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Rozprawy doktorskie na temat „Staging history”

Autor: Grafiati
Data publikacji: 2 listopada 2024
Data aktualizacji: 31 lipca 2025

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Sprawdź 49 najlepszych rozpraw doktorskich naukowych na temat „Staging history”.

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1

O'Donnell, David O'Donnell, and n/a. "Re-staging history : historiographic drama from New Zealand and Australia." University of Otago. Department of English, 1999. http://adt.otago.ac.nz./public/adt-NZDU20070523.151011.

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Since the 1980s, there has been an increasing emphasis on drama, in live theatre and on film, which re-addresses the ways in which the post-colonial histories of Australia and New Zealand have been written. Why is there such a focus on �historical� drama in these countries at the end of the twentieth century and what does this drama contribute to wider debates about post-colonial history? This thesis aims both to explore the connections between drama and history, and to analyse the interface between live and recorded drama. In order to discuss these issues, I have used the work of theatre and
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Newark, Cormac. "Staging grand opera : history and the imagination in nineteenth-century Paris." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312922.

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Newark, Cormac. "Staging grand opéra : history and the imagination in nineteenth-century Paris /." Boston Spa : British thesis service, 1999. http://catalogue.bnf.fr/ark:/12148/cb391434264.

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Schachnow, Ellionore. "The Staging of Nynäs Castle : From Private Home to Museum." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-193261.

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The thesis examines the reason behind the overtaking of Nynäs castle by the State Art Museums and how Nationalmuseum choose to stage the period rooms during 1984-2020 and how it relates to contemporary trends within museology. Furthermore, the thesis examines possible similarities in how the National Trust stages their historic houses. The thesis emanates from Emma Barker’s art historical approach to critical studies of the historic buildings owned by the Trust and discusses the possibilities and limitations of the historic house museums in the context of house museology. This thesis also disc
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Montez, Noe Wesley. "Staging post-memories commemorative Argentine theatre 1989-2003 /." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3380115.

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Thesis (Ph.D.)--Indiana University, Dept. of Theatre and Drama., 2009.<br>Title from PDF t.p. (viewed on Jul 14, 2010). Source: Dissertation Abstracts International, Volume: 70-12, Section: A, page: 4529. Adviser: Rakesh H. Solomon.
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McFrederick, Matt. "Staging Beckett : a production history of Samuel Beckett's drama in London (1955-2010)." Thesis, University of Reading, 2017. http://centaur.reading.ac.uk/78067/.

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This study presents the first performance history of Samuel Beckett’s drama in London theatres. The study focuses on a selection of professional productions of Beckett’s dramatic canon and assesses the impact these performances had on London and British theatre cultures between 1955 and 2010. Since the British premiere of Waiting for Godot, Beckett’s oeuvre has been staged across a variety of London theatres and contexts, ranging from the Riverside Studios in Hammersmith to the Theatre Royal Stratford East. The performance histories of Beckett’s plays represent a neglected facet of Beckett stu
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Bailie, Lindsey Leigh. "Staging Privacy: Art and Architecture of the Palazzo Medici." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11049.

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xii, 112 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>The Palazzo Medici was a site of significant social and political representation for the Medici. Access to much of the interior was limited, ostensibly, to the family. In republican Florence, however, visitors were a crucial component in the maintenance of a political faction. Consequently, the "private" spaces of the Palazzo Medici were designed and decorated with guests in mind. Visitor accounts reveal that the path and destina
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Demetriou, P. A. "An exhibition of hidden stories : investigating methods of staging and performing oral history archives." Thesis, University of Bristol, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.701830.

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Lee, Melissa. "Staging the Actress: Dramatic Character and the Performance of Female Identity." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397823196.

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Dyson, Jessica. "Staging legal authority : ideas of law in Caroline drama." Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/366.

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This thesis seeks to place drama of the Caroline commercial theatre in its contemporary political and legal context; particularly, it addresses the ways in which the struggle for supremacy between the royal prerogative, common law and local custom is constructed and negotiated in plays of the period. It argues that as the reign of Charles I progresses, the divine right and absolute power of the monarchy on stage begins to lose its authority, as playwrights, particularly Massinger and Brome, present a decline from divinity into the presentation of an arbitrary man who seeks to impose and increa
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11

Babaee, Tamirdash Mohamadreza. "Staging Belonging: Performance, Migration, and the Middle Eastern Diaspora in the United States." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1593024898855739.

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Schoone-Jongen, Terence G. "Tulip time, U. S. A. staging memory, identity and ethnicity in Dutch-American community festivals /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1172255860.

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Caplan, Debra Leah. "Staging Jewish Modernism: The Vilna Troupe and the Rise of a Transnational Yiddish Art Theater Movement." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10869.

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This is the first study of the avant-garde Yiddish art theater movement, which flourished across five continents during the interwar period. From Warsaw to San Francisco, Buenos Aires to Winnipeg, Mexico City to Paris, and Johannesburg to Melbourne, the Yiddish art theaters were acclaimed by critics and popular with Jewish and non-Jewish spectators alike. These theaters had a significant impact on renowned theater practitioners around the world, who credited the Yiddish art theaters with inspiring their own artistic practice. In tracing how a small group of Yiddish theater artists developed a
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14

Nyberg, Madeleine. "MAKTSPEL : En studie om iscensättning av kunskap på Livrustkammaren." Thesis, Stockholms universitet, Avdelningen för teater- och dansvetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-112623.

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Uppsatsen fokuserar på Livrustkammarens utställning Maktspel (13/3 2014 - 5/1 2015) och handlar om historiebruk i populärkulturen. Med utgångspunkt i den svenska renässansen görs kopplingar till Englands elisabetanska tid samt den fiktiva kontinenten Westeros i HBO:s tv-serie Game of Thrones. Intentionen från museet är att besökaren ska ifrågasätta historiebrukets olika användningsområden och samtidigt belysa historiens dramatiska inslag. Jag har intresserat mig för de parallella maktspelen som sker i utställningsrummet utöver de berättelser som Livrustkammaren presenterar. Uppsatsen syftar ti
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15

Lee, Vanessa. "Women staging the French Caribbean : history, memory, and authorship in the plays of Ina Césaire, Maryse Condé, Gerty Dambury, and Suzanne Dracius." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:50c22b59-0d30-47f7-9325-f650904a89ae.

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This thesis analyses the themes of history, memory, and authorship in the works of four women playwrights from the French Caribbean islands of Martinique and Guadeloupe. In doing so, it aims to reveal the three levels of marginalization to which Caribbean women theatre practitioners are subjected: being a woman, being a French Caribbean woman, and being a French Caribbean woman who writes theatre. The thesis seeks to contribute to the expansion of the field of French Caribbean literary and drama studies, endeavours to redress the gender balance in studies on French Caribbean literature, and as
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Boland, Paul William. "Morphometric analysis of data inherent in examination by magnetic resonance imaging : importance to natural history, prognosis and disease staging of squamous carcinoma of the oral cavity." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:934e1e5a-24db-40ab-ab54-5e58901a9c2a.

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Magnetic resonance imaging plays an important yet underutilized role in determining the natural history and prognosis of oral carcinoma. Depth of tumour invasion is an emergent factor in the oral cancer literature. However, problems exist with the definition of cut-points suitable for inclusion in TNM staging criteria. Statistical methodology represents a possible explanation but is underexplored. In this work, a review of the depth of invasion literature is conducted with emphasis on statistical technique. As well, statistical simulation is used to explore the implications of the of the minim
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17

Vadnais, Matthew W. "According to the Scrippe: Speeches, Speech Order, and Performance in Shakespeare's Early Printed Play Texts." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1342978643.

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18

Bush, Jason Alton. ""Staging lo Andino: The Scissors Dance, Spectacle, and Indigenous Citizenship in the New Peru"." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1308262142.

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19

Sefel, John Michael. "Staging The [Disabled] Jew: The Thematic Use of Doctors, Disability, and Disease in Yiddish Plays on Modernization, 1790-1929." The Ohio State University, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1618433569764629.

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Grandcamp, Gabrielle. "Enjeux de mise en scène dans les "Miracles de Nostre Dame par personnages"." Thesis, Normandie, 2017. http://www.theses.fr/2017NORMLH23/document.

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Les quarante "Miracles de Nostre Dame par personnages" constituent l'immense majorité du corpus dramatique de langue française du XIVe siècle. Malgré cette importance historique majeure, ces pièces n'ont jusqu'à aujourd'hui pas fait l'objet d'une étude littéraire spécifique. Victimes du manque de légitimité poétique que l'on prête au théâtre médiéval en général, mais aussi tributaires de leur apparente simplicité, ces drames présentent pourtant de nombreuses similarités qui témoignent de l'homogénéité stylistique du corpus. Envisageant tour à tour le corpus en tant que texte, spectacle et livr
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21

Cupido, Ynoma. "Waiting to die: staging of HIV positive people at the first HIV test - Region A, Nelson Mandela Metropole (January 1991-April 2000)." Thesis, University of the Western Cape, 2006. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_8832_1253846190.

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<p>This project suggested tha HIV people in Region A (Nelson Mandela Metropole, formerly Port Elizabeth) health districty of the Eastern Cape, seek HIV testing when they are already in stages three (late disease) and four (AIDS) of HIV infection. Data had been obtained from the AIDS Training Information and Counselling Centre in the Nelson Mandela Metropole in 2000. The consequences of diagnoses onlu in the advanced stages of HIV infection will have a devastating impact on case management. Therefore, this paper yielded important data for South African policy makers to write health and welfare
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22

Rodríguez, Garrido José Antonio. "El teatro cortesano en la Lima colonial: recepción y prácticas escénicas." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/122338.

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A significant group of Italian-style plays (i.e. stagings that made use of spectacular scenic resources) were performed in Lima in 1672-1747), always in connection with festivities of an imperial nature. Taking as its basis a corpus of fifteen theatrical works, this study examines the conditions of their reception as well as the material avenues that allowed for the development of this type of theater in the capital of the Peruvian viceroyalty. Topics of analysis include: the context and purpose of these representations, the place in which they were presented, their intended public, and the st
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23

Spedalieri, Francesca. "Seeing the Unseen, Staging the Unspoken: The Gender Politics and Political Language of Emma Dante’s Theatre in the Berlusconi Era (1994-2011)." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1480594504188268.

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Tourinho, Ligia Losada. "Dramaturgia do corpo : protocolos de criação das Artes da Cena : dialogos entre artistas." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284029.

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Orientador: Eusebio Lobo da Silva<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-14T20:22:16Z (GMT). No. of bitstreams: 1 Tourinho_LigiaLosada_D.pdf: 80716560 bytes, checksum: 7540f8bd1a3dfc7474f2b4453ea22dd0 (MD5) Previous issue date: 2009<br>Resumo: Esta pesquisa apresenta uma reflexão sobre as dramaturgias da contemporaneidade, entendendo que seus significados atuais não são sinônimos de texto dramático, mas suas acepções contemporâneas dizem respeito às estruturas artísticas que determinam a composição cênica. A primeira
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25

Guerdin, Daphnée. "Puissance et persistance du mélodrame dans le cinéma sud-coréen : se raconter pour se réinventer." Electronic Thesis or Diss., Strasbourg, 2024. http://www.theses.fr/2024STRAC008.

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Ce travail a pour vocation d’interroger l’omniprésence du mélodrame dans le cinéma sud-coréen, afin de cerner les puissances du genre dans la fabrique en constante mutation d’un imaginaire commun. Il s’agit d’aborder le mélodrame selon l’espace intertextuel que tracent les œuvres pour y déceler les rapports de pouvoir – socio-historiques, politiques, transnationaux – qui se déploient au cœur des formes qu’il prend ou reprend au cours de son histoire. Nous analysons les conditions ayant favorisé son émergence dès les débuts du cinéma en Corée, interrogeons ses potentiels conformiste et subversi
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26

Piqueux, Alexa. "Le corps comique. Représentations et perceptions du corps dans la comédie grecque ancienne et moyenne (étude littéraire et iconographique)." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040273.

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L’étude du corps offre un angle d’approche privilégié pour appréhender les représentations théâtrales comiques de l’époque classique à Athènes et en Grande Grèce. Seule une analyse croisée des sources textuelles et iconographiques permet de faire toute la lumière sur la manière dont le corps comique était mis en scène, perçu et imaginé. Les conclusions de la thèse reposent en particulier sur la confrontation des comédies grecques du Ve et du IVe siècle av. J.-C. et de la céramique italiote à sujet comique, entre lesquelles elle établit un lien étroit. Le premier chapitre est consacré à la prés
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Verstraeten, Alice. "La disparition sur la scène sociale argentine : modalités de résistance à l’impunité." Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20021.

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Entre 1976 et 1983, la dictature militaire argentine orchestre la disparition d’environ trente mille personnes. Son but n’est pas seulement la mort, mais l’empêchement de toute forme de différence et de toute forme de résistance chez les vivants. Dans un parcours menant d’une esquisse de la terreur à une anthropologie des possibles résistances, cette thèse confronte la recherche à l’effacement, à la déliaison puis à la possible reconstruction. Elle apparaît comme une démarche exploratoire et impliquée, aux côtés de (sur)vivants qui sont parvenus à recréer des liens de sens et des liens sociaux
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Tremblay, Donald. "Mgr Pellegrino Francesco Stagni, o.s.m. et l'Église canadienne, 1910-1918." Doctoral thesis, Université Laval, 1995. http://hdl.handle.net/20.500.11794/28397.

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Barut, Benoît. "Un Spectacle dans un fauteuil. Poétiques et pratiques didascaliques d'Axël à Zucco." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030134.

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Parce qu’elle se donne comme un discours ancillaire chargé d’actualiser le dialogue et de construire la représentation, parce qu’elle semble empiéter sur le terrain réservé du metteur en scène mais ne peut égaler la magie du spectacle, parce qu’elle n’est ni vraiment littéraire ni réellement scénique, la didascalie est longtemps restée le parent pauvre des études théâtrales. Depuis quelques années, elle fait l’objet d’un engouement relatif. D’une part, des études linguistiques décrivent le fonctionnement standard du discours didascalique en synchronie.D’autre part, des études critiques éclaire
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30

Fonseca, Marco. "Le conflit entre raison et irrationalité dans les romans et les essais d'Ernesto Sábato." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA022/document.

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Ce travail de recherche traite de la mise en scène du conflit entre raison et irrationalité qui se produit dans les romans et essais de l'écrivain argentin Ernesto Sábato (1911-2011), du point de vue de la formation, de la consolidation et de la synthèse apparente de ladite confrontation symbolique. Notre objectif est principalement d'examiner la représentation de ce conflit, dans le cadre duquel ses particularités seront analysées, ainsi que la relation qu'il établit avec des thèmes tels que la dichotomie entre connaissance scientifique et création artistique, la représentation littéraire de
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Rezende, Claudinei Cássio de. "Suicídio revolucionário : a luta armada e a herança da quimérica revolução em etapas /." Marília : [s.n.], 2010. http://hdl.handle.net/11449/88781.

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Resumo: Com o objetivo de dilucidar o processo de exaurição da esquerda comunista no Brasil, esta dissertação analisa o construto acerca da teoria da revolução social na esquerda derrotada pela ditadura bonapartista, colocando em relevo a última fase do pensamento de Carlos Marighella. Perdendo pela primeira vez e definitivamente a hegemonia na esquerda comunista após a instauração, em 1964, da ditadura militar, o Partido Comunista Brasileiro (PCB) congregou a última esquerda comunista organizada - objetivando a revolução social - que ainda mantinha substantiva inserção sindical, apoio das cla
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32

Haouachi, Dhekra. "Les personnages féminins chez Tite-Live : idéologie et art de la mise en scène." Thesis, Strasbourg, 2016. http://www.theses.fr/2016STRAC019/document.

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On s’accorde à dire à propos de l’Ab Vrbe condita qu’on n’a conservé, même partiellement, aucune autre fresque aussi ample et aussi puissante de l’histoire de Rome depuis la fondation de l’Vrbs jusqu’à l’époque contemporaine de Tite-Live, mort en 17 ou 19 ap. J.-C. ; il se peut même qu’une semblable fresque n’a jamais existé. Cette œuvre monumentale comporte un nombre considérable de personnages. Peindre les grands hommes était une nécessité du genre historique. « Tite-Live lui-même était trop conscient du rôle joué par eux pour les laisser dans l’ombre » . Les Modernes ne s’y sont pas trompés
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Rezende, Claudinei Cássio de [UNESP]. "Suicídio revolucionário: a luta armada e a herança da quimérica revolução em etapas." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/88781.

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Made available in DSpace on 2014-06-11T19:23:37Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-03-11Bitstream added on 2014-06-13T20:48:04Z : No. of bitstreams: 1 rezende_cc_me_mar.pdf: 787310 bytes, checksum: a8059a62e91fa3b1a77e399c9ae429e6 (MD5)<br>Com o objetivo de dilucidar o processo de exaurição da esquerda comunista no Brasil, esta dissertação analisa o construto acerca da teoria da revolução social na esquerda derrotada pela ditadura bonapartista, colocando em relevo a última fase do pensamento de Carlos Marighella. Perdendo pela primeira vez e definitivamente a hegemonia na
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Tanokuchi, Seigo. "Un théâtre de l'altérité : l'actualité politique de Jean Giraudoux, son interprétation scénique et sa réception critique sous la IIIème République." Thesis, Paris 10, 2019. http://www.theses.fr/2019PA100022.

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La thèse met en relief la dimension cosmopolite des œuvres dramatiques de Jean Giraudoux, en tenant compte de leurs mises en scène, de l’accueil que leur a réservé la critique et du contexte théâtral de l’époque, la IIIe République durant l’entre-deux-guerres. Responsable de la promotion des échanges culturels au ministère des Affaires étrangères, germaniste et amateur averti de littérature étrangère, Giraudoux considère le théâtre comme un lieu privilégié où différentes « voix » de l’humanité peuvent se faire entendre et composer un chant universel. Cette conception ouverte de l’altérité ne l
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Worms, Manon. "Face à la victime : émergence d’une figure et travail du regard sur les scènes contemporaines." Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE2059.

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La thèse étudie le rapport de la scène théâtrale à une figure devenue centrale dans les sociétés européennes contemporaines : la victime. Appartenant aux fondations de la culture occidentale, des rituels sacrificiels à la figure christique, la victime devient au cours de l’histoire moderne une catégorie juridique, et émerge en tant que subjectivité politique à part entière à la fin du XXe siècle. Elle se trouve alors au fondement d’une nouvelle reconnaissance sociale, qui ouvre des droits à la réparation de la violence subie. La décennie 1990-2000 est prise dans ce « paradigme victimaire ». Il
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36

Özer-Chulliat, Sibel. ""Se mettre en scène" dans les adaptations contemporaines de textes classiques : un point tournant dans l'art de la mise en scène ?" Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA133.

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Depuis quelques années, certains metteurs en scènes européens prennent des initiatives particulièrement audacieuses dans leurs adaptations de textes classiques, coupant le texte, modifiant l’ordre des monologues et allant jusqu’à injecter des morceaux de textes écrits par eux ou bien issus d’autres oeuvre littéraires. Ils n’hésitent plus à "se mettre en scène", c’est-à-dire à traiter avant tout leurs propres questions existentielles par l’intermédiaire des textes classiques, se libérant ainsi de toute pression exercée sur eux par les interprétations textuelles faisant autorité ou bien par les
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Yu, Hui-Chu, and 余慧珠. "Staging the Monarchy:Iconoclastic Representation of Kingship in Shakespeare''s History Plays." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/25560119575821453518.

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博士<br>國立中山大學<br>外國語文學系研究所<br>91<br>When investigating the connection between Shakespeare and the Reformation, many critics are concerned about the playwright’s religious stance. They rummage throughout his plays for traces that can manifest his religious inclination; however, they often fall easy preys of the theory of dichotomy. Among a great multitude of Shakespearean studies, many are devoted to the iconographical approach, but relatively few attempt to illustrate Shakespeare’s iconoclasm, particularly concerning the representation of kingship in history plays. In view of the two relativ
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"Staging New Orleans: The contested space of Congo Square." Tulane University, 2011.

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La, Flamme Lisa Michelle. "Living, writing and staging racial hybridity." Thesis, 2006. http://hdl.handle.net/2429/18220.

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Contemporary Canadian literature and drama that features racial hybridity represents the racially hybrid soma text as a unique form of embodiment and pays particular attention to the power of the racialized gaze. The soma text is the central concept I have developed in order to identify, address, and interrogate the signifying qualities of the racially hybrid body. Throughout my dissertation, I use the concept of the body as a text in order to draw attention to the different visual "readings" that are stimulated by this form of embodiment. In each chapter, I identify the centrality of r
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KRUMREY, Jacob. "Staging Europe : the symbolic politics of European integration during the 1950s and 1960s." Doctoral thesis, 2013. http://hdl.handle.net/1814/29612.

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Defence date: 27 September 2013<br>Examining Board: Professor Kiran K. Patel, Maastricht University (EUI/External Supervisor); Professor Federico Romero, EUI; Dr. N. Piers Ludlow, LSE; Professor Johannes Paulmann, Leibniz Institute of European History Mainz.<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>This PhD thesis explores the use of symbolism in European integration during the 1950s and 1960s. The thesis argues that political elites staged the early European Communities - the 1952 ECSC as well as the 1958 EEC and Euratom - as the representation of a uni
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Brady, Amy. "Staging the Depression: The Federal Theatre Project's Dramas of Poverty, 1935-1939." 2013. https://scholarworks.umass.edu/dissertations/AAI3603059.

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Built on original archival research, this dissertation elucidates how the Federal Theatre Project's (FTP) dramas of Depression-era poverty functioned as proselytism for class-conscious social reform. Through a combination of unique narrative structures and mimetic depictions of class struggle, these "poverty dramas" questioned the viability of the American Dream and its related concepts of upward mobility, limitless possibility, and the idea that America functions as a meritocracy. Chapter one discusses the Federal Theatre's relation to the American workers' theatre of the early twentieth cent
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Osborne, Samuel. "Staging standpoint dialogue in tristate education: privileging Anangu voices." Thesis, 2016. https://vuir.vu.edu.au/32634/.

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Aboriginal education in remote areas of Australia continues to be a contested focus for policy and practice, with little debate that actively involves Aboriginal people themselves. This thesis attempts to redress this gap in a small way by in-depth conversations about education with Anangu in the tristate area of central Australia (the region where Western Australia, South Australia and the Northern Territory meet). Here Aboriginal people live in relatively small, dispersed desert communities with close language and familial connections. Contact with Europeans is relatively recent, with provis
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Rothe, Alexander Karl. "Staging the Past: Richard Wagner's Ring Cycle in Divided Germany during the 1970s and 1980s." Thesis, 2015. https://doi.org/10.7916/D86972PF.

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The staging of Richard Wagner’s Ring des Nibelungen provides an ideal site to examine representations of the German past in the opera house and the broader cultural world surrounding it, in particular how these representations reveal different conceptions of the past in the German Democratic Republic (GDR) and the Federal Republic of Germany (FRG). By looking at three different productions of the Ring cycle in divided Germany during the 1970s and 1980s, I will show how Wagner stagings both reflected and contributed to historical debates about the Nazi past and discussions about cultural and na
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Falk, Andrew Justin. "Staging the Cold War negotiating American national identity in film and television, 1940-1960 /." 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3120292.

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Winerock, Emily Frances. "Reformation and Revelry: The Practices and Politics of Dancing in Early Modern England, c.1550-c.1640." Thesis, 2012. http://hdl.handle.net/1807/34965.

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This study examines the cultural and religious politics of dancing in late sixteenth- and early seventeenth-century England. Although theologically dance was considered morally neutral, as a physical, embodied practice, context determined whether each occurrence was deemed acceptable or immoral. Yet, judging and interpreting these contexts, and thus delineating the boundaries between appropriate and inappropriate behaviour, was contested and controversial. Advocates argued that dance enabled controlled, graceful movement and provided a harmless outlet for youthful energy. Opponents decried it
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Tralongo, Stéphane. "Faiseurs de féeries : mise en scène, machinerie et pratiques cinématographiques émergentes au tournant du XXe siècle." Thèse, 2012. http://hdl.handle.net/1866/9698.

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Cette thèse se donne comme objectif de renouveler la conception historique qu’on s’est généralement faite jusqu’à présent des rapports que le monde des arts de la scène a établis avec les pratiques cinématographiques émergentes au tournant du xxe siècle, en remettant profondément en question les idées de primitivité des films, de crédulité des spectateurs et de pré-cinématographicité des formes. Notre recherche vise en particulier à replacer les féeries cinématographiques de Georges Méliès dans le cadre institutionnel du théâtre parisien de cette époque, de façon à montrer que leur histoire s’
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Tarabulsy, Joseph. "The colonies of Andros: towards a socio-economic history of Sane, Akanthos, Stagira, and Argilos." Thesis, 1998. http://hdl.handle.net/1866/24047.

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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.<br>The present study on the colonies of Andros is driven by the need to increase our knowledge of the northern colonies as a whole. Northern Greece is the least well documented of the regions which were reached by the 8th and 7th c. B.C. Greek colonists. Not only does the study of the Andrian colonies augment the available documentation on the northern Greeks, it also provides an opportunity to examine one mother-city's overall colonization process. Through the sum of ancient sources and archaeological data perta
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FRISONE, Anna. "Femminismo sindacale al di là dei confini : l’incontro tra politica sindacale e soggettività femminile, in Italia e in Francia, attraverso la ‘lunga stagione dei movimenti delle donne’ (1968-1983)." Doctoral thesis, 2017. http://hdl.handle.net/1814/45945.

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Defence date: 31 March 2017<br>Examining Board: Professor Laura Lee Downs (Supervisor EUI); Professor Lucy Riall, EUI; Professor Michelle Zancarini-Fournel, Université Lyon 1; Dr. Maud Bracke, University of Glasgow<br>Dare una definizione o trovare una collocazione precisa al cosiddetto ‘femminismo sindacale’ è tutto fuorché un’impresa semplice. Come le due citazioni mostrano efficacemente, il suo stesso nome costituisce di per sé un elemento problematico. Il femminismo sindacale, infatti, si sviluppò tra gli anni Settanta ed Ottanta come esito - complesso e nient’affatto ‘risolto’ - all’incro
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Berto, Tony. "Are We There Yet? Gay Representation in Contemporary Canadian Drama." Thesis, 2013. http://hdl.handle.net/10214/7372.

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This study acknowledges that historical antipathies towards gay men have marginalised their theatrical representation in the past. However, over the last century a change has occurred in the social location of gay men in Canada (from being marginalised to being included). Given these changes, questions arise as to whether staged representations of gay men are still marginalised today. Given antipathies towards homosexuality and homophobia may contribute to the how theatres determine the riskiness of productions, my investigation sought a correlation between financial risk in theatrical product
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