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Rozprawy doktorskie na temat „Social network (Motion picture)”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Tang, Yi. "A bird known by its note : identity legitimacy, network dynamics, and actor performance in the Hong Kong film industry, 1970-1997 /." View abstract or full-text, 2009. http://library.ust.hk/cgi/db/thesis.pl?MGTO%202009%20TANG.

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2

Santos, Fernanda Bornancin. "Deslocamentos tecnológicos e artísticos na prática dos microrroteiros da cidade." Universidade Tecnológica Federal do Paraná, 2016. http://repositorio.utfpr.edu.br/jspui/handle/1/2032.

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CAPES<br>Esta pesquisa propõe uma reflexão sobre como a dimensão tecnológica na prática dos Microrroteiros da Cidade se constitui como fator fundamental de seus processos de co-construção e mediação de circulações, dinâmicas e possibilidades de desdobramento. Criado em 2009 pela artista e roteirista paulistana Laura Guimarães, o projeto consiste em pequenas intenções de roteiro que convidam à visualização de histórias e situações vivenciadas por pessoas que transitam e/ou habitam a cidade de São Paulo. A linguagem utilizada nos textos dos microrroteiros é, ao mesmo tempo, uma relativização do

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3

Pope, Naomi Elizabeth. "Beyond Hollywood the social and spatial division of labor in the motion picture industry /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1579190531&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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4

Aguad-Rodríguez, Shadia. "Análisis del marketing digital en el cine peruano : casos Asu Mare 2 y Desaparecer." Bachelor's thesis, Universidad de Lima, 2016. http://repositorio.ulima.edu.pe/handle/ulima/3654.

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El presente trabajo académico tiene como objetivo principal analizar el papel que desempeñó el marketing digital en la promoción y resultados de las películas Asu Mare 2 y Desaparecer; identificando la correlación que hubo entre la interacción en las redes sociales y los resultados de taquilla en las semanas que ambas películas estuvieron en cartelera.<br>Trabajo de investigación

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5

Brown, Anna Marie. "Cinerati." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/808.

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From the polluted canals of turn-of-the-century Birmingham, England, William Moxley is an ineffectual captain of industry burning for a Music Hall life. With his unlikely bride Elvina in tow, he journeys to the west coast of the United States, only to shipwreck against his lifelong dream--a vaudeville hall called "The Sunshine." In "Dear Clara," a depression-era love story, Warren Wilkerson has been a Sunshine fixture since the age of six; suddenly forced out by the theatre's back-stabbing, bootlegging "owner," Warren must resort to desperate measures in order to pay for his dying wife's insul

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6

Ng, Hei Tung. "The representation of the mothers in J-horror." HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/836.

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7

Lam, Sui-kwong Sunny, and 林萃光. "The impact of translated Japanese comics on Hong Kong cinematic production: cultural imperialism or localredeployment?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B29902289.

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8

Chiarini, Ludovica, and Nadia Khedachi. "Sustainability reporting in project-based industries: a European study with a focus on the motion picture industry." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23260.

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Project-based industries (PBIs) and more specifically the motion picture industry (MPI) are industries with fluid workflows composed of non-standardised routines. The constant and massive employment of resources on an industrial level (energy usage, waste production, ephemeral decors, food consumption, transportation) generates a considerable negative impact on the environment. These industries are not striving towards sustainable development due to their ever changing work processes but have still not suffered from consumers’ backlash as many others are currently experiencing (fast fashion).N

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9

Enders, Mark Enders Mark. "No laughing matter an exploration of the role of the protagonist in Australian feature films classified as social comedies /." Connect to this title online, 2004. http://adt.library.qut.edu.au/adt-qut/public/adt-QUT20050224.101747/.

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10

Mills, Jane Kathryn. "Hollywood and its others : porous borders and creative tensions in the transnational screenscape." Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/19823.

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This dissertation challenges how Hollywood is typically imagined as monolithic, homogenous and homogenising, and separated from other cinemas by fixed and impermeable borders. This influential cinematic paradigm posits a centre-periphery model underpinned by binary oppositions in which most cinemas are negatively defined as Hollywood’s ‘other’ and perceived as fixed in permanent states of opposition and assimilation. It is a perception reinforced by the influential critical paradigm which focuses on the films’ formal stylistic and narrative properties. This conceptualisation ignores, or fails

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11

Cork, Kevin James, of Western Sydney Nepean University, and Faculty of Humanities and Social Sciences. "Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales." THESIS_FHSS_XXX_Cork_K.xml, 1994. http://handle.uws.edu.au:8081/1959.7/684.

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Little research into historical, architectural and social significance of the picture theatre in pre-television rural Australian society has been undertaken. Taking a New South Wales country area (to represent a microcosm), this thesis records the picture venues and qualitative research material from past patrons and theatre staff. The study 1/. establishes the environment created by a picture theatre 2/. shows that New South Wales was typical of Australia in film attendance before the 1960s 3/. introduces the Central-West subject area, and describes how data was gathered from available record

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12

Mann, Erika Noelle. "Cinema's green is gold the commodification of Irishness in film /." CONNECT TO THIS TITLE ONLINE, 2008. http://etd.lib.umt.edu/theses/available/etd-05082008-102020/.

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13

Tsui, Kin-chung, and 徐建忠. "Wong Kar-wai: the filmmaker of solitude." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953748.

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14

McCann, Elisabeth L. S. "A rhetorical analysis of Elizabeth Barret's Stranger with a camera." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1246473.

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This study explores how the context of an event can be reconstructed in order to change an event's meaning and how the recontextualization can influence perceptions of a community. The artifact examined is a documentary film produced by Appalshop, Stranger with a Camera directed by Elizabeth Barret.Chapter One includes an introduction to Stranger with a Camera, and work by scholars related to the study of documentary film. The research focus guiding the analysis is an examination of how Barret reconstructs the context of a murder in Jeremiah, Kentucky in order to alter the event's significance

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15

Zhang, Bing. "Avatar in China : a cyber-audience discourse analysis perspective." Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2525516.

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16

Belintani, Júlia Ramiro. "Projecionistas de cinema na transição película / digital: diálogos entre um futuro desapegado e um passado que resiste." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21689.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-12-05T11:47:25Z No. of bitstreams: 1 Júlia Ramiro Belintani.pdf: 1644791 bytes, checksum: 109215c4c0bcff1bdea018ff4d8f8428 (MD5)<br>Made available in DSpace on 2018-12-05T11:47:25Z (GMT). No. of bitstreams: 1 Júlia Ramiro Belintani.pdf: 1644791 bytes, checksum: 109215c4c0bcff1bdea018ff4d8f8428 (MD5) Previous issue date: 2018-10-26<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The research has emerged from the concern about technologies that fascinate people due to their eases and possibilities and that

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17

Bahmad, Jamal. "Casablanca belongs to us : globalisation, everyday life and postcolonial subjectivity in Moroccan cinema since the 1990s." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/19847.

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This dissertation examines the representations of Casablanca in Moroccan cinema and their articulation of postcolonial subjectivity since the 1990s. To overcome a deep economic recession and simmering social unrest in the early 1980s, Morocco embarked on a comprehensive programme of structural adjustment policies under the aegis of the International Monetary Fund. Market reforms ushered in novel forms of spatial development and social relations in Moroccan cities over the next decades. In the cultural field, a popular cinema emerged in the early 1990s and has projected the complex structures o

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18

Cevik, Senem Bahar. "Impact of media spokeswomen on teen girls' body image." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2801.

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This project investigated body image issues of girls aged 13-19 years old. It surveyed a random sample of 100 girls via a self-administered questionnaire. The study found that most teen girls have a celebrity actor idol and that the majority of teen girls are self conscious regarding body shape and weight.

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19

Young, Kelcei. "And the Stereotype Award Goes to...: A Comparative Analysis of Directors using African American Stereotypes in Film." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609173/.

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This study examines African American stereotypes in film. I studied six directors, Kathryn Bigelow, Spike Lee, the Russo Brothers, Ryan Coogler, Tate Taylor, and Dee Rees; and six films Detroit, BlacKkKlansman, Captain America: The Winter Soldier, The Help, and Mudbound. Using the framework of critical race theory and auteur theory, I compared the common themes between the films and directors. The main purpose of my study is to see if White or Black directors predominantly used African American stereotypes. I found that both races of directors rely on stereotypes for different purposes. With B

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20

Gustafsson, Fredrik. "Hasse Ekman : a question of authorship in a national context." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3421.

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This thesis takes a historical approach to its subject and focuses on Swedish cinema of the 1940s and 1950s. The thesis argues that Swedish cinema experienced a renaissance in the 1940s, lasting approximately from 1940 to 1953. It further suggests that one of the most important filmmakers in this renaissance was Hasse Ekman. By focussing upon Ekman and this renaissance, a much-needed contextualisation of Ingmar Bergman will be achieved. Ingmar Bergman is one of the most well-known and well-researched filmmakers of all time, but there are still gaps in the material surrounding him, and one such

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21

Prince, Rob. "Say Hello to My Little Friend: De Palma's Scarface, Cinema Spectatorship, and the Hip Hop Gangsta as Urban Superhero." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1256860175.

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22

Medeiros, André Aparecido. "Deslocamento, interculturalidade e transitividade migratória em filmes dirigidos por Karim Aïnouz." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/157284.

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Submitted by André Aparecido Medeiros (andreapmed@hotmail.com) on 2018-10-09T21:00:31Z No. of bitstreams: 1 dissertação - andré - 7 imprimir.pdf: 1737893 bytes, checksum: 339c9cff2d47c03260498b6ba0c9708c (MD5)<br>Approved for entry into archive by Lucilene Cordeiro da Silva Messias null (lubiblio@bauru.unesp.br) on 2018-10-10T16:54:48Z (GMT) No. of bitstreams: 1 medeiros_aa_me_bauru.pdf: 1737893 bytes, checksum: 339c9cff2d47c03260498b6ba0c9708c (MD5)<br>Made available in DSpace on 2018-10-10T16:54:48Z (GMT). No. of bitstreams: 1 medeiros_aa_me_bauru.pdf: 1737893 bytes, checksum: 339c9cff2d

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23

Peng, Shih-Chun, and 彭仕鈞. "Design and Implementation of a Real-Time Motion Picture Transmission System in Distributed Object Network." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/28022202673704545854.

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碩士<br>國立交通大學<br>電機與控制工程系<br>88<br>This thesis describes the exploitation of distributed object network technology in IA (Information Appliance) development. Xcamba, a real-time system, has been built that transmits motion pictures, compressed in JPEG, over distributed network, with client applications successfully ported on Linux and MS-Windows platforms. Combining language- and platform-independent advantages in Corba and embedded Linux, Xcamba features flexibility and scalability that most characterize a cost-optimal multimedia system.

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24

"Exhibitors' shadow land: a study on how movie-exhibitors in China restructure movie-going activity." 1997. http://library.cuhk.edu.hk/record=b5889099.

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by Chu Lui.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 1997.<br>Includes bibliographical references (leaves 351-354).<br>ABSTRACT --- p.ii-iv<br>ACKNOWLEDGEMENT --- p.v<br>LIST OF FIGURES --- p.vi-vii<br>LIST OF ILLUSTRATIONS --- p.viii<br>CHAPTERS<br>Chapter PART I --- Introduction --- p.1<br>Chapter PART II --- Theoretical formulation on exhibitors' structuration of movie-going activity --- p.30<br>Chapter 2 --- Approaches from existing film studies --- p.31<br>Chapter 3 --- Structuration: social practices and social structure --- p.49<br>Chapter 4 --- An analytical applic

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25

Ugor, Paul Ushang. "Youth culture and the struggle for social space the Nigerian video films /." 2009. http://hdl.handle.net/10048/470.

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Thesis (Ph.D.)--University of Alberta, 2009.<br>Title from pdf file main screen (viewed on July 31, 2009). "A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Department of English and Film Studies." Includes bibliographical references.

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26

Mills, Jane Kathryn, University of Western Sydney, College of Arts, and School of Humanities and Languages. "Hollywood and its others : porous borders and creative tensions in the transnational screenscape." 2007. http://handle.uws.edu.au:8081/1959.7/19823.

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This dissertation challenges how Hollywood is typically imagined as monolithic, homogenous and homogenising, and separated from other cinemas by fixed and impermeable borders. This influential cinematic paradigm posits a centre-periphery model underpinned by binary oppositions in which most cinemas are negatively defined as Hollywood’s ‘other’ and perceived as fixed in permanent states of opposition and assimilation. It is a perception reinforced by the influential critical paradigm which focuses on the films’ formal stylistic and narrative properties. This conceptualisation ignores, or fails

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27

Bennett, Tammy Lynne. "Understanding the significance of a neighbourhood movie theatre as a cultural resource." Thesis, 2000. http://hdl.handle.net/2429/10559.

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The Greater Vancouver Regional District (GVRD) is in an era of growth, fundamental change, and reexamination of regional and local quality of life. Within this context, the complete community policies of the Livable Region Strategic Plan have been developed to help achieve a region where human community flourishes within the built and natural environment. The complete communities concept provides people with broader diversity in the physical and social elements of community - houses, travel, workplaces, social contacts, public services, recreation activities, shops and personal services

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28

DAI, HUEI-MIN, and 戴慧敏. "A Study on the Effect of Personality Traits, Motivation and Privacy Concern on Users’ Profile Picture Selection in Social Network Sites." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/59079572912751291030.

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碩士<br>萬能科技大學<br>資訊管理研究所在職專班<br>104<br>Social network sites such as Facebook are gaining popularity in our life, which offer large opportunities for people to make new friends and to connect with each other. Prior Studies have emphasized the important of self-presentation for online interaction. Thus, it is essential to understand the selection behavior of user profile picture in social network context. The main purpose of this research is to investigate the relationship between personality traits, information privacy concern, motivation, and profile pictures’ types of the Facebook users. This

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29

Sebok, Bryan Robert 1978. "Convergent Hollywood, DVD, and the transformation of the home entertainment industries." Thesis, 2007. http://hdl.handle.net/2152/3679.

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In 1997, DVD was introduced to the American public, beginning the fastest diffusion of any consumer electronics product in history. In this dissertation, I show how DVD, via favorable conditions in industry, technology, culture, economics, and the regulatory environment, replaced existing home video and computing technologies while transforming home entertainment. I analyze how DVD was successfully developed and commercialized by member firms in the filmed entertainment, consumer electronics, and computing industries from 1994-2002. I demonstrate how a new industry developed around DVD through

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30

Cork, Kevin J. "Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales." Thesis, 1994. http://handle.uws.edu.au:8081/1959.7/684.

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Little research into historical, architectural and social significance of the picture theatre in pre-television rural Australian society has been undertaken. Taking a New South Wales country area (to represent a microcosm), this thesis records the picture venues and qualitative research material from past patrons and theatre staff. The study 1/. establishes the environment created by a picture theatre 2/. shows that New South Wales was typical of Australia in film attendance before the 1960s 3/. introduces the Central-West subject area, and describes how data was gathered from available record

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31

Semin, Nancy Leigh. "An examination of Linda Lovelace and her influence on feminist thought and the pornographic industry in America." Thesis, 2006. http://hdl.handle.net/2152/4009.

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32

Katz, Jacqueline Lee. "Queer entanglements: postcolonial intimacies, spaces and times in Greyson and Lewis's Proteus (2003)." Thesis, 2016. http://hdl.handle.net/10539/20800.

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A dissertation submitted to the Faculty of Humanities, University of the Witwatersrand, in fulfillment of the requirements for the Degree of Master of Art in Dramatic Arts<br>My dissertation presents a textual analysis of John Greyson and Jack Lewis's South African film, Proteus (2003), which is based on archival records and plots the never-before-told narrative of an intimacy between two inmates on 16th century Robben Island. Locating this same-sex intimacy in the 1700s Cape Colony has far-reaching implications when considered in relation to the increasingly pervasive twenty-first cent

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33

Rousseau, Max. "Pembroke Circle: A Portrayal Of Social Themes Using Micro-budget Cinema." Master's thesis, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6170.

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Pembroke Circle is a feature-length, micro-budget, digital motion picture, written, produced and directed by Max Rousseau as a part of the University of Central Florida's Masters in Fine Arts program in Digital Entrepreneurial Cinema. The filmmaker engaged some very difficult material in the micro-budget paradigm and grew personally and professionally in the process. This thesis documents the writing process, pre-production, fund-raising, production and post-production; all leading to the completion of a festival-ready feature film. It is the hope that this thesis will create an understanding

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34

Ayob, Asma. "Beyond appearances : transnationalism and representation of women in Bollywood cinema." Thesis, 2014. http://hdl.handle.net/10500/18481.

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Bollywood cinema continues to evolve. As a result, it has become a transnational/cultural role player for Indian audiences worldwide. There has always been a strong link between Bollywood cinema and Indian society. Over the years, it has contributed to the dialogue on women’s roles and position in Indian society. In the past, Bollywood filmmakers were faithful to representations of women who were bound by patriarchal structures in the sense that they were expected to be loyal to ancient Indian traditions and belief-systems. Based on the increase in Indian migration, contemporary Bollywood film

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35

Watkins, Elizabeth Anne. "The Polysemia of Recognition: Facial Recognition in Algorithmic Management." Thesis, 2021. https://doi.org/10.7916/d8-6qwc-0t83.

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Algorithmic management systems organize many different kinds of work across domains, and have increasingly come under academic scrutiny. Under labels including gig work, piecemeal work, and platform labor, these systems have been richly theorized under disciplines including human-computer interaction, sociology, communications, economics, and labor law. When it comes to the relationships between such systems and their workers, current theory frames these interactions on a continuum between organizational control and worker autonomy. This has laid the groundwork for other ways of examining micr

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36

Boog, Hervé. "L'image principale de profil, symbole de l'individu connecté." Thèse, 2015. http://hdl.handle.net/1866/15939.

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Depuis le début du XXIe siècle, un type particulier d’images a envahi l’espace public constitué par Internet : il s’agit des images principales de profil, ces images que les utilisateurs de sites de réseaux sociaux choisissent pour les représenter auprès des autres individus connectés. Comme le plus souvent il s’agit d’une image du corps de celui ou celle qui s’affiche ainsi, il est intéressant de s’intéresser à cette pratique en la rattachant à des pratiques plus anciennes. Dans un premier temps, cette étude présente donc une perspective socio-historique en notant la ressemblance de la pratiq

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37

Willis, Robin M. "Street life : a case study on the social impact of participating in a film project on youths from the streets of Durban." Thesis, 2011. http://hdl.handle.net/10413/8263.

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In the spring of 2010, I worked with four street youths from Durban to create a short fictional film based on their lives. There were two main components to this project: first, a series of drama workshops and second, the film-making process. The filmmaking process consisted of the participants improvising scenes based on their street lives that I captured on film. This project engaged with Theatre for Development and Participatory Video practices. The young man who initiated this project did so because he wanted to change people’s perceptions of youths who lived on the streets. Additionally,

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38

Asenas, Jennifer Nichole 1977. "The past as rhetorical resource for resistance : enabling and constraining memories of the Black freedom struggle in Eyes on the prize." 2007. http://hdl.handle.net/2152/15859.

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I began this project with the question of how today's social justice activists might find a useable history in a massively influential text like Eyes on the Prize. Thus, the broad question that motivated this rhetorical inquiry was: what means are available to people interested in social change, but whose access to the resources to influence society is limited? One important resource that oppressed peoples can lay claim to is a shared sense of the past. Through a critical analysis of Eyes on the Prize, this dissertation examines shared memory as a resource for rhetorical production. I am int

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