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Artykuły w czasopismach na temat „Spiritual beauty”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Albrecht, Jan. "Spiritual World of Beauty." Human Affairs 4, no. 2 (1994): 126–44. http://dx.doi.org/10.1515/humaff-1994-040205.

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De Witte, Marleen. "Insight, Secrecy, Beasts, and Beauty." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 1, no. 2-3 (2005): 277–300. http://dx.doi.org/10.1558/post.v1i2_3.277.

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Since the liberalization of the Ghanaian media in 1992, audiovisual representation has become crucial in the struggle over religion and culture. This article examines the neo-traditionalist Afrikania Mission’s struggles with audiovisual media in the context of a strong Pentecostal dominance in Ghana’s religious and media landscape. It argues that the study of religion in an era of mass media cannot be limited to religious doctrine and content. One must also take into account matters of style and format associated with audiovisual representation. This article shows how new media opportunities a

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GU, Shubo, and Jiaying ZHOU. "The Aesthetic Value of “Qi” in Ancient Chinese Painting." Research On Frontiers, no. 1 (January 28, 2024): 38–45. http://dx.doi.org/10.62978/2401gsb3845.

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“Qi” (peculiarity, novelty or uniqueness in English) represents a vital aesthetic category in Chinese painting, initially influenced by philosophy, military strategy, and literature. Artists emphasized novelty in brushwork, composition, and content, striving for lively spiritual ambience in their artworks, resulting in paintings that surprise and captivate. In ancient Chinese paintings, “Qi” is primarily manifested in content, brushwork, composition, and spiritual ambience, showcasing the beauty of transcendence, the beauty of sorrow and resentment, the beauty of temperament, and the beauty of

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Debnath, Swati Rani. "Quintessence of Truth and Beauty in the Writings of Rabindranath Tagore and Keats A Comparative Analysis." IJOHMN (International Journal online of Humanities) 1, no. 3 (2015): 52–68. http://dx.doi.org/10.24113/ijohmn.v1i3.13.

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In literary works, truth and beauty have been expressed in a varied number of ways by authors of all genres. Rabindranath Tagore and John Keats, two prominent writers from two languages have linked beauty and truth in philosophical manners in many of their writings. Beauty and truth are not separate entities; they flow from the same spring. Tagore views beauty as linked to eternal characteristics of nature and truth is associated with it. Keats sees beauty from spiritual perspective and according to him, realization of truth leads to the fulfillment of beauty. Readers of Tagore and Keats get e

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Bhandari, Sabindra Raj. "Adi Shankara’s Saundarya Lahari: A Quest of Spirituality in Devotion and Physical Body." English Language Teaching Perspectives 7, no. 1-2 (2022): 12–23. http://dx.doi.org/10.3126/eltp.v7i1-2.47402.

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Saundarya Lahiri (Waves of Beauty) by Adi Shankara glorifies the Devi Shakti (power of goddess) and her physical beauty. He projects that the perfect integration of the corporal and the physical aspects lead to the zenith of spiritual realm. Therefore, Bhakti (devotion) divulges the deep veneration of Devi Shakti through Sringaric (amorous) expressions in Saundarya Lahari. It proclaims that inner evolution and the feeling of sublime in the physical beauty of Devi Shakti radiate the sublimity of the spirituality as well. As a profound poetic creation in Sanskrit, it is distinct from the establi

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Meng, Yue. "Creating Indoor Beauty of Artistic Conception." Applied Mechanics and Materials 209-211 (October 2012): 263–66. http://dx.doi.org/10.4028/www.scientific.net/amm.209-211.263.

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Indoor beauty of artistic conception is a demonstration of indoor spiritual function and profound artistic beauty by means of modern technology and arts. The artistic beauty created brings a sentimental experience of the theme of the interior design.

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Komariah, Maria, Dessy Adriani, Desy Indrayani, and Nina Gartika. "Kebutuhan Spiritual pada Pasien dengan Kanker Stadium Akhir." Jurnal Keperawatan Silampari 4, no. 1 (2020): 1–10. http://dx.doi.org/10.31539/jks.v4i1.1221.

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This research aims to examine spiritual needs by getting an idea of the level of importance of spiritual needs based on the seven dimensions developed by Galek. This research method uses descriptive research methods. The results of research on the aspects of divinity (3.63), morality and ethics (3.43), love/sense of belonging (3.42), positive thinking/gratitude/hope (3.40), meaning and purpose (3.39) ), resolution/death (3.26) and on the appreciation dimension of beauty (2.98). In conclusion, in advanced cancer patients, the highest spiritual need is in the divine aspect, and the lowest is in

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Insell, Celeste. "Defining an Aesthetic: African Canadian Playwrights in Vancouver." Canadian Theatre Review 83 (June 1995): 39–42. http://dx.doi.org/10.3138/ctr.83.010.

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Concepts of beauty for the African diaspora can be traced back to the aesthetic and spiritual beliefs of various ethnic groups in Africa which were amalgamated over the five hundred years in which the diaspora was scattered. Today, these cultural values remain rooted in the approach that people of African heritage take in the practice of various art forms. The concept of beauty united to the spirit is central to the aesthetics of West Africa – objects of beauty possess a spiritual as well as external beauty, with even the concept of beauty differing greatly from that of the European. The Yorub

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Sahach, H. M. "Spiritual and moral bases of culture, work, beauty." Newsletter Transcarpathian Academy of Arts 1, no. 12 (2019): 168–76. http://dx.doi.org/10.35204/2520-6419-2019-1-12-168-176.

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SESEMANN, VASILY. "MANUSCRIPT. THE PROBLEM OF SPIRITUAL BEAUTY (1950–1955)." HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES 7, no. 2 (2018): 542–45. http://dx.doi.org/10.21638/2226-5260-2018-7-2-542-545.

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Anttila (book author), Miikka E., and Michael O’Connor (review author). "Luther’s Theology of Music: Spiritual Beauty and Pleasure." Renaissance and Reformation 39, no. 3 (2017): 163–65. http://dx.doi.org/10.33137/rr.v39i3.27725.

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Morard, Annick, Larisa Soboleva, and Dmitry Redin. "Transformations of Society, Bodily Imperfection, and Spiritual Beauty." QUAESTIO ROSSICA 7, no. 1 (2019): 7–20. http://dx.doi.org/10.15826/qr.2019.1.359.

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Cohen, Adam B., June Gruber, and Dacher Keltner. "Comparing spiritual transformations and experiences of profound beauty." Psychology of Religion and Spirituality 2, no. 3 (2010): 127–35. http://dx.doi.org/10.1037/a0019126.

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Ma, Chunli. "The Physical Beauty in Shakespeare’s Sonnets." English Language and Literature Studies 6, no. 2 (2016): 110. http://dx.doi.org/10.5539/ells.v6n2p110.

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<p>Beauty, one of the most reoccurring words throughout Shakespeare’s Sonnets, is the principal subject of the poet’s meditation. “From fairest creatures we desire increase, / That thereby beauty’s rose might never die” begins the first poem in the sonnet sequence, a statement about beauty that can be understood as the first articulation of the Sonnets’ aesthetic agenda. Beauty in Shakespeare’s Sonnets is represented in two dimensions: the physical beauty and the spiritual beauty. The physical beauty refers to the beauty of the body and the sensual pleasure derived from desires.By means

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Xiao, Xiao. "Plato's Aesthetic Thought Study of "Idea World"." Philosophy and Social Science 1, no. 4 (2024): 62–69. http://dx.doi.org/10.62381/p243410.

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The Great Hipius is a treatise on Plato's aesthetic thought. In the text, the question of "the very nature of beauty" is debated. It puts the difference between "beauty itself" and beautiful things, but it has never found the "what exactly the beauty is" answer. In his later articles of aesthetic thought, he thinks that anything in the world has rational. In the relationship between art and reality, Plato analyzed the access to "beauty is reason", and through the "inspiration said", "crazy said" to answer the source of art. The importance of aesthetic education in line with the provisions of t

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Parshykova, G. V. "Beauty and sobornost - the basis of the spirituality of the Slavic peoples." Ukrainian Religious Studies, no. 7 (February 24, 1998): 43–46. http://dx.doi.org/10.32420/1998.7.138.

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The cornerstone of the world view of the ancient Slavs is the sensation of the beauty and sanctity of the world and life. They considered the whole universe as a temple and therefore did not build the temples themselves, but revered the sacred forests, rivers, mountains. Hence their desire for conciliarity, that is, for the spiritual unification of people and nature. But to unite the nations only beauty, this international language, understandable to all is capable. Beauty is our true creator (IF Shiller). It reveals the inner essence of man (N. Roerich). But without spirituality, it's impossi

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Barański, Jarosław. "Piękno gór a higiena duszy i ciała. O odczycie Henryka Nusbauma w Muzeum im. Tytusa Chałubińskiego." Góry, Literatura, Kultura 10 (May 25, 2017): 137–46. http://dx.doi.org/10.19195/2084-4107.10.12.

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The beauty of the mountains, and the bodily and spiritual hygiene. On Henryk Nusbaum’s lecture at the Tytus Chałubiński MuseumIn his lecture “Beauty in nature from the point of view of spiritual and bodily hygiene”, delivered in 1896 at the Tytus Chałubiński Museum, Henryk Nusbaum described the vividness of the mountain landscape as the object of aesthetic experience, which had apositive impact on the physiological processes of the human body. Emotions stemming from asense of beauty reduce suffering and pain, bring comfort and relief in everyday worries, strengthen the body and make it more re

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Grygiel, Stanislaw. "Spiritual Discernment in a Secular Age." Journal of Interdisciplinary Studies 29, no. 1 (2017): 149–58. http://dx.doi.org/10.5840/jis2017291/29.

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This essay explores the predicament of a secular age marked by atheism and calculative reason. In a time that has been cut loose from eternity, the politics of calculation and of force separate words from the events and things to which they belong. The confusion that arises permits the masters of empty words to rule everything with impunity. Through the recollection of truth, which reveals itself in a moment that cannot be grasped, Beauty continually invites man to change his life. The false prophets, negating this recollection of truth, create a new world that rejects God and is, thus, confin

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Quvvatov, Sardor Isomiddinovich. "Beauty As An Aesthetic Basis Of Human Life." American Journal of Social Science and Education Innovations 03, no. 05 (2021): 195–201. http://dx.doi.org/10.37547/tajssei/volume03issue05-37.

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In this article, beauty is interpreted as the aesthetic basis of human life and its ethnomadanical features are analyzed. Historical-theoretical analysis of the study of the concept of beauty in the science of aesthetics is given. Striving for beauty as a natural feature of a person or a sign of emotional perception of the world, allows people to cultivate aesthetic consciousness, build spiritual and creative life and strive for perfection in general.

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Doszhan, R. "SPIRITUAL UNITY OF ABAY KUNANBAYEV AND SHAKARIM KUDAYBERDIEV." ARTS ACADEMY 4, no. 4 (2022): 172–83. http://dx.doi.org/10.56032/2523-4684.2022.4.4.172.

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The article deals with the features of poetics of Abay and Shakarim, the contribution of poets to development of the Kazakh poetry, poetic features of their verses, poems and prosaic works. The beauty of their words and verses are connected with deep reflections about an essence of god, human and life. Both poets bring a huge contribution in creation of philosophical poetry. Shakarim’s outlook and his views are the logical continuation of Abay’s poetry. At the same time Kazakh poetical art is enriched with new forms, word combinations and song patterns. The versatile beauty of Kazakh poetry is

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Ettun, Rachel, Michael Schultz, and Gil Bar-Sela. "Transforming Pain into Beauty: On Art, Healing, and Care for the Spirit." Evidence-Based Complementary and Alternative Medicine 2014 (2014): 1–7. http://dx.doi.org/10.1155/2014/789852.

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From drawing to sculpture, poetry to journaling, and dance to music and song, the arts can have a major impact on patients’ spiritual well-being and health. The arts empower patients to fulfill the basic human drive to create and give patients a sense of possibility. Through creative expression, patients regain a feeling of wholeness, individually and as part of the larger world. Although spiritual caregivers have made occasional use of the arts, it would be better for the arts to be seen as a pillar of spiritual care provision. This paper provides a model for arts-based spiritual care (chapla

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Angelina, Claudia. "Beauty and The Best: Pembekalan bagi Victorious Women di Rock Sydney Church Australia." Journal Of Society Empowerment Publications 2, no. 1 (2025): 21–34. https://doi.org/10.69668/josep.v2i1.78.

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This study presents a community service activity structured as a seminar entitled Beauty and The Best: Victorious Women, held at Rock Sydney Church, Australia. The main objective of the seminar was to educate and restore the Christian understanding of true womanly beauty—not based on physical appearance or societal expectations, but grounded in spiritual identity in Christ. The method employed was an interactive lecture consisting of four key stages: biblical material preparation, seminar delivery, open discussion and Q&A, and a follow-up phase including devotional materials and the format

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Tursunova, Laylo Ergashevna. "OF CHILDREN THROUGH THE ART OF MUSIC SPIRITUAL, AESTHETIC AND MORAL TASTE QUALITIES EXPLAIN THE CONTENT AND FIND." International journal of advanced research in education, technology and management 2, no. 4 (2023): 279–97. https://doi.org/10.5281/zenodo.7899255.

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This article discusses the development of children's music rolan spiritual and aesthetic qualities in taste and npr, as well as being close to a person in brine is of the beauty and the spiritual world.

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Cherry, Mark. "THE BEAUTY OF HOLINESS: HOLY ICONS AS SPIRITUAL EDUCATION." Altarul Reîntregirii, Suplim.1 (2017): 95–106. http://dx.doi.org/10.29302/ar.2017.suplim.1.8.

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Sycheva, Elena O., and Anatoly А. Serebryakov. "Implementation of the aesthetic ideal in the “A Writer’s Diary” by F.M. Dostoevsky." Neophilology, no. 23 (2020): 530–40. http://dx.doi.org/10.20310/2587-6953-2020-6-23-530-540.

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The work is devoted to the study of F.M. Dostoevsky’s aesthetics, in particular, the writer’s aesthetic ideal. Following Kant, Hegel, and Schiller, the Russian writer considered the ideal in an anthropological aspect. The writer’s aesthetic ideal is a person who synthesizes the moral and spiritual in himself. The idea of moral beauty is expressed in the theoretical thought of the Russian writer. Harmony, comeliness serve only as an outer shell, when moral height appears as the aesthetic ideal of F.M. Dostoevsky. His works strive for this beauty and truth. Following the examples of “positive be

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Sari, Yusmita, Ikhwanuddin Nasution, and Emma Marsella. "Spiritual Values in the Novel Aerospace Dan Homecoming by Jaquenza Eden: Sociological Study of Literature." JISIP (Jurnal Ilmu Sosial dan Pendidikan) 8, no. 4 (2024): 2465. https://doi.org/10.58258/jisip.v8i4.7422.

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The aim of this research is to describe the spiritual values found in Jaquenza Eden's novel Dirgantara and Keulangan using a literary sociology approach. Where, spiritual values according to Notonegoro (in Setiadi and Usman, 2011: 125) are divided into four, namely truth values, beauty values, aesthetic values and religious values. This research uses a qualitative descriptive method with the main object data sources, namely the Novel Dirgantara and Homecoming by Jaquenza Eden. The data collection technique used in this research is using library study techniques with the application of heuristi

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Kornmeier, Bárbara. "Giordano Brunos Konzeption des schönen in De gli eroici furori." Estudios Humanísticos. Filología, no. 17 (December 15, 1995): 211. http://dx.doi.org/10.18002/ehf.v0i17.4113.

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The main of this paper is to examine Giordano Bruno's conception of beauty his book De gli Eroici Furori. Firstly, I place Bruno's conception of beauty in the frame of his theory of knowledge, whose central problem is how we can know the divinity. Next, I connect Bruno's analysis of beauty with 'the problem of form and harmony, which is traced back to the classical problemof unity in variety. On this basis I examine the question about how we can know the beauty in the world. The knowledge of beauty requires that the beauty in the world is given a spiritual form, the unity of the idea, i.e. it

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Kraly, Ellen Percy, and Ezzard Flowers. "Mobilizing a “Spiritual Geography”." Transfers 6, no. 1 (2016): 103–9. http://dx.doi.org/10.3167/trans.2016.060109.

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As a result of removal and custody of Noongar children from their families and lands—forced mobilities and immobilties over decades, and within days and nights—a distinctive and beautiful artistic heritage emerged. Th is material heritage, too, was moved through and from Noongar country. Illustrated by the art of Carrolup, the culture and identity of the Noongar people has been transcendent and a “spiritual geography” mapped. As “heart returns home” to Noongar country, there are opportunities for new approaches to the reconciliation of the past for the future. Th e beauty of the art and the st

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Chalise, PhD, Keshav Raj. "THE SPIRITUAL THROUGH THE BODY AND BEAUTY: ADI SHANKARA’S BHAKTI IN SAUNDARYA LAHARI." International Journal of Multidisciplinary Studies and Innovative Research 8, no. 8 (2022): 932–41. http://dx.doi.org/10.53075/ijmsirq7547567652.

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Unlike the philosophy of advaita Vedanta focusing on the absolute with nirguna and nirakara, Adi Shankara has practised the reverence of Devi Parvati as Adi Shakti in Saundarya Lahari with worldly attributes of body and beauty. The verses of Saundarya Lahari depict the image of Shakti as powerful, the most beautiful and the most attractive Devi in worldly form. With the question of whether Shankara has intentionally generated a contrast on his philosophy of the absolute or he has seen the absolute in the physical, as the problem in religious philosophy and religious practice, this study examin

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Burlakova, I. I. "The beauty of a man of Russian and foreign." Язык и текст 6, no. 1 (2019): 45–52. http://dx.doi.org/10.17759/langt.2019060107.

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The highest spiritual and moral value of man is the harmonious unity of his physical perfection, moral beliefs, motivation, purposeful will and creative intelligence. These qualities of a person are interrelated. The beauty in a person is revealed in the deep connection of spiritual and physical beauty of the person by F. M. Dostoevsky. As a national artist, he talked not so much about the physical beauty of man in general, but about the Russian man. The artist understands the beauty as a certain dignity of man, in this case, the representative of the Russian people. The writer in many of his

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Kočandrle Bauer, Kateřina. "A Sophiological Understanding of Beauty." COMMUNIO VIATORUM 64, no. 3 (2023): 204–16. http://dx.doi.org/10.14712/00103713.2022.3.4.

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The article elaborates on the notion of beauty in the Russian Orthodox context of sophiology as one of the theological streams of the modern period. It explores a sophiological understanding of beauty in the work of two significant Russian Orthodox priests and close friends, Sergei Bulgakov and Pavel Florensky. It also brings into the discussion the unconventional voice of Bulgakov’s spiritual daughter, the Orthodox nun Mother Maria Skobtsova. It shows their understanding of the beauty that is manifested in creation, in people, and in human creativity and love. It also answers the question of

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Zakhovaeva, Anna G., and Maria V. Zhukolina. "In Search of Beauty Formula." Observatory of Culture 21, no. 4 (2024): 368–76. http://dx.doi.org/10.25281/2072-3156-2024-21-4-368-376.

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The main category of aesthetics — beauty is the focus of the study. Our epoch is a revision of some spiritual meanings both in the sphere of human life and in science and art. The aim of this paper is to derive a universal formula of beauty through the image of Venus on the basis of a comparative analysis of works of classical art, art of postmodernity, as well as to determine the possibilities of modern neural networks. Art of the 21st century is multifaceted, neuro-art is another of its aspects, artificial intelligence and Man of Art compete here. Neural network is a program built on the pri

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Ramelow, Anselm. "Art and Beauty as Being-for-Itself: Robert Spaemann's Aesthetics." Review of Metaphysics 78, no. 2 (2024): 257–76. https://doi.org/10.1353/rvm.2024.a947048.

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Abstract: Robert Spaemann's aesthetics has yet to receive a comprehensive treatment, and this article is the first attempt to do so. Spaemann's way of resurrecting the Aristotelian notion of art as imitating nature is unusual, including for Aristotelians. The nature that is visibly imitated is, ultimately, invisible, and spiritual. This quasi-sacramental understanding leads Spaemann to appreciate contemporary art as well. Art's imitation of the invisible is a call to self-transcendence and a reminder of our own spiritual nature.

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Bess Montgomery, Georgene. "Spiritual Eroticism and Real Good Loving in Tina McElroy Ansa’s The Hand I Fan With." Religions 10, no. 4 (2019): 267. http://dx.doi.org/10.3390/rel10040267.

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By situating herself in the historical dialogue about Christianity, women, and sexuality, the author examines what many may consider an oxymoron—spiritual eroticism. The essay provides a definition of spiritual eroticism, one which takes it beyond intense sexual encounters but instead grounds the idea in the story of Oshun, the African deity of beauty, sensuality, and fertility. Spiritual eroticism is explored in Tina McElroy Ansa’s The Hand I Fan With.

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Dedyukhina, О. V. "Philosophical beauty concept in the Yury Buida’s story “Lilaya Fimochka”." Issues of National Literature, no. 4 (December 24, 2024): 11–19. https://doi.org/10.25587/2782-6635-2024-4-11-19.

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Under conditions of deformation, the attitude of a modern person to spiritual and moral values is of particular relevance to the axiological potential of the philosophical category of beauty and its interpretation in the works of the latest Russian literature. The purpose of this article is to study the author’s interpretation of the aesthetic imperative “beauty” in the story by Yury Buida “Lilaya Fimochka”, which is the quintessential author's understanding of this constant. The tasks were to identify the specifics of the concept of beauty through the analysis of plot and composition, a compl

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FORTE, Joseph M., and David PENN. "THE SELF-AWARENESS OF “SPIRITUAL” IMAGISTIC PHILOSOPHY." Annals of the University of Bucharest, Philosophy Series 73, no. 1/2024 (2025): 83–102. https://doi.org/10.62229/aubpslxxiii/1_24/7.

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Drawing on a variety of philosophers from Plato to Ricoeur, the authors suggest that philosophy based on poetry or image can be intellectually valuable in the following ways: They show how an intentional approach to imagistic, spiritual philosophy can promote consideration of beauty, engage the productive imagination, and ultimately alter one's engagement with the human predicament. This spiritual mode of philosophy does not stop in an aesthetic (the appetites) frame, but works through it productively.

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Shimizu, Shingo. "THE CONCEPT OF BEAUTY IN F. M. DOSTOEVSKY’S NOVEL “THE IDIOT." Проблемы исторической поэтики 22, no. 2 (2023): 123–34. http://dx.doi.org/10.15393/j9.art.2024.13784.

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The article examines the ambivalence of the beauty of Nastasia Filippovna Barashkova, the heroine of F. M. Dostoevsky’s novel “The Idiot” in the aesthetic and ethical dimensions. Compared with the previous interpretations of the image, there is great ambiguity in the writer’s ideas about the beauty of the heroine. Nastasia Filippovna possesses not only physical, but also inner beauty, which causes different reactions in the characters of the novel. When solving the question of what kind of beauty can “turn the world around,” it is proposed to take into account that this transformation can be e

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Mao, Han, Jingru Liu, and Zihan Qu. "Chinese Traditional Aesthetics in Qing Palace Drama*-Take “Story of Yanxi Palace” as an example." E3S Web of Conferences 236 (2021): 05082. http://dx.doi.org/10.1051/e3sconf/202123605082.

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Among the TV series that emerged in the summer of 2018, Yu Zheng’s “Story of Yanxi Palace” was the most popular, and it continued to surpass “Ruyi’s Royal Love in the Palace” (a court drama of the same type), with a wide range of influence and a high degree of discussion. This article attempts to explore the spiritual beauty of the plot, the exquisite beauty of costumes and the quaint beauty of the pictures through analyzing the plot, costumes, props, shots and other visual content of the drama from an aesthetic perspective.

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Матвєєва, Ольга. "КОНЦЕПТ КРАСИ У РАННІЙ ТВОРЧОСТІ В. ВИННИЧЕНКА". Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe 4, № 1 (2022): 33–42. http://dx.doi.org/10.15804/ppusn.2022.01.03.

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The article reveals the specifics of artistic manifestation of the beauty concept based on V. Vynnychenko’s early works. This is due to the presence of a number of search lines in the writer’s interpretation of aesthetic and to a significant number of works representing current issues. Beauty is defined as a fundamental component of life in the works by V. Vynnychenko and several author’s plots of its comprehension are revealed. Firstly, it is found that in writer’s early works the characters experience a crisis of faith, emphasize the relativity of absolute truth and Christian ethics, rethink

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Risman, Kadar, Faridi Faridi, and Tobroni Tobroni. "Analisis Nilai-Nilai Spiritual dalam Tradisi Posuo Masyarakat Buton." Anterior Jurnal 23, no. 3 (2024): 47–55. http://dx.doi.org/10.33084/anterior.v23i3.7485.

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This research examines spiritual values in the posuo tradition of the Butonese people. The posuo tradition is a traditional ceremony for girls that marks the transition from adolescence to adulthood, carried out once in a lifetime. The approach and type of research used is a qualitative approach with library research. Data was obtained through relevant literature, including books, journals, articles, and research reports. The findings show that the posuo tradition contains four main spiritual values based on Notonegoro's theory, namely the values of beauty, truth, goodness, and religiosity. Th

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Abdullaev, Sardor Tuychievich. "SYSTEMATIC ANALYSIS OF PHILOSOPHICAL VIEWS ON BEAUTY." Philosophy and life 1, special issue 1 (2022): 8–17. https://doi.org/10.5281/zenodo.6589690.

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This article focuses on the analysis of views and approaches to the issue of beauty, which is manifested as an event and process in nature, society and human life. Mythological, religious, philosophical and scientific approaches to the emergence of the concept of beauty as a different subjective, objective phenomenon or process were presented. Various laws and criteria of beauty, which appear in the material and spiritual forms of being, are expressed in the objective and subjective state. At this point, we have also presented in this article a synergistic analysis of the concept of beauty. At

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Dr., Dhankhar Neeraj. "Beauty as Redemption: Indian Aesthetic Tradition and Dostoevsky's Vision in Socio-Cultural Context." Journal of Humanities and Applied Sciences Volume-XV, ISSUE-1 (2025): 55–60. https://doi.org/10.5281/zenodo.15335839.

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<strong>Abstract:</strong> The timeless adage by Fyodor Dostoevsky, “Beauty will save the world,” resonates across cultures and philosophical traditions, finding a compelling counterpart in Indian aesthetic thought. This article explores the socio-cultural dimensions of this statement by examining the parallels and intersections between Dostoevsky’s metaphysical and moral understanding of beauty and Indian aesthetic theories, particularly Rasa theory and the ideal of Satyam-Shivam-Sundaram (Truth-Goodness-Beauty). Through a cross-cultural lens, the article reveals how both tr

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Nur Rafiza, Siti, and Sayed Muhammad Ichsan. "Seni Kaligrafi Dalam Perspektif Filsafat Seni." Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf 2, no. 1 (2024): 53–61. http://dx.doi.org/10.59548/js.v2i1.265.

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Beauty or often known as aesthetics is not only in the form of carvings or shapes in a painting, but in the art of calligraphy, writing has its own beauty which has meaning in every writing written by a calligrapher. This research aims to find out how the art of calligraphy is from an art philosophy perspective. The research method used is library research with a descriptive qualitative approach. The results of this research are that the philosophy of art views calligraphy as a means of conveying meaning, beauty and spiritual feelings through the form, space and style of writing chosen. In fac

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Huwaida. "SPIRITUAL VALUES IN PRE-ISLAMIC ARABIC LITERATURE." FITRAH: International Islamic Education Journal 4, no. 1 (2022): 41–53. http://dx.doi.org/10.22373/fitrah.v4i1.1986.

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Poetry is an accumulation of beauty and imagination in the form of compositions that represent the subtlety of feelings and have messages that penetrate the recesses of the soul. Although the poetry comes from a time when there was not yet has a light of divine truth, there has been poetry with spiritual values touching the spiritual experiences. Therefore, this study aims to examine poetry that has spiritual value in pre-Islamic Arabic literature. Content-analysis is applied to find the spiritual values in a selected poetry. The result shows that spiritual values emerged such as kindness and

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Abdullaeva, Rano K. "Stereotypes of beauty in Russian and Uzbek linguistic cultures (based on Russian and Uzbek proverbs)." Neophilology, no. 4 (2022): 849–60. http://dx.doi.org/10.20310/2587-6953-2022-8-4-849-860.

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The analysis of paremic units is carried out, the system of representation of the aesthetic evaluation of the concept of “beauty” in the Russian and Uzbek proverbial language pictures of the world is described. Proverbs with the semantics of “beauty” and their role in the process of reflecting the spiritual, moral and socio-cultural worldview of a person are considered. Based on the material of Russian and Uzbek proverbs, the assessment of the concept of “beauty” (appearance) against the background of other types of assessment (character qualities – moral and aesthetic assessment; human action

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Rohmah, Chozinatul, and Muhammad Habib Zainul Huda. "REPRESENTASI SUPREMASI KULIT PUTIH BAGI PEREMPUAN DALAM PRODUK IKLAN SEBAGAI STANDAR KECANTIKAN." Academica : Journal of Multidisciplinary Studies 4, no. 1 (2020): 55–80. http://dx.doi.org/10.22515/academica.v4i1.3156.

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This article aims to analyze women's views in interpreting the meaning of beauty through beauty advertising products on social media. In this study, the authors used a qualitative approach accompanied by Ronald Barthes's Semiotic method. The results of this study can be described into three, namely: 1) There are some beauty advertising products that show that the white woman is prettier than the skin that is not white. This is indirectly used as a standard of beauty by Women, 2) Women are said to be beautiful not because of their white skin, slender body, syug nose, or so on. But women are sai

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Herdiansyah, Pradibyo, Yani‘ah Yani‘ah та Ahmad Hashif Ulwan. "Ibn al-Fāriḍ wa Ramz al-Madāma fi al-Qasīda al-Khamriyya". Teosofia: Indonesian Journal of Islamic Mysticism 13, № 2 (2024): 323–54. https://doi.org/10.21580/tos.v13i2.22415.

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This research delves into the symbolism within Ibn al-Fāriḍ's Qaṣīdah Khamriyyah, a prominent Sufi poem from the 14th century that utilizes wine as a metaphor for spiritual experiences. The poem reinterprets wine beyond mere intoxication, likening it to the ‘holy water’ mentioned in the Qur'an, specifically the Zanjabīl and Salsabīl springs in paradise. Ibn al-Fāriḍ views wine as an essential element for a sālik (seeker) striving for unity with the Divine Beloved, marking the peak of their spiritual journey. This study uncovers the philosophical and symbolic layers of wine's descriptions in th

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Nazia Kanwal and Dr. Abu Bakar. "Depiction Of Baltistan’s Civilization And Its People In Urdu Travelogue." MAIRAJ 2, no. 2 (2024): 46–51. http://dx.doi.org/10.58760/mairaj.v2i2.23.

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Baltistan is one of the most beautiful areas of Pakistan situated in its North. Mr. Asif Ali Zardari named this area Gilgit-Baltistan through an ordinance in 2009. The writers of Urdu travelogues in Pakistan have beautifully portrayed severalcolours of the civilization of Baltistane.g; cultural festivals, food, customs and traditions, sports and values in their works and enriched Urdu literature. Most of the travelogues have been written about Northern areas. The writers of Urdu travelogues have depicted the beautiful scenes of huge mountains, hilarious cascades and fascinating valleys o

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Szerszeń, Natalia Alicja. "Can Beauty Be Perfect? Aesthetic Problems in Juliusz Słowacki’s Late Works." Tekstualia 3, no. 58 (2019): 207–24. http://dx.doi.org/10.5604/01.3001.0013.6426.

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The article discusses the relationship between beauty and perfection in Słowacki’s Genesis thought. In his late works, the poet created an ethic which was aimed at recovering the lost perfection, and he emphasized the role of beauty in this process. True beauty is spiritual, comes from God, and, like God, is perfect. It is the ability to manifest itself through imperfect matter and even then elicits admiration and a longing for the lost unity with God. The epiphanies of Christ and the Mother of God, which reveal the heavenly perfection of existence, foreshadow the fate of all beings in the wor

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Sycheva, Elena O., and Anatoliy A. Serebryakov. "Implementation of the aesthetic ideal in the ” Diary of a writer." Current Issues in Philology and Pedagogical Linguistics, no. 2(2020) (June 25, 2020): 195–205. http://dx.doi.org/10.29025/2079-6021-2020-2-195-205.

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The proposed work is devoted to the study of F. M. Dostoevsky’s aesthetics, in particular, the aesthetic ideal of the writer. Following Kant, Hegel, and Schiller, the Russian writer considered the ideal in an anthropological aspect. The aesthetic ideal of the Russian writer is a person who expresses the moral principle, the divine in man. The idea of moral beauty is expressed in the theoretical thought of the Russian writer. Harmony and good looks serve only as an outer shell, when the moral height appears as the aesthetic ideal of F. M. Dostoevsky. To this beauty, truth, his works strive. Fol

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