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Artykuły w czasopismach na temat "Social network (Motion picture)"

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Asokan, R., and T. Vijayakumar. "Design of WhatsApp Image Folder Categorization Using CNN Method in the Android Domain." September 2021 3, no. 3 (2021): 180–95. http://dx.doi.org/10.36548/jucct.2021.3.003.

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Recently, the use of different social media platforms such as Twitter, Facebook, and WhatsApp have increased significantly. A vast number of static images and motion frame pictures posted on such platforms get stored in the device folder making it critical to identify the social network of the downloaded images in the android domain. This is a multimedia forensic job with major cyber security consequences and is said to be accomplished using unique traces contained in picture material (SNs). Therefore, this proposal has been endeavoured to construct a new framework called FusionNet to combine
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Kim, Taegu, Jungsik Hong, and Pilsung Kang. "Box Office Forecasting considering Competitive Environment and Word-of-Mouth in Social Networks: A Case Study of Korean Film Market." Computational Intelligence and Neuroscience 2017 (2017): 1–16. http://dx.doi.org/10.1155/2017/4315419.

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Accurate box office forecasting models are developed by considering competition and word-of-mouth (WOM) effects in addition to screening-related information. Nationality, genre, ratings, and distributors of motion pictures running concurrently with the target motion picture are used to describe the competition, whereas the numbers of informative, positive, and negative mentions posted on social network services (SNS) are used to gauge the atmosphere spread by WOM. Among these candidate variables, only significant variables are selected by genetic algorithm (GA), based on which machine learning
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Hoyler, Michael, and Allan Watson. "Framing city networks through temporary projects: (Trans)national film production beyond ‘Global Hollywood’." Urban Studies 56, no. 5 (2018): 943–59. http://dx.doi.org/10.1177/0042098018790735.

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This article advances research on external urban relations by drawing attention to the role of temporary project-based economic organisation in the formation of inter-firm links between cities. Through a novel empirical examination of (trans)national co-production in the motion picture industry, we reveal how such projects transcend the boundaries of individual production clusters and link urban centres within specific network configurations. Stripping away the ‘top layer’ of Hollywood’s commercially successful feature films, we undertake a social network analysis of film productions in four m
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Cattani, Gino, and Simone Ferriani. "A Core/Periphery Perspective on Individual Creative Performance: Social Networks and Cinematic Achievements in the Hollywood Film Industry." Organization Science 19, no. 6 (2008): 824–44. http://dx.doi.org/10.1287/orsc.1070.0350.

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The paper advances a relational perspective to studying creativity at the individual level. Building on social network theory and techniques, we examine the role of social networks in shaping individuals' ability to generate a creative outcome. More specifically, we argue that individuals who occupy an intermediate position between the core and the periphery of their social system are in a favorable position to achieve creative results. In addition, the benefits accrued through an individual's intermediate core/periphery position can also be observed at the team level, when the same individual
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Fovet, Frederic. "120 BPM [Motion Picture]." Journal of Homosexuality 66, no. 11 (2018): 1626–28. http://dx.doi.org/10.1080/00918369.2018.1517498.

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Хома, Наталія. "Роль соціальних медіа у формуванні та функціонуванні громадянського суспільства". National Academy of Managerial Staff of Culture and Arts Herald, № 4 (8 лютого 2014): 211–15. https://doi.org/10.5281/zenodo.3659694.

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Role of social media in formation and functioning of civil society Civil Society is the self-organized and self-regulated area of public relations in the state, that unites many institutes – subjects, that in the process of their activity form public relations aimed at strengthening civil society. One ofthese institutions is the means of mass media (media). The most part of media are non-governmental, private, and therefore are perceived as special – information – commercial projects designed to bring profits to owners. But media is a powerful institute of civil soc
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Wakabayashi, Akio, and Asami Katsumata. "The Motion Picture Mind-Reading Test." Journal of Individual Differences 32, no. 2 (2011): 55–64. http://dx.doi.org/10.1027/1614-0001/a000034.

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The Motion Picture Mind Reading (MPMR) Test is a novel naturalistic mind-reading task, designed to measure individual differences in a young adult population in Japan. Short scenes from TV films showing characters in social situations were presented to 128 university students; participants judged the mental state of a character in these films. The distribution of task performance (MPMR Test) of participants was approximately normal and its psychometric properties were found to be satisfactory. The MPMR Test scores correlated positively with those of the Eyes Test and also with scores on the em
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Zhai, Lujun, Suxia Cui, Yonghui Wang, Song Wang, Jun Zhou, and Greg Wilsbacher. "Historical Blurry Video-Based Face Recognition." Journal of Imaging 10, no. 9 (2024): 236. http://dx.doi.org/10.3390/jimaging10090236.

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Face recognition is a widely used computer vision, which plays an increasingly important role in user authentication systems, security systems, and consumer electronics. The models for most current applications are based on high-definition digital cameras. In this paper, we focus on digital images derived from historical motion picture films. Historical motion picture films often have poorer resolution than modern digital imagery, making face detection a more challenging task. To approach this problem, we first propose a trunk–branch concatenated multi-task cascaded convolutional neural networ
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Cirlin, Bernard D., and Jack N. Peterman. "Pre-Testing a Motion Picture: A Case History." Journal of Social Issues 3, no. 3 (2010): 39–41. http://dx.doi.org/10.1111/j.1540-4560.1947.tb02212.x.

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Lee, Sangjoon. "Creating an anti-communist motion picture producers’ network in Asia: the Asia Foundation, Asia Pictures, and the Korean Motion Picture Cultural Association." Historical Journal of Film, Radio and Television 37, no. 3 (2016): 517–38. http://dx.doi.org/10.1080/01439685.2016.1157292.

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Rozprawy doktorskie na temat "Social network (Motion picture)"

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Tang, Yi. "A bird known by its note : identity legitimacy, network dynamics, and actor performance in the Hong Kong film industry, 1970-1997 /." View abstract or full-text, 2009. http://library.ust.hk/cgi/db/thesis.pl?MGTO%202009%20TANG.

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Santos, Fernanda Bornancin. "Deslocamentos tecnológicos e artísticos na prática dos microrroteiros da cidade." Universidade Tecnológica Federal do Paraná, 2016. http://repositorio.utfpr.edu.br/jspui/handle/1/2032.

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CAPES<br>Esta pesquisa propõe uma reflexão sobre como a dimensão tecnológica na prática dos Microrroteiros da Cidade se constitui como fator fundamental de seus processos de co-construção e mediação de circulações, dinâmicas e possibilidades de desdobramento. Criado em 2009 pela artista e roteirista paulistana Laura Guimarães, o projeto consiste em pequenas intenções de roteiro que convidam à visualização de histórias e situações vivenciadas por pessoas que transitam e/ou habitam a cidade de São Paulo. A linguagem utilizada nos textos dos microrroteiros é, ao mesmo tempo, uma relativização do
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Pope, Naomi Elizabeth. "Beyond Hollywood the social and spatial division of labor in the motion picture industry /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1579190531&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Aguad-Rodríguez, Shadia. "Análisis del marketing digital en el cine peruano : casos Asu Mare 2 y Desaparecer." Bachelor's thesis, Universidad de Lima, 2016. http://repositorio.ulima.edu.pe/handle/ulima/3654.

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El presente trabajo académico tiene como objetivo principal analizar el papel que desempeñó el marketing digital en la promoción y resultados de las películas Asu Mare 2 y Desaparecer; identificando la correlación que hubo entre la interacción en las redes sociales y los resultados de taquilla en las semanas que ambas películas estuvieron en cartelera.<br>Trabajo de investigación
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Brown, Anna Marie. "Cinerati." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/808.

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From the polluted canals of turn-of-the-century Birmingham, England, William Moxley is an ineffectual captain of industry burning for a Music Hall life. With his unlikely bride Elvina in tow, he journeys to the west coast of the United States, only to shipwreck against his lifelong dream--a vaudeville hall called "The Sunshine." In "Dear Clara," a depression-era love story, Warren Wilkerson has been a Sunshine fixture since the age of six; suddenly forced out by the theatre's back-stabbing, bootlegging "owner," Warren must resort to desperate measures in order to pay for his dying wife's insul
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Ng, Hei Tung. "The representation of the mothers in J-horror." HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/836.

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Lam, Sui-kwong Sunny, and 林萃光. "The impact of translated Japanese comics on Hong Kong cinematic production: cultural imperialism or localredeployment?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B29902289.

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Chiarini, Ludovica, and Nadia Khedachi. "Sustainability reporting in project-based industries: a European study with a focus on the motion picture industry." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23260.

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Project-based industries (PBIs) and more specifically the motion picture industry (MPI) are industries with fluid workflows composed of non-standardised routines. The constant and massive employment of resources on an industrial level (energy usage, waste production, ephemeral decors, food consumption, transportation) generates a considerable negative impact on the environment. These industries are not striving towards sustainable development due to their ever changing work processes but have still not suffered from consumers’ backlash as many others are currently experiencing (fast fashion).N
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Enders, Mark Enders Mark. "No laughing matter an exploration of the role of the protagonist in Australian feature films classified as social comedies /." Connect to this title online, 2004. http://adt.library.qut.edu.au/adt-qut/public/adt-QUT20050224.101747/.

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Mills, Jane Kathryn. "Hollywood and its others : porous borders and creative tensions in the transnational screenscape." Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/19823.

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This dissertation challenges how Hollywood is typically imagined as monolithic, homogenous and homogenising, and separated from other cinemas by fixed and impermeable borders. This influential cinematic paradigm posits a centre-periphery model underpinned by binary oppositions in which most cinemas are negatively defined as Hollywood’s ‘other’ and perceived as fixed in permanent states of opposition and assimilation. It is a perception reinforced by the influential critical paradigm which focuses on the films’ formal stylistic and narrative properties. This conceptualisation ignores, or fails
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Książki na temat "Social network (Motion picture)"

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Linder, Ralf A. Von Citizen Kane bis The Social Network: Die Darstellung der Wirtschaft im US-amerikanischen Spielfilm : eine Analyse. Ibidem-Verlag, 2011.

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Universität Bremen. Zentrum für Medien-, Kommunikations- und Informationsforschung, ed. Filmerfahrung und Zuschauer: Zwischen Kino, Museum und sozialen Netzwerken. Bertz + Fischer, 2014.

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Garófano, R. Crónica social del cine en Cádiz. Quorum Libros Editores, 1996.

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Said, Salim. Shadows on the silver screen: A social history of Indonesian film. Edited by McGlynn John H and Boileau Janet P. Lontar Foundation, 1991.

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1941-, Schenk Irmbert, and Bremer Symposium zum Film (4th : 1999?), eds. Erlebnisort Kino. Schüren, 2000.

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Nanci, Fernandes, ed. Cinema: Arte & industria. Editora Perspectiva, 2002.

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Pires, Vieira Else Ribeiro, ed. City of God in several voices: Brazilian social cinema as action. Critical, Cultural and Communication Press, 2005.

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Macmillan, Peter. Explaining post-war cinema attendance in Great Britain. St. Salvator's College, Dept. of Economics, 2000.

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Agnihotri, Ram Awatar. Artistes and their films of modern Hindi cinema: Cultural and sociopolitical impact on society, 1931-1991. Commonwealth Publishers, 1992.

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Zhan, Qingsheng. Yu wang yu jin ji: Dian ying yu le de she hui kong zhi = Desires vs. taboos : a study on the social control of film entertainment. 8th ed. Qing hua da xue chu ban she, 2011.

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Części książek na temat "Social network (Motion picture)"

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Imamura, Misato, and Takashi Yoshino. "Development of Body Conversion System with Motion Picture for Presenting Other’s Bodily Sensations." In Collaboration Technologies and Social Computing. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-2618-8_10.

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Kong, Yuqi, Yao Wang, Yang Hong, Rongguang Ye, Wenzheng Chi, and Lining Sun. "A Generative Adversarial Network Based Motion Planning Framework for Mobile Robots in Dynamic Human-Robot Integration Environments." In Social Robotics. Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-24667-8_38.

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Meiseberg, Brinja, and Thomas Ehrmann. "Performance Implications of Network Structure, Resource Investment, and Competition in the German Motion Picture Industry." In Contributions to Management Science. Physica-Verlag HD, 2008. http://dx.doi.org/10.1007/978-3-7908-2058-4_19.

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Ushijima, Ken, Neni Sintawardani, and Mayu Ikemi. "Social Relationships and Material Flow in the Co-Creation of Sanitation Systems." In Global Environmental Studies. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-7711-3_13.

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AbstractThis chapter describes the challenges of co-creating sanitation system design based on material flow and social network with value flow in urban slums in Indonesia. The challenges are described in three phases: first, to understand and describe the current material flow of sanitation and environment; second, to extend our understanding of the wider meaning of material flow and value flow network; and, third, to evolve the solution through a co-creation process with local players. Through the first phase, we could understand the overall problem of sanitation in the research field by app
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Le, Hai, Van-Sang Doan, Dai Phong Le, Thien Huynh-The, and Van-Phuc Hoang. "Micro-motion Target Classification Based on FMCW Radar Using Extended Residual Neural Network." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77424-0_9.

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Chowdhury, Debasish Roy, and John Keane. "Motion Sickness." In To Kill A Democracy. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198848608.003.0005.

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This chapter focuses on India’s public transport system. If cities are democratic laboratories that nurture free and equal motion, then India fails the test every day. In Mumbai, for example, up to sixteen people can find themselves packed into a one-square-metre space inside a carriage during peak hours as Indian Railways fails to provide enough trains and coaches to the financial capital’s arterial rail network. Travelling like animals, risking their lives for livelihood, has been the lot of Mumbai’s daily commuters for as long as they can remember. Away from the cities, where 70 per cent of
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Lee, Sangjoon. "Introduction." In Cinema and the Cultural Cold War. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0001.

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This chapter examines the historical, social, cultural, and intellectual constitution of the first postwar pan-Asian cinema network during the two decades after the Korean War armistice in July 1953. It argues that Asia's film cultures and industries were shaped by the practice of transnational collaboration and competition between newly independent and colonial states, with financial and administrative support from US institutions. It also looks at the network of motion picture executives, creative personnel, policy makers, and intellectuals in Asia at the height of the Cold War and beyond. T
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Ishii Akira, Furuta Kouichi, Oka Tomoaki, Koguchi Hidehiko, and Uchiyama Koki. "Mathematical Model of Hit Phenomena as a theory for collective motion of human mind in societies." In Frontiers in Artificial Intelligence and Applications. IOS Press, 2013. https://doi.org/10.3233/978-1-61499-264-6-267.

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A mathematical model for the hit phenomenon in entertainment within a society is presented as a stochastic process of interactions of human dynamics. The model uses only the time distribution of advertisement budget as an input, and word-of-mouth (WOM) represented by posts on social network systems is used as data to compare with the calculated results. The unit of time is a day. The calculations for the Japanese motion picture market based on to the mathematical model agree very well with the actual residue distribution in time. The model is applied also to weekly TV drama and electronic cons
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Morton, David. "“Assurances of Full Cooperation”." In Motion Picture Paradise. University Press of Florida, 2024. https://doi.org/10.5744/florida/9780813069999.003.0006.

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This chapter examines how Governor Reubin Askew’s (1971–79) “Open Letter to the Motion Picture Industry” initiated an unprecedented moment of statewide cooperation with the motion picture industry. Working in tandem with his predecessor Governor Claude Kirk’s (1967–71) courtship of the Walt Disney Corporation, Askew sought to increase the prevalence and presence of film and television productions in the state to help bolster its fledgling economy following the onset of the 1973–75 recession. Meanwhile, social upheavals in South Florida in 1980 (including the Mariel Boatlift and McDuffie Rebell
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Luong, Hy Van. "A Mobile Trading Network from Central Coastal Vietnam: Growth, Social Network, and Gender." In Traders in Motion. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501719820.003.0008.

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This chapter examines the significant growth of a mobile Vietnamese trading network in the past two decades, from Ho Chi Minh City to the entire southern half of Vietnam. The prominence of villagers from one lowlands village in the central coastal province of Quảng Ngãi in this trading niche highlights the importance of social network in Vietnamese political economy. About half of the traders in this trading network are male, and half, female, in contrast to the common dominance of women in Vietnamese petty trade. In relation to the literature on gender and trade in Vietnam and the rest of Sou
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Streszczenia konferencji na temat "Social network (Motion picture)"

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Meda, Shashwath, Mike Stevens, Erwin Boer, et al. "Brain-behavior relationships of simulated naturalistic automobile driving under the influence of acute cannabis intoxication: A double-blind, placebo-controlled study." In 2022 Annual Scientific Meeting of the Research Society on Marijuana. Research Society on Marijuana, 2022. http://dx.doi.org/10.26828/cannabis.2022.02.000.32.

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Background: Driving is a complex everyday activity that requires the use and integration of different cognitive and psychomotor functions, many of which are known to be affected when under the influence of cannabis (CNB). Given legal implications of drugged-driving and rapidly increasing use of CNB nationwide, there is an urgent need to better understand the effects of CNB on such functions in the context of driving. This longitudinal, double-blind placebo-controlled study investigated the effects of CNB on driving brain-behavior relationships in a controlled simulated environment using functi
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Guo, Huiyu. "On Strategies of Using Picture Books to Dredge Childrenrs Negative Emotions." In 8th International Conference on Social Network, Communication and Education (SNCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/snce-18.2018.197.

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Satta, R., and P. Stirparo. "Picture-to-Identity linking of social network accounts based on Sensor Pattern Noise." In 5th International Conference on Imaging for Crime Detection and Prevention (ICDP 2013). Institution of Engineering and Technology, 2013. http://dx.doi.org/10.1049/ic.2013.0266.

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He, Feng. "Practice Research on English Reading Teaching Based on Picture Story Books in Primary School." In 8th International Conference on Social Network, Communication and Education (SNCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/snce-18.2018.32.

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"On the Usage of Sensor Pattern Noise for Picture-to-Identity Linking through Social Network Accounts." In International Conference on Computer Vision Theory and Applications. SCITEPRESS - Science and and Technology Publications, 2014. http://dx.doi.org/10.5220/0004682200050011.

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Jin, Fang, Rupinder Paul Khandpur, Nathan Self, et al. "Modeling mass protest adoption in social network communities using geometric brownian motion." In KDD '14: The 20th ACM SIGKDD International Conference on Knowledge Discovery and Data Mining. ACM, 2014. http://dx.doi.org/10.1145/2623330.2623376.

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Gang, Qin, and Chen Yi-Xian. "Research and Design of Wearable Human Motion Capture System." In 2017 7th International Conference on Social Network, Communication and Education (SNCE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/snce-17.2017.58.

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Tushar, Bansal M., Mohammed Saqib Rahman, Ali S. Jaffer, and M. Indumathy. "Face Mask and Social Distancing Detection Using Faster Regional Convolutional Neural Network." In International Research Conference on IOT, Cloud and Data Science. Trans Tech Publications Ltd, 2023. http://dx.doi.org/10.4028/p-a0t134.

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Face masks and social distancing is essential for many infectious diseases that spread through micro-droplets. According to WHO, the preventive measure for COVID-19 is to follow social distancing. Face Detection has expanded as a widespread concern in Computer Vision and Image processing. Many unique algorithms are developed using Convolutional Architectures to curate the algorithm as accurately as possible. First, the person in the video frames is pinpointed with the aid of Deep Learning (DL). The second step is to calculate the span between any two individuals through approaches of image pro
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Seung-Chan Kim, Byung-Kil Han, Soo-Chul Lim, Junseok Park, and Dong-Soo Kwon. "Haptics in a social network service: Tweeting with motion for sharing physical experiences." In 2011 IEEE World Haptics Conference (WHC 2011). IEEE, 2011. http://dx.doi.org/10.1109/whc.2011.5945504.

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Jianyu, Ma, Yang Fang, and Xue Yujun. "Analysis on Kinematics and Dynamics for A Planar Flexible Driving Target Motion Simulation System." In 2017 7th International Conference on Social Network, Communication and Education (SNCE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/snce-17.2017.20.

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Raporty organizacyjne na temat "Social network (Motion picture)"

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Visa Barbosa, M., T. Serés Seuma, and J. Soto Merola. From the family portrait to the profile picture. Uses of photography in the Facebook social network. Revista Latina de Comunicación Social, 2018. http://dx.doi.org/10.4185/rlcs-2018-1278en.

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Funaro, Rita. Ideas for Development in the Americas (IDEA): Volume 10 : May-August, 2006: Bond Markets: A Spare tire for the Domestic Financial System? Inter-American Development Bank, 2006. http://dx.doi.org/10.18235/0008219.

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Bond development in Latin America presents something of a mixed picture. This edition of IDEA looks at how local bond markets have grown in size and liquidity but continue to lag behind emerging economies in Asia in a number of dimensions. How long will it take Latin America to develop deep and liquid bond markets? In addressing this question, the newsletter draws heavily on the 2007 issue of the Economic and Social Progress Report titled Living with Debt and on the results of the Latin American Research Network project on the Development of Bond Markets in Latin America.
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