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Gotowe bibliografie tematyczne / Shawnee art

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Gotowa bibliografia na temat „Shawnee art”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Shawnee art"

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Lepper, Bradley T., James R. Duncan, Carol Diaz-Granados, and John Soderberg. "Ohio Rock Art and Serpent Mound: Shared Iconography, Shared Stories." Midcontinental Journal of Archaeology 48, no. 2 (2023): 147–71. http://dx.doi.org/10.5406/23274271.48.2.03.

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Abstract James Swauger's study of Ohio's rock art, Petroglyphs of Ohio, has been the definitive guide to the subject since its publication in 1984. Swauger concluded that the Indigenous American Indian petroglyphs were created during the late precontact period and proposed that the makers of the designs were “proto-Shawnee,” but he deliberately eschewed any attempt to attribute meanings to the designs. Building on Swauger's work, we consider Ohio rock art through the lens of our previous research on Serpent Mound and the rock art of midcontinental North America, particularly the unique suite o

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Vertinsky, Patricia. "“This Dancing Business is More Hazardous Than Any ‘He-Man’ Sport”: Ted Shawn and His Men Dancers." Sociology of Sport Journal 35, no. 2 (2018): 168–77. http://dx.doi.org/10.1123/ssj.2017-0009.

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Selecting Springfield College, founding home of the International YMCA as a training ground for male dancers was an inspired choice by American modern dancer Ted Shawn given the founding credo of the College to ‘build builders of men.’ I would like to see men dancing in gymnasiums and stadiums, he claimed, so that the dance could reach again the position it held among the Greeks as the most perfect athletic accomplishment and the finest means of physical training and development. They were earnest and interesting efforts to foster an aura of ‘authentic rugged American masculinity’ for the era,

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Weinert, Adam H. "The Reaccession of Ted Shawn: A Study in Virtual Permanence." PAJ: A Journal of Performance and Art 38, no. 2 (2016): 69–79. http://dx.doi.org/10.1162/pajj_a_00319.

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In the spring of 2013, I was invited to represent the modernist choreographer Ted Shawn at the Museum of Modern Art as part of the exhibition 20 Dancers of the XXth Century, curated by Boris Charmatz. The exhibit proposed the both radical and rudimentary notion that the main museal space for dance is the human body. In many ways, this is in keeping with how dance has historically been preserved—passing down from generation to generation as an oral and kinesthetic tradition without the benefit of a comprehensive or standardized notation system. With this tradition in mind, I endeavored to becom

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Artists, Multiple, and With Carina Magazzeni. "Imagined Urban Gardens, Rodman Hall Art Centre." ti< 9, no. 1 (2020): 5–14. http://dx.doi.org/10.26522/ti.v9i1.2448.

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Blau, Shawn. "Getting Things Done: The Art of Stress-Free Productivity." New England Journal of Entrepreneurship 4, no. 2 (2001): 81–82. http://dx.doi.org/10.1108/neje-04-02-2001-b008.

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Brask, Per. "Kierkegaard and the Art in Ross McMillan’s Fever." Canadian Theatre Review 92 (September 1997): 23–26. http://dx.doi.org/10.3138/ctr.92.005.

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What appeals to me in a monodrama is the way it can suggest the interiority of a character, a life of the mind. At stake in Wallace Shawn’s play The Fever is precisely this interiority, this being born into the life of the mind which is the “privilege” of members of the middle classes (and above) of Western culture. He has chosen the dramatic form which best approaches interiority in order to make it problematic.

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Artists, Multiple. "Crisscross." ti< 9, no. 1 (2020): 15–28. http://dx.doi.org/10.26522/ti.v9i1.2449.

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Dempsey, Shawna, and Lorri Millan. "Mary Medusa." Canadian Theatre Review 76 (September 1993): 42–57. http://dx.doi.org/10.3138/ctr.76.009.

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Caution: copyright 1993 by Shawna Dempsey and Lorri Millan. This work is fully protected under the copyright laws of Canada and all other countries of the Copyright Union and all performances are subject to royalty. Change to the script is expressly forbidden without the written consent of Shawna Dempsey and Lorri Millan. Rights to produce, film, or record, in whole or in any part, in any medium, in any language, by any group, amateur or professional, are retained by Shawna Dempsey and Lorri Millan. Interested persons are requested to apply for permission and terms to Shawna Dempsey and Lorri

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Parayre, Catherine, and Artistes Multiples. "Shawn Serfas en février et les enfants au travail." ti< 5, no. 1 (2016): 25–46. http://dx.doi.org/10.26522/ti.v5i1.1341.

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Spears, Charlotte. "Consumer Protection: Online Sale of Prescription Drugs to Minors Not Unconscionable." Journal of Law, Medicine & Ethics 30, no. 2 (2002): 315–17. http://dx.doi.org/10.1017/s1073110500008561.

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In Stovall v. Confimed.com, the Kansas Supreme Court held that an out-of-state medical doctor who sold a prescription drug to a Kansas minor over the Internet did not commit an unconscionable act under the Kansas Consumer Protection Act (KCPA). The Shawnee Country District Court had enjoined the doctor from prescribing or dispensing prescription medicine within the state of Kansas, and the doctor appealed the injunction to the Kansas Supreme Court. The Supreme Court affirmed the district court's decision to grant injunctive relief, but found no unconscionable conduct under the KCPA.The appelle

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Rozprawy doktorskie na temat "Shawnee art"

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Kerns, Shawn Allan. "SHAWN KERNS." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1398093330.

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Książki na temat "Shawnee art"

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Harjo, Benjamin. The earth, the moon, and the stars above. Wheelwright Museum of the American Indian, 2004.

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Mehta, Ved. Remembering Mr. Shawn's New Yorker: The invisible art of editing. Overlook Press, 1998.

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C, Driskell David, ed. Expanding tradition: Selections from the Larry D. and Brenda A. Thompson collection / with essays by Shawnya L. Harris and David Driskell. Georgia Museum of Art, University of Georgia, 2017.

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Larsen, Erika. 6x6: Erika Larsen, Paula McCartney, Dave Jordano, Ian Wolstenholme, Sasha Rudensky, Shawn Records. Society of Photographers, 2008.

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1982-, Ellis Rich, Allison Grace, Uyetake Neil, Robbins Robbie, and Lee Shawn, eds. Memorial: Written by Chris Roberson ; art by Rich Ellis ; colors by Grace Allison ; letters by Neil Uyetake, Robbie Robbins, and Shawn Lee. IDW, 2012.

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Wolfe, Shawn. Uncanny: The Art & Design of Shawn Wolfe. Gingko Press, 2001.

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Uncanny: The Art & Design of Shawn Wolfe. Houston, 2000.

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Tattooed Portraits: New Paintings by Shawn Barber. 9mm Books, 2006.

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Forever and Ever: New Works by Shawn Barber. 9mm Books, 2008.

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Authors, Collective. International scientific and practical conference CUTTING EDGE-SCIENCE 2021 Shawnee, USA. Primedia E-launch LLC, 2021. http://dx.doi.org/10.37057/u_10.

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We are representing an aggregate of online-based scientific and practical journals with open access, published by Primedia E-launch LLC and peer-reviewed by experts in the relevant field. Open access policy gives us the opportunity to deliver full-text articles from our journals to our readers, free of charge. This allows our authors to reach a greater audience, increasing the citation rate of their scientific works.

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Części książek na temat "Shawnee art"

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Love, Ann Rowson, and Deborah Randolph. "Artist Segue 2: Shawne Major." In An Introductory Guide to Qualitative Research in Art Museums. Routledge, 2024. http://dx.doi.org/10.4324/9780429262326-4.

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Cheung, King-Kok. "Art, Spirituality, and Ren or the Ethics of Care: Shawn Wong, Li-Young Lee, and Russell C. Leong." In Chinese American Literature without Borders. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-44177-5_5.

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"The Bread Dance: A Shawnee Ceremony of Thanks and Renewal." In Hero, Hawk, and Open Hand: American Indian Art of the Ancient Midwest and South. Art Institute of Chicago, 2004. http://dx.doi.org/10.37862/aaeportal.00064.024.

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Aron, Stephen. "Chillicothe." In Peace and Friendship. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197622780.003.0001.

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Abstract This chapter focuses on Chillicothe, a Shawnee Indian village in what is now the state of Ohio, where Daniel Boone was taken as a captive in 1778 and where his adoption by Blackfish, a Shawnee leader, opened a road to reconciliation between Indians and Americans in the Ohio Valley. The chapter hinges on the dilemmas faced by Boone and Blackfish, for the adoption occurred at time in which conflict between Kentucky pioneers and Ohio Indians was escalating. It was also a moment when the American Revolution and the path to an American West hung in the balance. Here, the critical questions

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Fuente, David de la. "The Saturated Flesh of Christ: Christology, Aesthetics, and Subjectivity in Jean-Luc Marion and M. Shawn Copeland." In Art, Desire, and God. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781350327184.ch-013.

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Rury, John L. "Conflict in Suburbia." In Creating the Suburban School Advantage. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501748394.003.0006.

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This chapter offers an account of developments on the Kansas side of the border, focusing specifically on the rise of the Shawnee Mission School District. Johnson County became known for the high quality of its schools and attracted the greatest concentration of college-educated adults in the area. This came to represent a significant advantage with respect to the performance of local schools. The district encountered difficulties, however, in achieving consolidation, as wealthy patrons in fashionable communities rejected proposals to join with less-affluent residents in other parts of the are

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Kenny, Kevin. "A Hunger for Land." In Peaceable Kingdom. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195331509.003.0006.

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Abstract Land-hungry settlers who could not establish a foothold in Lancaster County began to cross the Susquehanna River into the Cumberland Valley in the 1730s. At the conference in 1742 when Canassatego expelled Nutimus and his people, western Delaware and Shawnee Indians complained that “they were greatly disturbed and injured by the Peoples settling” on their side of the Kittatinny Mountains. In October Lieutenant Governor George Thomas issued a proclamation prohibiting settlement west of the mountains. All settlers that “have presum’d to possess themselves of any Lands there,” he declare

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Robinson, Jane. "Ten." In Unsuitable For Ladies. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780192123336.003.0010.

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Abstract Outside the station a square, a little garden in the middle, and in the middle of the garden a statue. Beyond, a broad avenue, a string of droshkies, a queue waiting beside a shelter. The sky blazes with stars. It is bitterly cold. The stars are like chips of ice. We make inquiries. The town is some distance from the station, some miles. There is a ‘bus. We stand in the queue for a little while that seems a long while. Our feet freeze. We stamp and shuffle, but it is no good. Our feet are like blocks of ice. Samarkand is an oasis; we are surrounded by desert. Why do none of the people

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Christian, Shawn Anthony. "Baldwin, Delaney, and Black Artists’ Genealogical Legacies." In Speculative Light. Duke University Press, 2025. https://doi.org/10.1215/9781478059042-019.

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In this chapter, Shawn Anthony Christian explores how the friendship between James Baldwin and Beauford Delaney constituted an instance of Black artistic relation as genealogical transition, something deeper than “artistic influence” and more historically and culturally familial than simply a “transmission of ideas.” Baldwin’s public tributes to Delaney compel consideration of the enduring ways Black artists embrace and then exemplify shared values and aesthetics. Just as Baldwin “read” Delaney’s paintings and found in them both affirmation and challenge, especially for his own art, subsequent

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Watkins, Michele E. "Differentiation as Disfigurement." In Faith, Reason, and Theosis. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531503017.003.0007.

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This essay aims to further George Florovksy’s project of neo-patristic synthesis from a womanist perspective in order to provide the necessary hermeneutic to expose and deconstruct modern Western notions of race, gender, and class, which have been used to conceptualize the difference among humanity as disfigurement. A number of patristic and womanist sources are leveraged as part of this womanist neo-patristic hermeneutic: Gregory of Nyssa’s Great Catechism, Dolores Williams, Toni Morrison’s novel Beloved, John Zizioulos, and Shawn Copeland. A womanist methodology makes possible a discourse on

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Streszczenia konferencji na temat "Shawnee art"

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Weibel, C. Pius. "ENHANCED LIDAR IMAGERY INDICATES THAT “GIANT CITY” KARSTIC FEATURES ARE NUMEROUS AND WIDESPREAD IN THE SHAWNEE HILLS OF SOUTHERN ILLINOIS, USA." In 50th Annual GSA North-Central Section Meeting. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016nc-275478.

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Bartie, Kenneth. "History of the Vertol Aircraft Corporation, 1956 to 1960." In Vertical Flight Society 77th Annual Forum & Technology Display. The Vertical Flight Society, 2021. http://dx.doi.org/10.4050/f-0077-2021-16811.

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With an overall company lifespan of only four years, Vertol Aircraft Corporation continued the tandem-rotor helicopter legacy of its predecessor, Piasecki Helicopter Corp., as well as research, development and testing of other V/STOL aircraft and technologies while concurrently designing two medium-lift transport helicopters that are still in worldwide use and/or production today. During this short timeframe, the company finalized production and deliveries of the H-21C Shawnee/V-44 for the US Army and international customers. The company designed and flew the world’s first tilt-wing VTOL, the

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Gallca, Marlene A. "Development of an Acoustically Enhanced Cyclone Collector for PFBC." In ASME 1994 International Gas Turbine and Aeroengine Congress and Exposition. American Society of Mechanical Engineers, 1994. http://dx.doi.org/10.1115/94-gt-318.

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Acoustically enhanced cyclone collectors offer the potential of achieving environmental particulate control standards under pressurized fluidized bed combustion (PFBC) conditions without the need for post turbine particulate control. The objective of this research program is to extend acoustic agglomeration technology from the laboratory scale up to the sub-pilot scale. The effects of high intensity sound on the agglomeration of fly ash particles are being investigated in a simulated PFBC effluent stream. The test facility consists of a variable residence time acoustic agglomeration chamber wi

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Babu, Venkatesh, Madan Vunnam, Shawn C. Klann, and Charles A. Filar. "EXPLOSIVE REACTIVE ARMOR ENCLOSURE SIMULATION." In 2024 NDIA Michigan Chapter Ground Vehicle Systems Engineering and Technology Symposium. National Defense Industrial Association, 2024. http://dx.doi.org/10.4271/2024-01-3895.

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<title>ABSTRACT</title> <p>Heavily armored vehicles contain a thick base armor, yet it is insufficient for protection against shaped charges of high explosive anti-tank warheads. Add on armors such as non-explosive reactive armors (NERA) and explosive reactive armors (ERA) have been developed to increase protection levels of armored vehicles. ERA elements are composed of plates and explosive materials. ERA requires a rugged enclosure that reduces the collateral damage during a ballistic event by controlling the effects of the ensuing blast. An attempt is made to simulate the

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Raporty organizacyjne na temat "Shawnee art"

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Siegel, David A., Ivona Cetinic, Andrew F. Thompson, et al. EXport Processes in the Ocean from RemoTe Sensing (EXPORTS) North Atlantic sensor calibration and intercalibration documents. NASA STI Program and Woods Hole Oceanographic Institution, 2023. http://dx.doi.org/10.1575/1912/66998.

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The following documents collect information regarding the calibration and intercalibration of various sensors that were deployed during the North Atlantic field component of the NASA EXPORTS project (EXPORTS NA), which took place between May 4 and June 1, 2021 (Johnson et al., 2023). The EXPORTS NA campaign was designed to to provide a contrasting end member to the earlier North Pacific field campaign, and focused on carbon export associated with the North Atlantic spring bloom in which gravitational sinking of organic particles, the physical advection and mixing, and active transport by verti

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