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Artykuły w czasopismach na temat "Stylistic fusion"

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Morini, Massimiliano. "Translation, stylistics and To the Lighthouse." Target. International Journal of Translation Studies 26, no. 1 (2014): 128–45. http://dx.doi.org/10.1075/target.26.1.05mor.

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Scholars in Descriptive Translation Studies and other areas of translation theory have often employed ‘style’ as a term, but have rarely expanded their stylistic reflections beyond the level of impressionistic description. In the last decade, however, a small number of articles and monographs have advocated or attempted a fusion of stylistics and translation studies, into something that Kirsten Malmkjær (2004) has aptly termed “translational stylistics.” Building on this handful of contributions, the author proposes a bi-textual analysis of deictic shifts in Virginia Woolf’s To the Lighthouse
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Hromnyuk, Adriana. "STYLISTIC ANALYSIS OF ARCHITECTURE OF MODERN INTERIORS OF FOOD FACILITIES." Current problems of architecture and urban planning, no. 61 (October 29, 2021): 42–56. http://dx.doi.org/10.32347/2077-3455.2021.61.42-56.

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The research analyzes a large number of food facilities in Kyiv, Lviv, and Odesa. They are famous for special colorit, attractiveness, and innovation in stylistic and thematic solutions of their spaces. The stylistic analysis of the architecture of their interiors showed that there is mostly no trace of a single stylistic solution but a fusion of several styles or trends. 
 The main stylistic tendencies in the organization of food enterprises' object and spatial environment are defined: eclectic, fusion, a single modern style/direction, and auteur design without reference to any particula
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Polskaya, S. S., and E. M. Kirsanova. "Cross-Linguistic Stylistic Fusion: How English Political Discourse Shapes Russian Political Science Professionals." Professional Discourse & Communication 6, no. 1 (2024): 109–28. http://dx.doi.org/10.24833/2687-0126-2024-6-1-109-128.

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The pervasive impact of the English language on global linguistic landscapes is undeniable, with Russian being no exception to this trend. This study explores the extent to which English has influenced Russian-language political discourse, particularly focusing on the stylistic elements that have percolated into the vernacular of Russian student political scientists. Through a meticulously designed experiment, the authors investigated whether the continuous exposure to authentic English political texts – both oral and written – within a structured academic setting has led to the stylistic emul
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Amarandei, Teodor. "Piano Concerto and Jazz Music in the Second Half of the 20th Century. New Approaches to the Stylistic Fusion Concept." Artes. Journal of Musicology 26, no. 1 (2022): 222–34. http://dx.doi.org/10.2478/ajm-2022-0014.

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Abstract In the early years of the twentieth century, jazz and academic music each followed a distinct path, each exhibiting its own stylistic evolution. Most jazz musicians did not have any formal musical education and those in the academic milieu were, in their turn, neither jazz performers nor jazz composers. With the evolution of the jazz genre and its penetration in the field of the concerto, jazz becomes a credible music and starts enjoying a well-defined and generally accepted value rank in its own right, to the point where classic music performers and composers become open to experimen
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Niu, Tong, and Mohit Bansal. "Polite Dialogue Generation Without Parallel Data." Transactions of the Association for Computational Linguistics 6 (December 2018): 373–89. http://dx.doi.org/10.1162/tacl_a_00027.

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Stylistic dialogue response generation, with valuable applications in personality-based conversational agents, is a challenging task because the response needs to be fluent, contextually-relevant, as well as paralinguistically accurate. Moreover, parallel datasets for regular-to-stylistic pairs are usually unavailable. We present three weakly-supervised models that can generate diverse, polite (or rude) dialogue responses without parallel data. Our late fusion model (Fusion) merges the decoder of an encoder-attention-decoder dialogue model with a language model trained on stand-alone polite ut
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Gîrbu, Ecaterina. "Trenule for viola and cimbalom by Igor Iachimciuc: compositional and stylistic particularities." Arta 33, no. 2 (2024): 77–81. https://doi.org/10.52603/arta.2024.33-2.06.

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The works of contemporary composer Igor Iachimciuc are distinguished by original approaches that contribute significantly to enriching the national cultural landscape, incorporating strong influences of folklore. His works represent a fusion of the fundamental layers of musical culture: folklore, European professional tradition and mass musical culture. His vision focuses on the concept of cohesion within the contemporary musical sphere and on the exploration of seemingly opposing components such as folklore and traditional jazz, modern compositional techniques and pop music. The work Trenule
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Pătraş, Andra Daniela. "Expression of the Romanian Folk Style in Béla Bartók’s String Quartet No. 1." Studia Universitatis Babeş-Bolyai Musica 67, no. 1 (2022): 305–19. http://dx.doi.org/10.24193/subbmusica.2022.1.19.

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"Bartók’s string quartets play an important role in his overall output, as they represent a stylistic universe encompassing almost his entire oeuvre. In his String Quartet No. 1, Bartók aimed at reworking and expanding the folk elements as well as at developing his own personal expression. Despite being deeply rooted in folklore, this is not a folkloric work, but an expression that goes beyond folklore, which the composer placed in a new relationship to art-music. The aim of this research paper is to explore the aspects of language, the content conforming to the preoccupations of the modern er
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Ginzburg, G. N. "New stylistic discoveries “Fluid Fusion” and “Flowinggraphics” in the works of the duet of artists Alexei and Irina Polyakov." Voprosy kul'turologii (Issues of Cultural Studies), no. 8 (July 25, 2021): 671 (756)—676 (760). http://dx.doi.org/10.33920/nik-01-2108-01.

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In the world history of art, various graphic techniques for making and printing works of art have had their own names: etching, woodcut, linocut, lithography, etc. The new definitions of the 21st century sound quite reasonable: “Flowinggraphics” and “Fluid Fusion”, based on technological and chemical discoveries work with acrylic paints. The purpose of my article is to acquaint the art community with new techniques and terms. English version of the article on pp. 756-760 is available at URL: https://panor.ru/articles/fluid-fusion-and-flowing-graphics-new-stylistic-descoveries-in-the-works-of-t
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Krasniqi, Lurjana, and Lindita Tahiri. "A A Narrative of Different Voices: Stylistic Analysis of Multiple Points of View in Zadie Smith’s “NW”." Respectus Philologicus, no. 41(46) (April 15, 2022): 132–44. http://dx.doi.org/10.15388/respectus.2022.41.46.114.

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While the post-colonial approach (Fernández Carbajal, 2016; López-Ropero, 2016) has dominated research on Zadie Smith’s postmodern work, NW (2013), there has been little to no stylistic analysis of the novel. The article aims to fill in this theoretical gap by examining the different modes of point of view, indicating how they are linguistically encoded. Using Leech and Short’s model of narratological aspects of viewpoint (2007), the stylistic features of the third-person narrator and the reflectors are revealed. The analysis seeks to demonstrate that the narrative style varies with each shift
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Ermak, Elena. "THE IMAGE OF THE GOOD SHEPHERD IN EARLY CHRISTIAN SCULPTURE. INTERPRETATION. METHODOLOGICAL ASPECT." Bulletin of the South Ural State University Series «Social Sciences and the Humanities» 25, no. 1 (2025): 58–67. https://doi.org/10.14529/ssh250107.

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The article explains the methodology of interpretation of early Christian sarcophagi containing the image of the Good Shepherd. The object of the study was a unique monument from the Archaeological Museum in Split (Inv. No. D15, 310-312). Despite the fact that this artifact has been repeatedly studied, a number of unspecified points are found in its interpretation. The special approach used by the author involves not only the analysis of iconographic and stylistic features of the works, but also the involvement of theological texts. A significant methodological innovation was the use of the li
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Rozprawy doktorskie na temat "Stylistic fusion"

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Swindells, Rachel Justine. "Stylistic fusion in a postmodern context." Thesis, University of Leeds, 1999. http://etheses.whiterose.ac.uk/7849/.

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The purpose of this study is to examine the links between postmodernism and music ‘fusing’ what are commonly described as popular and classical styles. Much postmodern theory has discussed the relationship between ‘high’ and ‘low' and recognised eclecticism within art, but how does fusion connect with this? An investigation of terminology and definitions together with a discussion of historical precedents for contemporary cross-influences provides a base from which to explore fusion and the postmodern. A framework oulining postmodernism’s background and its relevance to music is used in conjun
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Roberts, Erinn. "Stylistic fusion in the Cabaret Songs of Benjamin Britten and W.H. Auden : a performer's analysis." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/16322.

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The Cabaret Songs of W.H. Auden and Benjamin Britten merge characteristics of a multitude of styles. The purpose of this document is to investigate the fusion of styles making up the Cabaret Songs and to analyze them from a performer’s perspective with the goal of providing collaborative partnerships with an historical and musical foundation on which to build their interpretation of the Cabaret Songs and thereby serve as a basis for informed performance decisions. Chapter 1 includes biographical information for both Benjamin Britten and W.H. Auden focusing on how the two artists met and discu
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Mazen, Alice. "Portrait de la scène publique klezmer dans le contexte parisien actuel : exploration ethnomusicologique du « revival » klezmer parisien." Electronic Thesis or Diss., Sorbonne université, 2024. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2024SORUL071.pdf.

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La musique klezmer, autrefois pratiquée par les musiciens juifs ashkénazes pour animer les célébrations liées à la vie juive en Europe de l'Est, s'est enrichie par les migrations et appauvrie par les nombreux pogroms subis par le peuple juif. Parallèlement au « revival » de la musique klezmer aux États-Unis dans les années 1970, la scène musicale klezmer parisienne a connu un renouveau et elle s'est depuis lors développée avec divers ensembles pratiquant exclusivement la musique klezmer, d'autres combinant musique klezmer et chant yiddish, et des ensembles pédagogiques. La scène musicale klezm
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Bourdeau, Marion. "Espaces et interstices dans l'oeuvre fictionnelle de Colum McCann : éthique et esthétique de l'équilibre." Thesis, Normandie, 2019. http://www.theses.fr/2019NORMC033.

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Utilisant un cadre théorique hybride, mêlant travaux de géographie, notamment culturelle, et approche littéraire et stylistique, ce travail de thèse interroge les diverses spatialités mccanniennes et leur écriture, mais aussi les implications éthiques et esthétiques de cette articulation. Il étudie la manière dont la représentation de ces spatialités pousse l’écriture à chercher son équilibre, alors qu’elle s’inscrit dans des espaces diégétiques et narratifs caractérisés par l’entre-deux et l’hybridité. Ces deux notions sont placées au cœur d’un corpus mu par un élan irréductible et kaléidosco
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Książki na temat "Stylistic fusion"

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Fusion of Stylistic Elements in Vergil's Georgics. Creative Media Partners, LLC, 2018.

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Glass, Meta. Fusion of Stylistic Elements in Vergil's Georgics. Creative Media Partners, LLC, 2018.

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The Fusion of Stylistic Elements in Vergil's Georgics. Franklin Classics, 2018.

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Glass, Meta. The Fusion of Stylistic Elements in Vergil's Georgics. Franklin Classics Trade Press, 2018.

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Lange, Barbara Rose. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190245368.003.0001.

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The Introduction outlines a historical and cultural framework for musical fusion projects in Central Europe, specifically Hungary, Slovakia, and Austria, between 1989 and 2008. It argues that such projects participate in a regional artistic heritage of stylistic virtuosity and social critique. It describes how Central Europeans treat some of their own world music, folk music, and ethnojazz as high or “serious” art, while in Western Europe, world music is part of the popular music industry. The Introduction argues that the Central European projects are experiments in economic independence and i
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Scott, Jeremy. Creative Writing and Stylistics, Revised and Expanded Edition. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350372993.

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In this innovative fusion of practice and criticism, Jeremy Scott shows how insights from stylistics and linguistics can enrich the craft of creative writing. Focusing on crucial methodological issues that confront the practicing writer, this book introduces writers to key topics from stylistics, provides in-depth analysis of a wide range of writing examples and includes practical exercises to help develop creative writing skills. Thoroughly revised and expanded throughout, this updated edition more clearly lays out specialist ideas and technical terms within the field of linguistics, and feat
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Koozin, Timothy. Embodied Expression in Popular Music. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197692981.001.0001.

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Abstract This study of embodiment and meaning in popular music explores a wide-ranging repertoire, offering a performance-based analytical methodology that progresses from basic idiomatic gestures, to gestural combinations and interactions with large-scale design, to broader interpretive strategies that engage with theories of embodiment, the musical topic, and narrative. The book examines artistic practices in popular song that draw from a vast range of stylistic sources, including rock, blues, folk, soul, funk, fusion, and hip hop, as well as European classical and African American gospel mu
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Dawson, Anna. Studying The Lord of the Rings. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348530.001.0001.

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Unquestionably the first cinematic phenomenon of the twenty-first century, Peter Jackson's trilogy was a project of enormous artistic vision and financial risk. It is also a rich text for those studying film and media, perhaps for the first time. Studying The Lord of the Rings is the first book to consider the films in these terms, looking in turn at each of the major concepts: their complex origins and narrative structure; issues of representation masculinity, femininity and race; their generic patterns (to which genre do the films belong?) and thematic concerns; their industrial context from
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Części książek na temat "Stylistic fusion"

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Das, Arnab, Carlos Franzreb, Tim Polzehl, and Sebastian Möller. "Exploring Foundation Model Fusion Effectiveness and Explainability for Stylistic Analysis of Emotional Podcast Data." In Lecture Notes in Networks and Systems. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-84457-7_23.

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Ashby, William J. "The loss of the negative particle ne in French." In On Spoken French. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/slcs.226.c12.

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Negation in French can be marked redundantly – since a pre-verbal particle ne ‘old not’ may accompany a second, usually post-verbal, marker of negation. However, the pre-verbal particle is often deleted in spoken French. This deletion may be inconsistent with the usual typological characterization of French as an SVO language. In this paper, the use of ne ‘old not’ by 37 speakers from the region of Tours is evaluated, and the data are judged by the Sankoff Variable Rule Program (Varbrul 2). The negative particle is found to vary with a complex of linguistic, stylistic, and social factors. The
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Bulathsinghala, Lakshmi D. "Fusing Oriental and Occidental Drama." In The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka. Routledge, 2024. http://dx.doi.org/10.4324/9781003212263-6.

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Gidal, Marc. "Samba Jazz at Carnegie Hall." In SamBop NYC. Oxford University Press, 2024. https://doi.org/10.1093/oso/9780197619049.003.0005.

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Abstract Chapter 4, “Samba Jazz at Carnegie Hall: Genre Fusion in Instrumental Music,” explains how professional musicians who played Brazilian jazz in New York City between 2000 and 2020 created and performed improvised, up-tempo, instrumental music that is related to bossa nova. After considering musical fusion as its own genre in addition to a combination of stylistic ingredients, the chapter describes the practices and compositions of influential New Yorkers. The instrumentation and harmony of jazz is prevalent. Drummers transferred the rhythms, timbres, and roles of samba percussion to th
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Zantaria, Vladimir K. "Philosophical Lyrics of Bagrat Shinkuba in Russian Translation." In Abkhazia in Russian Literature of the 19th — 20th Centuries: in 3 vols. Vol. 2. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/arl-2023-2-479-490.

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The article analyzes the experience of translating the philosophical lyrics of the outstanding Abkhaz poet Bagrat Shinkuba into Russian as an example of high professionalism in such a refined and delicate area. Considered as the most successful transcriptions of the lyrical works of the Abkhaz master, translations of the poems “My Star” (S. Lipkin), “They drink for my long life!” (K. Simonov), “This inevitable hour will come ...” (D. Chachkhalia), “The hearth burns and the flame curls” (Y. Kozlovsky), “The word has a soul” (L. Ozerov). It is noted that translators turned to classical principle
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Lewis, Hannah. "La La Land and Jazz." In La La Land. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197682616.003.0005.

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Abstract Chapter 4 delves into La La Land’s depiction of jazz. The genre is an important part of both the film’s soundscape and its narrative, but the film depicts an ambivalence about jazz’s stylistic boundaries. The author additionally discusses the character of Keith as portrayed by John Legend, the kind of approach to jazz he represents, and the differences between the depiction of jazz fusion in the film and the jazz renaissance that was actually taking place in Los Angeles right around the time of La La Land’s production. By connecting the (largely) white genre of the Hollywood musical w
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Huang, Chihan. "Progressive Artistic Aesthetic Enhancement For Chinese Ink Painting Style Transfer." In Frontiers in Artificial Intelligence and Applications. IOS Press, 2024. http://dx.doi.org/10.3233/faia240557.

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The translation of artistic style is a challenging yet crucial task for both computer vision and the arts, and the unique attributes of Chinese ink painting—such as its use of negative space, brushwork, ink diffusion, and more—present significant challenges to the application of existing style transfer algorithms. In response to these distinctive characteristics, we propose a progressive artistic aethetic ink painting style transfer method. The progressive multi-scale aesthetic style attention module in the network leverages the complementary benefits of shallow and deep style information to p
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Bidgood, Lee, and Irena Přibylová. "Bluegrass." In The Oxford Handbook of Global Popular Music. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190081379.013.14.

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Abstract Bluegrass is a form of country music that originated in the United States but which is now played throughout the world. This style occupies a position between popular, folk, and traditional music: professional and amateur participants create bluegrass through use of acoustic instruments, respectful use of earlier musical material, and pastoral themes—as well as instrumental virtuosity, entrepreneurial innovation, and stylistic fusion. The style can be a means for evoking a sense of rootedness and also for forging new musical and social practices. Bluegrassers negotiate these paradoxes
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"Fusion Style: Towards a Poetics of the Grotesque Body." In The State of Stylistics. Brill | Rodopi, 2008. http://dx.doi.org/10.1163/9789401206082_007.

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Kang, Lei, Fei Yang, Kai Wang, et al. "GRIF-DM: Generation of Rich Impression Fonts Using Diffusion Models." In Frontiers in Artificial Intelligence and Applications. IOS Press, 2024. http://dx.doi.org/10.3233/faia240492.

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Fonts are integral to creative endeavors, design processes, and artistic productions. The appropriate selection of a font can significantly enhance artwork and endow advertisements with a higher level of expressivity. Despite the availability of numerous diverse font designs online, traditional retrieval-based methods for font selection are increasingly being supplanted by generation-based approaches. These newer methods offer enhanced flexibility, catering to specific user preferences and capturing unique stylistic impressions. However, current impression font techniques based on Generative A
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Streszczenia konferencji na temat "Stylistic fusion"

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Surovtseva, E. "ON THE QUESTION OF STYLISTIC FEATURES OF MODERN MARTYR'S LIVES (BASED ON THE MATERIAL OF THE «LIVES OF THE NEW MARTYRS AND CONFESSORS OF THE RUSSIAN XX CENTURY OF THE MOSCOW DIOCESE»)." In Actual issues of Slavic grammar and lexis. LCC MAKS Press, 2024. http://dx.doi.org/10.29003/m4117.978-5-317-07174-5/207-211.

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This article presents preliminary considerations on the stylistic features of modern martyr's lives, based on the material of the 8-volume edition of the Lives of the New Martyrs and Confessors of the Russian XX century of the Moscow Diocese. In these texts, the sources used are abundantly quoted (official resolutions, interrogation protocols, letters, etc.). The style of the original text is religious-ecclesiastical; the styles of quotations are official-business, colloquial, also religious-ecclesiastical. Thus, modern martyr's lives are a complex stylistic fusion.
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Yuan, Shaozu, Aijun Dai, Zhiling Yan, et al. "Learning to Generate Poetic Chinese Landscape Painting with Calligraphy." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/696.

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In this paper, we present a novel system (denoted as Polaca) to generate poetic Chinese landscape painting with calligraphy. Unlike previous single image-to-image painting generation, Polaca takes the classic poetry as input and outputs the artistic landscape painting image with the corresponding calligraphy. It is equipped with three different modules to complete the whole piece of landscape painting artwork: the first one is a text-to-image module to generate landscape painting image, the second one is an image-to-image module to generate stylistic calligraphy image, and the third one is an
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Sun, Lingxiao. "IN-DEPTH ANALYSIS OF THE INFLUENCING FACTORS OF RUSSIAN OIL PAINTING IN THE DEVELOPMENT OF CHINESE OIL PAINTING." In Themed collection of papers from Foreign international scientific conference «Joint innovation - joint development». Part 1. by HNRI «National development» in cooperation with PS of UA. May 2024. - Harbin (China). Crossref, 2024. http://dx.doi.org/10.37539/240530.2024.16.78.028.

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This study delves into the historical development trajectory of Chinese oil painting, involving the artistic origins and unique stylistic characteristics of Russian oil painting. It further explores the significant influence of Russian oil painting on Chinese oil painting art in different historical stages. Through comparative analysis, it reveals the fusion of artistic expression, technique inheritance, and aesthetic ideas between the two, emphasizing the positive role of Russian oil painting in Chinese oil painting education and artistic practice. Based on this, the study summarizes the mult
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