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Artykuły w czasopismach na temat „Singers/songwriters”

Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Shevlyakova, Daria. "Depicting Italy in Singers-songwriters’ Songs." Stephanos. Peer reviewed multilanguage scientific journal 28, no. 2 (2018): 218–24. http://dx.doi.org/10.24249/2309-9917-2018-28-2-218-224.

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Prayogi, Akhwan, and I. Gede Agus Kurniawan. "Existence of Performing Rights: An Analysis of Implications and Orientations for Café Singers." SASI 29, no. 3 (2023): 605. http://dx.doi.org/10.47268/sasi.v29i3.1529.

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Introduction: Performing rights are rights attached to copyright as an integral part of the creation of a work. In the context of copyrights to songs or music, performing rights relate to the need to pay royalties to songwriters or music for attempts to use songs or music commercially.Purposes of the Research: Implications of performing rights for café singers to continue paying royalties based on statutory regulations and how the performing rights orientation for café singers is ideal in ensuring justice for songwriters or music as well as for café singers.Methods of the Research: Normative l

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Smith, Graeme. "Singers and Songwriters in Australian Country Music." Musicology Australia 33, no. 2 (2011): 213–22. http://dx.doi.org/10.1080/08145857.2011.596140.

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Nuraddinovna, Davletova Nodira. "The Psychological Characteristics of Stinginess Among University Students." Jurnal Psikologi 2, no. 4 (2025): 7. https://doi.org/10.47134/pjp.v2i4.4589.

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This study aims to analyze the fairness of royalty agreements between songwriters and singers in the Indonesian music industry and to assess the extent to which legal protection of songwriters' economic rights has been implemented. The research employs a normative juridical approach with qualitative analysis. Data were obtained through literature review, including statutory regulations, John Rawls’ theory of distributive justice, and contract law theory, as well as case studies of existing royalty agreement practices in Indonesia's music industry. The findings reveal that songwriters often hol

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Qian, Lijuan. "Which Identity Matters? Competing Ethnicity in Chinese TV Music Contests." World of Music (New Series) 6, no. 2 (2017): 57–82. https://doi.org/10.5281/zenodo.7828579.

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<em>This article reviews the performance of ethnic minority singers and singer-songwriters in both Western-derived and locally-devised talent show programmes in China from 2012–17, asking how these musicians manipulate their multi-layered identities in order to balance their identity articulations, audiences’ expectations and political pressures. Based on five years of watching the most widespread TV music talent show in China, the author provides comparative examples as to how ethnic minority singers and singer-songwriters create and negotiate ethnic-national, pan-ethnic and polit

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Fortoul van der Goes, Teresa I. "Seré famoso algún día algún día." Revista de la Facultad de Medicina 63, no. 3 (2020): 57–58. http://dx.doi.org/10.22201/fm.24484865e.2020.63.3.09.

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For some reason, creators are more likely to die at the age of 27. Several singers and songwriters often fell by the wayside, as consequence of an overdose. Names like Jimmy Hendrix, Amy Weinhouse, Janis Joplin, Jim Morrison and to this list we add Jean-Michel Basquait. What do they have in common? A success that they did not know how to handle? "The Radiant Child" could not escape that curse ...drugs, success and 27 years

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Morshedi, Pouya, and Lisa-Jo K. Van den Scott. "Sing A Song for Home: How Displaced Iranian Song-Writers in LA Conceive of Home and Homeland." Qualitative Sociology Review 21, no. 1 (2025): 28–45. https://doi.org/10.18778/1733-8077.21.1.02.

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We ask how being apart from home impacts the very definition of home. We conducted a content analysis of songs produced by Iranians who have left their first “home” in Iran and resettled in Los Angeles. Our findings suggest that distance from one’s home expands the definition and image of home from a structure where one dwells and calls home, to an imagined community at the personal (home family), local (hometown), and regional (homeland) levels. The 1979 revolution in Iran caused many people, including singers and songwriters, to immigrate. Many of them moved to Europe and North America. We a

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Gomes, José António. "Songs in the shape of Abpril: the 25 of April and music with words for adults and for children." Child Studies, no. 5 (December 16, 2024): 47–62. https://doi.org/10.21814/childstudies.6083.

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One of the main instruments of democratic resistance to the fascist dictatorship of Salazar and Marcello Caetano, in Portugal, was the so-called canto de intervenção (protest songs). Preceded by composers and pioneer works, such as the Heróicas songs, by Lopes-Graça, these protest songs in Portugal are linked to several unavoidable names: José Afonso, Adriano Correia de Oliveira, Luís Cília, José Mário Branco, Sérgio Godinho, Fausto Bordalo Dias and other singers and songwriters. A striking feature of this musical expression of great political-cultural relevance was its connection to the writt

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ADENIYI, KIKELOMO O., and TAYE A. KEHINDE. "Code Shifting or Code Switching as a Style in Simi’s and Adekunle Gold's Songs." International Journal of Linguistics Studies 2, no. 2 (2022): 01–06. http://dx.doi.org/10.32996/ijls.2022.2.2.1.

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Adekunle Kòsọ́kọ́ and Sìmisola Kòsọ́kọ́ (nee Ogunleye) are married singers, both born and bred in Lagos known by the stage names Kunle Gold and Simi respectively. They are among a group of young, popular, and successful songwriters, composers, and singers. Their music has gained the hearts of Nigerian people, especially the youth. The focus of this paper is to examine critically how they make use of code-switching or code-shifting in their respective music as a 'style' in order to differentiate their songs and also to make a unique identity. It is observed that they alternate between two or mo

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Hughes, Diane, and Amanda Bayley. "Pedagogical considerations: Facilitating agency in the vocal recording of early career singer-songwriters." Journal of Popular Music Education 8, no. 2 (2024): 179–96. http://dx.doi.org/10.1386/jpme_00141_1.

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Audio recording is a much anticipated and integral component in the career trajectories of contemporary singers. This article discusses research undertaken through three in-depth case studies, each of which focused on the recording of original songs by early career singer-songwriters. The research examined the ways that recording techniques, associated technologies and studio interactions affect vocal performance during the recording processes. Participants were purposively sampled for their early career interest in songwriting and recording. The findings identified specific educational consid

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Saphan, LinDa. "From Modern Rock to Postmodern Hard Rock: Cambodian Alternative Music Voices." Ethnic Studies Review 35, no. 1 (2012): 23–39. http://dx.doi.org/10.1525/esr.2012.35.1.23.

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Cambodian modernity was driven by the political agenda of the Sihanouk government beginning in the 1950s, and Cambodian rock and roll emerged in the 1960s in step with Sihanouk's ambitious national modernization project. Urban rockers were primarily upper-class male youths. In. the postcolonial era rock and roll was appropriated from abroad and given a unique Cambodian sound, while today's emerging hard rock music borrows foreign sociocultural references along with the music. Postmodern Cambodia and its diaspora have seen the evolution of a more diverse music subculture of alternative voices o

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Cinta Annata Nurhan, Monica Maharani Dewi, Dania Maulinda, Tarisa Dinar Alifia, and Syahrul Rizqi Ramadhan. "Penegakan Hukum Bagi Pelaku Cover Lagu Tanpa Seizin Pencipta Lagu." Jurnal Hukum dan Sosial Politik 2, no. 3 (2024): 269–79. http://dx.doi.org/10.59581/jhsp-widyakarya.v2i3.3501.

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Technology that is increasingly developing every time makes everyone can easily create works and can create songs easily. However, there are also musicians who commit violations by covering other people's songs without the permission of the creator. The results of the song cover are uploaded through the social media of the song cover owner as if they created the song. In this research the author formulates problems regarding law enforcement for the perpetrators of song covers without the author's permission. The author formulates the first regarding how the policy regarding the perpetrators of

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Habibi, Muhammad. "Problematics Intellectual Property Rights of Music Industrialization Indonesia After The Easy Trying of Creating Work." Pancasila and Law Review 3, no. 1 (2022): 31–42. http://dx.doi.org/10.25041/plr.v3i1.2353.

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Since the Government of Indonesia through President Joko Widodo ratified regulations regarding job creation (ciptaker) in 2020 which is expected to boost the Indonesian economy. However, instead of being supported, this regulation was opposed because it was projected that it would harm some people, especially in terms of Intellectual Property Rights (HaKI). Although basically the Copyright Act itself has reached the protection of intellectual property rights, but not in full. This creates a phenomenon that occurs in the music industry today which is experiencing many problems, including variou

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Yeh, Aiden, and Nicola Philippou. "Blue without my Green: A Corpus Analysis on Colours of Grief and Emotive Expressions of Amy Winehouse’s Compositions." International Journal of Language and Literary Studies 5, no. 4 (2023): 1–19. http://dx.doi.org/10.36892/ijlls.v5i4.1478.

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Singers and songwriters use their music as a platform for communication, using lyrics to express intimate sentiments - often caused by the pressures of the music industry as well as personal matters such as mental health. In this study, we analysed Amy Winehouse’s songs, exploring the explicit and subliminal affective messages using linguistic techniques i.e., metaphors and colour symbolism. Grounded on corpus analysis and stages of grief theory, we looked at linguistic patterns and intensity of word choice related to Amy’s choices of colours and emotive expressions. The findings show that sad

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Loxlea-Danann, Laine, and Irene Bartlett. "A Singer-Songwriter's Approach to Vocal Performance of Their Original Songs: An insider's view." Australian Voice 22 (2021): 29–37. http://dx.doi.org/10.56307/tdmq4857.

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Statistical data suggests that through media like radio, television and streaming, the music listening public engages with the output of singer-songwriters (SSWs) on a daily basis (Surveyspro, 2016). The singer is key to this engagement, yet existing scholarly discussion is focused primarily on industry and non-industry, etic views/perspectives of SSWs as a group (Bentley, 2016; Holman Jones, 2007; Jackson, 2007; King, 2012; Lanksford Jr, 2010; Potter & Sorrell, 2012; Reynolds, 2009; Rogers, 2016; Whiteley, 2000; Williams & Williams, 2016; Zollo, 1958, Zollo, 2016). Beyond the suggesti

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Johinke, Rebecca. "BEHIND THE COVERS OF AUSTRALIAN ROLLING STONE: NEGOTIATING THE PERSONA OF A FEMALE MUSIC MAGAZINE EDITOR." Persona Studies 5, no. 1 (2019): 75–91. http://dx.doi.org/10.21153/psj2019vol5no1art843.

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Singers, songwriters and musicians create personas and perform the (gendered) role of rock star, punk, heart-throb, crooner, diva, or rock chick. Magazine covers are a key factor in consolidating and marketing that constructed persona. Magazine covers have visual power that is calibrated for maximum impact with a defined audience and a key part of the editor’s role is to decide on the cover image and cover lines. Moreover, there is now an expectation that editors of glossy magazines are recognisable ‘influencers’ who personify the values and commodities that their titles promote. We expect per

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Fonseca, António Filipe, and Jorge Louçã. "How Things Become Popular." Social Science Computer Review 36, no. 2 (2017): 176–94. http://dx.doi.org/10.1177/0894439317707175.

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This work discusses the mechanisms of popularity generation on the Internet. What we propose here is a model that replicates the statistical distribution profile of popularity. It is a probabilistic model of the number of individuals who read, hear or see, and then replicate a message, and parameterizes an individual’s preference for either new or older messages. Messages can gain in popularity according to a process of paying attention and the resulting popularity distribution has a stretched lognormal configuration. The stretch depends on the degree of attention paid to new messages versus t

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Bosman, Martjie. "Die FAK-fenomeen: populêre Afrikaanse musiek en volksliedjies." Tydskrif vir Letterkunde 41, no. 2 (2018): 21–46. http://dx.doi.org/10.4314/tvl.v41i2.29672.

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Afrikaans popular music of a variety of genres and subgenres is currently flourishing. A very productive phenomenon is the re-interpretation of older songs, in particular folk songs. This article gives a short historical overview of the collection and publication of Afrikaans folk songs, followed by a brief description of various ways in which folk songs have previously been utilised. The collection of Afrikaans folk songs known as the FAK (Federation of Afrikaans Cultural Organisations) songbook earned itself an important position in Afrikaans cultural circles, but it was also stigmatised. Si

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Roberts, Joel. "The Borrowings of Bob Miller, Hillbilly Music’s Premier Event Songwriter." Journal of Popular Music Studies 34, no. 2 (2022): 28–50. http://dx.doi.org/10.1525/jpms.2022.34.2.28.

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Bob Miller is known as one of the most prolific early country songwriters, but it is not as widely known that he was a blues composer in the 1920s whose songs were recorded by several of the classic female blues singers from the early part of that decade—Clara Smith, Viola McCoy, Lizzie Miles, and others. He is also thought to have written leftist political material, but these political songs spoke more to common sentiments during the Great Depression than any true political position. Miller’s diverse songwriting career resulted from his creative output being influenced by the direction of com

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Ramadhana, Bramantyo Hutomo, and Abraham Ferry Rosando. "PENEGAKAN HUKUM KEPADA PENYANYI COVER DI YOUTUBE BERDASARKAN UNDANG-UNDANG HAK CIPTA." Bureaucracy Journal : Indonesia Journal of Law and Social-Political Governance 2, no. 2 (2022): 458–71. http://dx.doi.org/10.53363/bureau.v2i2.47.

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This..paper is intended to study and research related. to how to enforce the law against cover singers on the Youtube platform, because basically this activity will invite various opinions related to someone's copyright. In the discussion of this research, the author will use the type of normativ...Legaal. .reesearch. Normative legal reesearch is legal research to..find thee..Ruleof law, legalprinciples,and legaldoctrines in order to answerthe legalissue faced, normativelegal ressearch is carried out to fin,d solutions to existing legal issues. The results of several existing studies explain t

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Hayati, Risda, and Desi Sukenti. "Interpretasi Psikologis Lirik Lagu Album “Naura & Genk Juara” Karya Mhala dan Tantra Numata." Ganaya : Jurnal Ilmu Sosial dan Humaniora 7, no. 3 (2024): 209–22. http://dx.doi.org/10.37329/ganaya.v7i3.3396.

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Songs can be a means of communication that singers and songwriters want to convey to listeners about what they feel. In songs, there are song lyrics which are part of literary works which contain outpourings of personal feelings, emotions, and expressions of soul experiences in the form of an arrangement of words. One of them is the song lyrics on the album Naura & Genk Juara. The lyrics on the album contain many implied meanings, so analysis is needed using Schleimacher's Hermeneutics theory which is used to understand the meaning of the song from the psychology of the song writer. The ai

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Žičkienė, Aušra, and Kristina Syrnicka. "Funeral Hymns of Lithuanians and Vilnius Region Poles’: General Features and Trends of the Repertoire." Vilnius University Open Series, no. 5 (December 4, 2020): 163–88. http://dx.doi.org/10.15388/vllp.2020.8.

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The article discusses the key features and trends of the repertoire of Catholic funeral hymns, functioning in Lithuania in both Polish and Lithuanian; at the same time attempts are made to grasp the possible causes of mutual interactions and influences. In combining literary and ethnological approaches, field research data, historical sources, printed and manuscript hymns are analysed and interpreted, related scientific literature is examined. The conclusion is reached that the similarity and commonalities of the Lithuanian and Vilnius Region Poles’ folk piety funeral repertoire were, and stil

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Setyawati, Anis. "Pola Kolokasi Lirik Lagu pada Album Untuk Dunia, Cinta, dan Kotornya Karya Nadin Amizah." Tabasa: Jurnal Bahasa, Sastra Indonesia, dan Pengajarannya 5, no. 01 (2024): 67–76. http://dx.doi.org/10.22515/tabasa.v5i01.10083.

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This research discusses the grammatical collocation patterns of song lyrics on the album Dunia, Cinta, and Kotornya by Nadin Amizah. Collocation is a natural combination of words in a language to produce writing and speech that sound natural. The collocation pattern of each community in a particular area is not the same. Collocation patterns are also found in song lyrics. Song lyrics are the songwriter's expression of what they experience, feel, and hear. Song lyrics are a one way communication medium about events or occurrences experienced, felt, and heard by the songwriter. One of the singer

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Lee, Sojin. "A Study on the Consciousness and Expression of Korean Singer-Songwriters in the 1970s." Institute of Art & Design Research 24, no. 2 (2021): 27–32. http://dx.doi.org/10.59386/jadr.2021.24.2.27.

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This Singer-songwriter is a compound word of singer and songwriter, meaning 'a singer who lyrics and composes songs to sing.' Singer-songwriter, known as a minstrel poet, plays the role of a producer who is in charge of writing and composing lyrics and the role of a performer who sings and plays songs directly. Therefore, compared to ordinary professional singers, they have a more independent attitude and authoristic attitude, and their works contain creativity, authenticity and identity. In this paper, a study was conducted on the music of Korean singer-songwriter in the 1970s, when the

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Tobón Restrepo, Alejandro, and Federico Ochoa Escobar. "Zully Murillo, cantadora de muchas orillas." CALLE14: revista de investigación en el campo del arte 10, no. 16 (2015): 94. http://dx.doi.org/10.14483/10.14483/udistrital.jour.c14.2015.2.a08.

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<p>Resumen</p><p>Zully Murillo, cantadora tradicional del Atrato, compositora y mujer de vanguardia, recrea a través de esta entrevista la cotidianidad de su vida, desde su niñez hasta la edad adulta, en un viaje de la memoria donde es posible leer la cultura del Pacífico colombiano de los últimos 70 años. La vida del río, la música de las orillas, los rituales y las fiestas, los romances y alabaos, la educación secundaria, la docencia, la creación e interpretación musical, y la música como eje de su vida son los principales temas que se abordan en este diálogo.</p><

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Yudiana, Teguh Cahya. "An Inequality of Moral Rights in Apple Music Platform as A Digital Copyright Protection Infringement." Jurnal Supremasi, September 1, 2022, 17–26. http://dx.doi.org/10.35457/supremasi.v12i2.1971.

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In the era of disruption, digitalization has replaced traditional culture due to technological developments. One form is distributing music or songs which was all on cassettes or CDs (compact discs) to digital music platforms. Currently, there are many digital music platforms such as Apple Music. One of the problems outlined in this paper is regarding the moral rights of songwriters on Apple Music, while moral rights are rights inherent in the Creator. This paper aims to: (1) find out the protection of the moral rights of songwriters in Indonesian positive Law; (2) discuss how to protect and f

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Paolo Carusi. "The Crisis of the “First Republic” in the Lyrics of Italian Singers-Songwriters." Journal of History Research 5, no. 2 (2015). http://dx.doi.org/10.17265/2159-550x/2015.02.005.

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Paolo, Carusi NA. "The Crisis of the "First Republic" in the Lyrics of Italian Singers-Songwriters." January 12, 2016. https://doi.org/10.17265/2159-550x/2015.02.005.

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Tomlin, K. "The Power of Song to Unite People in Conflict in the Appalachian Mountains." Bulletin of the Transilvania University of Brasov. Series IV: Philology and Cultural Studies, February 2, 2023, 55–64. http://dx.doi.org/10.31926/but.pcs.2022.64.15.3.5.

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Folk songs of the people of Appalachia reflect how the people who settled in that region experienced life. This large body of musical literature provides a cultural history from which there is a considerable store of songs about conflict. This paper will focus on some of the most influential songs of the coal miners’ rebellion and labor movements of the early twentieth century, and will provide an analysis of the origins of the tunes, as well as discuss the continuing influence of songwriters and singers of the twenty-first century to continue to rouse the people of Appalachia to a

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Morgan-Ellis, Esther M. "Mediated Community and Participatory Blackface in Gillette Original Community Sing (CBS, 1936–1937)." Music and Letters, July 26, 2022. http://dx.doi.org/10.1093/ml/gcac061.

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ABSTRACT In the United States, sing-along radio programmes became common in the 1930s. These programmes aired locally, regionally, and nationally, and they took various approaches to audience participation. Although categorized as radio participation shows, sing-along programmes were unique in that they prompted scripted musical participation by home listeners during the course of the broadcast. This article examines the most successful sing-along programme, Gillette Original Community Sing, which broadcast on the CBS network in 1936 and 1937. Participants were encouraged to imagine themselves

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Love, Rachel E. "Il Nuovo Canzoniere Italiano: The Songbook of 1968 in Italy." Forum for Modern Language Studies, September 6, 2023. http://dx.doi.org/10.1093/fmls/cqad046.

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Abstract This article examines how the Nuovo Canzoniere Italiano (NCI) – a leftist collective founded in Milan in 1962 by Gianni Bosio and Roberto Leydi – used their journal to theorize oral cultures as instruments of class consciousness. By doing so, they contributed to the political movements of the 1960s in Italy. The NCI worked to construct a culture of protest through recorded albums, live performances and field research into oral practices. Despite their prominence as the ‘music of 1968’ in Italy, the NCI first came together as a journal. The ten issues of the group’s journal, Il Nuovo C

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Gutiérrez-Gómez, Edgar, and Sonia Beatriz Munaris-Parco. "The spectacle of feminism and machismo in two Peruvian cumbia singers: Marisol and Tony Rosado." Frontiers in Sociology 7 (January 9, 2023). http://dx.doi.org/10.3389/fsoc.2022.978403.

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The objective of this research is to analyze and interpret the entertainment section of the most important media in Peru, concentrated on two private companies: Grupo La República and Grupo El Comercio, with great journalistic dominance of national information. The entertainment section is as old as the foundation of the newspapers themselves. The method of analysis with qualitative documents has allowed us to reach the conclusion that the fight for gender equality promoted by the government is a spectacle for the national press. The entertainment section of the Peruvian press has exposed the

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Rifatilla Kasimov Qukhtillaevich, Samadov Raxmatilla Sunnatillayevich, Aripov Khurshid Kabilovich, Mominov Komil Tolkunovich, and Zakirov Nadir Bakhtiarovich. "The Role and Significance of Maqom Works in the Creativity of Young Artists (with Examples of the Use of Maqoms in the Works of Singers, Musicians, Composers, and Songwriters)." Nanotechnology Perceptions, October 22, 2024, 4212–19. https://doi.org/10.62441/nano-ntp.vi.3754.

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This article is dedicated to the application of maqams in the creativity of young artists. It covers the instrumental sections of Shashmaqam, the Twelve-Maqam cycle, and the Fergana-Tashkent maqam paths. The significance of maqams in the work of vocalists, instrumentalists, composers, and songwriters is highlighted. Examples of maqam works used in the creativity of young artists are provided. Musical analyses and pedagogical recommendations are included. Methodological guidelines are presented, with examples from performances on the Flute, Qoshnay, and Doira. The article concludes with a summa

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Kusumaningsih, Dewi, Kundharu Saddhono, Nuryani Tri Rahayu, Hanisah Hanafi, Aldi Dwi Saputra, and Pauline Dewi Juliani Setyaningsih. "Gender Inequality in Indonesian Dangdut Songs Containing Vulgar Content: A Critical Discourse Study." Research Journal in Advanced Humanities 5, no. 1 (2024). http://dx.doi.org/10.58256/vvzzjz37.

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Dangdut music is a highly popular genre in Indonesia. It serves not only as entertainment but also reflects the social reality of Indonesia through its lyrics, often depicting everyday life stories. Some Indonesian Dangdut song lyrics frequently exhibit gender inequality, perpetuating stereotypical views on gender roles by portraying women as sexual objects or passive, while men are often depicted as dominant figures. This research aims to explain gender inequality in the lyrics of well-known Dangdut songs in Indonesia. The research methodology employed is qualitative descriptive research. Dat

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Mazur, Oleksandr. "THE DEVELOPMENT OF EARLY MUSIC BROADCASTING IN THE CONTEXT OF THE AUDIO RECORDING MEDIA EVOLUTION (UNTIL 1970s)." Scientific journal “Library Science. Record Studies. Informology”, no. 4 (March 17, 2021). http://dx.doi.org/10.32461/2409-9805.4.2020.227088.

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The purpose of the article is to determine the stages of development of music broadcasting and to reveal their features in the context of the evolution of audio recording means. The methodology consists of the application of general scientific and special methods, namely: information and system approaches, terminological and historical methods, as well as methods of analysis and generalization of source information, comparison and interrelation of theory and practice. Scientific novelty. The significance of musical resources has been brought to the development of radio communications and the e

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Basundoro, Purnawan, and Nadya Afdholy. "Song Lyrics as a Historical Source in Indonesia." Paramita: Historical Studies Journal 33, no. 2 (2023). http://dx.doi.org/10.15294/paramita.v33i2.45269.

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Song lyrics are one of the historical sources that historians have not adequately utilized. Such historical sources are considered to contain information on historical events. So far, song lyrics are considered the product of the songwriter's imagination, so they have no valid information. Song lyrics are similar to literary works such as poetry or prose. Literary experts argue that most literary works have references to actual events. Thus, both song lyrics and literary works can be used as alternative historical sources to complement official sources. The purpose of this study is to explore

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Varney, Wendy. "Homeward Bound or Housebound?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2701.

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   If thinking about home necessitates thinking about “place, space, scale, identity and power,” as Alison Blunt and Robyn Dowling (2) suggest, then thinking about home themes in popular music makes no less a conceptual demand. Song lyrics and titles most often invoke dominant readings such as intimacy, privacy, nurture, refuge, connectedness and shared belonging, all issues found within Blunt and Dowling’s analysis. The spatial imaginary to which these authors refer takes vivid shape through repertoires of songs dealing with houses and other specific sites, vast and distant

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Miller, Edward D. "Why Does Love Tear Us Apart?" M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.2006.

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"Love Will Tear Us Apart" When routine bites hard, And ambitions are low, And resentment rides high, But emotions won't grow, And we're changing our ways, taking different roads. Then love, love will tear us apart, again. Love, love will tear us apart again. Why is the bedroom so cold? You've turned away on your side. Is my timing that flawed? Our respect runs so dry. Yet there's still this appeal that we've kept through our lives But love, love will tear us apart, again. Love, love will tear us apart, again. You cry out in your sleep, All my failings exposed. And there's a taste in my mouth,

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Stewart, Jon. "Oh Blessed Holy Caffeine Tree: Coffee in Popular Music." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.462.

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Introduction This paper offers a survey of familiar popular music performers and songwriters who reference coffee in their work. It examines three areas of discourse: the psychoactive effects of caffeine, coffee and courtship rituals, and the politics of coffee consumption. I claim that coffee carries a cultural and musicological significance comparable to that of the chemical stimulants and consumer goods more readily associated with popular music. Songs about coffee may not be as potent as those featuring drugs and alcohol (Primack; Schapiro), or as common as those referencing commodities li

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