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Autor: Grafiati

Data publikacji: 12 kwietnia 2025

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1

Dauw, Norbert de. Signaturen. Gent: Het Museum, 1988.

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2

1927-, Cuisenier Jean, i Ecole du patrimoine (France), red. Anonymat et signature. Paris: Documentation française, 1989.

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3

occidentale, Université de Bretagne, red. Signatures du monstre. Rennes: Presses universitaires de Rennes, 2017.

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4

Peterson, Jeffrey Shawn. Detection of downed trolley lines using arc signature analysis. Pittsburgh, PA: U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, Pittsburgh Research Center, 1997.

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5

Foundation, Asia Pacific Breweries, red. Signature art prize 2011: Asia Pacific Breweries Foundation. Singapore: Singapore Art Museum, 2011.

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6

Museum, Singapore Art, i National Museum of Singapore, red. Signature Art Prize 2018: Asia Pacific Breweries Foundation. Singapore]: Singapore Art Museum, 2018.

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7

Kamuf, Peggy. Signature pieces: On the institution of authorship. Ithaca: Cornell University Press, 1988.

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8

Scheurer, Michael. Signature Scheurer: The art of Michael Scheurer. Cincinnati, OH: Alice F. and Harris K. Weston Art Gallery, 2017.

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9

1960-, Brehm Margrit Franziska, red. Signaturen der Moderne: Zeichen, Schrift, Kontext. Karlsruhe: Ernest Rathenau Verlag, 2016.

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10

Museum, Singapore Art. Signature Art Prize 2008: Asia Pacific Breweries Foundation. Singapore: Singapore Art Museum, 2008.

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11

Steele, E. J. Lamarck's signature: How retrogenes are changing Darwin's natural selection paradigm. Reading, Mass: Perseus Books, 1998.

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12

A, Lindley Robyn, i Blanden Robert V, red. Lamarck's signature: How retrogenes are changing Darwin's natural selection paradigm. St Leonards, NSW: Allen & Unwin, 1999.

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13

Minutolo, Jules Cruells Capèce. Michel-Ange, sa signature et le Saint-Christ d'Agde. Cazouls-lès-Béziers: Éditions du Mont, 2019.

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14

Leacock, Victoria. Signature flowers: A revealing collection of celebrity drawings. New York: Broadway Books/Melcher Media, 1998.

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15

Westmoreland Museum of American Art. Picturing America: Signature works from the Westmoreland Museum of American Art. Greensburg, PA: Westmoreland Museum of American Art, 2010.

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16

Self, James. Japanese art signatures: A handbook and practical guide. Rutland, Vt: C.E. Tuttle Co., 1987.

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17

Self, James. Japanese art signatures: A handbook and practical guide. London: Bamboo, 1987.

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18

1952-, Koslowski Peter, Spaemann Robert i Löw Reinhard, red. Moderne oder Postmoderne?: Zur Signatur des gegenwärtigen Zeitalters. Weinheim: Acta Humaniora, 1986.

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19

Fliescher, Mira. Signaturen der Alterität: Zur medialen Reflexivität der Kunst Yasumasa Morimuras. Bielefeld: Transcript, 2013.

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20

Cristina, Ros Salvà, i Es Baluard (Museum), red. Christian Boltanski: Signatures : Es Baluard, 01/07/11-25/09/11. Palma: Fundació Es Baluard Museu d'Art Modern i Contemporani de Palma, 2011.

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21

Naert, Dominique. Le labyrinthe de la cathédrale de Reims: La signature des bâtisseurs. Fontenay-sous-Bois: Sides, 1996.

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22

Alexandra, Legrand-Pineau, Campana Douglas V i International Council for Archaeozoology. Conference, red. Ancient and modern bone artefacts from America to Russia: Cultural, technological and functional signature. Oxford: Archaeopress, 2010.

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23

Martin, Jean-Claude. Marques et signatures des santons de Provence: Du XVIIIème à nos jours. France]: Sudarènes éditions, 2011.

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24

United States. National Aeronautics and Space Administration., red. Acoustic and magnetic heating of chromospheres/coronae: Are there distinct signatures? : final technical report for grant NAG 5 3046. [Washington, DC: National Aeronautics and Space Administration, 1996.

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25

Mullan, Dermott J. Acoustic and magnetic heating of chromospheres/coronae: Are there distinct signatures? : final technical report for grant NAG 5 3046. [Washington, DC: National Aeronautics and Space Administration, 1996.

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26

Coles, William. The art of simpling: An introduction to the knowledge and gathering of plants : wherein the definitions, divisions, places, descriptions, differences, names, vertues, times of flourishing and gathering, uses, temperatures, signatures and appropriations of plants, are methodically laid down ; whereunto is added, A discovery of the lesser world. Pomeroy, WA: Health Research, 2000.

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27

Museen der Stadt Königslutter am Elm, red. Jesus Christus Vita - Jesus Christus ist das Leben: Der Jagdfries zu Königslutter und die Signatur Lothars III. Berlin: Lehmanns Media, 2015.

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28

Morgan, Nicola. Mondays Are Red (Signature). Hodder Headline, 2002.

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29

Self, James. Japanese Art Signatures. Weatherhill, 2003.

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30

(Editor), Eckhard Schneider, red. Gottfried Bechtold: Signatur 02. Kunsthaus Bregenz, 2006.

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31

Signature: Patterns in Gond art. Chennai: Tara Books, 2010.

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32

Frank, Berman, i Bentley David. Book VII Treaties and Treaty-Making, 31 Treaties and other International Instruments—I General Definition, Treaty Formalities. Oxford University Press, 2016. http://dx.doi.org/10.1093/law/9780198739104.003.0031.

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Streszczenie:

This chapter provides a general definition of treaties and their formalities. As there is no single, all-embracing definition of the term ‘treaty’ the chapter instead reviews particular aspects of the general definition of treaties: the agreements involving international organizations and oral agreements, the requirement that agreement should be governed by international law, and the instruments not intended to give rise to legal relations. The chapter then closes its first section with questions of form and terminology. The chapter also deals with the formalities in the drawing up of treaties. These are: the initialling and signatures, the preparation of signature texts, the languages used in the treaties, and registration and publication of treaties.

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33

Stelfreeze, Brian. The Signature Art Of Brian Stelfreeze. BOOM! Studios, 2016.

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34

Buffet ou La psychanalyse en signature. Paris: l'Epure, 2007.

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35

Mason, Bobbie Ann. Bobbie Ann Mason (Video Tape; Signature: Contemporary Southern Writers). The Annenberg/CPB Collection, 1995.

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36

Shrestha, Romio. Buddha Hardcover Ruled Journal: Romio Shrestha Signature Edition. Insight Editions, 2013.

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37

Luoma-Cervantes, Manny, Maiya Luoma-Cervantes i Benjamin Luoma. Pull Tight Paracord: Signature Paracord Tutorials, Vol. 3. Pull Tight Paracord, 2021.

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38

Sharma, B. G. Krishna Hardcover Ruled Journal: B. G. Sharma Signature Edition. Insight Editions, 2013.

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39

Sharma, B. G. Hanuman Hardcover Ruled Journal: B. G. Sharma Signature Edition. Insight Editions, 2013.

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40

Sandgren-Clarke, Berith. Define Your Signature Style: Be Recognised for Who You Are. Independently Published, 2019.

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41

(Foreword), Dennis Rainey, red. Abundant Living: Who You Are in Christ (Bill Bright Signature). New Life Publications, 2005.

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42

All the Things You Are Hal Leonard Piano Signature Songs. Hal Leonard Publishing Corporation, 2010.

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43

Sager, Jalel. National Energy Signatures. Redaktorzy Debra J. Davidson i Matthias Gross. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190633851.013.4.

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Fossil fuels and their high yield of available energy regulate the global economy and structure its hierarchy of nations. When a “pulse” of energy—over months, years, decades, or centuries—enters the global industrial system, overshoot dynamics are often observed. The system enters a new mode of production, with new technical combinations. Once it does, it is extremely difficult to return to the old infrastructure, even though the energy resource that provided the pulse likely will yield less over the years (the US and its highway system provide one example of an infrastructural system conceived in a higher-yielding environment, the US oil boom of the early twentieth century). As the energy surplus, or marginal resource return, begins to diminish, output declines, slowing the rise of powerful nations, and transferring growth elsewhere. The effects of declining returns often show up in the monetary system.

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44

Balafrej, Lamia. The Making of the Artist in Late Timurid Painting. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474437431.001.0001.

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This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist’s likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist’s imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist’s signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed. In addition, each chapter explores a different theme: how painters challenged the conventions of royal representation (chapter 1); the role of writing in painting, its relation to ekphrasis and the context of the majlis (chapter 2); image, mimesis and potential world (Chapter 3); the line and its calligraphic quality (Chapter 4); signature (Chapter 5); the mobility of manuscripts (epilogue).

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45

Signatures: Newfoundland women artists and writers. St. John's, Nfld: Killick Press, 1996.

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46

Jewish Artists: Signatures and Monograms. Scarecrow Press, 2010.

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47

Garden, Nancy. Dove and Sword: A Novel of Joan of Arc (Point Signature). Point, 1997.

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48

Garden, Nancy. Dove and Sword: A Novel of Joan of Arc (Point Signature). Tandem Library, 1999.

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49

Karl Jakob Wegmann - Die Signatur der Ehrlichkeit. Scheidegger and Spiess, 2015.

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50

Wolf, Gerhard. Die Sprache der Signatur: Die mittelalterlichen Künstlerinschriften Italiens. Deutscher Kunstverlag GmbH, 2009.

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