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Rozprawy doktorskie na temat „SUBLIME”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 25 lipca 2025

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1

Lemos, Renata. "De Ars Sublime Infinitis Minimo: sobre o sublime nanotecnológico." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/4372.

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Made available in DSpace on 2016-04-26T18:11:33Z (GMT). No. of bitstreams: 1 Renata Tavares da Silva Lemos.pdf: 2502157 bytes, checksum: dd9593f73582bfe234482fc695bf62c9 (MD5) Previous issue date: 2012-03-26<br>This thesis discusses the contemporary developments of Mario Costa's aesthetics of communication in the context of nanoconvergence (the pervasive process of integration between digital, biological, computational and cognitive interfaces). Nanoconvergence is a historical event similar to the advent of cyberspace, which carries an equivalent potential for disruption. Just as Mario Costa
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Rebuffel, Didier. "Essais sur le sublime : le sublime et la Résolution française." Paris 1, 1986. http://www.theses.fr/1986PA010559.

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Rebuffel, Didier. "Essais sur le sublime le sublime et la Révolution française /." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb376006946.

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Moreno, Anthony. "The Joycean Sublime." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/901.

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The purpose of my thesis is to analyze notions of the sublime in James Joyce’s Ulysses and how the sublime is evoked and presented in Joyce’s work. The present work will examine concepts of the sublime from the Classical and Medieval period, through the Enlightenment, and into the Romantic era to develop my own definition. Placing the sublime in a historical perspective allows me to discover how the sublime is at work through Joyce’s creative use of complex narrative approaches. The beauty of aesthetic perfection was achieved by employing all of Joyce’s artistic faculties. My thesis investigat
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Bruna, Carla. "Sublime, néo-sublime, anti-sublime : le "canon" littéraire italien du XXème siècle dans l'oeuvre critique de Edoardo Sanguineti." Thesis, Université Côte d'Azur, 2020. http://www.theses.fr/2020COAZ2011.

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Le présent travail de recherche, consacré à l’oeuvre critique de Edoardo Sanguineti, porte principalement sur la définition de “canon littéraire italien du XXe siècle” formulée par Sanguineti, et sur les relations entre ce poète et critique littéraire italien et les avant-gardes poétiques du siècle dernier, en rapport avec la question du “sublime” en poésie, ou plutôt de son renversement en fonction d'un thème particulièrement cher à cet écrivain et essayiste politiquement engagé, à savoir celui de la critique de la société bourgeoise. Plus précisément, nous examinons le rôle central que revêt
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Bourrand, Christian. "Wagner et le sublime." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100065.

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Peu d’artistes évoquent autant le sublime que Wagner, lequel, selon Nietzsche ne pouvait « respirer librement que dans le sublime et le supra-sublime ». Pourtant, le sublime wagnérien reste finalement peu analysé, sauf à travers quelques exemples précis.Nous avons donc tenté d’interroger l’ensemble des œuvres lyriques et certains écrits esthétiques de Wagner, pour les confronter à la tradition du sublime et à la philosophie qui s’en réclame. La tradition du sublime nous a donné de précieux éclairages sur la musique et l’action dramatique à partir du sublime poétique chez Longin, du sublime de
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Ventura, Elisabeth. "Le sublime du comédien." Paris 10, 2012. http://www.theses.fr/2012PA100103.

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Sous la figure rhétorique du paradoxe, Diderot fut le premier philosophe à réfléchir sur l’art du comédien dans une perspective esthétique. A sa suite, nous creuserons ce qu’on pourrait appeler « la matière-comédien », en plaçant au centre de notre recherche la question de l’incarnation : le comédien, medium poétique de l’évènement théâtral, sera le sujet de notre étude. Comment façonne-t-il son corps pour le métamorphoser en réceptacle glorieux de l’incarnation du verbe ? Comment le souffle poétique se dépose en lui ? L’art du comédien ouvre immédiatement à une réflexion sur l’omniscience du
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Trémolières, François. "Fénelon et le sublime." Paris 4, 2002. http://www.theses.fr/2002PA040125.

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Fénelon (1651-1715) est l'un des premiers témoins de l'importance nouvelle du sublime, après la traduction par Boileau du Traité du sublime de Longin (1674). Nous avons consacré un premier chapitre à la réception de ses écrits sur la rhétorique : les Dialogues sur l'éloquence, vers 1679, mais parus trois ans après sa mort ; la Lettre à l'Académie, quasi son dernier texte. La lecture des Dialogues (chapitre deux) nous a conduit, par ce qui nous a semblé leur logique propre, à déplacer notre intérêt du côté des écrits philosophiques et théologiques (chapitre trois), avant d'accéder à un deuxième
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Kuffner, Joshua A. "Illuminating the Sublime Ruin." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367941361.

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Lim, Kheng Saik. "Searching for the Sublime." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6108.

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The influential philosophers Edmund Burke and Emmanuel Kant understand the sublime as events and objects that cause an emotional reaction so magnificent that the intellect fails to comprehend it. It is thus deeply felt and experienced but remains undefined and non-understood. Searching for the Sublime is a suite of paintings that seek to respond to these definitions of the sublime. Together they address and evoke themes of mystery, fear, power, and the unknowable through the medium of painting.
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Vernon, Alyss Marie. "Reflecting on the sublime." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2651.

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A place exists where memories and daydreams are allowed to mingle. This place is safe. Away from judgmental eyes. Away from outside influences. This place is safe. Free from the constraints of time and obligation. This place is safe. Attach yourself to this small corner of the world. This is your space, claim this space, for This place is safe.
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12

Stanley, Lawrence K. "Metaphoricity and the sublime moment : studies in some contemparary theories of the sublime." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334881.

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Scalco, Diego. "L’art abstrait et la tradition du sublime : du sublime comme principe de critique d’art." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100143.

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Le présent travail a pour objectif de montrer que les réflexions théoriques et les remarques à caractère technique suscitées au cours de l’histoire par le sublime permettent d’approfondir la question du sens de l’art abstrait. En retour, il vise à tracer les voies par lesquelles l’art abstrait porte à témoigner du sublime, à le penser et à le reconnaître. La relation que l’art abstrait entretient avec la tradition du sublime n’est pas univoque, car certaines parmi ses manifestations tendent à confluer dans la tradition du beau et à renouer avec la pratique de la mímēsis (dont la notion classiq
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14

Pérez, Roger. "The Appearing of the Sublime: the Recovery of the Sublime in Nature through Art." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/119576.

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The Kantian interpretation of the sublime proposes in its assessment a predominant place to the contemplation of nature. Contemporary interpretations, on the other hand, focus their attention upon the capacity of art as a de-structuralizing element, in order to give an account of a historical development of the arts in the way of the sublime. The present paper holds that, since Martin Seel’s Aesthetics of Appearing, it is possible to link both approaches by means of an existential interpretation of the experience of the sublime that stresses the role of time, and thus recovers the experience o
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15

Jorgensen, Darren J. "Science fiction and the sublime." University of Western Australia. English, Communication and Cultural Studies Discipline Group, 2005. http://theses.library.uwa.edu.au/adt-WU2005.0116.

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[Truncated abstract] This thesis makes three assertions. The first is that the sublime is a principal pleasure of science fiction. The second is that the conditions for the emergence of both the sublime and science fiction lie in the modern developments of technology, mass economy and imperialism. Maritime and optical technologies; the imagination that accompanied imperialism; and the influence of capitalism furnished the cognition by which the pleasures of both science fiction and the sublime came into being. The third claim is that a historical conception of the sublime, one that changes ac
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16

Duffy, Cian. "Shelley and the revolutionary sublime /." Cambridge [u.a.] : Cambridge Univ. Press, 2005. http://www.loc.gov/catdir/enhancements/fy0659/2006274988-d.html.

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Duffy, C. "Shelley and the revolutionary sublime." Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.598671.

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The dissertation explores the relationship between the sublime and the revolutionary in Shelley's work. It rejects conventional attempts to locate Shelley's interest in the natural sublime within a perceived movement away from radical empiricism towards an increasingly apolitical philosophical idealism, and disputes the historical validity of reading that interest alongside Immanuel Kant's <I>Critique of Judgement </I>(Leighton, Endo). Shelley's interest in natural grandeur is rather read as an engagement with the eighteenth-century British discourse on the natural sublime. More precisely, the
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18

Barnes, Sara Elizabeth. "Autopsic art : sublime, abject, spectacular." Thesis, Lancaster University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543954.

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曾立存 and Lap-chuen Luther Tsang. "A theory of the sublime." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31232814.

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Lange, Sarah. "In search of the sublime." Honors in the Major Thesis, University of Central Florida, 2003. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/322.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Fine Art
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21

Gallie, Nicholas. "The sublime of climate change." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/76096/.

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The category 'sublime', when applied to the natural world, has long been associated in Western culture, with extremes of vastness and power. When encountered, that which is deemed sublime, by virtue of these qualities, has the effect of overwhelming the mind, such that it is thrown simultaneously into a state of astonishment, admiration and horror. We are both humbled and elevated by what we behold and momentarily struck dumb, such that, in its Kantian formulation, our appreciation of that which we take to be sublime, granted us through the powers of reason, has the effect of ennobling us, as
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Perry, V. J. "Slavery, sugar and the sublime." Thesis, University College London (University of London), 2010. http://discovery.ucl.ac.uk/19501/.

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The study examines the relationship between eighteenth and early nineteenth century British visual culture and the wealth created from slave-trading, Caribbean sugar plantations and the colonial transatlantic trade. Influenced by Edward Said’s Culture and Imperialism - and drawing on the evidence of buildings, landscapes and archives - I demonstrate that imperial links were manifest not only, as Said argues, in British literature, but also explicit in the architecture, interiors and landscapes commissioned by Britain’s eighteenth century elite. But the visual connections between Britain and it
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Waggener, Joshua Alton. "Mendelssohn and the musical sublime." Thesis, Durham University, 2014. http://etheses.dur.ac.uk/10610/.

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How does the aesthetic category of the sublime, in its various formulations from the eighteenth and early-nineteenth centuries, assist in explaining the significance of Felix Mendelssohn and his compositions to English and German audiences in his lifetime and beyond? Due to the conceptual proximity of a number of formulations of the sublime to primary traits of his compositional output, Mendelssohn’s life and work can be understood through the categories of sublime aesthetics. Despite challenges in his reception and complexities in modern scholarship, Mendelssohn’s biography and musical accomp
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Mitrocsak, Nandor. "Death and the sublime landscape." College Park, Md.: University of Maryland, 2008. http://hdl.handle.net/1903/8267.

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Thesis (M.Arch.) -- University of Maryland, College Park, 2008.<br>Thesis research directed by: School of Architecture, Planning and Preservation Architecture. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Buignet, Christine. "Du sublime dans la photographie /." Aix-en-Provence : C. Buignet, 1992. http://catalogue.bnf.fr/ark:/12148/cb370655098.

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Tsang, Lap-chuen Luther. "A theory of the sublime /." [Hong Kong : University of Hong Kong], 1991. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13148412.

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Hull, Gretchen Lindsay. "Hearing the Sublime: Signification of the Sublime in Solo Piano Literature of the Nineteenth Century." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/554587.

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Music Performance<br>D.M.A.<br>Though many philosophers and music theorists have admitted the signification of the sublime in music as a possibility, the nature and mechanism of that signification has not yet been treated at length with a methodology familiar to musicians or native to music theory. Within this dissertation I have conducted a survey of the philosophy of the sublime as understood by Edmund Burke (1729 – 1797), Immanuel Kant (1724 – 1804), Friedrich Schiller (1759 – 1805), and Arthur Schopenhauer (1788 – 1860), with references to other contemporary philosophers and writers. The b
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Cronk, Nicholas. "The classical sublime : Boileau's Traite du sublime in the context of contemporary poetic theory 1650-1720." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305800.

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Saint, Girons Baldine. "Fiat Lux : une philosophie du sublime." Paris 10, 1992. http://www.theses.fr/1992PA100017.

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Avec le sublime surgit une certaine forme de réalité qui nous met en cause en nous éblouissant. Tenter une philosophie du sublime, c'est prétendre construire la définition d'un objet évanescent et rebelle à tout canon, en ressaisir les effets sur un témoin mortifié et rechercher l'enjeu qui lui est alors révélé. Seule, une théorie du risque nous a semblé pouvoir rendre compte à la fois des différentes formes de l'incertitude du sujet, suspendu entre le ravissement et l'angoisse des liens défaits. Le sublime outrepasse la forme, exhibe l'envers caché, brouille les repères et efface les traces d
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Lewis, Mia Pfost. "The anguished "T" : an egotistical sublime? /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p3164524.

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Zhou, Mi. "Sublime noise : reading E.M. Forster musically." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608553.

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Kain, Jacob E. (Jacob Evelyn) 1974. "Sublime endeavours : connecting earth to sky." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/67528.

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Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.<br>Includes bibliographical references (p. 81-83).<br>We live in an era in which we come closer everyday to conquering the elements, to a degree that earlier humans could scarcely dream of. Nearly one hundred years ago, we took to the skies, and learned to fly. Today the act of flight is an everyday experience for most people. Many of us move between the earth and sky without much contemplation. We have come to take the experience of flight for granted, pushed it out of sight and from the senses. There is a p
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Timberlake, John. "The sapphic sublime of Frederick Sommer." Thesis, Goldsmiths College (University of London), 2012. http://research.gold.ac.uk/7902/.

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The central focus of my thesis is the aesthetics of the sublime in the work of Frederick Sommer (1905-1999), beginning with, but extending beyond, an encounter with Sommer’s Arizona landscape photography of the World War II period. Sommer’s oeuvre is notable for its cross disciplinary character, with no single element – photography, collage or drawing (this latter could as easily be described as painting) accorded primacy, and the thesis acknowledges this aspect as central to reading both the works individually and Sommer’s practice collectively. The multifarious aspect of Sommer’s practice ha
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Schimke, Susan M. "The other side of the sublime." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1303312270.

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Molyneux, Joan. "Chance and Serendipity: Locating the Sublime." Thesis, Griffith University, 2010. http://hdl.handle.net/10072/366126.

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This exegesis examines the differences between chance and serendipity in contemporary art, with particular reference to the sublime. I use two major qualitative research strategies to clarify these differences: (1) Fine and Deegan’s (1996) methodology which emphasises the importance of serendipity in research and; (2) case studies with the artists Jackson Pollock and Rebecca Horn, analysed in light of several authors such as Kant and Burke. Data on these themes of chance, serendipity and the sublime has not only been collected from books, archives, published reports, reviews and interviews, bu
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Peyrache-Leborgne, Dominique. "La poétique du sublime de la fin des Lumières au Romantisme : Diderot, Schiller, Wordsworth, Shelley, Hugo, Michelet /." Paris : H. Champion, 1997. http://catalogue.bnf.fr/ark:/12148/cb36171156z.

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Sama, Lindor Sterline. "Le sublime chez Giambattista Vico, de l’esthétique à la politique : sublime, rhétorique et politique dans la philosophie vichienne." Electronic Thesis or Diss., Paris 8, 2020. http://www.theses.fr/2020PA080046.

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L’objectif principal de ce travail est d’analyser les variations du sens du sublime chez Vico et de déterminer comment le sublime comme moment déclencheur de l’andar raccogliendo, l’aller en rassemblant, participe à la fondation de la communauté politique. C’est à partir de l’expérience de la foudre, moment sublime par excellence que commence le long processus de développement de l’esprit des « bestioni » qui erraient dans les grandes forêts postdiluviennes. Par une imagination vigoureuse, ces derniers créent les « universaux fantastiques » ou « caractères poétiques », qui seront leur premier
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Wittenberg, Hermann. "The sublime, imperialism and the African landscape." Thesis, University of the Western Cape, 2004. http://etd.uwc.ac.za/index.php?module=etd&amp.

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In this dissertation the author argued for a postcolonial reading of the sublime that takes into account the racial and gendered underpinnings of Immanuel Kant's and Edmund Burke's classic theories. The thesis used the understanding of the sublime as a lens for an analysis of the cultural politics of landscape in a range of late imperial and early modern texts about Africa. A re-reading of Henry Morton Stanley's central African exploration narratives, John Buchan's African fiction and political writing, and later texts such as Alan Paton's fiction, autobiographies and travel writing, together
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Threapleton, James E. "The corroded surface : portrait of the sublime." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/9193/.

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Derived from the Latin corrodere, meaning to ‘gnaw to pieces’, corrosion as a transformative physical process is nature at its most sublime, engendering fear and power, producing the obscure and reducing form to the darkness ‘beneath all beauty as promise of its ultimate annihilation’ (Beckley, 2001: p. 72). The thesis considers corrosion as subtraction, erasure and negation in relation to the painting process. Through experimentation with the ruination of both content and painting’s plastic, material properties the thesis reflects upon how the disruption or destruction of image and surface mi
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Lagière, Anne. "La Thébaïde de Stace et le sublime." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040140.

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Ce travail vise à porter un nouvel éclairage sur la Thébaïde de Stace en recourant au Traité du Sublime. Celui-Ci constitue un instrument herméneutique contemporain des littératures néronienne et flavienne, libéré des projections de la pensée esthétique moderne, à même de préciser l’univers de l’épopée. Notre étude s’attache d’abord à définir la notion de sublime, telle que la présente le Pseudo-Longin. Elle analyse ensuite l’importance de la passion dans le Traité du Sublime comme dans la Thébaïde et découvre les liens qui unissent les deux oeuvres : une même conception de la création poétiqu
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Mishra, Vijay Chandra. "The Gothic sublime : theory, practice and interpretation." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302854.

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Vella, Raphael. "The unpresentable : artistic biblioclasm and the sublime." Thesis, University of the Arts London, 2006. http://ualresearchonline.arts.ac.uk/7760/.

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This study investigates the destruction of books carried out by artists during the second half of the twentieth century and the early years of the twenty-first century. It proposes the term 'artistic biblioclasm' as a general category that groups these processes together, and distinguishes this category from works of art that also deal with the theme of the book but make use of other media (rather than real books). In my own practice, various biblioclastic processes are applied, documented and then discussed in the thesis. I analyse the aesthetic, political, religious and other implications of
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Stokes, Christopher Richard. "Coleridge and the sublime language, subjectivity, aesthetics." Thesis, University of Sussex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.488570.

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Working from sublimity's contested place in recent thought - critiqued by some as an outmoded desire for transcendence and yet invoked by others as an experience of finitude - this thesis traces types of sublimity in Coleridge's poetry. It contends that he was always drawn to strong, transcendent modes of the sublime, modes associated with the Romantic ideology.
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SILVEIRA, HARRISON. "SUBLIME AND MUSIC IN ADORNO S THOUGHT." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=29501@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>O presente texto propõe verificar o sublime e a música em Adorno. Para tanto, três objetivos centrais serão seguidos. O primeiro visa verificar o surgimento do sublime. De objeto de investigação filosófica do tratado Do Sublime atribuído à Longinus e a posterior tradução, por Boileau, avançaremos para a sua recepção e repercussão na Inglaterra oitocentista, especificamente, Burke. Em seguida, analisaremos o sublime em K
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Charrier, Claire. "Du sublime dans l’œuvre gravé de Rembrandt." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100168/document.

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Très expérimentales, les gravures de Rembrandt ont suscité l’étonnement dès son époque. Les étudier à la lumière de la tradition du sublime aide à dégager la dynamique de la pensée du graveur, tout en offrant à cette tradition l’occasion de se renouveler. Ainsi notre étude confronte l’œuvre gravée de Rembrandt à trois conceptions du sublime. Le sublime poétique de Longin, qui incite le spectateur à cultiver ses dons à l’exemple des héros antiques. Le sublime chrétien comme lien entre l’abaissement du divin et l’élévation de l’homme. Et enfin le sublime du sentiment esthétique de Burke, qui exp
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Preston, Steven (Steven Joseph). "An approach to the sublime of death." Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/57530.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2010.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Cataloged from student submitted PDF version of thesis.<br>Includes bibliographical references (p. 141-144).<br>Death is an unknown and it is final. This makes it sublime. The sublime as an aesthetic category is experienced emotionally as the moral certitude of having embraced the absolute. In that sense, the nervous system is capable of the exact same physi
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Soares, Marcel Santiago. "O sublime ordinário: sublimação, elaboração e cotidiano." Pós-Graduação em Psicologia Social, 2013. https://ri.ufs.br/handle/riufs/5963.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This study looks into how the engagement at some ordinary and everyday s business can be used as a support to a subject change. A new job, needlework, technology interest, gastronomy, sports, gardening, photography, regional dance, recycling, painting, decoration, many others could be used as an example. This is exactly why we avoided to exemplify what we meant by these activities, since each one of these could slip on a determinism that explained the change by particular characteristics of the activity. We do not wish to investiga
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Torres, Tatiane Milene. "Poética de almanaque: paidéia tecedora do sublime." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-14122012-091400/.

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Létude comparatif entre lAlmanaque Brasileiro Garnier, publié entre 1903 et 1914, et lAlmanach Hachette, édité entre 1894 et 1980, cherche corroborer lengendre anuel des cités idéales, Paris et Rio de Janeiro, par lacte poétique recupérateur du Beau, pour la tessiture du Sublime, dans le meilleur des mondes possibles. Cest la fabrication incessante de ce microcosme mystique-poétique qui permet aux lecteurs acquerir une vie protégée des problématiques modernes, puisque dans cette cloche en verre onirique ils subissent une thérapeutique des maux contractés dans la foule caotique environnante, pu
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Lagedrost, Elizabeth T. "Representational Shifts: Sublime Landscapes and American Culture." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243962750.

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McMahon, Cliff Getty. "The sublime in Rothko, Newman and Still." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/11002.

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An important body of literature has accumulated (both primary and secondary sources) which necessitates that Rothko, Newman and Still be placed in the tradition of the sublime. In attempting this task, a background is established by a detailed summary of classical theory of the sublime in Longinus, Burke, Kant, and Nietzsche, followed by detailed summaries of major recent sublimist theory by Weiskel, Crowther, Lyotard, and Ferguson. Also, key ideas of Sartre and Jung are treated in order to round out the proper ideational context for a sublimicist analysis of these three painters. From this fo
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