy region. The design of the burial complex combines features characteristic of both nomadic Scythians and the local forest-steppe population. The funeral inventory of the deceased is made up of objects typical of the Scythians: meat food on a wooden plate, two spears, a set of 11 arrows with bronze arrowheads; a bone cheek-piece and jewelery — gold earrings, a pendant and neck hryvnia tips. By all indications (a specially erected kurhan, the powerful wooden construction, the size an

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Graham, Catherine. "Views & Reviews." Canadian Theatre Review 112 (September 2002): 70. http://dx.doi.org/10.3138/ctr.112.009.

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The relationship of jazz and theatre, as the articles in this issue demonstrate, is a complex one. The three reviews featured here speak to some of the diverse influences jazz, and the community it comes out of, has on contemporary theatre. Kate Bligh’s review discusses a collaborative work created for the Montreal International Jazz Festival by one of Canada’s best known men of the theatre, Robert Lepage, in collaboration with musician Peter Gabriel. Her description of the piece, which took place in a cabaret setting reminiscent of the early jazz scene, demonstrates the affinity of Lepage’s c

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Hilal, Syamsul, Afrizal Hendra, and Tri Legionosuko. "Battle of Ambarawa from the perspective of the universe war strategy." Strategi Perang Semesta 8, no. 2 (2022): 145. http://dx.doi.org/10.56555/sps.v8i2.1521.

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The battle in Ambarawa was reasonably crucial in the history of the Struggle of the Indonesian nation because the battle of Ambarawa was one of a series of events to maintain independence during the revolution. How the application of the universal war strategy in the battle of Ambarawa is carried out by the warrior figures and the goals to be achieved in Palagan Ambarawa, and the impact resulting from the battle becomes the goal of this historical research in addition to making historical knowledge that may one day be lost. The method used in this study is a historical method that follows the

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