Gotowe bibliografie tematyczne / Sieges – Fiction

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  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek

Gotowa bibliografia na temat „Sieges – Fiction”

Autor: Grafiati
Data publikacji: 29 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Sieges – Fiction"

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Günaydın Albay, Neslihan. "Frontier Orientalism in The Siege by Ismail Kadare and The Siege of Sziget by Miklos Zrínyi." Söylem Filoloji Dergisi 10, no. 1 (2025): 337–51. https://doi.org/10.29110/soylemdergi.1612461.

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The western image of Turks has changed throughout history in Europe especially in the Balkans, Central and East Europe since the countries in these regions are directly exposed to the sieges, invades and attacks of the Ottomans as frontiers. Even though the image evolves to a softer position due to the changeable strategies and policies of the countries, the metaphor is utilised in order to mythicize the past for an interpretation of the current situation. The image of Turks and the effects of the Ottomans have played a crucial role in the countries which encounter them as frontiers directly a
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Soares, Leonardo Francisco. "ENTRE OS CERCOS: A 'ILÍADA' E A FICÇÃO DE ISMAIL KADARÉ | BETWEEN THE SIEGES: THE 'ILIAD' AND THE FICTION OF ISMAIL KADARE." Estudos Linguísticos e Literários, no. 55 (December 1, 2016): 64. http://dx.doi.org/10.9771/2176-4794ell.v0i55.17142.

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<p>O objetivo deste artigo é refletir sobre as narrativas do escritor albanês Ismail Kadaré que dialogam com o universo dos poemas homéricos, em especial a epopeia <em>Ilíada</em>, e com os modos de composição desses poemas, com vistas a examinar o jogo intertextual estabelecido. Partimos de um trabalho com um corpus inicial composto por alguns romances selecionados da trajetória ficcional do autor. Em seguida, interessa-nos a questão da representação da guerra como elemento de conexão entre Ismail Kadaré e Homero, e, para tanto, aborda-se de modo mais detido o romance <em
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Ellis, Steven G. "Siegecraft on the Tudor frontier: the siege of Dublin, 1534, and the crisis of the Kildare rebellion." Historical Research 92, no. 258 (2019): 705–19. http://dx.doi.org/10.1111/1468-2281.12283.

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Abstract In retrospect, the turning point in the Kildare rebellion came with the rebels’ failure to capture Dublin, and the ordnance, shot and powder in the king's castle there, during the long siege in summer and autumn 1534, in part because, as this article argues, the city's capture had not initially been seen as an immediate priority. Kildare kept back most of his ordnance and gunners to defend Maynooth castle, and historians have focused instead on the brief siege and capture of Maynooth by the king's army in March. Richard Stanyhurst's description of the rebellion, written forty years la
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Thiel, Christian. "MATHEMATIKER IN DER SCIENCE FICTION." Годишњак Филозофског факултета у Новом Саду 42, no. 2 (2018): 23–32. http://dx.doi.org/10.19090/gff.2017.2.23-32.

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Darstellung und Bewertung von sieben ausgewählten „science fiction stories“, in deren Zentrum Mathematiker oder unterhaltsame mathematische Probleme stehen, erlauben instruktive Blicke auf die Beziehung von Mathematik und Geisteswissenschaften, auf C. P. Snows „zwei Kulturen“ und die demgegenüber treffendere Diagnose von „half-cultured individuals“. Vorgeschlagen wird die Fortführung und Erweiterung der wegweisenden Analysen Knut Radbruchs zum Verhältnis von Mathematik, Dichtung und Literaturwissenschaft.
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Geesey, Patricia. "Algerian Fiction and the Civil Crisis: Bodies under Siege." World Literature Today 71, no. 3 (1997): 485. http://dx.doi.org/10.2307/40152809.

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Crowley, P. "Fictions biographiques: XIXe-XXIe siecles." French Studies 62, no. 4 (2008): 513. http://dx.doi.org/10.1093/fs/knn116.

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D.Manoharan and K.Anbuselvi. "Myth, History and Realism in Githa Hartharan's Thousand Faces of Night and in Times of Siege:A Study." Shanlax International Journal of Arts, Science and Humanities 6, no. 2 (2018): 79–84. https://doi.org/10.5281/zenodo.1473231.

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Women  writers  in  India  were  moving  forward  with  their  strong  and  sure  strides, matching the pace of the world. They were recognized for their originality, versatility and the indigenous flavor of the soil that they brought to their work. Hariharan occupies the outstanding place in the world of Indian English fictions since 2002. Mythology in the Indian context is perhaps the most utilized and most admired for every generation and genre. History bears proof of ever fitness that Indians from every age, time and place and dyn
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Aguilar de León, Armando. "Des angles et des contours dans História do Cerco de Lisboa (une lecture parmi tant d'autres)." Anuario de Letras Modernas 14 (July 31, 2009): 169–80. http://dx.doi.org/10.22201/ffyl.01860526p.2008.14.684.

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This paper analyzes the narrative structure and the literary elements that give Saramago’s novel its postmodern features, focusing in the plot and its uchronic perspective in order to appreciate the sci-fi dimension that the historical events take through the narrative. Our discussion examines the action of the principal character, Raymundo Silva, who proofreads a historical work titled The History of the Siege of Lisbon and decides to deny an important fact: "the crusaders did (not) help the Portuguese forces against the Moorish army". Added to the historical work, this não ("not", in portugu
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Bökös, Borbála. "Human-Alien Encounters in Science Fiction: A Postcolonial Perspective." Acta Universitatis Sapientiae, Film and Media Studies 16, no. 1 (2019): 189–203. http://dx.doi.org/10.2478/ausfm-2019-0010.

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Abstract An (un)conventional encounter between humans and alien beings has long been one of the main thematic preoccupations of the genre of science fiction. Such stories would thus include typical invasion narratives, as in the case of the three science fiction films I will discuss in the present paper: the Invasion of the Body Snatchers (Don Siegel, 1956; Philip Kaufman, 1978; Abel Ferrara, 1993), The Host (Andrew Niccol, 2013), and Avatar (James Cameron, 2009). I will examine the films in relation to postcolonial theories, while attempting to look at the ways of revisiting one’s history and
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Betânia da Rocha de Oliveira, Maria. "LACANIAN MATERIALISTIC READING OF THE CHARACTER MARIA SARA OF THE WORK OF JOSÉ SARAMAGO." Revista Gênero e Interdisciplinaridade 5, no. 04 (2024): 257–76. http://dx.doi.org/10.51249/gei.v5i04.2165.

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This article analyzes Maria Sara, from the History of the Siege of Lisbon from the perspective of Lacanian materialism of Zižek. The narrative portrays the history of Portugal, but transforms it into an intertextual plot that transcends the literary, creating new narratives by intertwining fiction and reality. Saramago explores the existential and social issues that afflict the human being, reflecting his interest in the historical and the social. Using žižek's theory, which is based on dialectical and historical materialism, the article examines how these issues manifest themselves in the wor
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Rozprawy doktorskie na temat "Sieges – Fiction"

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CHEBIL, BEN SALEM AMEL. "Typologie et poetique de l'incipit dans la fiction narrative du xixe et du xxe siecles." Université Marc Bloch (Strasbourg) (1971-2008), 1999. http://www.theses.fr/1999STR20012.

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Cette these s'inscrit dans le champ de la theorie du texte, et plus precisement dans ce mouvement critique specialise dans l'analyse des elements d'encadrement du recit. Elle se consacre en particulier a la question de l'incipit narratif dans le roman de la seconde moitie du xixe siecle et de la premiere moitie du xxe siecle. Ce travail se propose en premier temps de definir le texte de l'amorce, cet espace mouvant et variable d'un roman a l'autre, soulevant ainsi la problematique de la delimitation de l'incipit au sein du texte. Dans la seconde partie de la these, nous allons essayer de cerne
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REGAM, ABDELHAD. "Les marges du texte : incipit, desinit et paratexte dans la fiction narrative francaise aux dix-neuvieme et vingtieme siecles." Paris 8, 1991. http://www.theses.fr/1992PA080686.

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A partir d'un corpus de 43 romans francais des dix-neuvieme et vigntieme siecles, il s'agit de decrire et d'interpreter le fonctionnement de ces marges du texte que sont l'incipit, le desinit et le paratexte, considerees separement d'abord, dans leurs rapports ensuite, en utilisant l'appareil methodologique structuraliste et l7analyse socio-historique, ceci dans le but de voir dans quelle mesure ces marges appartiennent a la zone d'un contrat de lecture, ou sont uniquement le respect des conventions d'un genre, ou revelent une operation de mise en sens. Il apparait alors que si les procedures
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Seidler, Andreas. "Der Reiz der Lektüre : Wielands Don Sylvio und die Autonomisierung der Literatur." Heidelberg Winter, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3055743&prov=M&dokv̲ar=1&doke̲xt=htm.

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Velasco, Jesus. "Science de l'âme, corps du droit : ou du peuple comme âme sensitive." Electronic Thesis or Diss., Paris, EHESS, 2025. http://www.theses.fr/2025EHES0026.

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Le code de droit castillan connu sous le nom de Siete Partidas stipule, dans sa deuxième partie, que le peuple est l'âme sensible (ou sensitive) du royaume. Après cette définition, le code légifère sur la manière dont le peuple-âme sensible perçoit à travers les cinq sens externes, puis se concentre sur les cinq sens internes ou opérations post-sensorielles (le sens commun, la fantaisie, l'imagination, la considération et la mémoire). Je soutiens que cette législation, fondée sur les principes de la science aristotélicienne de l'âme, offre une nouvelle définition du sujet de droit qui prend en
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Shrontz, Jason Matthew. "Truth in fiction in Lee Siegel's Love and other games of chance." 2008.

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Morey, Tracy Crowe. "History and fiction in the early modern Spanish siege play: Cervantes' "La Numancia", Lope's "El asalto de Mastrique", and Calderon's "El sitio de Breda."." 2007. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=742128&T=F.

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Mihai, Corina M. ""No" - Jose Saramago's subversive creativity from The History of the Siege of Lisbon to The Stone Raft: voyages into the idea of national identity." Thesis, 2009. http://hdl.handle.net/10539/6226.

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Abstract This study outlines a reading of Saramago’s novels as tracing a reflective itinerary into history, questioning the modalities informing a contemporary consciousness, thus acknowledging and re–configuring the past. Through an interpretation of these narratives as ‘voyages into the idea of identity’ it is shown that they reveal a symmetrical pattern tracing the Portuguese national saga from its foundation myth in The History of the Siege of Lisbon to contemporary images of identity in The Stone Raft. In light of this, the analysis examines the subversive narrative strategies employed w
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Książki na temat "Sieges – Fiction"

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Gárdonyi, Géza. Eclipse of the crescent moon. Corvina, 1991.

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Johnstone, William W. Eyes of eagles. Kensington Pub. Corp., 1993.

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McAlister, George A. A time to love-- a time to die. Docutex, 1988.

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Berthold, Will. Auf den Strassen des Sieges: Roman. Engel Verlag, 1987.

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Milenković, Dragan. Fog over Sarajevo. MM CENTAR, 1994.

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Eickhoff, Randy Lee. Bowie: A novel. Forge, 1998.

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Rainbolt, William. Moses Rose. Dan River Press, 1996.

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Piglia, Ricardo. Plata quemada. Planeta, 1997.

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Saramago, José. História do cerco de Lisboa. 9th ed. Porto Editora, 2014.

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Harrigan, Stephen. The gates of the Alamo: A novel. A.A. Knopf, 2000.

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Części książek na temat "Sieges – Fiction"

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Gülker, Carsten, and Joan Kristin Bleicher. "Pro Sieben — Portrait eines Fiction-Senders." In Programmprofile kommerzieller Anbieter. VS Verlag für Sozialwissenschaften, 1997. http://dx.doi.org/10.1007/978-3-322-83276-4_5.

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Foss, Colin. "The Feuilleton at War." In The Culture of War. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621921.003.0004.

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The nineteenth-century newspaper was a hybrid text, presenting both fact and fiction, often through reporting and the literary feuilleton respectively. The Siege of Paris upended daily life, making fact appear stranger than fiction, which led to a collapsing of the hybridity of newspapers, coalescing into one chronicle of the Siege. The press increasingly spread gossip dressed up as fact, fictionalized the news, and politicized fiction. Constantly rehashing and reframing the news, the press presented daily life itself as a departure from reality: the news itself became escapist.
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Shapiro, Arthur. "Chapter Eight: Privatization: Fad, Fraud, Fantasy and/or Fiction?" In Education Under Siege. Rowman & Littlefield Publishers, 2013. http://dx.doi.org/10.5771/9781475803099-93.

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"Fiction or Non-fiction? Ottoman Accounts of the Siege of Nagykanizsa." In Tropes for the Past. BRILL, 2006. http://dx.doi.org/10.1163/9789401200066_015.

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Akbari, Suzanne Conklin. "Incorporation in the Siege of Melayne." In Pulp fictions of medieval England. Manchester University Press, 2018. http://dx.doi.org/10.7765/9781526137593.00005.

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Conklin Akbari, Suzanne. "Incorporation in the Siege of Melayne." In Pulp Fictions of Medieval England. Manchester University Press, 2004. http://dx.doi.org/10.7228/manchester/9780719063183.003.0002.

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Narin van Court, Elisa. "The Siege of Jerusalem and recuperative readings." In Pulp fictions of medieval England. Manchester University Press, 2018. http://dx.doi.org/10.7765/9781526137593.00011.

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van Court, Elisa Narin. "The Siege of Jerusalem and recuperative readings." In Pulp Fictions of Medieval England. Manchester University Press, 2004. http://dx.doi.org/10.7228/manchester/9780719063183.003.0008.

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Tickell, Alex. "Fiction, Counter-Historicism, and the Occupied City." In City Fictions of the New India. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198921233.003.0006.

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Abstract This final chapter approaches the city as a space of insurgency and citizenship-as-protest, but also as a site of political mythology and contested history. Its focus is the state-sanctioned attack on non-Hindu history in the public discourses of the New India (led by the Bharatiya Janata Party, or BJP, and its allies), which has prompted new modes of historically reflexive writing in response. Taking Githa Hariharan’s novel of historical censorship In Times of Siege (2004) and Arundhati Roy’s second fiction, The Ministry of Utmost Happiness (2017), as key works, I treat both as forma
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"IV. The Burden of Representation: Counter-Discourse through Cultural Texts in J. G. Farrell's The Siege of Krishnapur." In Fictions of India. Edinburgh University Press, 2000. http://dx.doi.org/10.1515/9780585450827-007.

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