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Książki na temat „Soundscape analysis”

Autor: Grafiati

Data publikacji: 5 czerwca 2025

Data aktualizacji: 1 sierpnia 2025

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1

Shelemay, Kay Kaufman. Soundscapes: exploring music in a changing world. Instructor's manual. Norton, 2001.

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Shelemay, Kay Kaufman. Soundscapes. W. W. Norton & Company, 2000.

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Soundscapes. Norton & Company, Incorporated, W. W., 2001.

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Soundscapes. Norton & Company, Incorporated, W. W., 2001.

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Soundscapes. W W Norton & Co Ltd, 2001.

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Shelemay, Kay Kaufman. Soundscapes. W. W. Norton & Company, 2000.

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Pitozzi, Enrico. Body Soundscape. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.43.

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Starting from an interdisciplinary perspective of methodological integration of the concepts of body and sound in the contemporary dance scene, this chapter addresses the general aesthetic notion ofsonorous body. Through a survey of some key practices and pieces by Wayne McGregor, Ginette Laurin, Angelin Preljocaj, Cindy Van Acker and others, the author analyzes the audiovisual dimension of these works, developed with digital technologies and in a collaboration of choreographers with electronic musician and sound artists such as Scanner, Kasper T. Toeplitz, Granular Synthesis, and Mika Vainio.

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Martin, Allie. Intersectional Listening. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197671603.001.0001.

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Abstract This book explores the sonic elements of gentrification in Washington, DC, with particular attention to the racialized elements of sound. Intersectional Listening engages the sonorities of gentrification, drawing from ethnomusicology, Black Studies, geography, and digital humanities. At its heart, the book is an ethnography about what gentrification sounds like in Washington, DC, specifically how Black people throughout the city are experiencing gentrification as a sonic, racialized process. In telling these stories of music and sound in the nation’s capital, the book attempts to shif

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Soundscapes: Exploring music in a changing world. Norton, 2001.

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Soundscapes: Exploring Music in a Changing World. W. W. Norton, 2015.

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Shelemay, Kay Kaufman. Soundscapes: Exploring Music in a Changing World. Norton & Company, Incorporated, W. W., 2006.

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Shelemay, Kay Kaufman. Soundscapes: Exploring Music in a Changing World. W W Norton & Co Inc (Np), 2006.

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Soundscapes: Exploring Music in a Changing World. Norton & Company, Incorporated, W. W., 2015.

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Shelemay, Kay Kaufman. Soundscapes: Exploring Music in a Changing World, Second Edition. W. W. Norton, 2006.

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Soundscapes: Exploring Music in a Changing World, Second Edition. W. W. Norton, 2006.

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Deaville, James, Siu-Lan Tan, and Ron Rodman, eds. The Oxford Handbook of Music and Advertising. Oxford University Press, 2021. http://dx.doi.org/10.1093/oxfordhb/9780190691240.001.0001.

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The Oxford Handbook of Music and Advertising assembles an array of forty-two pathbreaking chapters on the production, texts, and reception of advertising through music. Uniquely interdisciplinary, the collection’s tripartite structure leads the reader through these stages in the communication of the advertising message as presented by Chris Wharton (2015). The chapters on production study the factors, activities, and people behind the music for the marketing pitch, both past and present. Prominent throughlines in the section include factors influencing the selection of music (and musicians) fo

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Kytö, Meri. Soundscapes of Istanbul in Turkish Film Soundtracks. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0028.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter examines the changing relationships of sounds, places, and their cultural meanings in Turkish films located in Istanbul. Starting with a brief review of the historical context of Turkish film sound and sonic representations of Istanbul, the chapter then analyzes two recent films set in middle-class apartment homes,11’e 10 kalaandUzak, which represent the auteur vein of new Turkish cinema. Both feature subtle and delicate sound design and evidence

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Lewis, Hannah. French Musical Culture and the Coming of Sound Cinema. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.001.0001.

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French Musical Culture and the Coming of Sound Cinema examines film music practices in France during a period of widespread artistic and creative experimentation: the transition from silent to synchronized sound film. While this period in Hollywood has been examined from a range of scholarly perspectives, the transition to sound in France—and the unique interactions between French sound cinema and French musical discourses—remains underexplored. In France, debates about sound cinema were fierce and widespread, and many filmmakers addressed theoretical questions about the potential of the new t

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Ballengee, Christopher L., ed. Music, Sound, and Documentary Film in the Global South. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781978723917.

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Music, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the who

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Mileson, Stephen. Sound and Landscape. Edited by Christopher Gerrard and Alejandra Gutiérrez. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198744719.013.58.

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This article explores the role and significance of sound in medieval social relations. In the Middle Ages as in other periods sound was a vital medium through which people experienced their environment and a vehicle for the expression of meaning and assertion of power. It is argued that archaeologists are well placed to make a major contribution to the study of sound in medieval Britain, both through qualitative analysis of ‘soundscapes’ and through more quantitative fieldwork research on ‘soundmarks’. Special attention is paid to the use and significance of church bells in rural settlements,

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Stewart, Garrett. Attention Spans. Edited by David LaRocca. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9798765102268.

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Attention Spans’ chronological review of Garrett Stewart’s critical approach tracks and maps the evolution of intersecting disciplines from late New Criticism through structuralism, deconstruction, narrative theory (by way of narratography), poetics, and media studies, in which Stewart’s has been so persistent and so eloquent a voice. Excerpts from his twenty books are framed by editorial retrospect, then linked by Stewart’s own commentary on the variety – and underlying vectors – of his interpretive career across aesthetic forms, from Victorian narrative to recent American fiction, classic ce

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Agamennone, Maurizio, Daniele Palma, and Giulia Sarno, eds. Sounds of the Pandemic. Taylor & Francis, 2023. https://doi.org/10.5040/9781032060248.

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Sounds of the Pandemic offers one of the first critical analyses of the changes in sonic environments, artistic practice, and listening behaviour caused by the Coronavirus outbreak. This multifaceted collection provides a detailed picture of a wide array of phenomena related to sound and music, including soundscapes, music production, music performance, and mediatisation processes in the context of COVID-19. It represents a first step to understanding how the pandemic and its by-products affected sound domains in terms of experiences and practices, representations, collective imaginaries, and

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Llano, Samuel. Confinement, Mendicancy, and the Making of the Street Musician. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199392469.003.0012.

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This chapter analyzes the social, historical, and legal context in which the San Bernardino workhouse and band were created, and in which their activity developed. San Bernardino was founded in 1834 to confine the poor, who were seen as a source of public shame and contamination, and who were blamed for the rise of cholera epidemics in Madrid. The system of confinement relied on the distinction between deserving and undeserving poor and aimed to make them productive. The harsh discipline and deficient hygiene of workhouses, however, acted as deterrents and forced the authorities to resort to v

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Yang, Hon-Lun. Curb that Enticing Tone. Edited by Patricia Hall. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.22.

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This chapter examines music censorship in the People’s Republic of China and its relationship to socialist ideology. After assessing the ideology of socialist music in the PRC, the chapter provides some examples of music censorship during the country’s history. It then highlights some of the intricacies and complexities in present-day music censorship in the PRC, including censorship on the Internet. It considers the musical genres that were taken out of the PRC’s soundscape, including Shanghai pop, and the return of pop-style songs after the Cultural Revolution following the adoption of the R

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Laird, Paul R., and Elizabeth Sallinger. Orchestration in Musical Theatre. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350451278.

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Orchestration in Musical Theatre offers an analytic and critical overview of the practice, execution, and effects of orchestration in musical theatre since the time that rock music became significant in the genre. Broadly described as the art of arranging a piece of music for a particular musical ensemble, orchestration is a specific skill that few composers or songwriters possess. This volume helps the reader understand and appreciate the art of orchestration and traces how the incorporation of rock and other types of popular music into scores for musical theatre on Broadway and in the West E

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Delerme, Simone. Latino Orlando. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066257.001.0001.

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Latino Orlando: Suburban Transformation and Racial Conflict documents the migration, settlement, and incorporation of Puerto Ricans and other Latinos in Greater Orlando, analyzes the response to the influx, and examines the ways that race- and class-based identities and distinctions were formulated and represented. The international migration to Greater Orlando impacted social, political, and economic life. The book details the complexities of those experiences for both the incoming and receiving populations. Latino Orlando reveals how demographic changes transformed not only the landscape, bu

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Wells, Christi Jay. Between Beats. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197559277.001.0001.

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Between Beats: The Jazz Tradition and Black Vernacular Dance explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music’s formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a “legitimate” art form better suited for still, seated listening. Through the concept of “choreographies of listening,” the book explores amateur and professional jazz dancers’ relationships with jazz music and

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Havranek, Carrie, ed. Women Icons of Popular Music. Greenwood, 2008. http://dx.doi.org/10.5040/9798216037026.

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Popular music owes greatly to the spirit of rebellion. In all of its diversified, experimental, modern-day micro-genres, music's roots were first watered by good old-fashioned social dissension- its incendiary heights pushed heavenward by radicals and rogue revolutionaries. And perhaps none are more influential and non-conformist than women. Always first in line to give convention a sound thrashing, women in music have penned sonic masterpieces, championed sweeping social movements, and breathed life into sounds yet unimagined. Today's guitar-wielding heroines continue to blaze the trail, tapp

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