Gotowe bibliografie tematyczne / Singapore Literary Pioneers Gallery

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  1. Artykuły w czasopismach
  2. Książki

Gotowa bibliografia na temat „Singapore Literary Pioneers Gallery”

Autor: Grafiati
Data publikacji: 27 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Singapore Literary Pioneers Gallery"

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Chan, Cheow Thia. "Off-Center Articulations." Prism 19, no. 2 (2022): 355–73. http://dx.doi.org/10.1215/25783491-9966687.

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Abstract Recent studies on Singapore Chinese literature have employed analytical lenses such as the Sinophone and postloyalism, which are exogenous to the historical and everyday experiences in the region that produced the texts. This article proposes using the lens of the Chinese-educated to bridge local self-understandings with extralocal modes of interpretation, in order to better illuminate place-specific writing practices. As a salient category of both lived experience and analysis by local researchers, the category of the Chinese-educated occasions a form of “off-center articulation” tha
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Liu, Tianquan. "Dialogue of Cultures in the Work of the Chinese Painter Jin Shangyi." Bulletin of the South Ural State University Series «Social Sciences аnd the Humanities» 23, no. 1 (2023): 56–63. http://dx.doi.org/10.14529/ssh230107.

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This article examines the work of the Chinese artist Jin Shangyi, one of the pioneers of oil painting in China. The creative experiments of the artist, his knowledge of European traditions in fine arts, and his assimilation of the Russian art school added the name of Jin Shangyi to the gallery of the best artists of modern China. This article considers the main domain of the artist’s work, mentions the most striking works in his artistic legacy, and analyzes the stages of his development. An important aspect in studying the artist’s work is an appeal to his literary notes, to analyze the creat
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Safei, Mawar, Wiyatmi -, and Siti Dahlia Abdullah. "MASTERA and Generation-Y: The Role of Literature in Southeast Asia." Malay Literature 36, no. 1 (2023): 117–36. http://dx.doi.org/10.37052/ml36(1)no6.

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The Southeast Asia Literary Council, or MASTERA (Majlis Sastera Asia Tenggara), is a regional body representing five countries, namely Brunei Darussalam, Indonesia, Malaysia, Singapore and Thailand. MASTERA was established in 1996 with the main aim to weave strong literary relations among its member countries. Each year, the council organizes its agendas through various activities in conjunction with its annual MASTERA council meeting. Among them are the International Southeast Asia Literary Seminar (Seminar Antarabangsa Kesusasteraan Asia Tenggara or SAKAT), MASTERA Comparative Literature Lec
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Barbotto, Silvia. "Heterotopias and the facesphere: “Living Pictures: Photography in Southeast Asia”." Semiotica, November 10, 2023. http://dx.doi.org/10.1515/sem-2023-0163.

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Abstract This exploration of the works of various authors and artists will bring us to a philosophical contemplation of the portrait as a heterotopic space. On one hand, a portrait represents the faces of the self and others, embodying both individuality and collectivity. On the other hand, the space within the conventional frame of a portrait transforms from a mere representation of documented reality to a co-constructed and reified form of expression. The article is divided in three parts. The first part sinks into Lotman’s epistemic groundwork on culture, space, and especially art as a foun
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Libidot), Katrien Jacobs (a k. a. "‘Streaming Physical Love’." M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.1999.

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I first met with the enigmatic Dutch artist-couple, Zoot and Genant, in the Summer of 2000. We talked about their performances as part of the collective Artporn and their later work as a duo. Zoot and Genant combine the best of Amsterdam hippie culture with advanced technological networking. As good Dutch citizens, they intervene in global media debates with bodily performances and a harsh critique of consumerist sex industries. A uniquely burlesque quality pervades their work, as their performances take on dreamy and raw forms. Performance modes are invented ‘from the bottom up’ with performa
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Hartley, John. "Lament for a Lost Running Order? Obsolescence and Academic Journals." M/C Journal 12, no. 3 (2009). http://dx.doi.org/10.5204/mcj.162.

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The academic journal is obsolete. In a world where there are more titles than ever, this is a comment on their form – especially the print journal – rather than their quantity. Now that you can get everything online, it doesn’t really matter what journal a paper appears in; certainly it doesn’t matter what’s in the same issue. The experience of a journal is rapidly obsolescing, for both editors and readers. I’m obviously not the first person to notice this (see, for instance, "Scholarly Communication"; "Transforming Scholarly Communication"; Houghton; Policy Perspectives; Teute), but I do have
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Brien, Donna Lee. "“Porky Times”: A Brief Gastrobiography of New York’s The Spotted Pig." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.290.

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Introduction With a deluge of mouthwatering pre-publicity, the opening of The Spotted Pig, the USA’s first self-identified British-styled gastropub, in Manhattan in February 2004 was much anticipated. The late Australian chef, food writer and restauranteur Mietta O’Donnell has noted how “taking over a building or business which has a long established reputation can be a mixed blessing” because of the way that memories “can enrich the experience of being in a place or they can just make people nostalgic”. Bistro Le Zoo, the previous eatery on the site, had been very popular when it opened almos
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Książki na temat "Singapore Literary Pioneers Gallery"

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Balamurugan, Anasuya, and Singapore National Library Board, eds. Singapore Literary Pioneers Gallery guide: Panduan Galeri Perintis Sastera Singapura = Xin jia po wen yi xian qu de guang hui wen wu zhan zhi nan. National Library Board Singapore, 2006.

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