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Artykuły w czasopismach na temat „Stylistic marking”

Autor: Grafiati
Data publikacji: 3 czerwca 2025
Data aktualizacji: 31 lipca 2025

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1

Shcherbak, O. V. "PUBLICISTIC FILM TEXTS STYLISTIC FROM THE LINGUOSEMIOTIC VIEWPOINT." Opera in linguistica ukrainiana, no. 29 (November 9, 2022): 368–79. http://dx.doi.org/10.18524/2414-0627.2022.29.262424.

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The article is devoted to the problem of identification and systematization of stylistic means of journalistic film texts according to their linguosemiotic status. With the help of a number of general scientific (observation, comparison, generalization, quantitative calculations) and special (descriptive, functional) methods, the Ukrainian-language journalistic films of A. Galimov, A. Romanidi, and H. Kovalenko were investigated. The author of the article explained the essence and indicated the problematic status of the concept of “journalistic film text” in linguistic science. It is argued th
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Rendsburg, Gary A. "Marking Closure." Vetus Testamentum 66, no. 2 (2016): 280–303. http://dx.doi.org/10.1163/15685330-12301229.

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The literary device of stylistic change to indicate closure is barely recognized by biblical scholars. Apart from Aharon Mirsky, who wrote the seminal article and monograph on the subject, very few scholars have paid attention to this technique. The present article summarizes the work of Mirsky and two others (with six examples total), and then proceeds to present an additional nineteen examples of this literary device.
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Kushch, N. V. "STYLISTIC MARKING OF SECONDARY ADVERBIAL PREPOSITIONS OF MANNER." Тrаnscarpathian Philological Studies 11, no. 1 (2019): 21–28. http://dx.doi.org/10.32782/tps2663-4880/2019.11-1.4.

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Jugo, Midhat, and Amrudin Hajrić. "Stylistic potential of the absolute object in the text of the Qur’an." Zbornik radova 19, no. 19 (December 15, 2021): 411–30. http://dx.doi.org/10.51728/issn.2637-1480.2021.19.411.

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The subject of this paper is the stylistic potential of the absolute object in the text of the Qur’an. Besides reference to the basic theoretical definition of the absolute object in Arabic grammar and Arabic stylistics, the paper researches the discipline of ornaments, 'ilm al-badī', and based on the Qur’anic text tries to identify frequent stylistic figures realized by the constructions of the absolute object and its regent. The research showed that constructions with the same root are a significant syntactic framework within which numerous stylistic figures are realized in the Qur’an. Paron
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5

Muradyan, Gayane. "Lexical Syntagms in Publicistic Prose." Armenian Folia Anglistika 1, no. 1-2 (1) (2005): 62–65. http://dx.doi.org/10.46991/afa/2005.1.1-2.062.

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The connection between lexical syntagms and functional-stylistic orientation in the Publicistic Prose is more evident due to adjectives ending in -able which, in fact, realize the category of the probability of the action. The wide use of lexical syntagms in the Publicistic Prose leads to stylistic marking and endows these units with a distinctive stylistic feature.
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Salih, Aveen, and Hussein Abdulrahman. "AN ANALYSIS OF MIRIN D ZANGA 12DA NOVEL ACCORDING TO SARA MILLS' FEMINIST STYLISTIC MODEL." Humanities Journal of University of Zakho 13, no. 1 (2025): 194–210. https://doi.org/10.26436/hjuoz.2025.13.1.1551.

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Feminist stylistics’ is a modern and critical approach that integrates linguistics and feminist criticism to examine how societal structures influence the language and style of literary texts. It also explores stylistic differences between male and female writers. This study applies Sara Mills' feminist stylistic framework to analyze the novel Mirin di Zenga 12 da (Death at the 12th Bell), marking the first application of this model to the text within Kurdish literary research. While feminist criticism has been explored in Kurdish studies, this specific interpretative approach remains underexa
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7

Saldanha, Gabriela. "Emphatic Italics in English Translations: Stylistic Failure or Motivated Stylistic Resources?" Meta 56, no. 2 (2011): 424–42. http://dx.doi.org/10.7202/1006185ar.

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This article argues that emphatic italics, a typographic feature regularly ignored by linguists and associated with poor style, have an important stylistic function in English, often working in implicit association with prosodic patterns in spoken language to signal marked information focus, thus fulfilling an important role in information structure and adding a conversational and involved tone to written texts. Emphatic italics are more common in English than in other languages because tonic prominence is the preferred means of marking information focus in English, while other languages use p
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8

Sidorkova, L. R., and Kh A. Aripova. "Features of actualization of stylistic marking of nouns in artistic speech." International Journal on Integrated Education 2, no. 6 (2019): 106–9. http://dx.doi.org/10.31149/ijie.v2i6.215.

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9

Khodakovska, N. G. "The stylistic marking adjectives colours in poetry of Heinrich Heine." Alfred Nobel University Journal of Philoligy 11 (2016): 241–45. http://dx.doi.org/10.32342/2523-4463-2016-0-11-241-245.

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Kuzmičová, Anežka, Anne Mangen, Hildegunn Støle, and Anne Charlotte Begnum. "Literature and readers’ empathy: A qualitative text manipulation study." Language and Literature: International Journal of Stylistics 26, no. 2 (2017): 137–52. http://dx.doi.org/10.1177/0963947017704729.

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The alleged crisis of the humanities is currently fueling renewed interest in the affective benefits of literary reading. Several quantitative studies have shown a positive correlation between literary reading and empathy. However, the literary nature of the stimuli used in these studies has not been defined at a more detailed, stylistic level. In order to explore the stylistic underpinnings of the hypothesized link between literariness and empathy, we conducted a qualitative experiment in which the degree of stylistic foregrounding was manipulated. Subjects ( N = 37) read versions of Katherin
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11

Ћевриз Нишић, Вера. "О СИНОНИМСКИМ ВАРИЈАНТАМА У ДИСКУРСУ ЕЛЕКТРОНСКИХ МЕДИЈА РЕПУБЛИКЕ СРПСКЕ И ФЕДЕРАЦИЈЕ БОСНЕ И ХЕРЦЕГОВИНЕ". ИСХОДИШТА 8, № 1 (2022): 295–310. http://dx.doi.org/10.46630/ish.8.2022.19.

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The topic we decided on deals with the current issue of the functioning of the language in BiH. It belongs primarily to the field of stylistics and involves the analysis of different variants of the linguistically same language, which is sociolinguistically called by three names: Serbian, Croatian and Bosniak. The paper will analyze the discourse of public communication on the example of the use of Serbian in electronic media Federation of Bosnia and Herzegovina. Linguistic and stylistic analysis will be focused on a comparative analysis of synonymous units of the Serbian language that are var
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12

Pochapska, Oksana. "Stylistic marking of the text as a method of manipulation: psychological aspect." Obraz 3, no. 32 (2019): 147–54. http://dx.doi.org/10.21272/obraz.2019.3(32)-147-154.

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Introduction. Up to date, the situation in the Ukrainian media space has not changed dramatically from the Soviet Period. This gives wide possibilities for variations to manipulate the minds of the audience, a large part of which is made up of people of 55 years of age who are accustomed to reading and trusting the press. Accordingly, the study of the relationship between the audience’s trust in the journalistic publication and the manner of presenting news of the specified category of the population will enable to form ways of introducing media literacy for different categories of society, wh
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13

Stalyanova, Nadezhda. "Gender Marked Phraseologisms in Bulgarian – Aspects of their Semantics and Stylistic Marking." Balkanistic Forum 32, no. 2 (2023): 313–22. http://dx.doi.org/10.37708/bf.swu.v32i2.19.

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The paper explores the language-society relationship in the context of gender-neutral language, a part of inclusive communication that aims to avoid referring to a person's gender while inappropriately highlighting or attributing positive or negative characteristics exclusively associated with one gender. The analysis is situated in the linguistic aspect of so-called gender-sensitive language or gender-neutral language. The text studies the semantics of two phraseologisms in Bulgarian perceived as discriminatory, negatively marked and suggesting gender stereotypes. In order to investigate and
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14

Pavlychko, O. O. "GENDER SPECIFICITY OF “INFORMATIVITY” CATEGORY (BASED ON MAGAZINES “SPIEGEL” AND “BRIGITTE”." Linguistic and Conceptual Views of the World, no. 65 (1) (2019): 135–41. http://dx.doi.org/10.17721/2520-6397.2019.1.15.

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The article focuses on specifics of the information text from the point of view of gender linguistics. The gender marking of the information text is manifested at the structural, semantic and stylistic levels and is represented in the selection of aspects of the events, the organization of information blocks and linguistic ways of describing events.
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15

Харламова, Марина Александровна. "Маркирование кавычками в сибирской публицистике XIX в. как средство актуализации языковых процессов и источник толковой и исторической лексикографии". Język i Metoda 7 (2021): 281–90. http://dx.doi.org/10.4467/23919981jm.21.026.14258.

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The article shows the role of quotation marks as a means of actualizing new vocabulary and marking semantic processes and stylistic characteristics of words in the works of Siberian publicists. The material of the essays can serve as an empirical base for the 19th-century differential dictionary and the Great Academic Dictionary of Russian language.
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16

Zhalko, Dina. "Marking Intertextuality in the Artistic Discourse of the Twentieth Century." Studia Philologica, no. 24 (2025): 107–33. https://doi.org/10.28925/2311-2425.2025.248.

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The article is devoted to the study of marking intertextual inclusions in literary discourse in order to reveal the semantic and functional potential of implicit and explicit markers of intertextuality in the works of American and English writers of the twentieth century. The analysis of intertextuality in artistic discourse helped to identify intertextual markers and determine the means of their representation, systematize intertextual inclusions and establish their discursive and functional potential. The research material was based on the novels "The Crying of Lot 49" by Thomas Pynchon and
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17

Valieva, Liana F. "The problem of colloquial and low colloquial words differentiating in the Russian language." Yugra State University Bulletin 12, no. 1 (2016): 49–52. http://dx.doi.org/10.17816/byusu201612149-52.

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The article touches upon the problem of the differentiation between two lexical layers of the Russian Language with stylistic marking - colloquial (literal) and low colloquial. The author enumerates general features typical of both groups and pays special attention to the criteria of the differentiation between and low colloquial words, marked in the explanatory dictionaries of the Russian language as “colloquial” and “low colloquial”.
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18

Venhrynovych, Andrii, and Nataliia Venhrynovych. "The relationship of stylistic marking of the german noun and number of its synonyms." Current issues of social sciences and history of medicine, no. 4 (October 24, 2017): 149–52. http://dx.doi.org/10.24061/2411-6181.4.2017.122.

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19

Stark, Elisabeth. "Negation marking in French text messages." SMS Communication: A linguistic approach 35, no. 2 (2012): 341–66. http://dx.doi.org/10.1075/li.35.2.11sta.

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This study investigates the drop of the first clitic element, ne, of French sentential negation. It is based on 4,628 French text messages taken from the newly established corpus sms4science.ch. It shows that regional or stylistic factors do not play a major role in triggering ne deletion or ne retention, and that the only relevant language-internal factor is subject type, more precisely clitic subjects (also in subject doubling structures) and subject drop, which seem to favour or even trigger categorically ne deletion. Our findings are in keeping with those by R. van Compernolle (2008) on Eu
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20

Lu, Wei-lun. "Time, tense and viewpoint shift across languages: A Multiple-Parallel-Text approach to “tense shifting” in a tenseless language." Cognitive Linguistics 30, no. 2 (2019): 377–97. http://dx.doi.org/10.1515/cog-2018-0039.

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AbstractThe paper discusses the role of tense and time from a cross-linguistic perspective by comparing English (a tensed language) and Mandarin (a language without formal tense marking). Multiple translations of the same literary piece are used to test the correspondence between the tense, the perfective aspect and temporal adverbials. In English, tense marking is found to work with at least two language-specific stylistic means, clause interpolation and inversion, to create a mixed narrative viewpoint. In Mandarin, neither the perfective aspect nor temporal adverbials, i.e., constructions th
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21

Tarasenko, Oksana. "MEANS OF CREATING STYLISTIC CONTRAST IN VOLODYMYR VYNNYCHENKO'S ARTISTIC SPEECH." Odessa National University Herald. Series: Philology 29, no. 2(30) (2024): 57–65. https://doi.org/10.18524/2307-8332.2024.2(30).320407.

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The research is aimed at identifying the linguistic features of Volodymyr Vynnychenko's artistic speech and contrast as a category of artistic text and a defining feature of his idiostyle. The specificity of contrast as a defining feature of Volodymyr Vynnychenko's works is characterized and its categorical status in text creation is substantiated. The use of synonyms and antonyms as representatives of the category of contrast and expressiveness is analyzed. The features of the stylistic load of antonyms in Volodymyr Vynnychenko's artistic speech are traced. The object of the study is the idio
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22

Normurodova, N. "Sententia as a Language Marker of Discursive Personality of the Author." Bulletin of Science and Practice 6, no. 12 (2020): 529–37. http://dx.doi.org/10.33619/2414-2948/61/67.

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The article deals with the problems of sententia as the author’s sayings, characterized by brevity, semantic capacity and reinterpretation. The sententia is also considered as a small form of a text, a component of an individual author’s and conceptual picture of the world, as a cultural model that translates the most conceptually significant information. The analysis of author’s sententia, their distinction signs, from the standpoint of author’s modality and intentionality revealed the following signs: a) stylistic marking, manifested in the convergence of stylistic devices; b) an entity that
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23

Nedashkivska, Alla. "The Pragmatic Bases of the ‘Variation’ between –A and –Zero in the Accusative in Contemporary Ukrainian." Carl Beck Papers in Russian and East European Studies, no. 1704 (January 1, 2004): 73. http://dx.doi.org/10.5195/cbp.2004.125.

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The present study raises the problem of Accusative case marking for masculine inanimate nouns in contemporary Ukrainian. Constructions of the type napysaty lyst-Ř and napysaty lyst-a ‘to write a letter’, with the unmarked zero ending in the former and the marked -a ending in the latter, constitute the focus of the investigation. The assumption, common in Ukrainian scholarship that the two variants exist in the language as ‘optional’, ‘synonymous’, parallel, or as ‘stylistic variants’ is challenged. The major objective is to provide a systematic synchronic description and analysis of each case
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Šoba, Blaž. "GENDER MARKING IN SLOVENE AND RUSSIAN ADDRESSING CONSTRUCTIONS." PHILOLOGICAL STUDIES 18, no. 2 (2020): 273–95. http://dx.doi.org/10.17072/1857-6060-2020-18-2-273-295.

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The article discusses the problematic use of the male gender forms, referring to the biological female gender subject. In the Russian language, the usage is standardized, when anoun in a clause carries the attributive function and is, as such, universal. On the other hand, the female gender formis used for the actual referential subject. In Slovene forms of addressing, a male gender form is used when referring to a female subject –the »antiagreeing« phrases Mrs professor and Mrs doctorcoexist with the matching (systematical) phrases, where the headword of each nominal phrase ends with a deriva
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25

Kudryavtseva, E. A. "Functioning of Verbs yavlyat’sya - yavit’sya in Language of XXI Century." Nauchnyi dialog, no. 6 (June 29, 2020): 81–100. http://dx.doi.org/10.24224/2227-1295-2020-6-81-100.

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The semantic and stylistic features of the verbs yavlyat’sya - yavit’sya in modern speech on the material of the National corpus of the Russian language are considered in the article. It is shown that not all the meanings of these verbs recorded in explanatory dictionaries are relevant for modern speech and that yavlyat’sya - yavit’sya do not function in texts of different styles. It is specified that the verb yavlyatsya in a connective meaning is characterized by the breadth of lexical and grammatical connections, which indicates its further semantic devastation and approaching to ideal conne
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26

Lebedeva, E. A. "Stylistics of American film reviews." Verba Northwest Linguistic Journal, no. 4 (2024): 33–47. https://doi.org/10.34680/verba-2024-4(14)-33-47.

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The paper aims to analyze the evaluative lexical and stylistic means of the English language used by reviewers to represent evaluation in American film reviews, and determines their role in text directive implementation. Evaluations are the result of understanding the film from the perspective of its compliance with the reviewer's own scale of values, and the reviewer decides what methods of expressing evaluativeness to use. During the analysis of linguistic means it was revealed that popular means of stylistic marking, through which evaluations are actualized, are epithets, metaphors, compari
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Makaruk, Larysa. "Paralingual Graphic Components in Modern English Written Discourse as Interactive Devices Capable of Possessing Stylistic Marking." East European Journal of Psycholinguistics 3, no. 2 (2016): 61–68. https://doi.org/10.5281/zenodo.267961.

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Abstract. The article is devoted to the study of paralinguistic graphic devices which are used in modern English-language written discourse. Identifying certain common elements of paralinguistic graphic means, it has been possible to place them in the following general groupings: segmentation and other graphic effects; font and color; non-pictorial and non-photographic graphic textual elements; iconic language elements ((images); and other non-verbal means. Attention is devoted to the structure, semantics and pragmatics of certain elements that can be found in the groups mentioned above, and t
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Petrushkov, Ilya V. "Intertextual elements as a means of creating a comic effect (based on the 17th century Russian satires)." Izvestiya of Saratov University. Philology. Journalism 23, no. 2 (2023): 136–40. http://dx.doi.org/10.18500/1817-7115-2023-23-2-136-140.

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This study aims to determine the role of intertextual elements in creating a comic effect in the 17th century Russian satires. Two novels representing the humorous literature of the 17th century Russia serve as the material of the research: The Tale of Drunkard and The Tale of the Peasant’s Son. Medieval culture is based on Christianity with the biblical text at its core. Intertextual elements represented by biblical allusions and quotes are important elements in the plot and composition of the texts under research. The results of the analysis in terms of lexis and stylistics show that the com
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Chen, Y. S. "The Flood Motif as a Stylistic and Temporal Device in Sumerian Literary Traditions." Journal of Ancient Near Eastern Religions 12, no. 2 (2012): 158–89. http://dx.doi.org/10.1163/15692124-12341236.

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Abstract Recent scholarship suggests the Flood motif and its literary representations may have emerged and developed relatively late in Sumerian literary traditions. To investigate how the Flood motif gained its entry in the literary traditions, the current study traces the dissemination of the temporal expression eĝir a-ma-ru ba-ur3-ra-ta “After the Flood had swept over . . .” and its variants in Sumerian mythological and chronographic sources during the Old Babylonian period. This study seeks to demonstrate that when the Flood motif first emerged explicitly in Sumerian literary traditions i
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Gîrbu, Ecaterina. "Trenule for viola and cimbalom by Igor Iachimciuc: compositional and stylistic particularities." Arta 33, no. 2 (2024): 77–81. https://doi.org/10.52603/arta.2024.33-2.06.

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The works of contemporary composer Igor Iachimciuc are distinguished by original approaches that contribute significantly to enriching the national cultural landscape, incorporating strong influences of folklore. His works represent a fusion of the fundamental layers of musical culture: folklore, European professional tradition and mass musical culture. His vision focuses on the concept of cohesion within the contemporary musical sphere and on the exploration of seemingly opposing components such as folklore and traditional jazz, modern compositional techniques and pop music. The work Trenule
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31

Kumeda, Оlena. "STYLISTICALLY MARKED ELEMENTS IN THE LANGUAGE OF PANTELEIMON KULISH." Fìlologìčnì traktati 13, no. 2 (2021): 23–30. http://dx.doi.org/10.21272/ftrk.2021.13(2)-3.

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The article considers some morphological features of Kulish's language in the aspect of their stylistic marking. In particular, taking into account the evidence of dialectal sources, written monuments, as well as contemporary linguistic and literary practice analyzed the peculiarities of the use of dual forms of nouns, short forms of adjectives, differences in reflection in the writer's first editions of individual adverbs, particles andconjunctions.The stylistic function of the respective language units is highlighted through the areological reading of Kulish's language, the nature of the con
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DOLIĆ, Belkisa. "ROLE OF DISCOURSE MARKERS IN SCIENTIFIC FUNCTIONAL STYLE." Lingua Montenegrina 16, no. 2 (2015): 21–40. https://doi.org/10.46584/lm.v16i2.465.

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In this paper, the author points out that in spite of being integrated in grammatical structure of a sentence and the organization of statements in them, discourse markers are linguistic entities that do not take part in them – they do not have the status of sentence elements and do not affect the truth-conditions of the statement, which means that their reduction would not impair the grammatical structure of a sentence or seize anything from the composition of propositional statements. Such a thing is possible because discourse markers come from a higher level of discourse, where they serve t
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Kots, Tetiana. "AXIOLOGY AS A LINGUISTIC CATEGORY: VERBAL REALIZATION AND STYLISTIC DIFFERENTIATION." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 29 (2020): 18–20. http://dx.doi.org/10.17721/1728-2659.2021.29.4.

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The article clarifies the functional and stylistic parameters of evaluation as a linguistic category, which covers different levels of language units with evaluative semantics and conveys the positive or negative attitude of the speaker to the named subject, phenomenon, concept. Positive or negative semantic scale of evaluation is formed in accordance with certain social, national-cultural, moral values. Logical (rational) and emotional (irrational) assessment in the text interact. Logical evaluation is motivated by objective thoughts, and emotional – the feelings of the subject to the object
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Durmišević-Cernica, Elma. "O nekim višeznačnim univerbima u bosanskom jeziku / About Some Ambiguous Univerbs in the Bosnian Language." Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog fakulteta u Sarajevu, ISSN 2303-6990 on-line, no. 24 (November 10, 2021): 30–47. http://dx.doi.org/10.46352/23036990.2021.30.

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The paper deals with univerbs – monolexemic units that originated from a two-membered congruent attribute syntagm. They are characterized by stylistic marking, expressiveness, economy, but also ambiguity and contextuality. Unlike univerbs, the two-part syntagm is always precise, unambiguous, and semantically clearly defined. Particular attention will be paid to the univerbs with multiple meanings – they are polysemous, hence contextually conditioned. The context is tremendously important in the analysis of the meaning of individual univerbs, although in some univerbs (zabavnjak) the context co
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Annai, E. K. "Metaphorical expressives in Tuvan lexicography." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 43 (2021): 252–64. http://dx.doi.org/10.17223/18137083/74/19.

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Fixation and assignment of labels to specific semantic derivation cases, namely metaphorical expressives (expressive lexical units) in Tuvan dictionaries, are considered and compared with their Russian equivalents. The Russian language influence on the semantic structure of the Tuvan lexemes is observed. Metaphorical expressives are lexemes formed by metaphorical derivation resulting in new (figurative) meanings without changing the form. The number of such units in the colloquial speech was found to increase under the Russian language influence in recent decades. New formation models non-typi
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Горющенко, Д. О. "Neolexis and its functioning in electronic media." Cherepovets State University Bulletin, no. 5(116) (October 13, 2023): 87–98. http://dx.doi.org/10.23859/1994-0637-2023-5-116-7.

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В статье представлен анализ функционирования неолексики в электронных СМИ за 2022–2023 гг. Новые слова активно используются СМИ благодаря их внутренней рематичности, оценочности, эмотивности, стилистической маркированности. Реализация функций обеспечивается механизмами словообразовательной, семантической деривации, заимствованием, приемами языковой игры. Функциональная нагрузка новых слов обусловлена коммуникативными намерениями автора, что определяет их полифункциональность. The article presents an analysis of the neolexis functioning in electronic media in 2022–2023. New words are actively u
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37

Steffen Chung, Karen. "Hypercorrection in Taiwan Mandarin." Journal of Asian Pacific Communication 16, no. 2 (2006): 197–214. http://dx.doi.org/10.1075/japc.16.2.04chu.

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In spite of a widening acceptance of attenuated retroflexed initials (zh‑, ch‑ sh‑) in Taiwan Mandarin today, there is a parallel movement in seemingly the opposite direction: a growing use of the retroflexed initials in certain contexts. A conflict between the two trends often surfaces in the form of hypercorrection, that is, incorrect substitution of the retroflexed initials for the corresponding dental initials (z‑, c‑, s‑). Labov (1973) observed a trend toward a similar kind of phonetic hypercorrection in New York City English, mainly among the upwardly-aspiring lower middle class. Though
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38

Khachan, Victor. "The ‘Ands’ and ‘Buts’ in Kahlil Gibran’s English Works: A Corpus Stylistics Perspective." Languages 8, no. 4 (2023): 246. http://dx.doi.org/10.3390/languages8040246.

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The sentence-initial coordinating conjunctions (and, but), referred to in the literature as SIA and SIB, have been well established as discourse markers beyond their syntactic function as connectors of related propositions. In reference to the proof-editing process of The Prophet, Kahlil Gibran’s most internationally acclaimed work in English, records show that Gibran tends to “overuse” “Ands” and “Buts”. In this context, this study traces Gibran’s use of sentence-initial coordinating conjunctions (and, but) in The Prophet and his seven other works in English, attempting to determine whether h
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39

Tsivun, Nataliia. "STYLISTIC FUNCTIONS OF ANTHROPONYMS IN THE LANGUAGE CREATIVITY OF VOLODYMYR LYS (ON THE MATERIAL OF THE NOVEL "SOLO FOR SOLOMIA")." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 14(82) (2022): 79–84. http://dx.doi.org/10.25264/2519-2558-2022-14(82)-79-84.

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The article is dedicated to the study of stylistic functions of anthroponyms as an important means of traditional and innovative text creation in the novel "Solo for Solomiya" by Volodymyr Lys. A group of anthroponyms are represented by "names of historical figures", "culturological names" used for the purpose of temporal marking is singled out. It is proved that literary and artistic anthroponymic units are a coherent system, thanks to which the ideological and artistic idea of ​​a prose writer is realized. In the course of the research it was found out that the following model structures pre
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40

GANZHA, Anhelina. "«Style» and «memory» in the publications of the collection «Culture of the word»." Culture of the Word, no. 96 (2022): 253–63. http://dx.doi.org/10.37919/0201-419x-2022.96.20.

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The article provides a segmental review of the publications of the «Culture of the Word» for more than half a century, the formal criterion for selecting materials was the presence of style and memory in the titles of the words. The argument in favor of the informative nature of such an analysis is the belief that the key problems of the research are usually reflected in the title of the scientific work. The chronological approach to the analysis is applied. The chronological structuring of the material will make it possible to reveal the time marking of the study of the stylistic specificity
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41

Panteleeva, S. E. "Stylistic variability of the Abashevo ceramics: on the problem statement." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 1(56) (March 21, 2022): 18–30. http://dx.doi.org/10.20874/2071-0437-2022-56-1-2.

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The article presents the results of generalization and systematization of available data on household cera-mics of the Abashevo cultural-historical community. This cultural formation extended through the forest-steppe zone of the European part of Russia from the Don Region to the Trans-Urals. The obtained radiocarbon dates comprise the period of 2200–1800 cal BC. The study is based on published information about collections of 33 settlements located in different parts of the vast Abashevo area. The following set of features was considered for comparison: tempering materials, methods of surface
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42

Kou, Tingting, and Rolan Ambrocio. "Transitional Tones: An Analytical Study of Richard Strauss's Vier Lieder, Op. 27." Highlights in Art and Design 7, no. 1 (2024): 21–23. http://dx.doi.org/10.54097/yywhyb45.

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Richard Strauss's Vier Lieder, Op. 27, composed in 1894, represents a pivotal moment in the composer's stylistic evolution, marking his transition from late Romanticism to early Modernism. This paper offers a detailed analysis of the four songs—Ruhe, meine Seele!, Cäcilie, Heimliche Aufforderung, and Morgen! —focusing on their harmonic, structural, and textual elements. The study examines how Strauss uses chromaticism, formal innovation, and sensitive text setting to convey the emotional depth of the poetry, thereby foreshadowing his later compositional developments. By situating Vier Lieder w
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Hirniak, Sviltana, Olena Kravchenko-Dzondza, Svitlana Lutsiv, Lesia Lehka, and Mykhailo Panochko. "Idiolect – idiostyle – Sociolect: Differentiation and Interrelation of Linguistic Terms." Studies in Media and Communication 10, no. 3 (2022): 92. http://dx.doi.org/10.11114/smc.v10i3.5838.

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The relevance of the study is conditioned upon the importance of distinguishing the concepts of idiolect, idiostyle, and sociolect in linguistic science, understanding the processes occurring at the border of the terminological field, and using psychological, sociological, and communicative aspects to understand the mechanisms of building these concepts. The purpose of the study is a comparative analysis of linguistic terms based on various criteria, in particular the number of communicants (speakers), social marking or neutrality of the lexical layer, the purpose, conditions, and purposes of
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Oladayo, Murana Muniru. "Language and Democracy in Nigeria: A Stylistic Study of Late President Umar Musa Yar’adua’s Inaugural Speech of May 29, 2007." Journal of Linguistics and Communication Studies 2, no. 1 (2023): 15–21. http://dx.doi.org/10.56397/jlcs.2023.03.03.

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Language is central to the activities of politics as it is employed by politicians throughout the world to gain, use, delegate and retain power. In the inauguration of a new president, a requisite component of the rites is the delivery of address marking the formal beginning of a new government. Traditionally, it is a speech marked by its persuasive and commission orientations besides its request for solidarity. This paper attempts a stylistic analysis of President Musa Yar’adua’s inaugural speech of May 29, 2007 for its peculiar appeal at the time of delivery and the trust it gained though th
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45

Borodina, Tatiana Yurievna, and Irina Viktorovna Lysenko. "Demonstrative pronouns ‘this/these’, ‘that/those’ in the dialogical speech of film characters." Philology. Issues of Theory and Practice 16, no. 10 (2023): 3552–59. http://dx.doi.org/10.30853/phil20230547.

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The aim of the study is to determine the functional-semantic features of demonstrative pronouns ‘this/these’ and ‘that/those’ as integral elements of an English-language film dialogue. The work analysed dialogue fragments from modern English-language feature films, in which the ability of demonstrative pronouns to perform the deictic, anaphoric, cataphoric and identifying functions was established. The content of the nominative component of multifunctional demonstrative pronouns and their stylistic marking were determined. The study is novel in that it is the first to analyse speech behaviour
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Шевченко, Лариса, and Дмитро Сизонов. "Electronic Filing System of Language Innovations in Media: Psycholinguistic Metric." PSYCHOLINGUISTICS 26, no. 2 (2019): 358–76. http://dx.doi.org/10.31470/2309-1797-2019-26-2-358-376.

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Objective. The article presents the concept of creating an electronic filing system of language innovations (new vocabulary/phraseology) that updates the material of Ukrainian mass media with great attention to its psycholinguistic and functional-stylistic metric. The complex analysis of the e-filing system, which is based on the dynamics of Ukrainian media communication (2016-2018), is the goal of this study.
 Materials & Methods. An innovative author's methodology «10/10: new contexts / new editions» maximally allows to objectify the obtained results and accurately describe them at
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Sienaert, M. "’n Aspek van intertekstualiteit in die poesie van Breytenbach: Francois Villon en die Middeleeuse Franse literere tradisie." Literator 11, no. 2 (1990): 64–82. http://dx.doi.org/10.4102/lit.v11i2.802.

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Apart from biographical correlations marking the poetry of Breyten Breytenbach and Francois Villon (imprisonment and exile) there is an ongoing intertextual dialogue between the two authors on which this article focusses. Thematic correlations indicate that both oeuvres link up with the age-old literary tradition of the ubi sunt and the danse macabre. Stylistic correlations, such as word-play, the polyvalent nature of the text and the use of paradox as creative principle appear to be symptomatic of the existential insecurity characterizing historically and culturally transitional periods. This
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48

Cameron, Richard. "A community-based test of a linguistic hypothesis." Language in Society 25, no. 1 (1996): 61–111. http://dx.doi.org/10.1017/s0047404500020431.

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ABSTRACTThe Functional Compensation Hypothesis (Hochberg 1986a, b) interprets frequent expression of pronominal subjects as compensation for frequent deletion of agreement marking on finite verbs in Puerto Rican Spanish (PRS). Specifically, this applies to 2sg.túwhere variably deleted word-final -smarks agreement. If the hypothesis is correct, finite verbs with agreement deleted in speech should co-occur more frequently with pronominal subjects than finite verbs with agreement intact. Likewise, social dialects which frequently delete agreement should show higher rates of pronominal expression
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Holliday, Nicole. "Intonation and Referee Design Phenomena in the Narrative Speech of Black/Biracial Men." Journal of English Linguistics 49, no. 3 (2021): 283–304. http://dx.doi.org/10.1177/00754242211024722.

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This study examines how men with one Black parent and one white parent variably construct their racial identities through both linguistic practice and explicit testimonials, with a specific focus on how this construction is realized in narratives about law enforcement. The data consist of interviews with five young men, aged 18-32, in Washington, D.C., and the analysis compares use of intonational phenomena associated with African American Language (AAL) in response to questions about aspects of their racial identities. Declarative intonational phrases from responses to questions were MAE-ToBi
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Vyshenskaya, Yuliya P. "Discursive Aesthetic Impact Strategies in Medieval Literary Texts." RUDN Journal of Language Studies, Semiotics and Semantics 12, no. 1 (2021): 165–84. http://dx.doi.org/10.22363/2313-2299-2021-12-1-165-184.

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The paper deals with the matter investigating the nature of the aesthetic impact of the belles-lettres style being generated within the scope of great transfer from high Middle Ages to the start of Renaissance. In course of the analysis, some traditional ideas and terms adopted in the historical stylistics are used. The mentioned ideas turned up into being during the period of its discrimination from other disciplines of linguistic historical cycle. Acquired linguistic independence charged the ideas with the function of marking the borders between the historical stylistics and other discipline
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